Application Deadlines for Cambridge Writers’ Workshop Writing Retreats in New Orleans, Paris, and Granada Approaching!

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from April 13-16, 2018. Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers and literary agent Rita BanerjeeDiana Norma Szokolyai, and Natalie Kimber. There will one-on-one consultations with our literary agent, and workshop genres include nonfiction, fiction, and poetry. If you’d like to join us in New Orleans, please apply online at cww.submittable.com by March 20, 2018.

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place from July 25-30, 2018.  Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.  Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris!   The faculty includes award-winning writers Kathleen Spivack, Kristina Marie DarlingRita Banerjee, and Diana Norma Szokolyai.  Genres include poetry, fiction, and nonfiction. If you’d like to join us in Paris, France, please apply online at cww.submittable.com by June 1, 2018.

The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 1-6, 2018 in Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  Faculty includes Tim Horvath (fiction), Rita Banerjee (poetry, fiction), and Diana Norma Szokolyai (poetry, nonfiction).  If you’d like to join us in Granada, please apply online at cww.submittable.com by June 15, 2018.

To learn more about our upcoming writing retreats, visit the Cambridge Writers’ Workshop table (T403) at the AWP Bookfair in Tampa, FL from March 7-10, 2018!

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Applications Open for Cambridge Writers’ Workshop Summer in Paris Writing Retreat (July 25-30, 2018)

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 25-30, 2018 in Paris, France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.

There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.

Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris! Tuition is $3250, which includes lodging in central Paris, daily creative writing workshops and writing seminars, manuscript consultations, daily breakfast, and a walking tour of “literary” Paris.

Faculty includes internationally renowned author and writing coach Kathleen Spivack (fiction, poetry, nonfiction), Kristina Marie Darling (Poetry, Publishing), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, nonfiction, fiction).

If you’d like to join us in Paris, please apply online by June 1, 2018, and include $10 application screening fee and a 5-10 page writing sample of poetry or prose.  Please also include the following in your cover letter:

1. Full Legal Name
2. Contact & Address
3. Age & Nationality
4. Prior creative writing experience and publications
5. Creative writing goals for the retreat
6. Short one paragraph biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

(Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability). More information available at cww.nyc

apply

Deadline: June 1, 2018

Featured Faculty:

qpi9e9Kathleen Spivack is the author of ten books, prose and poetry (Knopf, Doubleday, Graywolf, etc).  Her most recent novel Unspeakable Things (Knopf) centers on European refugees in New York City, struggling to survive during the last years of the Second World War. Kathleen’s previous book was With Robert Lowell and His Circle: Plath, Sexton, Bishop, Rich, Kunitz and others (University Press of New England). Kathleen arrived in Boston in 1959 on a scholarship to study with Robert Lowell. Lowell introduced her to the poets of that time, who took her under their wing. This memoir centers on how these poets approached their work.

Other books include: A History of Yearning, Winner of the Sows Ear International Poetry Prize 2010, the London Book Festival Poetry Prize, and others; Moments of Past Happiness (Earthwinds/Grolier Editions); The Beds We Lie In (Scarecrow), nominated for a Pulitzer Prize; The Honeymoon (Graywolf); Swimmer in the Spreading Dawn (Applewood); The Jane Poems (Doubleday); and Flying Inland (Doubleday). She has also published in magazines and anthologies, including The New Yorker, Ploughshares, The Atlantic Monthly, The Paris Review, The Chicago Review, Poetry, Massachusetts Review, Solas Awards, and many others. Her work has also been translated into French.  Her work has been featured at festivals in France and in the United States. She performs in theatres, often with music. Kathleen is a recipient of the Allen Ginsberg Poetry Award and a Discovery Winner among many others. She has also received grants from the Fulbright Commission, National Endowment for the Arts and various organizations. Her residencies include Yaddo, MacDowell, the American Academy in Rome, Ragdale, Karolyi Foundation, etc.

Since 1990, Kathleen has been a visiting professor of American Literature/Creative Writing (one semester annually) throughout the French University System. In the U.S. she directs an advanced writing program and has been named by the National Writers’ Union as “best writing coach”. Her students have published widely and won major prizes. You will too! For more information on Kathleen Spivack, please visit her website at  www.kathleenspivack.org. You can also follow her on Facebook.

