CWW Summer in Granada Writing Retreat Scholarship Deadline – June 1, 2017

 

We are offering scholarships in the amount of $500 – $650 for our Summer in Granada, Spain Writing Retreat (August 2-6, 2017).  Deadline for Scholarship Applications is June 1, 2017 for Granada, Spain.

For writers who are minorities, parents, and students. Please simply indicate your scholarship category and a one paragraph statement indicating need of financial support in your cover letter.

applyDeadline: June 1, 2017

* Apply Early, Limited Scholarships *

WRITING RETREATS with the supportive faculty of the Cambridge Writers’ Workshop will take place in Granada, Spain (August 2–6) and Rockport, MA (October 13-15). Faculty for our 2017 retreats include Tim Horvath, Dipika Guha, Emily Nemens, Adam Reid Sexton, Rita Banerjee, Diana Norma Szokolyai, Kerry Cohen, Maya Sonenberg and Alexandria Marzano-Lesnevich. Genres include fiction, nonfiction, poetry, playwriting, and hybrid.

  • Diversity Scholarship
    Diversity scholarships will be offered to minorities who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Student Scholarship
    Student scholarships will be offered to students (both undergraduate and graduate, full or part time) who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Writer/Parent Scholarship
    Writers/Parent scholarships will be offered to writers who show a commitment to creative writing and are raising children (infant through college).  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).

applyDeadline: June 1, 2017

CWW Summer in Granada 2017 Nonfiction Faculty Alexandria Marzano-Lesnevich’s memoir, “The Fact of a Body,” featured on Vogue

We are delighted to announce that our Cambridge Writers’ Workshop Summer in Granada, Spain Writing Retreat (August 2-6, 2017) Nonfiction Instructor, Alexandria Marzano-Lesnevich has been recently featured on Vogue for her highly-acclaimed memoir, The Fact of a Body.  In the Vogue article, Julia Felsenthal writes:

At the start of her riveting new memoir, The Fact of a Body, lawyer turned writer Alexandria Marzano-Lesnevich describes a famous case that illustrates the legal principle of proximate cause. A woman named Helen Palsgraf stands on a railway platform, waiting for the train that will take her family to the beach. Nearby, a young man leaps to catch another departing train. A conductor reaches out to pull him aboard; a porter gives him a boost from behind. In the process, a package he’s holding containing fireworks falls from his arms and detonates. Down the track, the explosion causes a baggage scale to fall on top of Palsgraf. It’s a Rube Goldberg–worthy domino effect, but how do we decide who is to blame? “The causes, in fact, are endless,” writes Marzano-Lesnevich. “The idea of proximate cause is a solution. The job of the law is to figure out the source of the story, to assign responsibility. The proximate cause is the one the law says truly matters. The one that makes the story what it is.”

In June of 2003, Marzano-Lesnevich, then a Harvard law student, was beginning a summer internship at a death penalty defense firm in New Orleans, when she encountered a case that altered the course of her life. As an introduction to the firm’s work, a lawyer played the interns a decade-old tape, in which a client, a Louisiana man named Ricky Langley, confessed to the murder of his neighbor, 6-year-old Jeremy Guillory. After that confession, Langley had been convicted of first-degree murder and sentenced to death; then, years later, the verdict had been overturned, his case tried again, and he’d been sentenced by a new jury to life in prison…

There are no easy conclusions in The Fact of a Body, but there are many moments of profound revelation. Marzano-Lesnevich’s memoir is a braided narrative, weaving together Langley’s story and her own. She plays with the concept of proximate cause, untangling the long string of events that led her to Ricky Langley, and the long string of events that led Ricky Langley to Jeremy Guillory. But the book is actually something of a tribrid, with a third strand that’s about the act of braiding itself: how a story evolves in the telling; how each storyteller decides which facts are important, projects her experience onto the events and the characters (here, quite literally, the author allows herself to imagine details of Langley’s narrative that aren’t captured in the record). Most provocatively, Marzano-Lesnevich forces us to question how all of those factors work when applied to the legal system. What are cases but stories? What are trials but showdowns between competing versions of the truth? What are lawyers, and judges and juries, but people who do what people always do: superimpose their own perspectives onto the matter at hand? What part can empathy play in a criminal justice system predicated on the delusion that there’s one version of the truth, one set of facts, one story?

Read the complete review & interview on Vogue, and sign-up for our Summer in Granada, Spain Writing Retreat (August 2-6, 2017) with Alexandria Marzano-Lesnevich by June 1, 2017!  Apply here: cww.submittable.com

Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, has been released by Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.  She is a nonfiction faculty member at the Cambridge Writers’ Workshop Summer in Granada, Spain Writing Retreat (August 2-6, 2017).

