Bazodee: a state of dizziness or confusion often used with regards to love or infatuation. In other words, caught up in a magical moment. I experienced this last week when I attended the international premier of Bazodee at the Playstation Theater, in the heart of Time’s Square.
Bazodee is a film combining the styles of a Bollywood musical, the American rom-com and the cultural aspects of the Caribbean. Dubbed “Trini-wood” by members of the cast. The story is of Anita Panchouri (Natalie Perera), the dutiful Indian daughter of a deep-in-debt businessman (Kabir Bedi), who is about to marry a family friend and wealthy Londoner (Staz Nair) when a chance encounter with a local singer, Lee de Leon (Soca music star Machel Montano in his film debut) sets things askew. After failing to become internationally known as a musician in London, Lee returns home to Trinidad disheartened. In search of a muse, Lee agrees to perform at the engagement party for both families. Unable to deny their mutual attraction, and with the excitement of Carnival approaching, Anita must now choose between the answer to her family’s financial prayers and the possibility of real love.
Bazodee stars legendary soca and calypso artist Machel Montano, along with internationally acclaimed actor Kabir Bedi, Staz Nair, Natalie Perera, and scene stealers Valmike Rampersad, Cindy F. Daniel and Chris Paul Smith.
Representing the Cambridge Writers’ Workshop (CWW), I stood in line next to Roger Paperno, the director of the music video “I Forget,” one of the original songs written for the film. The line attending the premiere extended to Broadway and down the block. The pre-show reception continued past 7:30pm while people filled the theatre. In attendance were television, print and online media from several South Asian countries as well as from Europe and the US that covered the red carpet as Machel Montano and other main actors arrived.
Susanne Bohnet, CEO of Serafini Pictures and Producer of Bazodee, opened the night with “We at Serafini Pictures, we are here to bring you relevant stories from a view point which has nothing in common with the white supremacy of Hollywood. We believe to honor who we are and to celebrate who we are. Our films will feature in the leading rolls Africans, African Americans, Asians, West Indians, Latinos, the LGBT community and everybody who we feel deserves a strong voice and an authentic viewpoint. Bazodee is a passion project of many; it’s a film we’re very proud of.”
Directed by Todd Kessler, former show runner and a co-creator of Blue’s Clues. The cinematography captured the atmosphere of Carnival and the striking beauty of Trinidad and its people. The film boasts a full cast of people of color. Every actor in Bazodee is authentic, and their actual background is close, if not identical, to the background of the character they are playing. Most of the actors in the film are Trinidadian, which I found refreshing as compared with the standard Hollywood whitewashed rom-coms.
The film was a labor of love that was in development for 10 years. It was written by Claire Ince, who is an alumna of the 2015 Cambridge Writers’ Workshop Spring in Newport, RI Writing Retreat, where she workshopped the script. All of us at the CWW are so proud of her and happy to see such a worthwhile project come to fruition. I, myself am an alumna of the 2016 CWW Spring in Newport Writing Retreat, so it was a unique experience to be able to attend the event as a fellow CWW Newport alumna.
The film is a universal love story, one could say a bit cliché, but set against the backdrop of Carnival on the vivid, colorful islands of Trinidad and Tobago, it becomes fresh. The film’s themes include unity and honesty triumphing in the face of adversity. The story has potential to be a serious drama exploring the struggle of an inter-racial/cultural relationship and the sacrifice Anita experiences for the sake of her family. However, Bazodee has a lightheartedness throughout.
Watching the film, I realized that as an Indigenous woman, I’ve never been in a theater that had an audience almost completely of people of color. It was incredible to witness the audience react to and connect with a film that was made predominantly for them. Sitting in the theater, there was a dialogue between the screen and the people. I believe there is a real sense of freedom when people are able to see themselves represented in media. The small moments of female friendships had the women in the audience cheering. Scenes that were written for the audience were a riot. One man yelled out “informer!” at a confrontational point of the movie.
The on-screen chemistry between Montano and Perera was believable and they looked good together. The most impressive performance was from UK-based Trini actor Valmike Rampersad. His creepy, uptight, lurking, always suspicious character Nikhil provided the gravity and suspense to the film. He was as charming off screen as he was villainous onscreen.
Soca is the heartbeat of the film. The music felt like another character throughout the story. Most of the musical numbers were taken from Montano’s discography reinterpreted and remixed for film. Passionate and beautiful. The film is a good introduction to soca music.
The most obvious flaw in the film was with the editing. There were some continuity issues, and there were points that could have been brought up earlier in the film that would have made the ending more authentic. However, that didn’t stop the film from being entertaining and becoming a valued part of Trinidad’s filmography.
The premiere ended with an after party and special live performance by Machel Montano and Friends. Bazodee opens in movie theaters across the United States on August 5, 2016.
—Anna-Celestrya Carr, CWW Media (Audio/Visual) Development Intern
Cambridge Writers' Workshop 