In Solidarity – From the Cambridge Writers’ Workshop

The Cambridge Writers’ Workshop recognizes that the 2016 election failed to acknowledge climate change, racism and homophobia, and the denial of human rights therein. 2016—encompassing the presidential election, Ohio’s Heartbeat Law, the continued efforts and actions to defund Planned Parenthood and the continued acts of police brutality against people of color, at large and in Standing Rock—was a year of mourning, protesting and solidarity. Now, in 2017, the list of injustices only continues to grow, and Trump’s presidency has only just begun. We will not be complacent.

Today, on the inauguration of President Trump, we mourn for—and protest—the violent manifestations of racism in the United States, as evidenced by the murders of Terrence Crutcher, Khalid Jabara and, still, more. We mourn for—and protest—the Pulse Nightclub Shooting and the continued dehumanization, discrimination and violence against Transgender People and other members of the LGBTQIAP+ community. Considering our VP-Elect, Mike Pence’s  track record of anti-LGBTQIAP+ policies, we are afraid that the progress made for LGBTQIAP+ rights will be stripped away—that those who identify under different sexualities and genders will face discrimination under the guise of “religious freedom.” We are afraid that “law and order,” that vague but governing ethical principle in the United States, will continue to enable devastating acts of violence, particularly against people of color.

We mourn for—and protest—the minimization of climate change throughout the 2016 presidential election, both in debates and beyond to news and media coverage, as well as the devastation we have brought upon our earth and, most recently, made manifest in Hurricane Matthew and continued drought in California. We mourn for—and protest—the continued pollution of water in Flint, Michigan and the proposed Dakota Access Pipeline and its inevitable contribution to the wreckage of our earth, as well as its denial of the rights of those at Standing Rock, and the implications of the American attitude towards Native peoples therein. We understand, too, that climate change’s devastation extends beyond the United States. We won’t let the Trump deny the grave manifestations of climate change. We protest our nation’s “collective cowardice,” per Kerry Emanuel. We at the Cambridge Writers’ Workshop will do our part to support environmental organizations to ensure our concerns take constructive shape.

Similarly, the Cambridge Writers’ Workshop rejects the rise of hate crimes in the wake of the presidential election. We find it extremely disturbing that swastikas are appearing across the country and hateful acts are being committed in the name of President Trump.  Even if Trump does not openly condone these acts, the language and policies of his campaign have paved the way for racism, misogyny, anti-Semitism, and biased behavior to become disturbingly normalized.  Trump is the first president to be endorsed by the KKK, and neo-Nazis, white supremacists and members of the alt-right have all praised him.  Many supporters of Trump would change his slogan, “Make America Great Again” to “Make America White Again.” With the appointment of people like Stephen Bannon, formerly of the white supremacist Breitbart News, to Trump’s cabinet, people are realizing that the President Elect is surrounding himself with a team of people who have a history of supporting white supremacist politics.

The Cambridge Writers’ Workshop is a sanctuary organization that is actively anti-bias and does not discriminate against members of our community based on race, gender, sexual orientation, creed, or ethnic background.

The Cambridge Writers’ Workshop will not turn away from combating climate change, racism and homophobia, and will engage in meaningful conversation with our peers to ensure that continued awareness and action persists.

We believe in art and provocation that crosses borders and challenges institutions.  Each writer, each instructor, each visionary, and each provocateur, who walks through our doors, creates, interrogates, and redefines the culture in which we live.  Our goal is to make America queer, female, multi-ethnic, immigrant, undocumented, multilingual, multicultural, heterodox, unafraid, self-aware, nonviolent, secular, and communal.  As writers, our goal is make America a welcoming, self-reflective, and dynamic location of culture. As an organization with queer, female, immigrant, multicultural and multilingual members, we welcome and accept those of different creeds and ways of life and aesthetics. We welcome and encourage all writers to express themselves through art and their unique narratives, to move culture forward just a little bit, and to be a part of the Cambridge Writers’ Workshop.

