Celebrating CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing’s Publication Day!

CREDO-RitaBanerjee-DianaNormaSzokolyai

The Cambridge Writers’ Workshop is celebrating the publication of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing today!

CREDO (C&R Press, May 15, 2018) is edited by writers and CWW co-directors Rita Banerjee and Diana Norma Szokolyai and assistant editors Alexander Carrigan and Megan Jeanine Tilley. CREDO advocates for the empowerment of female, LGBTQ+, and other marginalized literary voices, with essays and manifestos that cover a wide range of subjects, including transgender poetics, world literature and aesthetics, collage and appropriation, and the politics of place. By presenting a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises, CREDO bridges the theoretical, political, and aesthetic perspectives on contemporary writing with practical and accessible writing advice. Our incredible CREDO contributing authors are some of the most exciting voices in contemporary poetry, fiction and non-fiction and will leave you feeling inspired.

Meet Our Contributing Authors!

Kazim Ali \ Forrest Anderson \ Rita Banerjee \ Lisa Marie Basile \ Jaswinder Bolina \ Stephanie Burt \ Alexander Carrigan \ Sam Cha \ Melinda J. Combs \ Thade Correa \ Jeff Fearnside \ Ariel Francisco \ John Guzlowski \ Rachael Hanel \ Janine Harrison \ Lindsay Illich \ Douglas Charles Jackson \ Caitlin Johnson \ Christine Johnson-Duell \ Jason Kapcala \ Richard Kenney \ Eva Langston \ John Laue \ Stuart Lishan \ Ellaraine Lockie \ Amy MacLennan \ Kevin McLellan \ E. Ce. Miller \ Brenda Moguez \ Peter Mountford \ Nell Irvin Painter \ Robert Pinsky \ Kara Provost \ Camille Rankine \ Jessica Reidy \ Amy Rutten \ Elisabeth Sharp McKetta \ David Shields \ Lillian Ann Slugocki \ Maya Sonenberg \ Kathleen Spivack \ Laura Steadham Smith \ Molly Sutton Kiefer \ Jade Sylvan \ Anca L. Szilágyi \ Diana Norma Szokolyai \ Marilyn L. Taylor \ Megan Jeanine Tilley \ Suzanne Van Dam \ Nicole Walker \ Allyson Whipple \ Shawn Wong \ Caroll Sun Yang \ Matthew Zapruder

GrolierOn Saturday, June 2, the Cambridge Writers’ Workshop will celebrate the 90th Anniversary of the Grolier Poetry Book Shop at the Grolier Poetry Festival in Harvard Square. CREDO contributing authors Kathleen Spivack, Kevin McLellan and the CWW’s co-director and CREDO editor, Diana Norma Szokolyai will read. Diana Norma Szokolyai will also be teaching a CREDO workshop where copies of CREDO will be available for purchase. Stop by between 1-4 p.m.!

CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing can be purchased through C&R Press, Amazon and Barnes and Noble.

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CREDO Signings at AWP 2018 in Tampa – Editors: Thurs, March 8 * 2-3 pm * Authors: Booth 1036 & Friday, March 9 * 2-4 pm * Table T403

CREDO-RitaBanerjee-DianaNormaSzokolyaiIn celebration of the publication of  CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) will have signings for both the editors and contributing authors of CREDO!


CREDO Editors
 Rita Banerjee & Diana Norma Szokolyai will be signing copies at the C&R Press Booth (Booth 1036) on Thursday, March 8 between 2-3pm!  For more information see the C&R Press Author signing page here.

CREDO contributing authors will be signing copies at the CWW table, T403 near the left-most entrance, on March 9 between 2-4pm! 

Editor Rita Banerjee will be signing for CREDO and her new poetry collection Echo in Four Beats (Finishing Line Press, March 2018) at the Cambridge Writers’ Workshop Table (T403) from 1-2 pm on Friday, March 9, 2018.  She will also be signing for Echo in Four Beats at the Finishing Line Press Table (T743) from 1-2 pm on Saturday, March 10, 2018.

Editor Diana Norma Szokolyai will be signing for CREDO and her poetry collections at the Cambridge Writers’ Workshop Table (T403) from 1:30-2:30 pm on Saturday, March 10, 2018.

 

Here’s more about CREDO:

CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing is now available for Pre-Order on the C&R Press Website here and on Amazon.com!  CREDO is edited by Rita Banerjee and Diana Norma Szokolyai and assistant editors Alexander Carrigan and Megan Jeanine Tilley.

CREDO. I believe. No other statement is so full of intent and subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting oneself on the front line. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto.

CREDO creates a bridge from the philosophical to the practical, presenting a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises. CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing is a raw look at what motivates authors today.

Contributing Authors:

Kazim Ali \ Forrest Anderson \ Rita Banerjee \ Lisa Marie Basile \ Jaswinder Bolina \ Stephanie Burt \ Alexander Carrigan \ Sam Cha \ Melinda J. Combs \ Thade Correa \ Jeff Fearnside \ Ariel Francisco \ John Guzlowski \ Rachael Hanel \ Janine Harrison \ Lindsay Illich \ Douglas Charles Jackson \ Caitlin Johnson \ Christine Johnson-Duell \ Jason Kapcala \ Richard Kenney \ Eva Langston \ John Laue \ Stuart Lishan \ Ellaraine Lockie \ Amy MacLennan \ Kevin McLellan \ E. Ce. Miller \ Brenda Moguez \ Peter Mountford \ Nell Irvin Painter \ Robert Pinsky \ Kara Provost \ Camille Rankine \ Jessica Reidy \ Amy Rutten \ Elisabeth Sharp McKetta \ David Shields \ Lillian Ann Slugocki \ Maya Sonenberg \ Kathleen Spivack \ Laura Steadham Smith \ Molly Sutton Kiefer \ Jade Sylvan \ Anca L. Szilágyi \ Diana Norma Szokolyai \ Marilyn L. Taylor \ Megan Jeanine Tilley \ Suzanne Van Dam \ Nicole Walker \ Allyson Whipple \ Shawn Wong \ Caroll Sun Yang \ Matthew Zapruder

Visit the Cambridge Writers’ Workshop Table (T403) at AWP 2018 Bookfair, and learn about CREDOour Spring and Summer 2018 retreats, internships and more!

Meet Our Contributing Authors from CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (May 2018)!

The Cambridge Writers’ Workshop is delighted to announce that our new book CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) is now available for Pre-Order on the C&R Press Website here and on Amazon.comCREDO is edited by Rita Banerjee and Diana Norma Szokolyai and assistant editors Alexander Carrigan and Megan Jeanine Tilley.  To celebrate the release of this book, take a look at the 54 incredible authors who contributed to our anthology, and the title of their featured work in CREDO!

