Apply to the Cambridge Writers’ Workshop Spring in New Orleans (March 14-17, 2019) Writing Retreat by Feb 5!

Apply to the Cambridge Writers’ Workshop Spring in New Orleans (March 14-17, 2019) Writing Retreat by February 5, 2019 on cww.submmittable.com! Known for its Spanish and French architecture, live jazz, Cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind experience for writers. Our retreat features multi-genre workshops, as well as craft seminars and time to write.

The faculty includes award-winning writers & playwrights: Stephen AubreyCarly Dwyer, Rita Banerjee, and Diana Norma Szokolyai. All genres welcome. Genres include playwriting, nonfiction, fiction, and poetry. This year, we will also be exploring writing for live action roleplay (LARP) theater with an expert. The cost of the retreat is $1200, which includes tuition, lodging, and some meals.

If you’d like to join us in NOLA, please apply by February 5, 2019 by submitting 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $10 application fee, a cover letter, and references at cww.submittable.com. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact Information (Email, Address, Phone)
3. Age & Nationality
4. Prior Workshop Experience and Publications
5. Creative Writing Goals for the Retreat
6. Short One-paragraph Biography
7. Contact info of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are encouraged. Applications are due February 5, 2019.

apply

Deadline: February 5, 2019

 

Featured Faculty:

Stephen Aubrey is a Brooklyn-based writer and dramaturg. He is co-artistic director and resident playwright of The Assembly theater company. His plays have been produced at The New Ohio Theater, The Living Theater, The Flea Theater, The Collapsable Hole, and the Edinburgh Fringe Festival. His writing has appeared in Electric Literature, Publishing Genius, and The Brooklyn Review. He teaches creative writing and literature in the CUNY system.

Carly Dwyer is an experienced director, educator and designer passionate about intersectional learning opportunities and sustainable creative economies. She uses immersive LARP theater as a way to challenge audience boundaries, to provide opportunities for audience autonomy in the story, and to explore the limits of their capabilities from within our worlds. Through collaborations with the venues and communities she works with, she helps organizations diversify their engagement and innovate the way the public interacts with their business.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018),which was named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, was nominated for the 2018 Kate Tufts Discovery Award, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants. Her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Tahoma Literary Review, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts, an Associate Scholar at Harvard, and the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest. She is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Diana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble. Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

FAQ:

What happens after I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. This amount is non-refundable. The remainder of tuition will be due by February 5, 2019. Our standard and preferred method of payment is PayPal invoice. You can also mail us a check.

What is included in tuition?

  • creative writing workshops
  • craft of writing seminars
  • lodging in NOLA
  • breakfasts & some other meals
  • walking tour of downtown New Orleans and Cafe du Monde

I’m local to New Orleans. Is there a tuition only option?

Yes. The tuition-only option is $675. For more information, please inquire at info@cambridgewritersworkshop.org.

What are accommodations like?

During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter. Writers will be staying at our retreat house and at a hotel nearby. Rooms at the retreat house will be provided to early registrants first.

CWW Presents: WORD — A Brooklyn Book Festival Reading

The Cambridge Writers’ Workshop will be hosting a reading during the annual Brooklyn Book Festival in Brooklyn, New York. The reading will be held on Saturday, September 15 at WORD Bookstore (126 Franklin St. Brooklyn, NY 11222) from 7 pm to 8:30 pm. Come visit our reading to hear from ten amazing authors who will be sharing some of their latest work.

Check out our incredible reading list:

 

Stephen Aubrey is a Brooklyn-based writer and dramaturg. He is co-artistic director and resident playwright of The Assembly theater company. His plays have been produced at The New Ohio Theater, The Living Theater, The Flea Theater, The Collapsable Hole, and the Edinburgh Fringe Festival. His writing has appeared in Electric Literature, Publishing Genius, and The Brooklyn Review. He teaches creative writing and literature in the CUNY system.

