Cambridge Writers’ Workshop presents Disobedient Futures – A Split This Rock Festival Reading – Friday, April 20, 2018

Disobediant_Futures_Reading-updatedIn honor of the Split This Rock Poetry Festival: Poems of Provocation and Witness (April 19-21, 2018), the Cambridge Writers’ Workshop will be hosting its reading Disobedient Futures at the Colony Club in Washington D.C. this Friday, April 20, 2018 from 5:30 pm – 7:30 pm.  Disobedient Futures will feature readings from Rita BanerjeeAlex CarriganMarlena Chertock, and Christina M. Rau .

To get to the reading at the Colony Club, please take the Green line Metro towards Greenbelt and exit at the Columbia Heights Station, then walk to 3118 Georgia Ave NW, Washington DC 20010.

Featured Readers:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently an associate editor with the American Correctional Association. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Poictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Marlena Chertock has two books of poetry, Crumb-sized (Unnamed Press, 2017) and On that one-way trip to Mars (Bottlecap Press, 2016). She lives in Washington, D.C. and uses her skeletal dysplasia and chronic pain as a bridge to scientific poetry. Her poems and short stories have appeared in Breath & Shadow, The Deaf Poets Society, Noble/Gas Quarterly, Paper Darts, Rogue Agent, Wordgathering, and more. Marlena often moderates or speaks on panels at literary conferences and festivals. She serves as the Communications Coordinator for the LGBTQ Writers Caucus. Find her on Twitter at @mchertock.

Christina M. Rau is the author of the sci-fi fem poetry collection, Liberating The Astronauts (Aqueduct Press, 2017), and the chapbooks WakeBreatheMove (Finishing Line Press, 2015) and For The Girls, I (Dancing Girl Press, 2014). Her poetry has also appeared on gallery walls in The Ekphrastic Poster Show, on car magnets for The Living Poetry Project, and in various literary journals both online and in print. She is the founder of the Long Island reading circuit, Poets In Nassau, and has read and run workshops for various community groups nationwide. She teaches English and Creative Writing at Nassau Community College where she also serves as Poetry Editor for The Nassau Review. In her non-writing life, she teaches yoga occasionally and line dances on other occasions.

Our readers Rita BanerjeeMarlena Chertock, and Christina M. Rau will also be hosting a panel during Split This Rock, entitled Fantasy As Reality: Activism & Catharsis in Speculative Writing,” which will be held at National Housing Center Room B (1201 15th Street NW, Washington, DC 20005) on Saturday, April 21 from 9-10:30 am. The Fantasy As Reality is described below:

“This panel will demonstrate how non-realist poems and prose can offer a space for political critique and empowerment. We will ask audience members about their own speculative writing and reading experiences and offer prompts to those who wish to work on similar future writing. Speculative and science fiction are often stereotyped as futuristic, extraterrestrial, and fantastical romps through universes using space travel, time travel, and super-advanced technology centered on white cis males. However, women, non-binary, and activist writers of speculative literature are purposefully subverting this stereotype, diversifying and owning the fantastical worlds that they imagine. Speculative literature, at its core, is about giving voice to ‘The Other.’ Speculative writing, in prose or poetry, focuses on not only imagined realities of the future, past, and present but also gives voice to bodies and individuals who are disabled, alien, marginalized, menial workers, and other traditionally neglected voices. Sci-fi and fantasy characters and voices can—and should—represent the underrepresented to create a sense of community as well as to challenge injustices in our real world.”

We hope to see you at some of our events at Split This Rock !

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Congratulations to Emily Nemens, our 2017 CWW Spring in New Orleans Writing Instructor, for her appointment as Editor of The Paris Review

The Cambridge Writers’ Workshop would like to give a hearty congratulations and three cheers to Emily Nemens, co-editor of The Southern Review, and our 2017 Spring in New Orleans Writing Retreat Instructor, for her new appointment as Editor of The Paris Review.  On Ms. Nemens’s appointment, The New York Times writes:

Emily Nemens, a co-editor of The Southern Review, seems agnostic and omnivorous when it comes to narrative mediums. In addition to publishing poetry, fiction and essays, she is a prolific illustrator who has amassed a large following on Tumblr for her watercolor portraits of women serving in Congress.