Kristina Marie Darling is the author of thirty books, including Look to Your Left: The Poetics of Spectacle (University of Akron Press, 2020); Je Suis L’Autre: Essays & Interrogations (C&R Press, 2017), which was named one of the “Best Books of 2017” by The Brooklyn Rail; and DARK HORSE: Poems (C&R Press, 2018). Her work has been recognized with three residencies at Yaddo, where she has held both the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; a Fundación Valparaíso fellowship; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; three residencies at the American Academy in Rome; two grants from the Whiting Foundation; a Morris Fellowship in the Arts; and the Dan Liberthson Prize from the Academy of American Poets, among many other awards and honors. Her poems appear in The Harvard Review, Poetry International, New American Writing, Nimrod, Passages North, The Mid-American Review, and on the Academy of American Poets’ website, Poets.org. She has published essays in The Kenyon Review, Agni, Ploughshares, The Gettysburg Review, Gulf Coast, The Iowa Review, and numerous other magazines. Kristina currently serves as Editor-in-Chief of Tupelo Press and Tupelo Quarterly, an opinion columnist at The Los Angeles Review of Books, and a contributing writer at Publishers Weekly.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).  Diana Norma Szokolyai is represented by Nat Kimber (The Rights Factory).

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing  (C&R Press, March 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig Maximilian University of Munich in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

FAQ:

What Happens After I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit  to hold your seat within 3-5 days of acceptance.  Please note that the deposit is non-refundable. The remainder of tuition will be due by May 20, 2018.  Our standard and preferred method of payment is PayPal invoice, which does have a service fee. You can also mail us a check to:

Cambridge Writers’ Workshop, Inc.
PO Box 380482
Cambridge, MA 02238 USA

What is included in tuition?

  • lodging in central Paris
  • daily breakfast
  • creative writing workshops
  • craft of writing seminars
  • manuscript consultation
  • a literary walking tour Paris
  • a celebratory meet-&-greet dinner with faculty


Where will the program be held?

The program will be held at Hôtel Denfert-Montparnasse, 70 rue Daguerre, 75014 Paris, France.

What if the deadline has passed?  Can I still apply?

Sometimes, we do have seats open after our deadlines have passed.  Please apply or just email us directly at directors[at]cambridgewritersworkshop.org to check whether there is still availability.

New Fiction from Paris Retreat Participant G. Evelyn Lampart in The Citron Review!

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The Cambridge Writers’ Workshop is proud to announce that one of our 2015 Summer in Paris Writing Retreat participant has had her work published in The Citron Review. G. Evelyn Lampart’s story “Fire Sale” is part of Citron Six: Summer 2016 Issue.

G. Evelyn Lampart is both a practitioner and a consumer of mental health services. In this  unique role, she runs an art program in the mental health clinic that served to help her heal. Evelyn is also a student at the Writers Studio in New York City. Her writing  appears in Rozlynan anthology, Nous 5, Dirty Chai,  R.KV.R.Y., Poetica, and The Quotable.

The Queen of the Night by Alexander Chee: A Review by Alex Carrigan

QueenoftheNightWhat makes a great opera? Is it the music? The costumes? The story? Or can it become great for the performer who helms the leading role? Novelist and CWW 2016 Summer in Granada Writing Retreat faculty member Alexander Chee’s latest work, The Queen of the Night is a historical fiction novel that follows Lilliet Berne, a Parisian opera sensation in the late 19th century. Lilliet receives an offer for an original role, an honor most opera performers only dream of. However, when she discovers that the opera is based heavily on her past, she embarks on a journey to discover how the work came to be. The novel traces Lilliet’s journey, beginning with her childhood as an American frontiersman’s daughter. Readers watch as Lilliet joins a circus and a brothel, serves the Empress of France, studies under opera legends, and ultimately arrives at her current status as one of France’s most famous opera singers.