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Lisa Marie Basile is the author of APOCRYPHALand the chapbooks Andalucia and war/lock. She is the editor-in-chief of Luna Luna Magazine, and her poetry and essays have appeared in PANK, Tin House, Coldfront, The Nervous Breakdown, The Huffington Post, Best American Poetry, PEN American Center, Dusie, The Ampersand Review, and other publications. She’s been featured in the NY Daily News, Amy Poehler’s Smart Girls and on Ravishly.com. She holds an MFA from The New School and is working on a poetic novella. Basile is the author of “Dispelling the Myth of the Poet” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Madeleine Barnes is a poet and visual artist from Pittsburgh living in Brooklyn. She is a doctoral fellow at CUNY’s Ph.D. Program in English, and the recipient of a New York State Summer Writers Institute Fellowship, two Academy of American Poets prizes, and the Princeton Poetry Prize. Her second chapbook, Light Experiments, is forthcoming from Porkbelly Press this year, and her protest embroideries were recently featured in Boston Accent Lit. She serves as Poetry Editor at Cordella Magazine.

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently an assistant editor with the American Correctional Association. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Mercurial StoriesPoictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and was one of the anthology’s assistant editors.

Elizabeth Devlin, with her haunting combination of lilting voice and enchanting Autoharp, is a self-produced NYC singer- songwriter. Devlin defies traditional musical structure with many of her songs, building miniature narratives and magical worlds where characters, fantasies and time collide. Devlin has toured nationally, internationally, & performs in venues throughout NYC’s 5 boroughs. “Orchid Mantis,” her newest full-length album, was released in February 2017 at Sidewalk Café’s Winter Anti-folk Festival in NYC.

Jonah Kruvant’s successful first novel, The Last Book Ever Written, a dystopian satire set in a futuristic society where creativity is illegal, was published by PanAm Books in April 2015. His work has also appeared in Digital Americana, On the Verge, Bewildering Stories, Fiction on the Web, the Scarlet Leaf Review, and LIMN Literary and Arts Journal. I received an MFA degree in Fiction from Goddard College. Read about my work, book tour, and blog at www.jonahkruvant.com.

Emily Smith is currently an MFA student in nonfiction at Columbia University. Her work has appeared in The Rumpus, Buzzfeed, Brooklyn Magazine, and many others. She’s previously worked as a Contributing Blogger for Ploughshares and a reviewer at Kirkus Reviews. You can follow her on Twitter at @esmithwrites.

 

DianVersion 2a Norma Szokolyai recently received honorable mention  in the 87th Annual Writers’ Digest Writing Competition for her poem “Shadows of the Pantry,” based on the experiences of her grandmother in war-torn Hungary, which will be featured in the Writers’ Digest Collection forthcoming in November 2018. She is the editor of CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing (C&R Press, 2018). She’s also founding Executive Artistic Director of Cambridge Writers’ Workshop. Her poetry chapbook, Parallel Sparrows, received honorable mention for Best Poetry Book at the 2014 Paris Book Festival and her first poetry collection, Roses in the Snow placed first runner-up for Best Poetry Book at the 2009 DIY Book Festival. She is also author of a feminist rewriting of a classic fairytale for Brooklyn Art Library’s The Fiction Project, entitled Beneath the Surface: Blue Beard, Remixed. Szokolyai’s poetry and prose has been published in MER VOX Quarterly, Snapdragon Journal, VIDA Review, Quail Bell Magazine, The Boston Globe, Luna Luna Magazine, Up the Staircase Quarterly, and has been anthologized in Other Countries: Contemporary Poets Rewiring History, Teachers as Writers, Always Wondering, and Our Last Walk. Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive.

Amanda TorontoAmanda Toronto received her Ph.D. in English and American literature from New York University where she focused on contemporary American literature, art, and religion. She lives with her family in New York City and is at work on her first novel.

 

Devynity Wray is a Black Expressionist (artist, writer, performer, and poet) who graduated from the Fiorello LaGuardia High School of Music & Arts and Performing Arts with an Arts Regents Diploma. She also earned her Bachelor’s of the Arts Cum Laude in Africana, Puerto-Rican and Latino Studies from Hunter College.  Devynity was a slam team member with the Nuyorican Poet’s Cafe in 2002 which placed 3rd that year at the National Poetry Slam Contest. Her poem “Black Girl Manifesto” has also been published in Hill Harper’s critically acclaimed Letters to a Young Sister. Born and raised in Queens, New York, Devynity’s work embodies an amalgam of her intimate experiences growing up as a woman of color in the inner city and the struggles of its inhabitants. She is currently working on projects in music, video and on the page that will piece all that she has to offer into coherent experiences for her audience.

