Join the Cambridge Writers’ Workshop at AWP 2020!!

For those writers, editors, and lit fans traveling to the 2020 AWP Conference (March 4-7) in San Antonio, TX this week, come stop by the Cambridge Writers’ Workshop’s AWP Bookfair Table at T2164!  The Cambridge Writers’ Workshop AWP Off-site Reading will be taking place as scheduled on Saturday, March 7 from 5:30-7:30 pm at Rosella Coffee House.  More details on that follow below.

However, please note that CWW Creative Director Rita Banerjee’s panel “Dismantling the White Imagination: On Intimacy in Creative Nonfiction” featuring our Summer in Paris Nonfiction Faculty David Shields on Saturday, March 7 from 9-10:15 am in Room 205, Henry B. González Convention Center, Meeting Room Level (San Antonio, TX) has been cancelled due to health concerns.

Course registration for our 2020 Spring in New Orleans Writing Retreat (March 19-22) and Summer in Paris Writing Retreat (July 16-21) is now live! Apply by March 10 for our NOLA Retreat and May 30 for our Paris Retreat on cww.submittable.com.

Our 2020 award-winning faculty includes essayist David Shields, playwright Stephen Aubrey, poet Diana Norma Szokolyai, and poet and essayist Rita Banerjee

Join the Cambridge Writers’ Workshop for our offsite reading at Rosella Coffee House(203 E Jones Ave, Suite 101) in San Antonio, TX! Featured readers include Rita Banerjee, Madeleine Barnes, Alex Carrigan, Kristina Marie Darling, Charlene Elsby, Adilene Hernandez, Tim Horvath, Samuel Kóláwọlé, Rachel Kurasz, and Mari Pack! Come celebrate with a gorgeous night of poetry, fiction, nonfiction, and speculative writing!  More info on the reading & featured authors below!  (Please note: that some authors may not be in attendance due to health concerns).

 

Featured Readers:

Rita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).   She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, featured on the Ruth Stone Foundation podcast, and named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010).  She is the co-writer and co-director of Burning Down the Louvre (2020), a documentary film about race, intimacy, and tribalism in the United States and in France.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants.  Her writing appears in the Academy of American PoetsPoets & Writers, PANK, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts and an Associate Scholar of Comparative Literature at Harvard.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.  Her writing is represented by agents Jeff Kleinman and Jamie Chambliss of Folio Literary Management.

Madeleine Barnes is a poet and visual artist from Pittsburgh living in Brooklyn. She is a doctoral fellow at CUNY’s Ph.D. Program in English, and the recipient of a New York State Summer Writers Institute Fellowship, two Academy of American Poets prizes, and the Princeton Poetry Prize. Her second chapbook, Light Experiments, is forthcoming from Porkbelly Press this year, and her protest embroideries were recently featured in Boston Accent Lit. She serves as Poetry Editor at Cordella Magazine.

Alex Carrigan is an associate editor with the American Correctional Association. He has edited and proofed the anthologies CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, 2018) and Her Plumage: An Anthology of Women’s Writings from Quail Bell Magazine (2019). He has had fiction, poetry, and media reviews published in Quail Bell Magazine, Life in 10 Minutes, Realms YA Fantasy Literary Magazine, Mercurial Stories, Lambda Literary Review, Stories About Penises (Guts Publishing, 2019) and the forthcoming anthologies Closet Cases: Queers on What We Wear (Et Alia Press, 2020) and Whale Road Review (Summer 2020). He currently lives in Alexandria, VA.  

Kristina Marie Darling is the author of thirty books, including Look to Your Left: The Poetics of Spectacle (University of Akron Press, 2020); Je Suis L’Autre: Essays & Interrogations (C&R Press, 2017), which was named one of the “Best Books of 2017” by The Brooklyn Rail; and DARK HORSE: Poems (C&R Press, 2018). Her work has been recognized with three residencies at Yaddo, where she has held both the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; a Fundación Valparaíso fellowship; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; three residencies at the American Academy in Rome; two grants from the Whiting Foundation; a Morris Fellowship in the Arts; and the Dan Liberthson Prize from the Academy of American Poets, among many other awards and honors. Her poems appear in The Harvard Review, Poetry International, New American Writing, Nimrod, Passages North, The Mid-American Review, and on the Academy of American Poets’ website, Poets.org. She has published essays in The Kenyon Review, Agni, Ploughshares, The Gettysburg Review, Gulf Coast, The Iowa Review, and numerous other magazines. Kristina currently serves as Editor-in-Chief of Tupelo Press and Tupelo Quarterly, an opinion columnist at The Los Angeles Review of Books, and a contributing writer at Publishers Weekly.

Charlene Elsby, Ph.D., is the Philosophy Program Director at Purdue University Fort Wayne. Her first novel, HEXIS, was published by CLASH Books. Her second novel, AFFECT, is forthcoming with The Porcupine’s Quill.