Summer in Granada, Spain Writing Retreat Class Schedule and June 1, 2017 Deadline!

Granada2017PosterJune1st
The Cambridge Writers’ Workshop’s Summer in Granada Writing Retreat will take place from August 2-6, 2017. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-Lesnevich, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  To apply, please submit an application at http://cww.submittable.com by June 1, 2017.

Schedule of Classes:

Character Development & the Law of Desire (with Rita Banerjee)

Femme fatales, gumshoe detectives, star-crossed lovers, wicked stepmothers, wise fools, empathetic anti-heroes: dynamic and archetypal characters can be key to making a good story or lyrical piece tick and pulling in the reader deeper into your creative work. In this workshop, we will discuss how dynamic and archetypal characters can help structure stories, propel narratives forwards, and how each character’s desire provides interesting ethical dilemmas and emotional spectrums to narratives and verse. We will learn about the building blocks of creating strong, unforgettable characters, discuss the connection between desire and plot, and learn how playing with persona can help liberate nonfictional stories and lyrical poems. 

Writing from the Senses (with Tim Horvath)

Memorable writing often engages the senses first and foremost, immersing us in a character’s perceptions and sensations, and thus allowing us to dwell inside that character’s perspective. In this class, we’ll strive to make our writing more wholly and richly embodied by engaging the senses directly, building our abilities to depict each individually like a muscle group, and eventually intertwining them in synesthesia for the fullest effect. We explore each of the senses in turn by looking at exemplary instances where a writer is able to conjure the sense effectively.  We’ll take focused walks, taste local foods, do ekphrastic writing in museums, and attempt to capture sounds from that of traffic to flamenco guitar to the idiosyncratic grain of the individual human voice in multiple languages. This class also cuts across genres, shifting seamlessly between poetry, fiction, and creative nonfiction, grounding each in an embodied experience of the world. When we travel abroad, our senses are generally enlivened to begin with, and so you can think of this class as a way to translate that enhanced awareness into equally vivid words on the page.

The Storyteller’s Voice (with Alexandria Marzano-Lesnevich)

Of all types of prose, personal narrative is perhaps the most inherently voice-driven. After all, the reader is essentially choosing to spend a lot of time with you, the author. Too often, the writer’s desire to be relatable on the page results in a watered-down, bland voice, when a distinctive voice is what’s needed to keep the reader engaged. (As V.S.Pritchett put it, in memoir, you get no credit for the living—it’s all in how the living’s told.) So how can you find—and sharpen—your narrative voice? Will it be crisp like Didion’s? Humorously exaggerated like Sedaris’s? Lyrically gritty like Ballantine’s? We’ll look at exceptional examples of voice in memoir and personal essays, and diagnose what makes them so successful. We’ll discuss ways to identify and amplify whatever yours is, working to make it even more distinctive. Come prepared with an essay or chapter draft to work on.

Leyendo Intensamente: Writers Reading Spanish/Latin American Literature in Translation (with Tim Horvath)

It is a given that writers must learn to read closely, with attention to nuance and craft, to unravel the methods by which other writers have managed to tell stories effectively and adapt them for their own purposes. In this class, we’ll focus on writers in Spanish and Portuguese, from canonical authors like Borges, Marquez, Valenzuela, Cortázar, and Lispector to contemporary luminaries and up-and-comers such as Eduardo Halfon, Valeria Luiselli, Javier Marías, and Laia Jufresa. We’ll swerve through techniques of developing metafiction and surrealism, magical realism, and philosophical fiction, and blending these with realism where suitable. We’ll also explore the fraught, infinitely rich topic of translation, discussing its complexities really and the ways that understanding the innumerable decisions involved in bringing a work into another language can shed light on the act of “translating” any experience or concept from mind or world onto the page, i.e. writing itself.

Life Isn’t A Book Structure: Strategies for Shaping Memoir (with Alexandria Marzano-Lesnevich)

Even the wildest life, recounted straightforwardly from memory, will suffer from what Sven Birkerts calls “the coma-inducing effect of ‘and then.’” Good memoirists know this. So they reach into literature’s bag of tricks and find other ways to keep the pages turning: they speed time up in some places and slow it down in others; they layer two or more threads; or perhaps they find a structure that helps evoke the book’s meaning. All these considerations are part of shifting from thinking about your life as a life to thinking about the book as a book. But how can aspiring memoirists ready themselves to make that leap? In this session we’ll discuss strategies and approaches, as well as break down the choices made by a few published memoirists as they turned memory into literature. Then we’ll do a few exercises to help free you to do the same with your own material, turning life into art.