Chee’s novel is a historical epic, and Lilliet is a character in the vein of a Dickens protagonist. Her life takes so many turns, and she is forced to navigate using her wit and talent for assuming new roles.

alexandercheeThough this shape-shifting proves convenient, Lilliet struggles to discern how much control she has over any one of her personas. While she cycles easily through roles, she finds herself influenced, even dominated, by others, and most of the conflict in the book comes from run-ins with authority figures. The most dangerous is a tenor singer who tries to morph Lilliet into the opera legend of his fantasies. Lilliet, dubbed a Falcon soprano due to her unique and potentially temporary style of singing, is often associated with falcons and other avian imagery. Lilliet is a master at “flying” from dangerous people and situations and finding a way to survive.

It is true that Chee’s novel is a hefty read, but I never found myself losing interest. I found Lilliet fascinating–multidimensional and endowed with a unique voice.  She is strong and clever, but she also possesses very human faults.

I also admire the way Chee conveyed opera in the story. It can be difficult to communicate performance, which relies so heavily on visual and audio, in prose. However, Chee’s book manages to convey all the operas and performances via detailed imagery and clever diction. Even the more abstract operas were so well fleshed as to remind me of a George Méliès film.  I only wanted to see them realized on the stage.

Overall, The Queen of the Night is a wonderful novel. Liliette is a strong and fascinating character, and Chee tells her story in precise, rich prose. I am very excited to read more Alexander Chee, and I am very excited for the Historical Fiction course he will be teaching at our Granada retreat.

–Alex Carrigan, CWW Managing Intern

For more information on Alexander Chee and The Queen of the Night, visit his website here.

The Queen of the Night, new novel by CWW Fiction Faculty Alexander Chee, debuts Feb 2

QueenoftheNightCongratulations to novelist Alexander Chee, our featured fiction faculty member on our 2016 Summer in Granada Writing Retreat, for his new novel The Queen of the Night, which debuts in bookstores on February 2, 2016! Alexander Chee will be teaching during our Summer in Granada, Andalucía, Spain Writing Retreat (July 28-Aug 5, 2016).

Alexander Chee was born in Rhode Island, and raised in South Korea, Guam and Maine. He is a recipient of the 2003 Whiting Writers’ Award, a 2004 NEA Fellowship in Fiction, and residency fellowships from the MacDowell Colony, the VCCA, Ledig House, the Hermitage and Civitella Ranieri. His first novel, Edinburgh (Picador, 2002), is a winner of the Michener Copernicus Prize, the AAWW Lit Award and the Lambda Editor’s Choice Prize, and was a Publisher’s Weekly Best Book of the Year and a Booksense 76 selection.

In The Queen of the Night, Lilliet Berne is a sensation of the Paris Opera, a legendary soprano with every accolade except an original role, every singer’s chance at immortality. When one is finally offered to her, she realizes with alarm that the libretto is based on a hidden piece of her past. Only four could have betrayed her: one is dead, one loves her, one wants to own her. And one, she hopes, never thinks of her at all.

Read an excerpt from the first chapter of the novel below, and the full first chapter on Longreads:

“…I seemed a stranger to myself, a changeling placed here in my life at some point I couldn’t remem­ber, and the glass of the mirror at the entrance to the palace seemed made from the same amber of the dream that surrounded me, a life that was not life, and which I could not seem to escape no matter where I went or what I sang.

And so their celebration of me that night at the ball, sincere as it was, felt as if it were happening in the life neighboring mine, visible through a glass.

I tell you I was distracted, but it was much more than that. For I was also focused intensely, waiting for one thing and one thing only, my attention turned toward something I couldn’t quite see but was sure was there, coming for me through the days ahead. I’d had a premonition in accepting the role of Marguerite that, in returning to Paris this time, I would be here for a meeting with my destiny. Here I would find what would transform me, what would return me to life and make this life the paradise I was so sure it should be…”

Here is Chee reading an excerpt from the novel at Franklin Park Bar and Beer Garden in Crown Heights, Brooklyn.

Read more here. Join Alexander Chee for his talk at the PEN/Faulkner Reading Series at Bus Boy & Poets on February 11, 2016!