She will now take on a more prominent role in American letters. On Thursday, she was named the new editor of The Paris Review, one of the most prestigious literary magazines in the United States.

Ms. Nemens, who lives in Baton Rouge, La., and has been a co-editor of The Southern Review since 2013.

“Her literary tastes, her accomplishments, the combination of her work ethic and her sense of collaboration — both with her writers and her staff — make her a really unique package of talent,” said Akash Shah, a Paris Review board member who led the search for a new editor. “This is someone who is on a steep trajectory, and The Paris Review is going to benefit from that.”

Ms. Nemens’s eclectic taste and creative ambitions proved to be a draw for the Paris Review board, which chose Ms. Nemens over a pool of candidates better known in New York’s literary circles. Ms. Nemens will begin her new job on June 1.

Read the full New York Times article on Emily Nemens here.  Our warm congratulations to Emily Nemens on her new position, and best wishes for much continued success!

Echo in Four Beats Launch Party at the Weehawken Writers and Artists Studio! Sunday, April 8, 6-9 pm

Sunday, April 8 * 6-9 pm
Weehawken Writers & Artists Studio
10 Louisa Pl.,
Weehawken, NJ 07086

Admission: Free

The Weehawken Writers & Artists Studio is delighted to host the launch party of Rita Banerjee’s debut poetry collection Echo in Four Beats !

Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats . But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats. Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Book Prize, the Aquarius Press/Willow Books Literature Award, was released by Finishing Line Press this March!

Books will be be available for purchase and signing by Rita!
Readings by: Rita BanerjeeDallas Athent , Jonah Kruvant, and more!

About the Authors:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Dallas Athent is an art reviewer for At Large Magazine, a board member of Nomadic Press and the editor of the short story collection, Bushwick Nightz. Her writing has appeared in Buzzfeed CommunityPACKET Bi-WeeklyPANK MagazineVIDA Reports from the FieldBUST Magazine, Yes Poetry & more.  She has been an editor for Bushwick Daily and Luna Luna Magazine. Her work has been profiled in Bedford + Bowery of New York Magazine, Brooklyn Based, Brooklyn Magazine, Papermag among others.

A writer, teacher, and student of the world, Jonah Kruvant received his Bachelor’s degree from Skidmore College, his Master’s degree in Teaching from Fordham University, and his MFA degree from Goddard College.  After living abroad in four different countries, Jonah moved back to his native New Jersey, where he wrote The Last Book Ever Written, published by PanAm Books in April, 2015. His work has appeared in Digital Americana, Bewildering Stories, Fiction on the Web, On the Verge, the Scarlet Leaf Review, and LIMN Literary and Arts Journal. He currently lives in Jersey City.

Literary Manifestos and What’s at Stake Workshop at the Weehawken Writers and Artists Studio – April 8, 2-4 pm

Literary Manifestos & What’s at Stake Workshop
Sunday, April 8 * 2-4 pm * Admission: $30

Weehawken Writers & Artists Studio
10 Louisa Pl., Weehawken, NJ 07086

The Weehawken Writers & Artists Studio is delighted to host a creative writing workshop on  Literary Manifestos & What’s at Stake Workshop!  To sign-up for the workshop, please register on Meetup.com!

CREDO. I believe. No other statement is so full of intent and subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting oneself on the front line. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto. In this creative writing workshop, writers will get a chance to create their own literary manifestos and discuss what’s at stake in their own writing, art, and craft. We will read literary manifestos and poetry from writers such as Allen Ginsberg, Sunil Gangopadhyay, Amiri Baraka, and Bianca Stone, and will explore how writers and readers become more invested in a work of writing, its performance, and its narrative by raising the stakes.

About the Instructor:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Visiting Writer Rita Banerjee reads at the New Hampshire Institute of Art this Week!

The Cambridge Writers’ Workshop’s Executive Creative Director Rita Banerjee will be a Visiting Writer at the New Hampshire Institute of Art this Spring.  She will be lecturing and giving workshops on topics such as “Rasa: Emotion and Suspense in Theatre, Poetry, and (Non)Fiction,” “Poetry and What’s at Stake,” and “Revising, Pitching, and Publishing” at NHIA on Tuesday, March 27.  In addition, she will be holding a discussion with Ayris editors and staff on Tuesday, March 27.  Rita Banerjee will also be reading from her debut poetry collection Echo in Four Beats at the French Hall Rotunda at NHIA from 5:30-7:30 pm on Tuesday, March 27, 2018.  The poetry reading and Q&A for Echo in Four Beats is free and open to the public.