CREDO Contributing Authors:

KazimAliKazim Ali’s books include five volumes of poetry, The Far Mosque, The Fortieth Day, Bright Felon, Sky Ward, the winner of the Ohio Book Award for Poetry in 2014, and All One’s Blue: New and Selected Poems; three novels, Quinn’s Passage, The Disappearance of Seth and Wind Instrument; and three collections of essays, Orange Alert: Essays on Poetry, Art and the Architecture of Silence, Fasting for Ramadan and Resident Alien: On Border-crossing and the Undocumented Divine. He has translated books by Sohrab Sepehri, Ananda Devi and Marguerite Duras. He is an associate professor of Comparative Literature and the director of the Creative Writing Program at Oberlin College as well as the founding editor of the small press Nightboat Books. Ali is the author of “Twelve Workshops and a Void” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Forrest Anderson’s stories have appeared in Blackbird, The Louisville Review, The South Carolina Review, the North Carolina Literary Review, and elsewhere. A graduate of the doctoral creative writing program at Florida State University, where he worked for two years as an archivist and assistant for Robert Olen Butler, he also holds a Master of Fine Arts from the University of South Carolina. Currently, he lives in Salisbury, NC and is an associate professor of English at Catawba College. Anderson is the author of “Quiet Mayhem In Fiction: A Writing Exercise” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Rita Banerjee is the author of Echo in Four Beats (Finishing Line Press, February 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA from the University of Washington. Her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop, the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and is currently working on a novel, a documentary film about race and intimacy in the United States and in France, and a collection of essays on race, sex, politics, and everything cool.  Banerjee teaches at Ludwig-Maxmilian University of Munich in Germany. Banerjee is author of the essays “CREDO” and “Rasa: Emotion and Suspense in Theatre, Poetry and, (Non)Fiction,” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Lisa Marie Basile is the author of APOCRYPHAL and the chapbooks Andalucia and war/lock. She is the editor-in-chief of Luna Luna Magazine, and her poetry and essays have appeared in PANK, Tin House, Coldfront, The Nervous Breakdown, The Huffington Post, Best American Poetry, PEN American Center, Dusie, The Ampersand Review, and other publications. She’s been featured in the NY Daily News, Amy Poehler’s Smart Girls and on Ravishly.com. She holds an MFA from The New School and is working on a poetic novella. Basile is the author of “Dispelling the Myth of the Poet” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Jaswinder Bolina is author of the poetry collections The 44th of July (2019), Phantom Camera (2012) and Carrier Wave (2006) and the chapbook The Tallest Building in America (2014). His poems have appeared widely in literary journals and in The Best American Poetry series. His essays have appeared at The Poetry Foundation dot orgThe Huffington Post, The Writer, and in several anthologies including the 14th edition of The Norton Reader. Bolina is currently on faculty in the MFA Program at the University of Miami. Bolina is the author of “What I Tell Them” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Stephanie Burt is a poet, literary critic, and professor. In 2012, the New York Times called Burt “one of the most influential poetry critics of her generation.” She grew up around Washington, DC and earned a BA from Harvard and PhD from Yale. Burt has published three collections of poems: Belmont (2013), Parallel Play (2006), and Popular Music (1999). Burt’s works of criticism include Close Calls with Nonsense: Reading New Poetry (2009), which was a finalist for the National Book Critics Circle Award; The Art of the Sonnet—written with David Mikics (2010); The Forms of Youth: 20th-Century Poetry and Adolescence (2007); Randall Jarrell on W.H. Auden (2005), with Hannah Brooks-Motl; and Randall Jarrell and His Age (2002). Burt is the author of the essays “The Body of the Poem” and “Like” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, April 2018).

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently a news copy editor for Rare.us. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Poictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Sam Cha received his MFA from UMass Boston. His work has appeared in apt, Anderbo, Better, decomP, DIAGRAM, Cleaver, Printer’s Devil Review, Memorious, Missouri Review, Rattle, RHINO, and Toad. He’s a poetry editor at Radius and at Off the Coast. He lives and writes in Cambridge, MA. Cha is the author of “Concerning Your Intentions As Poet” the Manifestos section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Melinda J. Combs’melinda combs nonfiction work has appeared in Women’s Best Friend: Women Writers on the Dogs in Their Lives and Far From Home: Father-Daughter Travel Anthology. Her fiction has appeared in Gargoyle, Fiction Southeast and A Cappella Zoo. She also teaches at Orange County School of the Arts in Santa Ana, California, where she listens to her students argue about the merits of magical realism in between their doodling and sighing. Combs is the author of “The Secret and Successful Sentence” in the Craft of Writing section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Thade Correa hails from Northwest Indiana. He received his B.A. from Indiana University, his M.A. from the University of Chicago, and his M.F.A. from the University of Notre Dame. His poetry, translations, and essays have appeared in various venues. Recently, a collection of his work garnered him an Academy of American Poets Prize. A composer and pianist as well as a writer, he currently publishes his music with Alliance Publications. He works as a teacher of both writing and music. Correa is the author of “Manifesto: Aphorisms On Poetry” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, April 2018).

Jeff Fearnside is author of the short-story collection Making Love While Levitating Three Feet in the Air (Stephen F. Austin State University Press). His writing has appeared in many literary journals and anthologies, including StoryRosebud, and The Pinch (fiction); The Fourth RiverPermafrost, and The Los Angeles Review (poetry); and New MadridPotomac Review, and The Chalk Circle: Intercultural Prizewinning Essays(nonfiction). Recipient of a 2015 Individual Artist Fellowship award from the Oregon Arts Commission, he teaches at Oregon State University and is at work on a novel. More info: www.Jeff-Fearnside.com. Fearnside’s essay “Wrighting Rules and Notes” can be found in the Manifesto section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Ariel Francisco is the author of All My Heroes Are Broke (C&R Press, 2017) and Before Snowfall, After Rain (Glass Poetry Press, 2016). Born in the Bronx to Dominican and Guatemalan parents, he completed his MFA at Florida International University in Miami. His poems have appeared or are forthcoming in The Academy of American PoetsThe American Poetry ReviewBest New Poets 2016Gulf CoastWashington Square, and elsewhere. He lives and teaches in South Florida. Francisco’s poems can be found in the Craft of Writing section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

John Guzlowski’s writing appears in Garrison Keillor’s Writer’s AlmanacOntario Review, North American ReviewSalonRattleAtticus Review, and many other print and online journals here and abroad.  His first novel Suitcase Charlie, a mystery set among Holocaust survivors in Chicago, is available from Amazon.  His poems and personal essays about his parents’ experiences as slave laborers in Nazi Germany appear in his forthcoming book Echoes of Tattered Tongues (Aquila Polonica Press, March 2016). Of Guzlowski’s writing, Nobel Laureate Czeslaw Milosz said, “He has an astonishing ability for grasping reality.” Guzlowski’s essay, “Advice to Mary Ellen Miller’s Poetry Class,” appears in the Craft of Writing section of CREDO: An Anthology of Manifestos and Sourcebook of Creative Writing (C&R Press, May 2018).