Happy New Year, Writers! -♥️- Cambridge Writers’ Workshop

HappyNewYear2016-CWW

Happy New Year 2016 from the directors, staff, and board of the Cambridge Writers’ Workshop!  We hope you’re all as excited for 2016 as we are!  We’re planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we’re looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2016!

The Cambridge Writers’ Workshop had a wonderful year in 2015.  Over the last twelve months, we’ve had a chance to hold retreats and readings across America and the world, meet exciting writers, yoga practicioneers, and artists, and have found new ways to inspire our own writing.  Our year began with the Brooklyn Yoga, Aromatherapy, & Writing Workshop. We restored our minds with invigorating yoga, learned about Essential Oils, and inspired out writing. In February, we joined the 2015 Association of Writers and Writing Programs Conference in Minneapolis, Minnesota. At AWP 2015, we got a chance to promote CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, advertise our new literary internships, and discuss our Summer Writing Retreats in Granada, Spain and Paris, France, as well as our Spring Writing Retreat in Newport, Rhode Island. We also hosted our second AWP event at Boneshaker Books. At our Books & Bones event, there were featured readings from authors such as  Alex CarriganJonah KruvantDena Rash GuzmanLeah UmanskyAnca SzilagyiMicah Dean HicksMichele NereimBianca StoneJessica PiazzaJess BurnquistSheila McMullin, and Brenda Peynado.

After AWP 2015, we were off to our first annual Spring Writing Retreat in Newport, Rhode Island. We were joined by award-winning and internationally-renowned authors such as Kathleen Spivack and Stephen Aubrey, in addition to CWW directors Rita Banerjee and Diana Norma Szokolyai, and CWW yoga instructor Elissa Lewis. The event was a chance for writers to spend a long weekend in historic Newport and near the beach, participating in writing workshops (such as Aubrey’s workshops on theater and Spivack’s workshops on developing manuscripts) and craft of writing seminars, yoga classes, and cultural tours of the historic Newport village. We liveblogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.

During the summer we hosted our Summer in Granada and Summer in Paris Writing Retreats. In Paris, we explored the city and all of its historical, literary, and romantic charm. The retreat included craft of writing seminars and creative writing workshops, literary tours of Paris, daily yoga and meditation classes, and one-on-one manuscript consultations. We were also joined by Guggenheim Fellowship recipient and New York Times bestselling author David Shields, who taught workshops about collage, appropriation, and collaboration. CWW directors Rita Banerjee and Diana Norma Szokolyai taught workshops on stakes and building character, and also led workshops for participants to share their work and use the Liz Lerman method for critiquing writing. We live blogged our Paris retreat on our website, so feel free to check it out and see our workshops, as well as our excursions to Shakespeare and CompanyVersailles and Au Chat Noir. We were really happy to experience this with all of our participants, who traveled from all over the U.S, as well as England and Australia, to come write and explore Paris with us.

In Granada, wrote in the city’s winding streets, absorbed its Moorish history, and were inspired by its evocative landscapes. The retreat included craft of writing seminars and writing workshops and yoga classes. We were joined by Guggenheim Fellowship recipient and Pushcart Prize winner Peter Orner, who led a workshop on Spanish literature. Diana Norma Szokolyai led workshops on voice and stakes, while Rita Banerjee led a workshop on narrative development. We also live blogged this trip, so you can see all the exciting things we did on this trip, such as seeing Poeta in Nueva York and shopping for fans.

We hosted a Brooklyn Bookend Reading at Muchmore’s during The Brooklyn Book Festival. Some of the writers had emerged onto the literary scene with a bang, while others had recently published their first or second books, and had received prestigious awards in the past. The event was moderated by Diana Norma Szokolyai and included writers Rita Banerjee, Jonah Kruvant, Brandon Lewis, Elizabeth Devlin, Lisa Marie Basile, Jessica Reidy, Gregory Crosby, Matty Marks, and Emily Smith.

In November, we also hosted our annual Pre-Thanksgiving Writing & Yoga Cleanse. The two day event kicked off with yoga lessons from Elissa Lewis, followed by creative writing workshops and craft seminars from Jessica Reidy. Our Pre-Thanksgiving Writing & Yoga Cleanse was an opportunity for the participants to cleanse themselves mentally, spiritually, and creatively before the bustling holiday season.