Signed,

Cambridge Writers’ Workshop
Diana Norma Szokolyai, Artistic Director
Rita Banerjee, Creative Director
Emily Smith, Programming and Arts Manager
Alexander Carrigan, Managing Editorial and PR Intern
Anne Malin Ringwalt, Programming and Development Intern
Anna-Celestrya Carr, Media Development Intern
Shannon Sawyer, Media Arts Intern

January 20, 2017

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All Songs Considered: Poet & CWW Intern AM Ringwalt’s Folk Duo Fawn feat. on NPR

AM Ringwalt, our Programming & Development intern, saw her folk duo’s debut music video premiere on NPR’s All Songs Considered this morning.

Ringwalt and her partner Will Johnson, also known as Fawn, were described as “only 21-years old but [they] sound like they’ve been making music together for decades.” NPR’s Anna Marketti notes the video’s “recurring themes of religion, relationships, trauma, and tradition.”

The music video for “Good Earth” was largely a collaboration with Ringwalt’s peers from Emerson College, namely Nydia Hartono, Ariana Anderson, Hunter Dimin and Saoli Nash.

Fawn’s debut EP, “Neither Dog  Nor Car,” is available on their Bandcamp. Be sure to see them live at CWW Presents from 7-10 pm on Friday February 3, 2017 at Boston’s Church of the Covenant.  Tickets can be purchased for CWW Presents: Faun in Boston on Eventbrite.

Happy New Year 2017! -♥️- Cambridge Writers’ Workshop

happynewyear2017-cwwHappy New Year 2017 from the directors, staff, and board of the Cambridge Writers’ Workshop!  We hope you’re all as excited for 2017 as we are!  We’re planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we’re looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2017!

The Cambridge Writers’ Workshop had a wonderful year in 2016.  Over the last twelve months, we’ve had a chance to hold retreats and readings across America and the world, meet exciting writers and artists, and have found new ways to inspire our own writing.  Our year began with  the 2016 Association of Writers and Writing Programs Conference in Los Angeles, California. At AWP 2016, we got a chance to promote CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, advertise our new literary internships, and discuss our Summer Writing Retreats in Granada, Spain, Barcelona, Spain, and Narbonne, France, as well as our Spring Writing Retreat in Newport, Rhode Island. We also hosted our third AWP event at Sabor y Cultura. At our event, there were featured readings from authors such as Rita BanerjeeJess BurnquistJulialicia CaseAriana KellyGwen E. KirbyKatie KnollEllaraine LockieOndrej PazdirekHeather Aimee O’NeillBrenda Peynado, Esther Pfaff, Jessica PiazzaJonathan ShapiroEmily Skaja, and Emily Smith.

After AWP 2016, we were off to our second annual Spring Writing Retreat in Newport, Rhode Island. We were joined by award-winning and internationally-renowned authors such as Jade SylvanDiana Norma Szokolyai, and CWW yoga instructor Elissa Lewis. The event was a chance for writers to spend a long weekend in historic Newport and near the beach, participating in writing workshops (such as Sylvan’s workshops on “writing yourself naked”) and craft of writing seminars, yoga classes, and cultural tours of the historic Newport village. We live blogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.

During the summer we hosted our Summer in Granada and Summer in Barcelona and Narbonne Writing Retreats. In Barcelona and Narbonne, we explored the cities and all of their historical, literary, and romantic charm. The retreat included craft of writing seminars and creative writing workshops, literary tours of the cities, and one-on-one manuscript consultations. We were also joined by writer and professor Bret Anthony Johnston and literary editor Heidi Pitlor. CWW directors Rita Banerjee and Diana Norma Szokolyai taught workshops on spacial poetics and world building, and also led workshops for participants to share their work and use the Liz Lerman method for critiquing writing. We live blogged our retreat on our website, so be sure to check out the sights and classes from our trip. We were really happy to experience this with all of our participants, who traveled from all over to come write and explore these cities with us.

In Granada, wrote in the city’s winding streets, absorbed its Moorish history, and were inspired by its evocative landscapes. The retreat included craft of writing seminars and writing workshops and yoga classes. We were joined by novelist Alexander Chee and poet and activist Frederick-Douglas Knowles II, who taught classes on historical fiction and hip-hop and poetry, respectively. Rita Banerjee led workshops on narrative stakes and emotion and suspense. We also live blogged this trip, so you can see all the exciting things we did on this trip.