Rachael Hanel is a writer and assistant professor of mass media in Mankato, Minnesota, where she teaches an introductory mass media course and multimedia writing. Her memoir, We’ll Be the Last Ones to Let You Down: Memoir of a Gravedigger¹s Daughter (2013, University of Minnesota Press), was a finalist for a Minnesota Book Award. She has written several nonfiction books for children. Her essays have appeared in online and print literary journals such as Bellingham Review and New Delta Review. She is a Ph.D. candidate in Creative Writing at Bath Spa University. Hanel’s essay, “Using Visuals To Develop Inner and Outer Stories,” can be found in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Janine Harrison, M.A., M.F.A., poet, nonfictionist, and fiction writer, teaches creative writing at Purdue University Calumet and leads the nonprofit organization, Indiana Writers’ Consortium.  Her work has been published or is forthcoming in A&UVeils, Halos, and Shackles (Kasva Press, 2016); and other publications. She is currently finishing her first poetry collection, The Weight of Silence.  Janine lives with husband, fiction writer Michael Poore, and daughter, Jianna, in NW Indiana. Harrison’s essay, “In Ink: Tattoo Images and Phrases,” appears in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Lindsay Illich is an Associate Professor of English at Curry College in Milton, MA. Her work has appeared or forthcoming in Adirondack Review, Arcadia, Gulf Coast, Hunger Mountain, North American Review, Salamander, and Sundog LitHeteroglossia, a chapbook, is forthcoming from Anchor and Plume in May 2016. Her Twitter handle is @LindsayPenelope. Illich’s is the author of “On Being Lazy, or, What I’m Doing This Summer” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Douglas Charles Jackson lives and writes in Roanoke, Virginia, where he’s exploring the intersections between books and place through BOOK CITY ★ Roanoke. His stories have been acknowledged with the Tennessee Writers Alliance Short Fiction Award, the James Andrew Purdy Award for Fiction, and the Bay to Ocean Fiction Award. Professionally, Doug coaches rural communities in downtown revitalization strategies, and he reports that, just like when he was at the head of the table in a workshop setting, he learns far more from the individuals and teams he’s working with than he ever passes on to them. He’s a graduate of Duke, UC Irvine, and the creative writing program at Hollins University. Jackson is the author of “Create the World” found in the Manifestos section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Caitlin Johnson holds a Master of Fine Arts in Creative Writing from Lesley University. She is the author of two chapbooks: Miles (St. Andrews College Press, 2008) and Boomerang Girl (Tiger’s Eye Press, 2015). Her first full-length poetry collection, Gods in the Wilderness (Pink.Girl.Ink. Press), is forthcoming. Johnson is the author of “The First Four Steps” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Christine Johnson-Duell is the author of the poetry chapbook, Italian Lessons. Her poetry has appeared in Poet LoreCALYX,The Floating Bridge ReviewThe Far FieldAlimentum, The Boston Globe, The Seattle Times, Drash, and Parent Map. She is a Hedgebrook alumna and contributes to its community blog, The Farmhouse Table. She holds an MFA in Creative Writing from the University of Washington. A New Englander by birth, Johnson-Duell now lives in Seattle with her husband and their teenage daughter. Johnson-Duell’s essay, “Poet, Try” can be found in the Manifestos section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Jason Kapcala lives in northern West Virginia along the Monongahela River where he finds inspiration in the frozen industry of Appalachia. His fiction and nonfiction has appeared in a number of magazines and journals, and he is the author of North to Lakeville, a collection of short stories published by Urban Farmhouse Press. He is currently writing a novel about a rock band from central Pennsylvania. His website is www.jasonkapcala.com Kapcala’s essay, “The Art of Breaking Hearts: Why I Write Fiction,” appears in the Craft of Writing section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Richard Kenney’s most recent book, The One-Strand River, was published by Knopf in 2007. He teaches at the University of Washington in Seattle, and at the Friday Harbor Laboratories on San Juan Island. He lives with his family in Port Townsend. Kenney is the author of “Plans” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Eva Langston received her MFA in 2009 from the University of New Orleans, and her work has been published in many journals and anthologies, including Compose Journal, where she later became the Features Editor. She once won third place in a Playboy Magazine fiction contest, and her fiction has been nominated for the Pushcart Prize. In 2015 she was a San Miguel Literary Sala Writer-in-Residence, and for the past two years she has been an instructor at The Writer’s Center in Bethesda, Maryland. A former high school math teacher, she now writes novels for teens and tweens. She lives in the D.C. area with her physicist husband and their young daughter. Follow her on Twitter at @eva_langston, or visit her blog at www.evalangston.com. Langston’s essay, “The Story Of My Creative Writing Career,” can be found in the Craft of Writing section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

John Laue, a former teacher, counselor, editor of Transfer and Associate Editor of San Francisco Review, has won awards for poetry and prose, beginning with The Ina Coolbrith Poetry Prize at The University of California, Berkeley. With six published books to his credit, he presently coordinates the reading series of The Monterey Bay Poetry Consortium and edits the online magazine Monterey Poetry Review. In addition to his writing he is a mental health activist, a member and former Co-Chair of the Santa Cruz County California Mental Health Board. Laue is the author of “Little Magazines” and “An Unknown Poet’s Manifesto” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