In 2015, we continued our work on CREDO Anthology of Manifestos & Sourcebook for Creative Writing. The collection will feature personal writer manifestos, essays on writing advice, and writing exercises to help spur creativity. Our staff has greatly enjoyed critiquing and conversing with writers on this publication, and more information about publication will be announced in the upcoming year.

In 2015, we welcomed our second round of interns to the Cambridge Writers’ Workshop, and these interns include the wonderful Emily Smith, Casey Lynch, and Alyssa Goldstein, all of whom have helped the CWW greatly this year. They’ve helped manage our social media and written up posts about our events, shown their talent for graphic design and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year.  We’re excited to have Emily, Casey, and Alyssa, on our team, and we can’t wait to show you what they’ve helped us plan for 2016!

This was also a good year for our individual staff members getting published. CWW co-director Rita Banerjee had her poetry published in Quail Bell MagazineRiot Grrrl Magazine, and The Monarch Review. Her interview with CWW visiting professor and Guggenheim Fellowship recipient David Shields was published in Electric Literature. CWW co-director Diana Norma Szokolyai reported for VIDA: Women in Literary Arts on”The Defensive Male Writer.”  CWW Executive Board Member Jessica Reidy‘s “Why the Pyres are Unlit” was released in Drunken Boat’s Romani Folio and her poetry was nominated by The Poetry Blog for “Best of the Net.” Managing Intern Alex Carrigan had his work published in Strike! and Quail Bell Magazine and Managing Intern Emily Smith became a Contributing Blogger for Ploughshares.

While 2015 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Los Angeles from March 30-April 2, 2016, and will be announcing our AWP Reading in downtown Los Angeles shortly!

Join us April 21-24, 2016 for our second annual Spring in Newport, Rhode Island Writing Retreat. Our Newport retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects. In the past, faculty has included internationally renowned author and writing coach Kathleen SpivackStephen Aubrey, Diana Norma Szokolyai, Rita Banerjee, and Elissa Lewis.

The Cambridge Writers’ Workshop Summer in Narbonne & Barcelona Writing Retreat will take place July 18-26, 2016. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.  There will also be time to explore the city of Barcelona, Spain and the beaches of Narbonne, France.  Our past France retreats have included David Shields, Diana Norma Szokolyai, Rita Banerjee, Jessica Reidy, and Elissa Lewis as faculty members.

And from July 28-August 5, 2016, join the Cambridge Writers’ Workshop on our summer writing retreat to the cultural oasis of Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work with world-renowned authors on your manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  In our past Granada retreat, faculty has included Peter Orner, Rita Banerjee, Diana Norma Szokolyai, and Elissa Lewis.

We hope you are all as excited for our 2016 events as we are.  Information on our upcoming 2016 retreats and readings will be going live in January 2016!  If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org.  You can also follow us on FacebookTumblr, and Twitter for more information and updates on any of these events. We look forward to making 2016 a year full of creativity, writing, and renewal, so join us as we make 2016 rock!

— Emily Smith & Alex Carrigan, CWW Managing Interns

Podcast Live for Shakespeare & Co. Reading feat. David Shields and Charles Recoursé

During our 2015 Summer in Paris Writing Retreat, the Cambridge Writers’ Workshop organized a reading at the famous Shakespeare and Company bookstore.  The reading featured acclaimed essayist, writer, and Cambridge Writers’ Workshop instructor David Shields, who read from his new book I Think You’re Totally Wrong with Charles Recoursé, who is an editor for Au Diable Vauvert and Shields’s French translator.  Following an introduction by CWW Creative Director Rita Banerjee, the two read select passages from I Think You’re Totally Wrong with Recourse’ reenacting the part of Caleb Powell, Shields’s co-author.  The reading was followed by a Q&A and a book signing outside the store.

A full podcast of the reading is now available on the Shakespeare & Co. SoundCloud.  And additional photos from the event can also be found on the Shakespeare and Co. Website.