We also hosted creative writing workshops and craft of writing seminars at The Cambridge Center for Adult Education throughout the fall. In addition to Rita Banerjee and Diana Norma Szokolyai, we were joined by Jade Sylvan and Cambridge writer Laura van den Berg for creative writing workshops and craft of writing seminars every other weekend in Cambridge, MA. This is something we hope to repeat this year, and we hope we can bring in new faculty and participants as well.

We hosted a Brooklyn Bookend Reading at Molasses Books during The Brooklyn Book Festival. Some of the writers had emerged onto the literary scene with a bang, while others had recently published their first or second books, and had received prestigious awards in the past. The event featured Stephen AubreyRita BanerjeeMadeleine BarnesEllaraine LockieBen PeaseAnne Malin Ringwalt, Kate McMahon, Emily SmithBianca Stone, and Diana Norma Szokolyai, along with a beautiful interludes of music from accomplished songwriters Erica Buettner and Elizabeth Devlin.

We also hosted a literary crawl event during Lit Crawl NYC 2016. Our Literary Vaudeville event featured performances and readings from Rita Banerjee, Diana Norma Szokolyai, Megan Fernandes, Claire Ince, Emily Smith, Christina M. Rau, and Frederick-Douglass Knowles II.

In 2016, we welcomed our second round of interns to the Cambridge Writers’ Workshop, and these interns include the wonderful AM Ringwalt, Anna-Celestrya Carr, Erynn Porter, and Shannon Sawyer, all of whom have helped the CWW greatly this year. They’ve helped manage our social media and written up posts about our events, shown their talent for graphic design, grant writing, audio/visual media development and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year.  We’re excited to have, on our team, and we can’t wait to show you what they’ve helped us plan for 2016!

* * *

While 2016 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Washington DC from February 8-February 10, 2017, and will be announcing our AWP Reading in downtown Los Angeles shortly!

neworleans2017posterwcThe Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.

portland2017posterThe Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

granada2017posterAnd the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

We hope you are all as excited for our 2017 events as we are. If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org.  You can also follow us on FacebookTumblr, and Twitter for more information and updates on any of these events. We look forward to making 2017 a year full of creativity, writing, and renewal, so join us as we make 2017 rock!

— Alex Carrigan, CWW Managing Intern

CWW is Looking for a Graphic Design Intern

Graphic Design Internship

Hours: 5-10 hours per week (NYC or remote commuting)
Duration: 1 year (renewable)
Deadline & Guidelines: Applications are due January 18, 2017. Submit a cover letter, resume and portfolio online to cww.submittable.com.

The Cambridge Writers’ Workshop, Inc. seeks interns for our creative media team.

Responsibilities include:

  • Attending regular meetings with the executive board
  • Designing clear and engaging graphic communications for print and web. This will include logos, branded promotional items, web site and social media graphics, posters, flyers, and other marketing materials as needed
  • Basic HTML coding
  • Researching creative inspiration
  • Reading and following art and design news

Ideal candidates:

  • Proficient in Adobe Creative Suite (Photoshop and InDesign)
  • Basic knowledge of HTML
  • Knowledge of Illustrator
  • Experience producing content on a timely basis
  • Possess energy, enthusiasm, sense of humor, people skills, creativity
  • Have organizational skills, strict attention to detail, & ability to meet deadlines
  • Interest or experience in publishing

Address the following questions in your cover letter:

  1. What makes you excited about interning with the Cambridge Writers’ Workshop?
  2. How will your skills help us as an organization?
  3. What skills do you hope to gain from your experience with the Cambridge Writers’ Workshop?

Please also include a portfolio with 3-5 posters, flyers or other marketing material samples you have previously completed.

apply

* This is an unpaid internship but course credit or Federal Work Study hours and course credit may apply.  Please inquire about details at directors@cambridgewritersworkshop.org

Spring in Portland Nonfiction Instructor Kerry Cohen interviewed in The Rumpus

248805_10151226450150275_1173794691_nFollowing the publication of Girl Trouble: An Illustrated Memoir, Kerry Cohen, faculty member for our Spring in Portland Writing Retreat (April 22-24, 2017), sat down to discuss the craft of memoir with The Rumpus. Read an excerpt below, or read the full interview here.