 

We hope to see you there!

 

Rita Banerjee’s poetry collection “Echo in Four Beats” now available for order on Amazon!

Rita Banerjee’s new poetry collection Echo in Four Beats is now available for order on Amazon.com and also through the Finishing Line Press website. Echo in Four Beats will officially release on March 9, 2018 at the AWP 2018 Conference in Tampa, Florida.  Here are some upcoming authors signings for Echo in Four Beats:

Rita Banerjee will be signing for CREDO and her new poetry collection Echo in Four Beats (Finishing Line Press, March 2018) at the Cambridge Writers’ Workshop Table (T403) from 1-2 pm on Friday, March 9, 2018.  She will also be signing for Echo in Four Beats at the Finishing Line Press Table (T743) from 1-2 pm on Saturday, March 10, 2018.

And here is more information about the collection:

Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats.  But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats. 

Praise for Echo in Four Beats:

“In our narcissism-addled times, Rita Banerjee awakens Echo out of mythical slumber and accords her center stage, with stirring results. These poems dance nimbly from the playful to the sacred, the pentatonic-ancient to the jazzy-contemporary, the observational to the contemplative, and cross languages and borders with abandon…offering a music both savory and profound.” — Tim Horvath, author of Understories and Circulation

Echo in Four Beats uncover[s] what makes a word into a sensation, a sensation into a moment and what, in the swirling constellation of geographies, turns a moment into the sublime. Amidst the kinetic search for buried treasure in everyday encounters,…there are also unexpected collisions with silence so shocking, they stop us dead in our tracks. We realize the whiteness between words was here all along; its stillness curving the inside of this syncopated journey across time and space.”Dipika Guha, playwright and author of Mechanics of Loveand The Rules, and screenwriter for American Gods

“From Ovid to Baudelaire, from Manhattan to Atlantis to the Ganges, these poems conjure shape-shifting and gyroscopic worlds where erasure is sustenance, myth is religion, and home is but a constant state of momentary arrivals. Banerjee’s attentive, precise, incantatory poems reverberate… with the “enchantments of art/ and life.’” — Tara Skurtu, author of The Amoeba Game and Skurtu, Romania

“Rita Banerjee’s Echo in Four Beats is a lyric wonder. Wildly intertextual and multilingual…the breadth of her work is staggering and yet utterly approachable, at once intimate and worldly. This may well be the first truly post-national book of poems I’ve ever read. I look forward to reading it again and again.” — Jaswinder Bolina, author of The 44th of July, Phantom Camera, and Carrier Wave

“[In] Banerjee’s polyglot collection–abounding with erasure, mistranslation and wit, [she] has crafted something astonishing.” Stephen Aubrey, author of Daguerreotypeand What I Took in My Hand and Co-Artistic Director of The Assembly Theater, NYC

RitaBanerjeeRita Banerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps(Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.  Born in California and raised in New Jersey, she teaches on modernism, art house film, and South Asian literary theory and aesthetics at the Institute for Indology and Tibetology at Ludwig-Maximilians-Universität München in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays. Her work is represented by literary agent Natalie Kimber at The Rights Factory.

Book Launch: Echo in Four Beats (poems) by Rita Banerjee Available for Pre-Order October 10 – December 8, 2017!


Rita Banerjees poetry debut, Echo in Four Beats, is now available for pre-order on the Finishing Line Press website from October 10 – December 8, 2017!

Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats.  But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats.  Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Book Prize, the Aquarius Press/Willow Books Literature Award, will be released by Finishing Line Press on February 2, 2018.

Early Praise for Echo in Four Beats:

Echo in Four Beats sounds the singular pulse of Harlem, Kyoto, Nainital and San Francisco to uncover a deeper mystery; what makes a word into a sensation, a sensation into a moment and what, in the swirling constellation of geographies, turns a moment into the sublime. Amidst the kinetic search for buried treasure in everyday encounters with photocopiers and the breathless search for lost objects, there are also unexpected collisions with silence so shocking, they stop us dead in our tracks. We realise the whiteness between words was here all along; its stillness curving the inside of this syncopated journey across time and space.”