– Alex Carrigan

Day 2 in Paris: Building Character and Practicing Yoga

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Day 2 of our summer Paris retreat began with our usual congregation on our hotel patio. Today, CWW directors Rita Banerjee and Diana Norma Szokolyai led a workshop on character development. Szokolyai shared a few tips for making believable and memorable characters, even sharing a few writing exercises from authors like Rachel Basch, Cai Emmons, and Edie Meidav. Banerjee discussed the differences between dynamic and flat characters, and even talked about how both can be useful for a story. IMG_1267

 

The class also shared some of their favorite dynamic characters, ranging from novels like Invisible Man to shows like The Sopranos. The lecture ended with participants by writing short prompts based on the exercises, using their own characters or people they noticed walking around the Rue Daguerre.

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Some of our students also went to Elissa Lewis’ yoga classes today. Hosted at a nearby yoga studio, Lewis led two 45 minute sessions, using a variety of yoga styles and practices, including the use of aromatherapy.

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It was a quiet day today, but most of our participants are taking it easy. Tomorrow, some of our participants will be heading to Versailles to see the palace and the events there, so be sure to check back to see how that goes.

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Cambridge Writers’ Workshop teams up with Shakespeare & Company, Paris (July 23, 2015)

The Cambridge Writers’ Workshop is proud to announce that we will be hosting Guggenheim Fellowship and two time NEA fellowship recipient David Shields for a reading at Shakespeare and Company Bookstore in Paris. The reading will take place as part of our Summer in Paris Writing Retreat on Thursday July 23, 2015 from 7 p.m. – 8 p.m.  Rita Banerjee will introduce and moderate the event, which will feature David Shields and his French translator, Charles Recoursé, performing the dialogue of Shields and Caleb Powell from I Think You’re Totally Wrong: A Quarrel.  The performance will be followed by a discussion of collage and the literary essay by Shields and Recoursé, followed by a Q&A portion, which will be lead by Diana Norma Szokoloyai.

David Shields is the internationally bestselling author of twenty books, including Reality Hunger (named one of the best books of 2010 by more than thirty publications), The Thing About Life Is That One Day You’ll Be Dead (New York Times bestseller), and Black Planet (finalist for the National Book Critics Circle Award). Forthcoming are War Is Beautiful (powerHouse, November 2015), Flip-Side (powerHouse, March 2016) and Other People (Knopf, 2017). The recipient of Guggenheim and NEA fellowships, Shields has published essays and stories in the New York Times Magazine, Harper’s, Esquire, Yale Review, Village Voice, Salon, Slate, McSweeney’s, and Believer. His work has been translated into twenty languages.

Shakespeare and Company became the “literary culture in bohemian Paris” after it was opened by George Whitman in 1951. The English-language bookstore was frequented by many Beat Generation poets like Allen Ginsberg and William S. Burroughs, as well as other writers like Anaïs Nin and Henry Miller. The bookstore regularly hosts poetry readings and houses young writers.

To apply for the Summer in Paris Writing Retreat (July 22-30, 2015), visit cww.submittable.com and send an application by May 25, 2015.

Summer in Paris Writing Retreat Courses Announced!

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Brevity (with David Shields)
Lecture. Exegesis. In-class writing/critique.
A sustained argument for the excitement and urgency of literary brevity in a hyper-digital, post-religious age; a rally for compression, concision, and velocity; and a meditation on the brevity of human existence. We are mortal beings. There is no god. We live in a digital culture. Art is related to the body and to the culture. Art should reflect these things. Brevity rules.

Collage (with David Shields)
Lecture. Exegesis. In-class writing/critique.
The novel is dead; long live the anti-novel, built from scraps./I’m not interested in collage as the refuge of the compositionally disabled. I’m interested in collage as an evolution beyond narrative./A great painting comes together, just barely. /It may be that nowadays in order to move us, abstract pictures need if not humor then at least some admission of their own absurdity-expressed in genuine awkwardness or in an authentic disorder./These fragments I have shored against my ruins./Collage is the primary art form of the twenty-first century.