Featured Faculty:

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

Alexandria-Marzano-Lesnevich_MACD-15-201_414

Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, is forthcoming from Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

480540_535092196513183_901741364_nDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow. She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe,  and elsewhere, as well as anthologized in Other Countries: Contemporary Poets Rewiring History, Always Wondering, and the International Who’s Who in Poetry 2012. She is currently at work on her next book and an album of poetry & music.

applyDeadline: June 1, 2017

CWW Summer in Granada Writing Retreat Faculty Alexander Chee featured in The New York Times

Last year author Alexander Chee joined the Cambridge Writers’ Workshop as our fiction instructor for our 2016 Summer in Granada, Spain Writing Retreat. Now Chee has been chosen as one of four authors to share stories of how love and travel intersect for The New York Times’s debut Love Issue. The his essay, “In Spain, Secrets and a Possible Betrayal,” Chee recounts traveling to Granada during the summer with a former boyfriend, referred to as M. in the piece. In the essay, Chee writes:

M. loved poets, wrote poetry, sometimes wrote me poems, and his favorite poets all seemed to have met violent or tragic deaths, including Lorca. The day we visited Lorca’s house in Granada, we found the whole of it kept much as it was when he was there. I noticed the roses in the vases were almost gone, ready to be replaced, while roses bloomed outside. I imagined the poet had planted them, or at least tended them, but I didn’t want to ask in case it wasn’t true. I can still see the shrug as the tour guide said, “Yes, he was the son of a wealthy man,” a detail I wrote down in my notebook, along with how we all then looked at the beautiful wooden desk that seemed like a boat. I didn’t know why the guide said that and still don’t. Just as I don’t know why a book of his poems on the desk that day was open to “Poet in New York” — his other city.

Lorca’s murder had made him Granada’s presiding ghost. If his body had vanished at the hands of fascist murderers, he was everywhere there now, his face and words on mugs, T-shirts, restaurant menus and graffiti nearly anywhere you looked.

Unlike M., I already spoke Spanish. I needed to go to Paris and London to research my second novel, so we planned a summer trip across Europe to combine our aims, beginning with me in London and Paris, where he would join me, then Granada, beginning in July and concluding in late August…

M. had chosen our apartment because it was opposite the Alhambra, the magnificent historic Moorish palace on the hill across from our neighborhood, the Albaicín. The Darro ran between us. Our roof patio was opposite a simple mirador with a fountain, where there always seemed to be people playing guitar and smoking marijuana, with whom we exchanged waves. The apartment was simple and clean, its magnificence concentrated in the patio view of the palace and the city. Each room was on a different floor off a spiral staircase, the apartment as winding as the hill it was on. We left and returned by climbing a series of winding footpaths and side streets, and if I was confused, at night, I was always able to follow the guitar music home…

M.’s days at the school began early and were long, and left to my own devices, I would write for a few hours and then walk through the side streets, where I mapped the ancient cathedrals, most of which had been mosques before the expulsion of the Muslims, and then had the traditional breakfast of bread with tomate, a fresh tomato purée on toast, and olive oil. In Granada, there are usually two kinds of olive oil on the tables to put on, it seemed, anything you ate, but especially for this.

Read Alexander Chee’s full essay on his summer spent writing in Granada here.

The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.  Apply at cww.submittable.com by May 1, 2015!

Reminder: Upcoming Deadlines for Spring & Summer Writing Retreats

The Cambridge Writers’ Workshop is offering scholarships in the amount of $100 – $200 for our Spring and Summer Writing Retreats in New Orleans (March 23 – 26, 2017), Portland, OR (April 22-24, 2017), and Granada, Spain (August 2-6, 2017).  Deadline for our first Scholarship Applications is March 5, 2017.  Apply at http://cww.submittable.com!

WRITING RETREATS with the supportive faculty of the Cambridge Writers’ Workshop will take place in New Orleans (March 23–26), Portland (April 22–24), Granada, Spain (August 2–6), and Rockport, MA (October 13-15). Faculty include Dipika GuhaEmily NemensAdam Reid SextonKerry CohenRita BanerjeeTim HorvathAlexandria Marzano-LesnevichMaya Sonenbergand Diana Norma Szokolyai. Genres include fiction, nonfiction, poetry, playwriting, and hybrid.  First scholarship applications due by March 5, 2017 at http://cww.submittable.com!