 

 

Adilene Hernández is a queer, Latina writer and educator with roots in Atlanta, GA. She earned her B.A. in Creative Writing from Knox College, and she aspires to continue her studies through an M.F.A. program. She is an alumna of the Winter Tangerine Workshop and Cambridge Writers’ Workshop. She is currently at work on her first two novels, both of which focus on family ties and identity in the Latinx culture.

 

 

 

Samuel Kọ́láwọlé was born and raised in Ibadan, Nigeria. His work has appeared in AGNI, Gulf Coast, Washington Square Review and Consequence amongst other literary journals. Samuel was a finalist for the 2018 Graywolf Prize for Africa and winner of the 2019 Editor-Writer Mentorship Program for Diverse Writers. His fiction has been supported with fellowships, residencies, and scholarships from the Norman Mailer Centre, International Writing Program at the University of Iowa,  Columbus State University’s Carson McCullers Center for Writers and Musicians, Clarion West Writers Workshop, Wellstone Centre in the Redwoods California, and Island Institute. Samuel was educated at the University of Ibadan, Nigeria and holds a Master of Arts degree in Creative Writing with distinction from Rhodes University, South Africa and an MFA in Writing and Publishing at Vermont College of Fine Arts, USA. His debut novel The Road to Salt Sea is forthcoming from Amistad/Harper Collins.

Rachel Kurasz is a PhD student at Northern Illinois University where she is studying rhetoric/composition and Graphic Novels/Comic Books.  Rachel earned her MFA in Creative Writing from Roosevelt University under the guidance of Christian TeBordo and Kyle Beachy. Rachel also was a Fall 2017 AWP writer to writer under mentor Laura Creedle.  Rachel is currently querying and writing her first graphic novel series entitled “weirdos”.

Mari Pack is a poet and writer from the suburbs of Washington, D.C. She has an MA from the University of Toronto, and is a current MFA candidate at Hunter College.

 

 

We look forward to seeing you at AWP 2020!

Applications for our Spring in New Orleans Writing Retreat (March 19-22, 2020) are now live! Apply by March 10, 2020!

The Cambridge Writers’ Workshop is pleased to announce our fourth annual Spring in New Orleans Writing Retreat! Apply to the Cambridge Writers’ Workshop Spring in New Orleans (March 19-22, 2020) Writing Retreat by March 10, 2020 on cww.submmittable.com! Known for its Spanish and French architecture, live jazz, Cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind experience for writers. Our retreat features multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers & playwrights: Stephen Aubrey, Rita Banerjee, and Diana Norma Szokolyai. All genres welcome. Genres include playwriting, nonfiction, fiction, and poetry. This year, we will also be exploring writing for live action roleplay (LARP) theater with an expert. The cost of the retreat is $1650, which includes tuition, lodging, and some meals. If you’d like to join us in NOLA, please apply by our priority deadline of March 1, 2020 by submitting 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $10 application fee, a cover letter, and references at cww.submittable.com. Please also include the following in your cover letter:
    1. Full Legal Name
    2. Contact Information (Email, Address, Phone)
    3. Age & Nationality
    4. Prior Workshop Experience and Publications
    5. Creative Writing Goals for the Retreat
    6. Short One-paragraph Biography
    7. Contact info of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)
Due to limited seats, early applications are encouraged. Our Scholarship Deadline for our 2020 retreats is March 1, 2020.  Thus, applications are encouraged by our priority deadline of March 1, 2020.  All applications will be reviewed through March 10, 2020.
apply

Priority Deadline: March 1, 2020

Featured Faculty:

Stephen Aubrey is a Brooklyn-based writer and dramaturg. He is co-artistic director and resident playwright of The Assembly theater company. His plays have been produced at The New Ohio Theater, The Living Theater, The Flea Theater, The Collapsable Hole, and the Edinburgh Fringe Festival. His writing has appeared in Electric Literature, Publishing Genius, and The Brooklyn Review. He teaches creative writing and literature in the CUNY system.

ritabanerjee

Rita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).   She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, featured on the Ruth Stone Foundation podcast, and named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010).  She is the co-writer and co-director of Burning Down the Louvre (2020), a documentary film about race, intimacy, and tribalism in the United States and in France.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants.  Her writing appears in the Academy of American PoetsPoets & Writers, PANK, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts and an Associate Scholar of Comparative Literature at Harvard.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.  Her writing is represented by agents Jeff Kleinman and Jamie Chambliss of Folio Literary Management.

Diana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble. Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

   

FAQ:

What happens after I apply? Once you apply, you can expect to hear from us within 10-14 days and know whether you were accepted into the program.

What is the process of paying tuition? Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. This amount is non-refundable. The remainder of tuition will be due by March 10, 2020. Our standard and preferred method of payment is PayPal invoice. You can also mail us a check. Please email us at directors [at]cambridgewritersworkshop.org and we will provide instructions for mailing.

What is included in tuition?

    • creative writing workshops
    • craft of writing seminars
    • lodging in NOLA
    • breakfasts & some other meals

I’m local to New Orleans. Is there a tuition only option?