— Dipika Guha, playwright and author of Mechanics of Love and The Rules, and screenwriter for American Gods

“Rita Banerjee’s Echo in Four Beats is a lyric wonder. Wildly intertextual and multilingual, Banerjee mines literatures, histories, and geographies, both eastern and western, to produce an expansive collection of poems. The breadth of her work is staggering and yet utterly approachable, at once intimate and worldly. This may well be the first truly post-national book of poems I’ve ever read. I look forward to reading it again and again.”

— Jaswinder Bolina, author of The 44th of July, Phantom Camera, andCarrier Wave

“Rita Banerjee’s Echo in Four Beats is a multilingual, intercontinental arpeggio of a journey on which ‘one layer/ of enchantment// dispels another.’ From Ovid to Baudelaire, from Manhattan to Atlantis to the Ganges, these poems conjure shape-shifting and gyroscopic worlds where erasure is sustenance, myth is religion, and home is but a constant state of momentary arrivals. Banerjee’s attentive, precise, incantatory poems reverberate ‘not sound not/ voice” and resound with the “enchantments of art/ and life.’”

— Tara Skurtu, author of The Amoeba Game and Skurtu, Romania

“In our narcissism-addled times, Rita Banerjee awakens Echo out of mythical slumber and accords her center stage, with stirring results. These poems dance nimbly from the playful to the sacred, the pentatonic-ancient to the jazzy-contemporary, the observational to the contemplative, and cross languages and borders with abandon, from trains in India to a Munich museum to the local copy shop. Yet while they may ‘change [their] temperament as quickly as salamanders change skin,’ Echo in Four Beats  is constantly returning us to a tonic center and rebuilding its chords and arpeggios anew, offering a music both savory and profound.”

— Tim Horvath, author of Understories and Circulation

“Banerjee’s polyglot collection–pushing at the edges of language; abounding with erasure, mistranslation and wit; impossible to contain in a single tongue. From the smallest pieces of our world–the falling snow, cobblestone, a reflection in the water–Banerjee has crafted something astonishing that reaches towards higher truths.”

— Stephen Aubrey, author of Daguerreotype and What I Took in My Handand Co-Artistic Director of The Assembly Theater, NYC

Pre-Order Echo in Four Beats on the Finishing Line Press website now!

ritabanerjeeRita Banerjee the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, March 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig-Maximilian University of Munich in Germany.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Happy New Year 2017! -♥️- Cambridge Writers’ Workshop

happynewyear2017-cwwHappy New Year 2017 from the directors, staff, and board of the Cambridge Writers’ Workshop!  We hope you’re all as excited for 2017 as we are!  We’re planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we’re looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2017!

The Cambridge Writers’ Workshop had a wonderful year in 2016.  Over the last twelve months, we’ve had a chance to hold retreats and readings across America and the world, meet exciting writers and artists, and have found new ways to inspire our own writing.  Our year began with  the 2016 Association of Writers and Writing Programs Conference in Los Angeles, California. At AWP 2016, we got a chance to promote CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, advertise our new literary internships, and discuss our Summer Writing Retreats in Granada, Spain, Barcelona, Spain, and Narbonne, France, as well as our Spring Writing Retreat in Newport, Rhode Island. We also hosted our third AWP event at Sabor y Cultura. At our event, there were featured readings from authors such as Rita BanerjeeJess BurnquistJulialicia CaseAriana KellyGwen E. KirbyKatie KnollEllaraine LockieOndrej PazdirekHeather Aimee O’NeillBrenda Peynado, Esther Pfaff, Jessica PiazzaJonathan ShapiroEmily Skaja, and Emily Smith.

After AWP 2016, we were off to our second annual Spring Writing Retreat in Newport, Rhode Island. We were joined by award-winning and internationally-renowned authors such as Jade SylvanDiana Norma Szokolyai, and CWW yoga instructor Elissa Lewis. The event was a chance for writers to spend a long weekend in historic Newport and near the beach, participating in writing workshops (such as Sylvan’s workshops on “writing yourself naked”) and craft of writing seminars, yoga classes, and cultural tours of the historic Newport village. We live blogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.