  • Diversity Scholarship
    Diversity scholarships will be offered to minorities who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Student Scholarship
    Student scholarships will be offered to students (both undergraduate and graduate, full or part time) who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Writer/Parent Scholarship
    Writers/Parent scholarships will be offered to writers who show a commitment to creative writing and are raising children (infant through college).  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.

applyFirst Deadline: March 5, 2017

Cambridge Writers’ Workshop 2017 Writing Retreats – Deadlines Approaching!

granada2017postermarch15final

Thank you to everyone who joined the Cambridge Writers’ Workshop at AWP 2017 in Washington D.C. We wanted to let all our new writers and readers know about the upcoming deadlines for our Spring and Summer 2017 writing retreats.

apply

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry. The deadline to apply is February 25th, 2017.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The deadline to apply is March 15th, 2017.

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The deadline to apply is March 15th, 2017.

Looking forward to seeing you this Spring and Summer.

In solidarity, and writing,
Cambridge Writers’ Workshop

apply

Applications for Cambridge Writers’ Workshop Spring & Summer 2017 Retreats Open!

The Cambridge Writers’ Workshop is delighted to announce our upcoming Spring and Summer 2017 Writing Retreats.

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

granada2017poster

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.

Writers are welcome to register for all retreats at cww.submittable.com by the early deadline of February 15, 2017!

applyDeadline: February 15, 2017

New Faculty Announced for the Cambridge Writers’ Workshop

The Cambridge Writers’ Workshop is delighted to announce our new faculty members for our upcoming Spring and Summer 2017 Writing Retreats.  The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

Writers are welcome to register for all retreats at cww.submittable.com by the early deadline of February 15, 2017!  We are delighted to work with a talented group of poets, playwrights, essayists, and fiction writers during our Spring and Summer 2017 Writing Retreats.  Please give a warm welcome to our new faculty!

dipikaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Award with the Lark Play Development Center, A Room of Her Own and the Hedgebrook Women Playwrights Festival. Her plays include  The Art of Gaman (Berkeley Rep Ground Floor ’16, KILROYS LIST ’16, Relentless Award Semi-Finalist), I Enter the Valley (Theatreworks New Play Festival ’16, Southern Rep New Play Festival‘16), Mechanics of Love (Crowded Fire Theatre, Upcoming: Two by For, NYC) and Blown Youth (Wallflower Theatricals, UK). She is currently working on Yoga Play, a commission for South Coast Repertory Theatre, a translation of Merry Wives of Windsor for Oregon Shakespeare Festival’s PlayOn Project and a play for the McCarter Theatre’s Princeton Slavery Project. Most recently her work has been developed at Playwrights Horizons, Rattlestick Playwrights Theatre, Roundabout Underground, McCarter Theatre’s Sallie B. Goodman Residency, New Georges, Shotgun Players, the Sam French Off Off Broadway Short Play Festival, Southern Rep, 24 Hour Plays on Broadway and the Magic Theatre amongst others. Dipika is currently a visiting artist at the Schell Center for International Human Rights at Yale Law School and a resident playwright at the Playwrights Foundation. MFA: Yale School of Drama under Paula Vogel.  Dipika will be a Hodder Fellow in Playwrighting at Princeton University from 2017-2018.

emilynemens2

Emily Nemens is coeditor and prose editor of The Southern Review, a literary quarterly published at Louisiana State University in Baton Rouge. Her editorial work has been featured in Writer’s Digest, draft: a journal of process, and on LeanIn.org, and her selections from The Southern Review have recently appeared in Best Mystery Writing 2016 and Best American Nonrequired Reading 2015. She studied art history and studio art at Brown University, and before moving to Louisiana to pursue an MFA in creative writing at LSU, she lived in Brooklyn and worked in editorial capacities at the Metropolitan Museum of Art and the Center for Architecture. Alongside her editorial work, Emily maintains active writing and illustration practices. Her fiction and essays have recently appeared in The Gettysburg Review, The Los Angeles Review of Books, and n+1, and she is working on a linked story collection about spring training baseball. As an illustrator she’s collaborated with Harvey Pekar on a Studs Terkel anthology, painted miniature portraits of all the women in Congress, and recently published her first New Yorker cartoon. Follow her at @emilynemens.