S.D. Lishan is an Associate Professor of English at The Ohio State University. His book of poetry, Body Tapestries (Dream Horse Press), was awarded the Orphic Prize in Poetry. His poetry, fiction, and creative nonfiction have appeared numerous journals such as Arts & Letters, Kenyon Review, New England Review, Phoebe, Measure, Boulevard, Bellingham Review, Barrow Street, Your Impossible Voice, Brevity, and Creative Nonfiction. Lishan’s essay, “Listening To Winter,” appears in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Ellaraine Lockie is a widely published and awarded poet, nonfiction book author and essayist. Her thirteenth chapbook, Tripping with the Top Down, was recently released from FootHills Publishing and has been selected as one of Winning Writers’ Favorite Books from 2017. Earlier collections have won the Encircle Publications Chapbook Contest, the Poetry Forum Press Chapbook Contest Prize, San Gabriel Valley Poetry Festival Chapbook Contest, the Aurorean Chapbook Choice Award and Best Individual Collection Award from Purple Patch magazine in England. Ellaraine teaches poetry workshops and serves as Poetry Editor for the lifestyles magazine, Lilipoh. Lockie is the author of “How To Pirate A Treasure Chest” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Amy MacLennan has been published in Hayden’s Ferry Review, River Styx, Linebreak, Cimarron Review, Painted Bride Quarterly, Folio, and Rattle. Her chapbook, The Fragile Day, was released from Spire Press in the summer of 2011, and her chapbook, Weathering, was published by Uttered Chaos Press in early 2012. She has a poem appearing in the anthology Myrrh, Mothwing, Smoke that was published by Tupelo Press in March 2013. Amy’s first full-length collection, The Body, A Tree, was released from MoonPath Press in early 2016. She lives in Ashland, OR. MacLennan is the author of “Ars Poetica Schmetica” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Kevin McLellan is the author of Ornitheology (The Word Works, 2018), Hemispheres (Fact-Simile Editions, 2018), [box] (Letter [r] Press, 2016), Tributary (Barrow Street, 2015), and Round Trip (Seven Kitchens, 2010). He won the 2015 Third Coast Poetry Prize and Gival Press’ 2016 Oscar Wilde Award, and his poems appear in numerous literary journals. Kevin lives in Cambridge, Massachusetts. McLellan’s essay, “Attributes: A Prompt,” can be found in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

E. Ce Miller is a writer, reader, activist, feminist, and yoga instructor. Currently she writes about books for Bustle magazine, and has been a writing mentor for the PEN America Prison Writing Program and the Afghan Women’s Writing Project. Her words have appeared in Culture Trip, Midwestern Gothic, Sixfold Journal, The Sun Magazine, and more. Miller is the author of “Why I Writing” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Brenda Moguez writes the kind of stories she loves to read– fiction, starring quirky, passionate women who are challenged by the fickleness and the complexities of life. She’s particularly drawn to exploring the effects of love on the heart of a woman. Her forte is stripping away the protective layers concealing their doubts and insecurities and exposing the soul of her beautifully flawed characters. She has aspirations for a fully staffed villa in Barcelona and funding aplenty for a room of her own. When she’s not working on a story, she writes love letters to the universe, dead poets, and Mae West. Moguez is the author of the essay, “Writer Wanted,” in the Manifestos section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Peter Mountford is the author of the novels A Young Man’s Guide to Late Capitalism (winner of the 2012 Washington State Book Award in fiction), and The Dismal Science (a NYT editor’s choice). His work has appeared in The Paris Review, Granta, Missouri Review, The Atlantic, The Sun, and elsewhere. He’s currently on faculty at Sierra Nevada College’s MFA program, and is the events curator at Hugo House, Seattle’s writing center. Mountford’s “Calling Bullshit On A Writer’s Top 10 Excuses For Not Writing” can be found in the Craft of Writing section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Nell Irvin Painter is the Edwards Professor of American History, Emerita, at Princeton University and author of several books including Sojourner Truth, A Life, A Symbol, The History of White People, and Standing at Armageddon: The United States: 1877-1919. In additiona to a Ph.D. in history from Harvard University, she holds a BFA from Mason Gross School of the Arts and an MFA from the Rhode Island School of Design, both in painting. Her art school memoir is entitled Old In Art School: A Memoir of Starting Over. Painter’s essays, “Leaving My Former Life” and “You’ll Never Be A Painter!” appear in the Manifesto section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Robert Pinsky went to college at Rutgers, The State University of New Jersey, and went on to graduate work at Stanford, where he held a Stegner Fellowship. His Selected Poems (Farrar, Straus, & Giroux) was published in 2011 and his newest book of poems is At The Foundling Hospital (2016). His previous books of poetry include Gulf Music (2008), Jersey Rain (2000), The Want Bone (1990, and The Figured Wheel: New And Collected Poems, 1966-1996. His translation of The Inferno of Dante (1994) was a Book-of-the-Month Club Editor’s Choice, and received both the Los Angeles Times Book Prize and the Harold Morton Landon Translation Award. His prose books include The Life of David (2005), The Situation of Poetry (1976) and The Sounds of Poetry (1998). AMong his awards and honors are the William Carlos Williams Prize, the Harold Washington Award from the City of Chicago, the Italian Premio Capri, the PEN-Volcker Award, the Korean Manhae Prize, and a Lifetime Achievement Award from the PEN American Center. Robert Pinsky founded The Favorite Poem Project, including videos that can be seen at http://www.favoritepoem.org, while serving an unprecedented three terms as United States Poet Laureate. Pinsky is the author of “The Frontier of Poetry” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Kara Provost has published two chapbooks, Topless (Main Street Rag, 2011) and Nests (Finishing Line Press, 2006), as well as six microchapbooks with the Origami Poems project (origamipoems.com). Her poems have appeared in the Connecticut Review, Main Street Rag, The Newport Review, Ibbetson Street, The Aurorean, and other journals, as well as in The Loft Anthology: 2012 Poetry Awards and In Praise of Pedagogy: Poetry, Flash Fiction, and Essays on Composing, edited by David Starkey and Wendy Bishop. She teaches writing at Curry College in addition to conducting creative writing workshops for elementary students through adults. Currently, she is working on a full-length poetry manuscript as well as a chapbook combining visual design with poems based on the letters of the alphabet. She now lives near Providence, RI with her husband and two daughters. Provost is the author of “DIY Writing Retreats: Nurturing Yourself and Your Writing Community” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Camille Rankine is the daughter of Jamaican immigrants. Her first full-length collection of poetry, Incorrect Merciful Impulses, was published in 2016 by Copper Canyon Press. She is also the author of the chapbook Slow Dance With Trip Wire, selected by Cornelius Eady for the Poetry Society of America’s 2010 New York Chapbook Fellowship. The recipient of a 2010 “Discovery”/Boston Review Poetry Prize, she was featured as an emerging poet in the April 2011 issue of O, The Oprah Winfrey Magazine and as one of Brooklyn Magazine’s top 100 cultural influencers of 2017. Her poetry has appeared in numerous journals, including, The Baffler, Boston Review, Denver Quarterly, Narrative, Octopus Magazine, A Public Space, The New York Times, and Tin House. She serves on the Executive Committee of VIDA: Women In Literary Arts, chairs the Board of Trustees of The Poetry Project, and co-chairs the Brooklyn Book Festival Poetry Committee. She lives in New York City.  Her poem, “Symptoms of Prophesy” appears in the Craft of Writing section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Jessica Reidy has an M.F.A. from Florida State University and a B.A. from Hollins University. Her work is nominated for the Pushcart and Best of the Net, and appeared in Narrative Magazine as Story of the Week, The Los Angeles Review, The Missouri Review, and other journals. She’s Managing Editor for VIDA, Art Editor for The Southeast Review, and a writing instructor for the Cambridge Writers’ Workshop. Jessica is writing her first novel set in post-WWII Paris about Coco Charbonneau, the Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter. Reidy’s essay, “Ritual and the Symbiotic Magic of Yoga and Writing” appears in the Craft of Writing section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Amy Rutten has been writing seriously for the past five years, augmenting a 20-year career in architecture. She works for the Community of Writers at Squaw Valley and runs a vacation rental in Nevada City, California. She has published several short pieces in small publications and newspapers, and is just completing her first novel. Rutten is the author of “Damn the Apostrophe” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Elisabeth Sharp McKetta is the author of the biography Energy (Univ. Texas Press, 2017) as well as several previous books, including a writing guide. Her poetry and prose have been published in over 50 literary journals around the United States, including Mid-American Review, Raintown Review, and The Coachella Review. She teaches writing for Harvard Extension School. Sharp McKetta’s essay, “How To Be A Writer,” can be found in the Manifestos section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