Collaboration (with David Shields)
Lecture. Exegesis. In-class writing/critique.
A class on kinds of collaboration: collaboration with yourself, with your own material, with other texts, with other people, and the world in general. I’ll talk for a while about the kinds of collaboration I’ve done and ask people in the class to bring in an idea for how they might collaborate on their next project.

Workshop on the Evocative Object (with Diana Norma Szokolyai and Rita Banerjee)
Enjoy searching for and discovering evocative objects in your surroundings, and tell their stories through lyrical descriptions that will thrill the reader.

Literary Taboo: Playing With the Five Senses (with Rita Banerjee)
Learn to play a literary game that will keep you on your wordsmithing toes. You will have to think of new ways to write about subjects, while avoiding clichés!

Anaïs Nin & the Art of Journaling (with Jessica Reidy)
The great novelist Anaïs Nin kept a journal throughout most of her life and filled volume upon volume with a rich record of her personal, professional, and creative life (most of which was lived in Paris). She wrote far more volumes of her journals than novels, and after encouragement from other friends and writers she published excerpts of her journals. And while Nin feared that her journal consumed her, she also knew that it was the channel and source of her creativity. Creativity teacher and filmmaker Julia Cameron insists that, no matter the type of artist you are, daily journaling is an essential part of the artistic process. In this class, we will read and discuss some of the inspiring advice from Nin and Cameron, and try out a few different journaling techniques, invention exercises, and the practice of self-awareness and setting achievable goals. We will also practice using the journal as a ‘safe space’ for new writing projects, and a scrapbook or canvas for different ways of approaching a piece of writing (collage, drawing, etc).

Paris2015Schedule

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 22-30, 2015 in France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.

There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in the heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel where we will stay is full of charm and our Moroccan themed classroom will offer a wonderful oasis to practice the writing life.

Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris, daily yoga and meditation classes, and manuscript consultations. Optional add-ons include excursions to neighboring cities such as Versailles. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris! Tuition is $2950, which includes lodging in central Paris, daily creative writing workshops and writing seminars, manuscript consultations, daily breakfast, daily yoga and meditation classes, and a walking tour of literary Paris.

Faculty includes David Shields (nonfiction, book-length essay), Diana Norma Szokoloyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), Jessica Reidy(fiction, poetry), and Elissa Lewis (yoga, meditation).

If you’d like to join us in Paris, please apply online at cww.submittable.comby May 25, 2015, and include $5 application screening fee and a 5-page writing sample.  (Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability).

applyDeadline: May 25, 2015

Featured Faculty:

jUSEu2sSo4RfT2C6eSXb6-plQPuQlknv-LggVh9tpUsDavid Shields is the internationally bestselling author of twenty books, including Reality Hunger (named one of the best books of 2010 by more than thirty publications), The Thing About Life Is That One Day You’ll Be Dead (New York Times bestseller), and Black Planet (finalist for the National Book Critics Circle Award). Forthcoming are War Is Beautiful (powerHouse, November 2015), Flip-Side (powerHouse, March 2016) and Other People (Knopf, 2017). The recipient of Guggenheim and NEA fellowships, Shields has published essays and stories in the New York Times Magazine, Harper’s, Esquire, Yale Review, Village Voice, Salon, Slate, McSweeney’s, and Believer. His work has been translated into twenty languages.

Diana Norma Szkoloyai is author of the poetry books Roses in the Snow and Parallel Sparrows(Finishing Line Press). Her writing and hybrid art have appeared in Lyre Lyre, Dr. Hurley’s Snake Oil Cure, The Fiction Project, Teachers as Writers, Polarity, The Boston Globe, The Dudley Review, Up the Staircase, Area Zinc Art Magazine, Belltower & the Beach, andHuman Rights News. Founding Literary Arts Director of Chagall Performance Art Collaborative and co-director of the Cambridge Writer’s Workshop, she holds an Ed.M from Harvard and an M.A. in French Literature from the University of Connecticut.

rb1-e1425855638846Rita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, andChrysanthemumamong other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured onHER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

Jessica Reidy earned her MFA in Fiction at Florida State University and a B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, Arsenic Lobster, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter. You can learn more at www.jessicareidy.com.

ElissaLewisElissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her website for informative yoga sequences and information.