Earlier this week, Rita Banerjee’s poetry debut Echo in Four Beats was featured on New Hampshire Weekly’s The Hippo.  In the article, entitled “Echo Speaks,” journalist Angie Sykeny interviews Rita Banerjee about her new collection of poems, and discusses gender roles, feminism, and speech acts with the author.  Here’s a short excerpt from the interview below:

The New Hampshire Institute of Art in Manchester welcomes a special guest writer, Rita Banerjee, on Tuesday, March 27, for a reading, signing and discussion of her debut collection of poetry, Echo in Four Beats, released earlier this month.

What is the idea behind Echo in Four Beats? 
It dreams of a common language. What happens when people from different backgrounds and places of power, with different ideas of masculinity and femininity, come together … and figure out how to connect, despite language barriers, and despite defined roles? How do they find ways to support that female agency and the female gaze? 

What would you like readers to take away from Echo in Four Beats?
I would like readers to kind of interrogate their own power and find where and how they can express their own voice. It doesn’t have to be in proper English to express ourselves and our complicated identities in an honored form. I hope people will read [the poems] and be able to relate, but I hope it also invites response, and that they will try to express themselves in that form. 

And you can read “Echo Speaks” on The Hippo here.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing  (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig Maximilian University of Munich in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Nominate CREDO and the Cambridge Writers’ Workshop for the 2018 Saboteur Awards!

Nominations are now open for the 2018 Saboteur Awards sponsored by Sabotage Reviews!  Voting takes place here: https://form.jotformeu.com/80625273550353

And we encourage our readers and writers to nominate CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing for Best Anthology and the Cambridge Writers’ Workshop for Best Wildcard. Sabotage Reviews was founded in 2010 by Claire Trévien to “provide dynamic commentary and reviews of small-scale and ephemeral literature” with a focus on independent and small presses.

CREDO is edited by writers and CWW co-directors Rita Banerjee and Diana Norma Szokolyai and assistant editors Alexander Carrigan and Megan Jeanine Tilley. CREDO advocates for the empowerment of female, LGBTQ+, and other marginalized literary voices, with essays and manifestos that cover a wide range of subjects, including transgender poetics, world literature and aesthetics, collage and appropriation, and the politics of place. By presenting a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises, CREDO bridges the theoretical, political, and aesthetic perspectives on contemporary writing with practical and accessible writing advice.

In the manifestos, “One Memoir” and “The Body of a Poem,” we hear from the strong voices of LGBTQ+ icons Jade Sylvan and Stephanie Burt, respectively. Also from the manifestos section, David Shields declares, “I want work that, possessing as thin a membrane as possible between life and art, foregrounds the question of how the writer solves being alive. A book should either allow us to escape existence or teach us how to endure it.” Nell Irvin Painter inspires us and reminds us of the commitment it takes to dedicate our time to creating art. And Matthew Zapruder’s piece “Holding a Paper Clip in the Dark” is exquisite and hopeful, as Zapruder speaks directly to the reader, with an encouraging and inviting tone: “What do I want? I want you (reader) to look at these poems as places that feel to me private to my own experience, yet also common to all of our experiences.”

We feel that CREDO is unique in how it bridges the philosophical with the practical act of writing and also how it gives voice to established and emerging writings speaking from a variety of perspectives. CREDO is a reflection of the Cambridge Writers’ Workshop’s desire to foster artistic communities and encourage creative expression in an all-inclusive environment. Since 2008 the CWW has been open to all emerging and established writers in Cambridge, MA and beyond.

Nominations close March 31, 2018! So please vote here: https://form.jotformeu.com/80625273550353  

Thank you so much for your support and being a part of our community!

Apply to the Cambridge Writers’ Workshop Spring in New Orleans (April 13-16) Writing Retreat by March 20!

Apply to the Cambridge Writers’ Workshop Spring in New Orleans (April 13-16, 2018) Writing Retreat by March 20, 2018 on cww.submmittable.com!  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind experience for writers.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.