adamsextonAdam Reid Sexton
teaches writing at Yale University, where he is a Lecturer in the English Department, a Critic on the faculty of Yale’s School of Art, and a Silliman Residential College Fellow.  He has taught writing at Columbia University and the New School, and he has lectured at the Folger Shakespeare Library, the University of Pennsylvania’s Kelly Writers House, and the University of Alabama, where he delivered the Hudson Strode Lecture in the Age of Shakespeare.  Sexton is the author of Master Class in Fiction Writing: Techniques from Austen, Hemingway and Other Greats, and with a team of graphic artists, he has adapted four of Shakespeare’s tragedies as manga (Japanese-style graphic novels).  His anthology Rap on Rap was acquired by Harvard’s W.E.B. Dubois Institute for African and African American Research, while Desperately Seeking Madonna is in the Rock & Roll Hall of Fame Library and Archive.  Sexton’s fiction, essays, and reviews have been published in the Bellevue Literary Review, the Mississippi Review, and Off Assignment, as well as the Boston Phoenix, the New York Times, and the Village Voice.  For four years Sexton curated a reading series at KGB Bar in New York City.  He has been interviewed on writing and literature by the New York Times, the Washington Post, Time, and npr.com, and one of his classes was broadcast on BBC Radio.

kerrycohen
Kerry Cohen
is the author of 10 books, including the bestselling Loose Girl: A Memoir of Promiscuity and Girl Trouble: An Illustrated Memoir, her most recent book, which came out October 2016. Kerry is faculty at the Red Earth Low Residency MFA program and is a practicing counselor. She lives with her family in Portland, Oregon.

 

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

Alexandria-Marzano-Lesnevich_MACD-15-201_414

Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, is forthcoming from Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.

Apply to Barcelona & South of France & Granada, Spain Writing Retreats by May 30!

Rolling submissions for our Summer in Barcelona & South of France (July 18 – 26, 2016) & Summer in Granada, Spain (July 28 – August 5, 2016) Writing Retreats will be open until May 30, 2016 on cww.submittable.com!

The Cambridge Writers’ Workshop Summer in Barcelona & South of France Writing Retreat  will take place from July 18-26, 2016, and the cost of the workshop is $3950, which includes lodging and breakfast in Barcelona, Spain and Narbonne, France, transportation from Barcelona to Narbonne, craft of writing seminars, and writing workshops.  Writers can also enjoy the full retreat program for $2950 with a shared lodging option. Writers can also attend the program for a retreat & manuscript consultation-only option (with private room) for $2150.

The retreat allows writers, both new and experienced, the opportunity to learn from and work alongside award-winning authors and editors. Participating writers will find themselves honing their craft and expanding their writing skills as they work on existing or brand new projects.  The retreat will be held at the Sercotel Amister Art Hotel Barcelona (Avinguda Roma, 93-95, 08029 Barcelona, Spain) and Hotel Novotel Narbonne Sud (130 Rue de l’Hôtellerie, 11100 Narbonne, France). Faculty includes Bret Anthony Johnston(fiction), David Shields (nonfiction, book-length essay), Diana Norma Szokolyai(poetry, nonfiction), and Rita Banerjee (poetry, fiction).

Join the Cambridge Writers’ Workshop on our summer writing retreat to the cultural oasis of Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.

The retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects. Our Andalucían writing retreat will take place from July 28-August 5, 2015, and the cost of the workshop is $3950, which includes lodging and breakfast, a tapas tour of Granada, craft of writing seminars, and writing workshops.  Writers can also enjoy the full retreat program for $2950 with a shared lodging option. Writers can also attend the program for a retreat & manuscript consultation-only option (with private room) for $2150.

The retreat will be held at the Hotel Guadalupe (Paseo de la Sabica, 30, 18009 Granada, Spain). Faculty includes David Shields (fiction, book-length essay), Alexander Chee (fiction), Rita Banerjee (poetry, fiction), and Diana Norma Szokolyai (poetry, nonfiction).

apply

Spring in Newport, Rhode Island Writing Retreat: Day 3

On our final day, participants enjoyed a session of energizing yoga with Elissa. After yoga, some people went for a stroll by the ocean and the faculty made brunch for the participants. Jade and Elissa made delicious, fluffy, flax-seed vegan pancakes. Norma made a scrumptious onion, cheese and seasalt omelette. Orange juice, coffee and fresh fruit made the farewell brunch refreshing.

During the meal, the faculty and writers sat around the table and discussed writing goals for the future. We even vowed to stay in touch and will keep sharing our work and workshopping on the Cambridge Writer’s Workshop NING member network (learn more about that here).

It was amazing how we created such a supportive community in the space of just three days. We were sad to see everyone leave, but can’t wait to see some of our writers returning at our upcoming retreats in Barcelona & Narbonne as well as Granada!