David Shields is the internationally bestselling author of twenty books, including Reality Hunger (named one of the best books of 2010 by more than thirty publications), The Thing About Life Is That One Day You’ll Be Dead (New York Times bestseller), Black Planet (finalist for the National Book Critics Circle Award), War is Beautiful (Powerhouse) and Other People (Knopf). The recipient of Guggenheim and NEA fellowships, Shields has published essays and stories in the New York Times Magazine, Harper’s, Esquire, Yale Review, Village Voice, Salon, Slate, McSweeney’s, and Believer. His work has been translated into twenty languages. Shields is the author of “Collage and Appropriation” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Lillian Ann Slugocki has created a body of work on women and sexuality for print and for the stage including; The Public Theater, HERE, Circle Rep, Labyrinth Theater, National Public Radio, and WBAI. Her work has been published by Seal Press, Cleis Press, Heinemann Press, Newtown Press, Spuyten Duyvil Press, and Salon, Bloom/The Millions, Beatrice, HerKind/Vida, Deep Water Literary Journal, Dr. T.J. Eckleburg Review, Non-Binary Review, and The Nervous Breakdown.  Her novella, How to Travel with Your Demons, was published by Spuyten Duyvil Press in 2015. Slugocki’s essay, “Treat Your First Draft Like A One Night Stand,” appears in the Manifestos section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Maya Sonenberg is the author of the story collections Cartographies (winner of the Drue Heinz Prize for Literature) and Voices from the Blue Hotel26 Abductions, a chapbook of her prose and drawings was published in 2015 by The Cupboard, and her newest chapbook of prose and photographs, After the Death of Shostakovich Père, won the PANK [Chap]book contest and will appear in 2018. Other fiction and nonfiction have appeared in Fairy Tale Review, Web Conjunctions, DIAGRAM, New Ohio Review, The Literarian, Lady Churchill’s Rosebud Wristlet, Hotel Amerika, and numerous other journals, both in print and online. Her writing has received grants from the Washington State Arts Commission and King County 4Culture. She teaches in the creative writing program at the University of Washington. Sonenberg is the author of “Beyond The Plot Triangle” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Kathleen Spivack’s novel Unspeakable Things was released by Knopf in early 2016. Her previous book, the memoir With Robert Lowell and His Circle: Sylvia Plath, Anne Sexton, Elizabeth Bishop, Stanley Kunitz and Others was published by the University Press of New England in 2012. Her chapbook, A History of Yearning, won the Sows Ear International Poetry Chapbook Prize in 2010, and she recently received the Allen Ginsberg, Erika Mumford, and Paumanok awards for her poetry. Her book won the New England Book Festival and London Book Festival Prizes. Published in over 400 magazines and anthologies, Kathleen’s work has been translated into French. She has held grants from the National Endowment for the Arts; Massachusetts Artists Foundation; Bunting Institute; Howard Foundation; Massachusetts Council for the Arts and Humanities; is a Discovery winner and has been at Yaddo, MacDowell, Ragdale, Karolyi, and the American Academy in Rome. In Boston and Paris she directs the Advanced Writing Workshop, an intensive training program for professional writers. She has taught at conferences in Paris, Aspen, Santa Fe, Burgundy, Skidmore, and on the high seas, (Holland American Line). Spivak is the author of the Craft of Writing essays, “The Writing Exercise: A Recipe” and “Words As Inspiration” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Laura Steadham Smith’s work has appeared in the Gettysburg Review, Beloit Fiction Journal, Post Road, and other magazines. She is the recipient of the Hamlin Garland Fiction Award and an AWP Intro Journals Prize. She currently lives and writes in Louisiana. Steadham Smith is the author of “Where Stories Come From” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Molly Sutton Kiefer is the author of the full-length lyric essay Nestuary (2014) as well as three chapbooks of poetry, including Thimbleweed. Her work has appeared in Hayden’s Ferry Review, The Rumpus, PANK, Fiddlehead Review, Women’s Studies Review, and Harpur Palate, among others. She is co-founding editor of Tinderbox Poetry Journal and publisher of Tinderbox Editions. Sutton Kiefer is the author of “The Gloaming” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Jade Sylvancalled a “risque queer icon, by the Boston Globe, is an award-winning author, poet, screenwriter and performer heavily rooted in the literary and performance community of Cambridge and Somerville, Massachusetts. Jade’s most recent book, Kissing Oscar Wilde (Write Bloody 2013), novelized memoir about the author’s experiences as a touring poet in Paris, received rave reviews and was a finalist for the New England Book Award and the Bisexual Book Award. Jade is now working on a bunch of slutty science fiction. Sylvan is the author of “On Memoir” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Anca L. Szilágyi’s debut novel is Daughters of the Air. Her writing has appeared or is forthcoming from Los Angeles Review of BooksElectric Literature, and Lilith Magazine, among other publications. She is the recipient of the inaugural Artist Trust / Gar LaSalle Storyteller Award, a Made at Hugo House fellowship, and awards from the Vermont Studio Center, 4Culture, the Seattle Office of Arts & Culture, and the Jack Straw Cultural Center. The Stranger hailed Anca as one of the “fresh new faces in Seattle fiction.” Originally from Brooklyn, she currently lives in Seattle with her husband. Find her on Twitter @ancawrites. Szilagyi is the author of “Summer-Inspired Writing Prompts,” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