Yes. For more information, please inquire at directors[at]cambridgewritersworkshop.org.

What are accommodations like?

During the retreat, we will be staying at the lovely Pelham Hotel. The hotel is centrally located and within walking distance to the French Quarter, Bourbon St, Convention Center and the Superdome. In this location, you will have access to museums, historical sites, malls, and many other exciting attractions!

CWW Spring in New Orleans Writing Retreat Alumna Deb Jannerson’s new poetry book “Thanks For Nothing” Now Available for Pre-Order

The Cambridge Writers’ Workshop is delighted to announce that our 2018 CWW Spring in New Orleans Writing Retreat Alumna Deb Jannerson’s new poetry book Thanks For Nothing is now available for pre-0rder on Finishing Line Press here.

“Deb Jannerson’s Thanks for Nothing is a jewel-toned, kaleidoscopic rendering of living among contemporary America’s unkindnesses. Out of pain, Jannerson creates a strange and elemental tableau. Structural inequities, phony concern, and the speaker herself morph into sinister dioramas pasted together from tainted childhood memories and the always-distressing news. The collection’s images traverse seamlessly among nature, pop-culture, mythos, and political critique. Jannerson’s alliterative and idiosyncratic rendering of firsts—persons, touches, tries—fun-houses the collection’s physics, welcoming readers in the experience of emerging, dizzy but comfortable, from a legacy of hurt.” –Jessica Morey-Collins, poet and Pushcart nominee

Deb Jannerson is the author of the acclaimed poetry collection, Rabbit Rabbit (Finishing Line Press, 2016), available wherever books are sold. Her second book of poems, Thanks for Nothing, explores the biases of personal experience, the ways in which pop culture infuses one’s personal narrative, and the far-reaching repercussions of political upheaval. Jannerson won the 2017 So to Speak Nonfiction Award for her short memoir about queer intimacy and PTSD, and the 2018 Flexible Persona Editors’ Prize for a piece of flash fiction about gruesome work injuries. More than one hundred of her stories and articles have been featured in anthologies and magazines. Deb is currently searching for a home for her middle grade fantasy novel. She lives in New Orleans with her wife and pets. Learn more at debjannerson.com.

Apply to the Cambridge Writers’ Workshop Spring in New Orleans (April 13-16) Writing Retreat by March 20!

Apply to the Cambridge Writers’ Workshop Spring in New Orleans (April 13-16, 2018) Writing Retreat by March 20, 2018 on cww.submmittable.com!  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind experience for writers.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.

The faculty includes award-winning writers & a top NYC literary agent: Rita BanerjeeDiana Norma Szokolyai, and Natalie Kimber. All genres welcome. Genres include playwriting, nonfiction, fiction, and poetry. The cost of the retreat is $1200, which includes tuition, lodging, and some meals.

If you’d like to join us in NOLA, please apply by March 20, 2018 by submitting 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $10 application fee, a cover letter, and references at cww.submittable.com. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact Information (Email, Address, Phone)
3. Age & Nationality
4. Prior Workshop Experience and Publications
5. Creative Writing Goals for the Retreat
6. Short One-paragraph Biography
7. Contact info of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are encouraged. Applications are due March 20, 2018.

apply

Deadline: March 20, 2018

Schedule of Classes:

Featured Faculty:

Natalie Kimber is an Associate Literary Agent at The Rights Factory, and started her career in publishing as an assistant to Muriel Nellis at Literary and Creative Artists Inc., and later worked at Georgetown University’s Booklab, where she developed academic and trade book proposals, fiction titles, and edited books for New Academia PublishingShe joined with The Rights Factory in 2014, helping the Toronto based agency expand its operations in New York.  She represents a wide array of writers in the adult trade fiction and nonfiction space, and particularly favors books that showcase truly creative writing and books that unveil meaningful new ways to see the world and ourselves in it. She currently lives in Weehawken, NJ, overlooking the Hudson River and Manhattan, where she founded the Weehawken Writers and Artists Studio with a view to help creatives of all kinds collaborate, learn, and share their creative process through workshops and events.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing  (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig Maximilian University of Munich in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).  Diana Norma Szokolyai is represented by Nat Kimber (The Rights Factory).

FAQ:

What happens after I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. This amount is non-refundable. The remainder of tuition will be due by March 15, 2018. Our standard and preferred method of payment is PayPal invoice. You can also mail us a check.

What is included in tuition?

  • creative writing workshops
  • craft of writing seminars
  • lodging in NOLA
  • breakfasts & some other meals
  • walking tour of downtown New Orleans and Cafe du Monde

I’m local to New Orleans. Is there a tuition only option?

Yes. The tuition-only option is $675.  For more information, please inquire at info@cambridgewritersworkshop.org.

What are accommodations like?

During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Writers will be staying at our retreat house and at a hotel nearby.  Rooms at the retreat house will be provided to early registrants first.