“When I interviewed memoirists for my book about writing about others, Kim Barnes said that whatever we write in memoir becomes the truth. Other people start remembering it that way, even though it’s your memories, not theirs. She said it as a warning. That stays with me now as I write memoir. Writing memoir is a huge responsibility!”

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

Applications for Cambridge Writers’ Workshop Spring & Summer 2017 Retreats Open!

The Cambridge Writers’ Workshop is delighted to announce our upcoming Spring and Summer 2017 Writing Retreats.

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

granada2017poster

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.

Writers are welcome to register for all retreats at cww.submittable.com by the early deadline of February 15, 2017!

applyDeadline: February 15, 2017

Rita Banerjee’s essay, “Emotion and Suspense: The Essence of Rasa Theory,” now available in Poets & Writers Magazine

Rita Banerjee‘s essay, “Emotion and Suspense: The Essence of Rasa Theory” now appears in the January/February 2017 Inspiration Issue of Poets & Writers Magazine.  An excerpt from the article follows below:

“Rasa theory centers on taste. Not taste in the sense of sophistication or composure or discernment. Not taste in the sense of good or bad. But taste in its most primal, animalistic, emotive, and provocative form.

Rasa is what happens to you, spectator, reader, part-time lover, when you watch or read a work of art with intensity. Rasa is the flavor of the art experience. It is the feeling produced in the viewer when a work of art is at its most potent and devastating form. Rasa is the immediate, unfettered emotional reaction produced in the spectator when a work of art has left her breathless or yearning for more. Rasa means to savor, to bring a work of art within the body, to let words linger on the tongue. Rasa is a shot to the heart, it’s a festering wound, it’s the mind at unrest, and it is nobody’s captive. It can be dangerous. It can be pleasurable. A visceral form of taste, rasa tends to resist cultivation and containment. Rasa is what happens to you when you find yourself spellbound and alone, and completely enraptured by a work of art for just a moment. It’s where the emotional, narrative, and lyrical landscape of a work washes over, prickles, or consumes you. It’s the moment where you loose yourself and loosen, and find in your body the first stirrings of emotion…”

To read the full article, please check your local bookstores for the current issue of Poets & Writers Magazine or visit Poets & Writers here.

New Faculty Announced for the Cambridge Writers’ Workshop

The Cambridge Writers’ Workshop is delighted to announce our new faculty members for our upcoming Spring and Summer 2017 Writing Retreats.  The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

Writers are welcome to register for all retreats at cww.submittable.com by the early deadline of February 15, 2017!  We are delighted to work with a talented group of poets, playwrights, essayists, and fiction writers during our Spring and Summer 2017 Writing Retreats.  Please give a warm welcome to our new faculty!

dipikaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Award with the Lark Play Development Center, A Room of Her Own and the Hedgebrook Women Playwrights Festival. Her plays include  The Art of Gaman (Berkeley Rep Ground Floor ’16, KILROYS LIST ’16, Relentless Award Semi-Finalist), I Enter the Valley (Theatreworks New Play Festival ’16, Southern Rep New Play Festival‘16), Mechanics of Love (Crowded Fire Theatre, Upcoming: Two by For, NYC) and Blown Youth (Wallflower Theatricals, UK). She is currently working on Yoga Play, a commission for South Coast Repertory Theatre, a translation of Merry Wives of Windsor for Oregon Shakespeare Festival’s PlayOn Project and a play for the McCarter Theatre’s Princeton Slavery Project. Most recently her work has been developed at Playwrights Horizons, Rattlestick Playwrights Theatre, Roundabout Underground, McCarter Theatre’s Sallie B. Goodman Residency, New Georges, Shotgun Players, the Sam French Off Off Broadway Short Play Festival, Southern Rep, 24 Hour Plays on Broadway and the Magic Theatre amongst others. Dipika is currently a visiting artist at the Schell Center for International Human Rights at Yale Law School and a resident playwright at the Playwrights Foundation. MFA: Yale School of Drama under Paula Vogel.  Dipika will be a Hodder Fellow in Playwrighting at Princeton University from 2017-2018.