DianVersion 2a Norma Szokolyai is author of Parallel Sparrows (honorable mention for Best Poetry Book, 2014 Paris Book Festival), Roses in the Snow (first runner­up, Best Poetry Book, 2009 DIY Book Festival), and a feminist rewriting of a classic fairytale for Brooklyn Art Library’s The Fiction Project, entitled Beneath the Surface: Blue Beard, Remixed. Szokolyai’s poetry and prose has been published in MER VOX Quarterly, VIDA Review, Quail Bell Magazine, The Boston Globe, Luna Luna Magazine, Up the Staircase Quarterly, and has been anthologized in Other Countries: Contemporary Poets Rewiring History, Teachers as Writers & elsewhere. Her edited volume is CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing (C&R Press, 2018). She’s founding Executive Artistic Director of Cambridge Writers’ Workshop. Szokolyai is author of Introduction, and the essay “What’s At Stake?” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Marilyn L. Taylor, former Poet Laureate of the state of Wisconsin (2009 and 2010) and the city of Milwaukee (2004 and 2005), is the author of six poetry collections.  Her award-winning poems and essays have appeared in many anthologies and journals, including Poetry, The American Scholar, Able Muse, Measure, and in the Random House anthology titled Villanelles. Marilyn also served for five years as Contributing Editor and regular poetry columnist for The Writer magazine. She recently moved from Milwaukee to Madison, Wisconsin, where she continues to write and teach. Taylor is the author of “The Poetry of Protest: A Dozen Pitfalls To Avoid” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Megan Jeanine Tilley haunts the panhandle of Florida, where she received her BA in Creative Writing, and is currently working on an MA in Literature at Florida State University. She has had several poems and short fictions published in online journals such as Fiction Vale, Wiley Writers, Quail Bell Magazine and The Rectangle. Her short story ‘Flowering’ won Best Fiction and Best Overall from The Rectangle. Outside of writing, Megan is an avid collector of small cacti and biscuit recipes. Tilley is the author of “Manifesto” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Suzanne Van Dam loves the green and the wild, and finds plenty of it in the place she calls home, Michigan’s Upper Peninsula.  She is a writer for Little Brothers–Friends of the Elderly, an organization committed to reducing loneliness and isolation among the elderly.  She also teaches creative writing, environmental studies, and English as a second language.  She has an MFA from the University of Southern Maine’s Stonecoast Creative Writing Program and recently completed her first novel, Camp Redemption.  She writes frequently about the environment on themes ranging from frogs to snowshoeing, and from climate change to the precarious fate of bats in the wake of a deadly fungus that is wreaking havoc on bat populations throughout North America.  One of her favorite pastimes is tagging along with scientists in the field and interpreting their scientific knowledge and intellectual passion for a lay audience.   Her work has appeared in numerous environmental newsletters, along with Traverse Magazine, Further North, The U.P. Environment, Ceramics Monthy, and Running Times, among other publications. Van Dam is the author of the writing exercise, “Writing On Location: Nature Writing Prompt,” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Nicole Walker is the author of two forthcoming books Sustainability: A Love Story and Love in the Ruins: A Survival Guide for Life after NormalHer previous books include Where the Tiny Things Are: Feathered Essays, EggMicrograms, Quench Your Thirst with Salt, and This Noisy Egg. She also edited Bending Genre with Margot Singer. She’s nonfiction editor at Diagram and Associate Professor at Northern Arizona University in Flagstaff, Arizona where it rains like the Pacific Northwest, but only in July. Walker is the author of the essay “On Constancy” found in the Craft of Writing section in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Allyson Whipple has an MA in English and a black belt in Kung Fu. She is currently pursuing her MFA through the University of Texas at El Paso. Allyson is the author of the chapbook We’re Smaller Than We Think We Are, as well as co-editor of the 2016 Texas Poetry Calendar. She teaches at Austin Community College. Whipple is the author of “Deep Breaths and Small Stones: Haiku As A Tool For Writers Block” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Shawn Wong is the author of two prize-winning novels, Homebase and American Knees, and editor/co-editor of six Asian American and American multicultural literary anthologies including the pioneering anthology Aiiieeeee! An Anthology of Asian American Writers’s second novel, American Knees.  The film version of American Knees, titled “Americanese” won several film festival awards in 2006.  Wong was featured in the Bill Moyers’ PBS documentary, “Becoming American: The Chinese Experience,” in 2003.  He is currently Professor of English and Comparative Literature, Cinema and Media at the University of Washington. Wong’s essay, “The Craft Of Travel Writing,” appears in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Caroll Sun Yang earned her BFA at Art Center College of Design, an MFA in Creative Writing from Antioch University and holds certification as a Psychosocial Rehabilitation Specialist. Her work appears in The Nervous Breakdown, New World Writing, The Los Angeles Review of Books, McSweeney’s IT, Necessary Fiction, Word Riot, Columbia Journal, Diagram and Juked. She is the Associate Editor for The Unseasonal. She survives in Highland Park, Ca with her family of four and yearns for more personality-disordered friends/ lo-fi anything/ sarcasm/ art films featuring teens/ Latrinalia/ frosting flowers/ bio changes.  She spews forth as Caroll Sun Yang on Facebook/ IG – www.carollsunyang.com. Sun Yang is the author of “Navels Are Natural” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Matthew Zapruder is the author of four collections of poetry, most recently Come On All You Ghosts, a New York Times Notable Book of the Year, and Sun Bear (Copper Canyon 2014). Why Poetry, a book of prose, was published by Ecco Press in 2017. He has received a Guggenheim Fellowship, a William Carlos Williams Award, a May Sarton Award from the Academy of American Arts and Sciences, and a Lannan Foundation Residency Fellowship in Marfa, TX. An Associate Professor in the St. Mary’s College of California MFA program and English Department, he is also Editor at Large at Wave Books. He lives in Oakland, CA. Zapruder is the author of “Holding A Paper Clip In The Dark” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Pre-Order CREDO on the C&R Press website here or on Amazon.com! If you are attending the AWP 2018 Conference in Tampa, FL from March 7-11, you can also pick up a copy at the Cambridge Writers’ Workshop’s AWP Table (T403).

CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing Now Available for Pre-Order at C&R Press!

We are delighted to announce the incredible and empowering cover design of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).  The cover illustration has been designed by Eugenia Loli, and the anthology which is edited by writers Rita Banerjee and Diana Norma Szokolyai and assistant editors Alexander Carrigan and Megan Jeanine Tilley is now available for Pre-Order on the C&R Press Website here and on Amazon.com!

Here is some information about the anthology:

CREDO. I believe. No other statement is so full of intent and subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting oneself on the front line. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto.