During the summer we hosted our Summer in Granada and Summer in Barcelona and Narbonne Writing Retreats. In Barcelona and Narbonne, we explored the cities and all of their historical, literary, and romantic charm. The retreat included craft of writing seminars and creative writing workshops, literary tours of the cities, and one-on-one manuscript consultations. We were also joined by writer and professor Bret Anthony Johnston and literary editor Heidi Pitlor. CWW directors Rita Banerjee and Diana Norma Szokolyai taught workshops on spacial poetics and world building, and also led workshops for participants to share their work and use the Liz Lerman method for critiquing writing. We live blogged our retreat on our website, so be sure to check out the sights and classes from our trip. We were really happy to experience this with all of our participants, who traveled from all over to come write and explore these cities with us.

In Granada, wrote in the city’s winding streets, absorbed its Moorish history, and were inspired by its evocative landscapes. The retreat included craft of writing seminars and writing workshops and yoga classes. We were joined by novelist Alexander Chee and poet and activist Frederick-Douglas Knowles II, who taught classes on historical fiction and hip-hop and poetry, respectively. Rita Banerjee led workshops on narrative stakes and emotion and suspense. We also live blogged this trip, so you can see all the exciting things we did on this trip.

We also hosted creative writing workshops and craft of writing seminars at The Cambridge Center for Adult Education throughout the fall. In addition to Rita Banerjee and Diana Norma Szokolyai, we were joined by Jade Sylvan and Cambridge writer Laura van den Berg for creative writing workshops and craft of writing seminars every other weekend in Cambridge, MA. This is something we hope to repeat this year, and we hope we can bring in new faculty and participants as well.

We hosted a Brooklyn Bookend Reading at Molasses Books during The Brooklyn Book Festival. Some of the writers had emerged onto the literary scene with a bang, while others had recently published their first or second books, and had received prestigious awards in the past. The event featured Stephen AubreyRita BanerjeeMadeleine BarnesEllaraine LockieBen PeaseAnne Malin Ringwalt, Kate McMahon, Emily SmithBianca Stone, and Diana Norma Szokolyai, along with a beautiful interludes of music from accomplished songwriters Erica Buettner and Elizabeth Devlin.

We also hosted a literary crawl event during Lit Crawl NYC 2016. Our Literary Vaudeville event featured performances and readings from Rita Banerjee, Diana Norma Szokolyai, Megan Fernandes, Claire Ince, Emily Smith, Christina M. Rau, and Frederick-Douglass Knowles II.

In 2016, we welcomed our second round of interns to the Cambridge Writers’ Workshop, and these interns include the wonderful AM Ringwalt, Anna-Celestrya Carr, Erynn Porter, and Shannon Sawyer, all of whom have helped the CWW greatly this year. They’ve helped manage our social media and written up posts about our events, shown their talent for graphic design, grant writing, audio/visual media development and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year.  We’re excited to have, on our team, and we can’t wait to show you what they’ve helped us plan for 2016!

* * *

While 2016 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Washington DC from February 8-February 10, 2017, and will be announcing our AWP Reading in downtown Los Angeles shortly!

neworleans2017posterwcThe Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.

portland2017posterThe Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

granada2017posterAnd the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

We hope you are all as excited for our 2017 events as we are. If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org.  You can also follow us on FacebookTumblr, and Twitter for more information and updates on any of these events. We look forward to making 2017 a year full of creativity, writing, and renewal, so join us as we make 2017 rock!

— Alex Carrigan, CWW Managing Intern

“HOME/SICK” – a play by CWW Instructor Stephen Aubrey & the Assembly debuts in Los Angeles tonight!

Cambridge Writers’ Workshop instructor & playwright, Stephen Aubrey, has written and produced a play with The Assembly Theatre called “HOME/SICK.”  “HOME/SICK will debut tonight in Los Angeles, and will run from June 9 – July 3, 2016 at the Odyssey Theatre.  In the New York Times, Catherine Rampell has praised “HOME/SICK,” a play about the Weather Underground, for its “cutting-edge young theater collective… By the end we have witnessed a sort of sociological big bang, when this tight, angry ball of political energy suddenly bursts and disbands irreparably.”