emilynemens2

Emily Nemens is coeditor and prose editor of The Southern Review, a literary quarterly published at Louisiana State University in Baton Rouge. Her editorial work has been featured in Writer’s Digest, draft: a journal of process, and on LeanIn.org, and her selections from The Southern Review have recently appeared in Best Mystery Writing 2016 and Best American Nonrequired Reading 2015. She studied art history and studio art at Brown University, and before moving to Louisiana to pursue an MFA in creative writing at LSU, she lived in Brooklyn and worked in editorial capacities at the Metropolitan Museum of Art and the Center for Architecture. Alongside her editorial work, Emily maintains active writing and illustration practices. Her fiction and essays have recently appeared in The Gettysburg Review, The Los Angeles Review of Books, and n+1, and she is working on a linked story collection about spring training baseball. As an illustrator she’s collaborated with Harvey Pekar on a Studs Terkel anthology, painted miniature portraits of all the women in Congress, and recently published her first New Yorker cartoon. Follow her at @emilynemens.

adamsextonAdam Reid Sexton
teaches writing at Yale University, where he is a Lecturer in the English Department, a Critic on the faculty of Yale’s School of Art, and a Silliman Residential College Fellow.  He has taught writing at Columbia University and the New School, and he has lectured at the Folger Shakespeare Library, the University of Pennsylvania’s Kelly Writers House, and the University of Alabama, where he delivered the Hudson Strode Lecture in the Age of Shakespeare.  Sexton is the author of Master Class in Fiction Writing: Techniques from Austen, Hemingway and Other Greats, and with a team of graphic artists, he has adapted four of Shakespeare’s tragedies as manga (Japanese-style graphic novels).  His anthology Rap on Rap was acquired by Harvard’s W.E.B. Dubois Institute for African and African American Research, while Desperately Seeking Madonna is in the Rock & Roll Hall of Fame Library and Archive.  Sexton’s fiction, essays, and reviews have been published in the Bellevue Literary Review, the Mississippi Review, and Off Assignment, as well as the Boston Phoenix, the New York Times, and the Village Voice.  For four years Sexton curated a reading series at KGB Bar in New York City.  He has been interviewed on writing and literature by the New York Times, the Washington Post, Time, and npr.com, and one of his classes was broadcast on BBC Radio.

kerrycohen
Kerry Cohen
is the author of 10 books, including the bestselling Loose Girl: A Memoir of Promiscuity and Girl Trouble: An Illustrated Memoir, her most recent book, which came out October 2016. Kerry is faculty at the Red Earth Low Residency MFA program and is a practicing counselor. She lives with her family in Portland, Oregon.

 

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

Alexandria-Marzano-Lesnevich_MACD-15-201_414

Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, is forthcoming from Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.

Managing Editorial & Communications Intern Emily Smith Promoted to Programming & Arts Manager

eb8tc9The Cambridge Writers’ Workshop is delighted to announce the promotion of Emily Smith to Programming & Arts Manager. Emily joined the company two years ago and has previously served as the Managing Editorial & Communications Intern. Now, Emily will work closely with the directors and aid in the implementation of CWW’s programming such as retreats, workshops, and readings.

Please join us in congratulating Emily!

Emily Smith is the Programming & Arts Manager for the Cambridge Writers’ Workshop and a Contributing Blogger for Ploughshares. Originally from Sarasota, Florida, she holds a B.F.A. in Creative Writing from New Hampshire Institute of Art. Her work has appeared or is forthcoming in The Rumpus, Brooklyn MagazineBustle, Brevity, Luna Luna and others.

Happy Thanksgiving from the Cambridge Writers’ Workshop

thanksgiving

We here at the Cambridge Writers’ Workshop would like to wish you all a Happy Thanksgiving. We hope you are enjoying this day with your family and loved ones. We would like to express our thanks to those who have supported the Cambridge Writers’ Workshop this year, from our retreat participants to our faculty to those who attended our readings and workshops. We hope you continue to support us in the next year, and we hope we can continue to help you with all of your creative endeavors.