CREDO creates a bridge from the philosophical to the practical, presenting a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises. CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing is a raw look at what motivates authors today.

Contributing Authors:

Kazim Ali \ Forrest Anderson \ Rita Banerjee \ Lisa Marie Basile \ Jaswinder Bolina \ Stephanie Burt \ Alexander Carrigan \ Sam Cha \ Melinda J. Combs \ Thade Correa \ Jeff Fearnside \ Ariel Francisco \ John Guzlowski \ Rachael Hanel \ Janine Harrison \ Lindsay Illich \ Douglas Charles Jackson \ Caitlin Johnson \ Christine Johnson-Duell \ Jason Kapcala \ Richard Kenney \ Eva Langston \ John Laue \ Stuart Lishan \ Ellaraine Lockie \ Amy MacLennan \ Kevin McLellan \ E. Ce. Miller \ Brenda Moguez \ Peter Mountford \ Nell Irvin Painter \ Robert Pinsky \ Kara Provost \ Camille Rankine \ Jessica Reidy \ Amy Rutten \ Elisabeth Sharp McKetta \ David Shields \ Lillian Ann Slugocki \ Maya Sonenberg \ Kathleen Spivack \ Laura Steadham Smith \ Molly Sutton Kiefer \ Jade Sylvan \ Anca L. Szilágyi \ Diana Norma Szokolyai \ Marilyn L. Taylor \ Megan Jeanine Tilley \ Suzanne Van Dam \ Nicole Walker \ Allyson Whipple \ Shawn Wong \ Caroll Sun Yang \ Matthew Zapruder

Editors:

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig Maximilian University of Munich in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume,CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing , will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).  Diana Norma Szokolyai is represented by Nat Kimber (The Rights Factory).

Assistant Editors:

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently a news copy editor for Rare.us. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Poictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Megan Jeanine Tilley haunts the panhandle of Florida, where she received her BA in Creative Writing, and is currently working on an MA in Literature at Florida State University. She has had several poems and short fictions published in online journals such as Fiction Vale, Wiley Writers, Quail Bell Magazine and The Rectangle. Her short story ‘Flowering’ won Best Fiction and Best Overall from The Rectangle. Outside of writing, Megan is an avid collector of small cacti and biscuit recipes. Tilley is the author of “Manifesto” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing  (C&R Press, May 2018).

Pre-Order CREDO on the C&R Press website here or on Amazon.com!

 

Cambridge, MA Fall 2017 Creative Writing Workshops & Craft of Writing Seminars

CCAEClasses2-2017
The Cambridge Writers’ Workshop is delighted announce that we will be hosting our second annual fall writing series at the Cambridge Center for Adult Education at 56 Brattle St, Cambridge, MA 02138 USA.  Our Craft of Writing Seminars and Creative Writing Workshops will take place on Saturday mornings from 10 am – 1 pm from September 23 – December 2, 2017.  Registration opens July 26, 2017 at the Cambridge Center for Adult Education.  Classes are $40 each.

Location:

Cambridge Center For Adult Education
56 Brattle St, Cambridge, MA 02138 USA

Time:

Saturdays, 10 am – 1 pm, September 23 – December 2, 2017
(Registration opens on July 26, 2017 on the CCAE Website!)

Class Schedule:

September 23: “Trance Poetry”
(with Janaka Stucky)

Many writers work in a self-induced trance state—which proves a powerful tool to access creative, free- associative, & innovative forms of consciousness. Whether you want to call it “flow,” or “meditation,” or “channeling,” there are multiple techniques artists can use to access & regulate this incredibly generative mindset. We will explore what it means to work from a trance state, ways we can safely induce trance, & look at works of writers who are known for espousing similar techniques.

September 30: “Writing Poetic Prose: Rising to the Lyric Register”
(with Diana Norma Szokolyai)

In this writing workshop, we will practice writing in the lyric register and elevate our writing into descriptive, poetic prose. We will look intensively at writing “the moment,” slowing down and unpacking a single turn of the prism. After examining some examples in literature, we will take to writing and revising our own pieces to unlock the lyrical qualities of a single moment. Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

October 21: “Black Mountain and New York School Poetry”
(with Megan Fernandes)

In this class, we will look at different elements of the Black Mountain and New York School poetry movements. The class will analyze how the use of monosyllables, experimental syntax, stream of consciousness, prepositions, and dental consonants were employed by poets in each of these eras including Frank O’Hara and Robert Creeley. Students will be expected to draft two poems by the end of the intensive that play with the major tenets of each movement.

November 4: “Crafting Storytelling that Sticks & Compelling Characters”
(with Diana Norma Szokolyai)

When telling a story, what are the underlying structures that make people want to keep reading? We will unpack the elements of timeless stories, examining what makes them memorable. When crafting our characters, we want to inspire empathy in our readers and of course, make them believable. We will learn from the examples of bestselling authors and try our hand at several strategies to build unforgettable characters. Expect to walk away from this class with a toolkit for crafting your story.

November 11: “Me Against The World: Tupac & the Power of Hip- Hop”

(with Frederick-Douglass Knowles II)

This workshop examines the poetry and musical works of Tupac Shakur in order to delineate social responsibility in Hip-Hop culture. The seminar will explore the historical significance of Hip-Hop culture and social injustices. The class will examine Shakur’s T.H.U.G. L.I.F.E. philosophy— and his identity as the progeny of a Black Panther Political Party member. Participants will devise poems on Shakur’s turbulent, dichotomous lifestyle; addressing the question: Tupac. Menace or Martyr?

November 18: “Haiku Intensive”
(with Janaka Stucky)

Often misrepresented or only partially understood, the heart of Haiku contains many lessons and silence. This intensive will survey the history and core principles while reading ancient and contemporary examples. Multiple haiku will be written and workshopped. By the end, you will be equipped to incorporate the powerful discipline of haiku into your life, using it to hone your poetic practice and increase your daily awareness.

December 2: “See Something/Say Something: Poetry in the Age of Terror”
(with Megan Fernandes)

We live in an age of terror where suspicion is elicited from us daily. We animalize immigrants and fantasize about borders that cage us into an insular nationalism. In this class, we will read poems about how discourses of terror create environmental wastelands, subhuman protagonists, and militarized kinship. What emotional landscapes are part of this era? What kind of speakers teach us how to navigate it? Students will be expected to draft two poems by the end of class.