The faculty includes award-winning writers & a top NYC literary agent: Rita BanerjeeDiana Norma Szokolyai, and Natalie Kimber. All genres welcome. Genres include playwriting, nonfiction, fiction, and poetry. The cost of the retreat is $1200, which includes tuition, lodging, and some meals.

If you’d like to join us in NOLA, please apply by March 20, 2018 by submitting 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $10 application fee, a cover letter, and references at cww.submittable.com. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact Information (Email, Address, Phone)
3. Age & Nationality
4. Prior Workshop Experience and Publications
5. Creative Writing Goals for the Retreat
6. Short One-paragraph Biography
7. Contact info of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are encouraged. Applications are due March 20, 2018.

apply

Deadline: March 20, 2018

Schedule of Classes:

Featured Faculty:

Natalie Kimber is an Associate Literary Agent at The Rights Factory, and started her career in publishing as an assistant to Muriel Nellis at Literary and Creative Artists Inc., and later worked at Georgetown University’s Booklab, where she developed academic and trade book proposals, fiction titles, and edited books for New Academia PublishingShe joined with The Rights Factory in 2014, helping the Toronto based agency expand its operations in New York.  She represents a wide array of writers in the adult trade fiction and nonfiction space, and particularly favors books that showcase truly creative writing and books that unveil meaningful new ways to see the world and ourselves in it. She currently lives in Weehawken, NJ, overlooking the Hudson River and Manhattan, where she founded the Weehawken Writers and Artists Studio with a view to help creatives of all kinds collaborate, learn, and share their creative process through workshops and events.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing  (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig Maximilian University of Munich in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).  Diana Norma Szokolyai is represented by Nat Kimber (The Rights Factory).

FAQ:

What happens after I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. This amount is non-refundable. The remainder of tuition will be due by March 15, 2018. Our standard and preferred method of payment is PayPal invoice. You can also mail us a check.

What is included in tuition?

  • creative writing workshops
  • craft of writing seminars
  • lodging in NOLA
  • breakfasts & some other meals
  • walking tour of downtown New Orleans and Cafe du Monde

I’m local to New Orleans. Is there a tuition only option?

Yes. The tuition-only option is $675.  For more information, please inquire at info@cambridgewritersworkshop.org.

What are accommodations like?

During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Writers will be staying at our retreat house and at a hotel nearby.  Rooms at the retreat house will be provided to early registrants first.

 

Application Deadlines for Cambridge Writers’ Workshop Writing Retreats in New Orleans, Paris, and Granada Approaching!

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from April 13-16, 2018. Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers and literary agent Rita BanerjeeDiana Norma Szokolyai, and Natalie Kimber. There will one-on-one consultations with our literary agent, and workshop genres include nonfiction, fiction, and poetry. If you’d like to join us in New Orleans, please apply online at cww.submittable.com by March 20, 2018.

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place from July 25-30, 2018.  Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.  Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris!   The faculty includes award-winning writers Kathleen Spivack, Kristina Marie DarlingRita Banerjee, and Diana Norma Szokolyai.  Genres include poetry, fiction, and nonfiction. If you’d like to join us in Paris, France, please apply online at cww.submittable.com by May 15, 2018.

The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 1-6, 2018 in Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  Faculty includes Tim Horvath (fiction), Rita Banerjee (poetry, fiction), and Diana Norma Szokolyai (poetry, nonfiction).  If you’d like to join us in Granada, please apply online at cww.submittable.com by July 1, 2018.

To learn more about our upcoming writing retreats, visit the Cambridge Writers’ Workshop table (T403) at the AWP Bookfair in Tampa, FL from March 7-10, 2018!

Disobedient Futures – Call for Spec Lit & Art Submissions!

The Cambridge Writers’ Workshop welcomes submissions of poetry, fiction, nonfiction, mixed-genre work, plays, and screenplays on the topic of “Disobedient Futures” for our new speculative literature anthology. Writers are encouraged to imagine what the future cultures of America and the world might look like, and submit their work on the following topics:

Disobedient Women: How might women, feminists, and/or non-binary individuals disobey and reconfigure our understandings of power and femininity and masculinity in the future?

Disobedient Tribes: What if Americans found a way to subvert racial categories and challenge tribalism and cultures of fear? How might tribes disobey the rules of the game and create new types of community identities and cultural bridges?

Disobedient Class: Could Americans in the future overcome systems of class oppression and capitalist gluttony? How might individuals in the future subvert class hierarchies?