“HOME/SICK” is the story of a handful of political activists and leaders from the 1960s student movement who seized control of Students for a Democratic Society in protest to the Vietnam War and the government’s repression of those seeking equality domestically. In doing so, these activists reshaped the society in the name of overthrowing the United States government. Believing violence to be the only means to transform American politics and society, these passionate idealists accelerated a movement to a revolutionary fervor, but left a country behind.  Tickets for the play are available now at the Odyessey Theatre in Los Angeles.

Praise for “HOME/SICK”:

“An intelligent and dynamic package…The ensemble’s connection with one another is the truest homage they could offer to the memory of the collective they have clearly, though reservedly, come to admire.”  – Jason Fitzgerald, Backstage

“Impressively researched and clear-eyed, home/sick shows us the Underground’s internal contradictions, and we see Bolshevik passion lapsing into self-delusion and then flaring up again, until we are unsure what to admire and what to deplore.”  – Helen Shaw, Time Out New York

“This is a group of brilliant artists who will, without question, make their mark in the world of theater for a long time to come.”  – Hillary Bettis, OffOffOnline

 

Happy New Year, Writers! -♥️- Cambridge Writers’ Workshop

HappyNewYear2016-CWW

Happy New Year 2016 from the directors, staff, and board of the Cambridge Writers’ Workshop!  We hope you’re all as excited for 2016 as we are!  We’re planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we’re looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2016!

The Cambridge Writers’ Workshop had a wonderful year in 2015.  Over the last twelve months, we’ve had a chance to hold retreats and readings across America and the world, meet exciting writers, yoga practicioneers, and artists, and have found new ways to inspire our own writing.  Our year began with the Brooklyn Yoga, Aromatherapy, & Writing Workshop. We restored our minds with invigorating yoga, learned about Essential Oils, and inspired out writing. In February, we joined the 2015 Association of Writers and Writing Programs Conference in Minneapolis, Minnesota. At AWP 2015, we got a chance to promote CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, advertise our new literary internships, and discuss our Summer Writing Retreats in Granada, Spain and Paris, France, as well as our Spring Writing Retreat in Newport, Rhode Island. We also hosted our second AWP event at Boneshaker Books. At our Books & Bones event, there were featured readings from authors such as  Alex CarriganJonah KruvantDena Rash GuzmanLeah UmanskyAnca SzilagyiMicah Dean HicksMichele NereimBianca StoneJessica PiazzaJess BurnquistSheila McMullin, and Brenda Peynado.

After AWP 2015, we were off to our first annual Spring Writing Retreat in Newport, Rhode Island. We were joined by award-winning and internationally-renowned authors such as Kathleen Spivack and Stephen Aubrey, in addition to CWW directors Rita Banerjee and Diana Norma Szokolyai, and CWW yoga instructor Elissa Lewis. The event was a chance for writers to spend a long weekend in historic Newport and near the beach, participating in writing workshops (such as Aubrey’s workshops on theater and Spivack’s workshops on developing manuscripts) and craft of writing seminars, yoga classes, and cultural tours of the historic Newport village. We liveblogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.

During the summer we hosted our Summer in Granada and Summer in Paris Writing Retreats. In Paris, we explored the city and all of its historical, literary, and romantic charm. The retreat included craft of writing seminars and creative writing workshops, literary tours of Paris, daily yoga and meditation classes, and one-on-one manuscript consultations. We were also joined by Guggenheim Fellowship recipient and New York Times bestselling author David Shields, who taught workshops about collage, appropriation, and collaboration. CWW directors Rita Banerjee and Diana Norma Szokolyai taught workshops on stakes and building character, and also led workshops for participants to share their work and use the Liz Lerman method for critiquing writing. We live blogged our Paris retreat on our website, so feel free to check it out and see our workshops, as well as our excursions to Shakespeare and CompanyVersailles and Au Chat Noir. We were really happy to experience this with all of our participants, who traveled from all over the U.S, as well as England and Australia, to come write and explore Paris with us.