Disobedient Futures: Tell us what the future cultures of America and the world have in store. How might the emerging generations of today and tomorrow reconfigure today’s value systems, challenge today’s modes of violence, oppression, and power, and create new visions of society? Give us your best speculative writing which explores the possibilities and disruptions of disobedient futures.

Writers are welcome to submit utopian, dystopian, parallel history, futuristic, alternative reality, speculative essay, and even purely speculative fiction, nonfiction, poetry, and theatre. Optimistic and pessimistic tales of the future are welcome in equal measure, but gratuitous violence and discrimination are not. Poetry submissions should be 3-5 pages in length. Prose submissions can be 10-20 pages in length.  Excerpts from longer works with synopses are welcome. Visual art related to these categories of Disobedient Futures is also welcome.  Submit your retelling of the future today!

Submit your work at cww.submittable.com || Deadline: February 14, 2019

CREDO Signings at AWP 2018 in Tampa – Editors: Thurs, March 8 * 2-3 pm * Authors: Booth 1036 & Friday, March 9 * 2-4 pm * Table T403

CREDO-RitaBanerjee-DianaNormaSzokolyaiIn celebration of the publication of  CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) will have signings for both the editors and contributing authors of CREDO!


CREDO Editors
 Rita Banerjee & Diana Norma Szokolyai will be signing copies at the C&R Press Booth (Booth 1036) on Thursday, March 8 between 2-3pm!  For more information see the C&R Press Author signing page here.

CREDO contributing authors will be signing copies at the CWW table, T403 near the left-most entrance, on March 9 between 2-4pm! 

Editor Rita Banerjee will be signing for CREDO and her new poetry collection Echo in Four Beats (Finishing Line Press, March 2018) at the Cambridge Writers’ Workshop Table (T403) from 1-2 pm on Friday, March 9, 2018.  She will also be signing for Echo in Four Beats at the Finishing Line Press Table (T743) from 1-2 pm on Saturday, March 10, 2018.

Editor Diana Norma Szokolyai will be signing for CREDO and her poetry collections at the Cambridge Writers’ Workshop Table (T403) from 1:30-2:30 pm on Saturday, March 10, 2018.

 

Here’s more about CREDO:

CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing is now available for Pre-Order on the C&R Press Website here and on Amazon.com!  CREDO is edited by Rita Banerjee and Diana Norma Szokolyai and assistant editors Alexander Carrigan and Megan Jeanine Tilley.

CREDO. I believe. No other statement is so full of intent and subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting oneself on the front line. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto.

CREDO creates a bridge from the philosophical to the practical, presenting a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises. CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing is a raw look at what motivates authors today.

Contributing Authors:

Kazim Ali \ Forrest Anderson \ Rita Banerjee \ Lisa Marie Basile \ Jaswinder Bolina \ Stephanie Burt \ Alexander Carrigan \ Sam Cha \ Melinda J. Combs \ Thade Correa \ Jeff Fearnside \ Ariel Francisco \ John Guzlowski \ Rachael Hanel \ Janine Harrison \ Lindsay Illich \ Douglas Charles Jackson \ Caitlin Johnson \ Christine Johnson-Duell \ Jason Kapcala \ Richard Kenney \ Eva Langston \ John Laue \ Stuart Lishan \ Ellaraine Lockie \ Amy MacLennan \ Kevin McLellan \ E. Ce. Miller \ Brenda Moguez \ Peter Mountford \ Nell Irvin Painter \ Robert Pinsky \ Kara Provost \ Camille Rankine \ Jessica Reidy \ Amy Rutten \ Elisabeth Sharp McKetta \ David Shields \ Lillian Ann Slugocki \ Maya Sonenberg \ Kathleen Spivack \ Laura Steadham Smith \ Molly Sutton Kiefer \ Jade Sylvan \ Anca L. Szilágyi \ Diana Norma Szokolyai \ Marilyn L. Taylor \ Megan Jeanine Tilley \ Suzanne Van Dam \ Nicole Walker \ Allyson Whipple \ Shawn Wong \ Caroll Sun Yang \ Matthew Zapruder

Visit the Cambridge Writers’ Workshop Table (T403) at AWP 2018 Bookfair, and learn about CREDOour Spring and Summer 2018 retreats, internships and more!