In Granada, wrote in the city’s winding streets, absorbed its Moorish history, and were inspired by its evocative landscapes. The retreat included craft of writing seminars and writing workshops and yoga classes. We were joined by Guggenheim Fellowship recipient and Pushcart Prize winner Peter Orner, who led a workshop on Spanish literature. Diana Norma Szokolyai led workshops on voice and stakes, while Rita Banerjee led a workshop on narrative development. We also live blogged this trip, so you can see all the exciting things we did on this trip, such as seeing Poeta in Nueva York and shopping for fans.

We hosted a Brooklyn Bookend Reading at Muchmore’s during The Brooklyn Book Festival. Some of the writers had emerged onto the literary scene with a bang, while others had recently published their first or second books, and had received prestigious awards in the past. The event was moderated by Diana Norma Szokolyai and included writers Rita Banerjee, Jonah Kruvant, Brandon Lewis, Elizabeth Devlin, Lisa Marie Basile, Jessica Reidy, Gregory Crosby, Matty Marks, and Emily Smith.

In November, we also hosted our annual Pre-Thanksgiving Writing & Yoga Cleanse. The two day event kicked off with yoga lessons from Elissa Lewis, followed by creative writing workshops and craft seminars from Jessica Reidy. Our Pre-Thanksgiving Writing & Yoga Cleanse was an opportunity for the participants to cleanse themselves mentally, spiritually, and creatively before the bustling holiday season.

In 2015, we continued our work on CREDO Anthology of Manifestos & Sourcebook for Creative Writing. The collection will feature personal writer manifestos, essays on writing advice, and writing exercises to help spur creativity. Our staff has greatly enjoyed critiquing and conversing with writers on this publication, and more information about publication will be announced in the upcoming year.

In 2015, we welcomed our second round of interns to the Cambridge Writers’ Workshop, and these interns include the wonderful Emily Smith, Casey Lynch, and Alyssa Goldstein, all of whom have helped the CWW greatly this year. They’ve helped manage our social media and written up posts about our events, shown their talent for graphic design and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year.  We’re excited to have Emily, Casey, and Alyssa, on our team, and we can’t wait to show you what they’ve helped us plan for 2016!

This was also a good year for our individual staff members getting published. CWW co-director Rita Banerjee had her poetry published in Quail Bell MagazineRiot Grrrl Magazine, and The Monarch Review. Her interview with CWW visiting professor and Guggenheim Fellowship recipient David Shields was published in Electric Literature. CWW co-director Diana Norma Szokolyai reported for VIDA: Women in Literary Arts on”The Defensive Male Writer.”  CWW Executive Board Member Jessica Reidy‘s “Why the Pyres are Unlit” was released in Drunken Boat’s Romani Folio and her poetry was nominated by The Poetry Blog for “Best of the Net.” Managing Intern Alex Carrigan had his work published in Strike! and Quail Bell Magazine and Managing Intern Emily Smith became a Contributing Blogger for Ploughshares.

While 2015 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Los Angeles from March 30-April 2, 2016, and will be announcing our AWP Reading in downtown Los Angeles shortly!

Join us April 21-24, 2016 for our second annual Spring in Newport, Rhode Island Writing Retreat. Our Newport retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects. In the past, faculty has included internationally renowned author and writing coach Kathleen SpivackStephen Aubrey, Diana Norma Szokolyai, Rita Banerjee, and Elissa Lewis.

The Cambridge Writers’ Workshop Summer in Narbonne & Barcelona Writing Retreat will take place July 18-26, 2016. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.  There will also be time to explore the city of Barcelona, Spain and the beaches of Narbonne, France.  Our past France retreats have included David Shields, Diana Norma Szokolyai, Rita Banerjee, Jessica Reidy, and Elissa Lewis as faculty members.

And from July 28-August 5, 2016, join the Cambridge Writers’ Workshop on our summer writing retreat to the cultural oasis of Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work with world-renowned authors on your manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  In our past Granada retreat, faculty has included Peter Orner, Rita Banerjee, Diana Norma Szokolyai, and Elissa Lewis.

We hope you are all as excited for our 2016 events as we are.  Information on our upcoming 2016 retreats and readings will be going live in January 2016!  If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org.  You can also follow us on FacebookTumblr, and Twitter for more information and updates on any of these events. We look forward to making 2016 a year full of creativity, writing, and renewal, so join us as we make 2016 rock!

— Emily Smith & Alex Carrigan, CWW Managing Interns

Newport Writing & Yoga Retreat 2015 – April 5, 2015

While some of the participants enjoyed a session of Energizing Yoga with Elissa, Norma slaved away in the kitchen making French toast for the Farewell Brunch. Rita made red pepper scrambled eggs. Mimosas and fresh fruit made the Farewell Brunch a delicious one.

During the meal, the faculty and writers sat around the table and discussed writing goals for the future. We even vowed to stay in touch and have been hosting mini workshops each week on the Cambridge Writer’s Workshop NING member network (learn more about that here).

We were sad to see everyone leave, but can’t wait to see them at our upcoming retreats in Paris and Granada!

– Emily Smith

Newport Writing & Yoga Retreat – April 4, 2015

After Energizing Yoga with Elissa, Stephen introduced “Theater of the Impossible.”  In Stephen’s “Theater of the Impossible” workshop, we talked about the most satisfying components of watching a play: seeing the impossible unfold before us or watch as it is staged. Instead of thinking of a script as a blueprint, Stephen encouraged us to consider the script “recipe” a challenge and to think outside of it.

After Stephen’s class, Kathleen reviewed the manuscript revisions during a second session of “Reviewing Your Manuscript for Publication” and read from her own book: With Robert Lowell and His CircleYou can watch Kathleen read here:

The writers took a much deserved break after Kathleen’s class and explored historic Newport during the afternoon.  Workshops resumed with Stephen’s “Against Aristotle: New Structures for New Stories.” We discussed the traditional Aristotelian story structure. Then we began breaking the rules with new ways of storytelling through interpolation (like Charles Mee’s Iphigenia 2.0), tessellation (like Carson Kreitzer’s Flesh and the Desertand the looped stack narrative (like Jason Grote’s 1001).

Norma finished out the day of workshops with a second session of “Your Voice: Bringing your Page to Performance.” We shared our work salon style in the living room. Both Claire Ince’s performance piece and Saundra Norton’s can be heard below.

At the end of the night, we made an impromptu group performance in response to “Too Many Cooks”—a crazy parody of sitcom opening credits.

– Emily Smith

Newport Writing & Yoga Retreat – April 3, 2015

We started Day 2 bright and early with Energizing Yoga taught by Elissa Lewis. Our belief is that yoga can clear and prepare the mind for writing during the day. Elissa rounded out yoga with aromatherapy using a citrus-scented essential oil.

The first set of workshops began with Rita Banerjee‘s “Literary Taboo.” Each participant drew two pieces of paper from a bowl with a word like “crocodile” or “femme fatale” on each. Each sheet also included a list of taboo words, which each writer was forbidden to use in writing about the words they had selected. For example, a writer who drew “spaceship” wasn’t allowed to use the words “portal,” “fly,” “aliens,” or “planetary.”

In Stephen Aubrey‘s “Weirding the World” workshop, we learned that the script isn’t a flat work of literature or a description in poetry of another world but rather another world passing before us in time and space. While language is part of this world, the rest of it is space. And before we populate space, we must create it.  During the afternoon, some writers stayed at the house to work on their pieces. Others explored Newport’s beaches and enjoyed the warm spring weather.

Executive Art Director Diana Norma Szokolyai taught us to own our voices during “Your Voice: Bringing your Page to Performance” in the evening. We watched performance poets like Anne Waldman (Uh-Oh Plutonium!) and Saul Williams (List of Demands) and then practiced using unusual instruments to add depth to our own work. Participant Claire Ince took to the thumb piano and Saundra Norton used a music box to add mystery to her poem (see Day 3 post for their work).

The final workshop for the day, “Developing Your Manuscript for Publication,” was led by Kathleen Spivack. The participants were asked to read their work out loud. After carefully reviewing each participant’s manuscript and giving individual feedback, Kathleen assigned a revised draft due from everyone for the next day.  After a hard day’s work, the whole group went out to dinner at the Brick Alley Pub in historic downtown Newport!

– Emily Smith