Featured Faculty:

Janaka Stucky is an American poet, performer, and publisher. The founding editor of Black Ocean, as well as the annual poetry journal, Handsome, he is also the author of a few poetry collections. His poems have appeared in such journals as Denver Quarterly, Fence and North American Review, and his articles have been published by The Huffington Postand The Poetry Foundation. He is a two-time National Haiku Champion and in 2010 he was voted “Boston’s Best Poet” in The Boston Phoenix.  In 2015, Jack White’s Third Man Recordslaunched a new publishing imprint, Third Man Books, and chose Janaka’s full-length poetry collection, The Truth Is We Are Perfect, as their inaugural title. Janaka’s poems are at once incantatory, mystic, and epigrammatic. His esoteric & occult influences, combined with a mesmeric approach to performance, create an almost ecstatic presence on stage.

meganfernandes_newbioimage2015Megan Fernandes is an Assistant Professor of English at Lafayette College and teaches courses on poetry, feminist theory, and science and technology studies. She holds a PhD in English from the University of California, Santa Barbara, and an MFA in poetry from Boston University. She is the author of The Kingdom and After(Tightrope Books 2015), the poetry editor of the anthology Strangers in Paris (Tightrope Books 2011), and the author of two poetry chapbooks: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming in the Boston Review, Rattle, The Adroit Journal, Pank Magazine, The Walrus Magazine, Postmodern Culture, Guernica, Memorious, the Academy of American Poets, Redivider, the California Journal of Poetics, among others.

screen-shot-2016-09-27-at-10-52-49-amFrederick-Douglass Knowles II (Yesod) is a Poet-Educator-Activist involved in Community Education and the Performing Arts. He has competed on three National Poetry Slam Teams (2x Connecticut and Brooklyn, NY). His works have featured in the Martin Luther King Jr. Anthology by Yale University Press, East Haddam Stage Company of Connecticut, The 13th Annual Acacia Group Conference at California State University, Folio– a Southern Connecticut State University literary magazine, Lefoko—a Botswana (Southern Africa) Hip-Hop magazine and Fingernails Across the Chalkboard: AIDS Anthology by Third World Press. Frederick-Douglass is currently an English Professor at Three Rivers Community College where he infuses English Composition with social injustices, such as AIDS, Poverty and War. His debut collection of autobiographical poetry, Black Rose City, was currently released by Author House.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic
Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

CWW Harvest Creative Writing Retreat in Rockport, MA (October 12-15, 2017)

The Cambridge Writers’ Workshop Harvest Creative Writing Retreat will take place from October 12-15 2017. Our Harvest Retreat offers the opportunity for writers of all genres and levels to work alongside award-winning writers to hone their craft and expand their writing skills on the shores of a luxurious ocean-side beach house.

The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Maya SonenbergRita Banerjee, and Diana Norma Szokolyai. The cost of the retreat is $825 which includes tuition, lodging, and some meals.

If you’d like to join us in Rockport, please apply by the final deadline of September 25, 2017 (early applications encouraged, spots fill up quickly).  Please submit 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $5 application fee, a cover letter, and references. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact Information (Email, Address, Phone)
3. Age & Nationality
4. Prior Workshop Experience and Publications
5. Creative Writing Goals for the Retreat
6. Short One-paragraph Biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are encouraged. Applications due at cww.submittable.com.

applyDeadline: September 25, 2017*

* Please note that early applications are encouraged as there is limited housing in the main retreat house.

Class ScheduleCharacter Development & the Law of Desire (with Rita Banerjee)

Femme fatales, gumshoe detectives, star-crossed lovers, wicked stepmothers, wise fools, empathetic anti-heroes: dynamic and archetypal characters can be key to making a good story or lyrical piece tick and pulling in the reader deeper into your creative work. In this workshop, we will discuss how dynamic and archetypal characters can help structure stories, propel narratives forwards, and how each character’s desire provides interesting ethical dilemmas and emotional spectrums to narratives and verse. We will learn about the building blocks of creating strong, unforgettable characters, discuss the connection between desire and plot, and learn how playing with persona can help liberate nonfictional stories and lyrical poems. 

Forbidden Forms: Beyond the Plot Triangle, I & II (with Maya Sonenberg)

We often think of a story or essay as an organic thing, its form arising naturally from its content, but in this class, we will playfully turn that idea upside down, reading examples of prose using nontraditional forms, and then using forms to generate content. After a brief review of the uses and abuses of plot, we will dive into a wide variety of other forms your fiction and nonfiction can take: games, tests, verse forms, music, and a variety of inspiring forms from nonliterary nonfiction. Our first meeting will be devoted to discussion of readings and our second to group and individual writing exercises designed to show you how starting with form can help you generate new work, solve structural issues in your existing work, and dive even deeper into content.

Writing in the Lyric Register (with Diana Norma Szokolyai)

In this writing workshop, we will practice writing in the lyric register, expanding our writing into descriptive, poetic prose.  We will look intensively at writing “the moment,” slowing down and unpacking a single moment.  After examining some examples in literature, we will take to writing and revising our own pieces to unlock the lyrical qualities of a single moment.  Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

Bake-Off (with Rita Banerjee & Diana Norma Szokolyai)

During our Harvest Retreat in Rockport, MA, we will do a 48-hour creative writing bake-off together.  The Bake-off exercise or writerly dare was popularized by Pulitzer Prize winning playwright Paula Vogel and introduced to the CWW by playwright Dipika Guha. The dare is to write a narrative, play, or chapbook length collection of lyric pieces in a fixed span of time 48 hours in response to a list of shared elements. We will begin with a seminar on Friday afternoon when we’ll visit our creative writing toolbox and look at devices, forms and structures available for our use. At this meeting we’ll choose six elements to include in our writing drawn from the city of Rockport, MA, seeking inspiration from its architecture, history and myths. After the seminar you will go away and write until the next evening. On Sunday over food and drink, we will read your bake-offs together and celebrate your progress. Bake-offs are not critiqued.

Featured Faculty:

Maya Sonenberg’s first story collection, Cartographies, received the Drue Heinz Literature Prize and was published by the University of Pittsburgh Press. At the time, she was the youngest author to have received this prize. Her second collection, Voices from the Blue Hotel, appeared in 2007, and her chapbook of fiction and drawings, 26 Abductions, was published by The Cupboard in 2015. A second chapbook, After the Death of Shostakovich Père, won the 2016 PANK [CHAP]book contest and will appear in fall of 2017. Other stories and essays have appeared widely, in such journals as Fairy Tale Review, Web Conjunctions, The Literarian, New Ohio Review, and Hotel Amerika, and she has received grants from King County 4Culture and Artists Trust. She teaches in the creative writing program at the University of Washington—Seattle, and is currently at work on a book about her grandmother, Laura Ingalls Wilder (both the author and the character), and Jewish utopian settlements in the Dakotas during the late 19th century.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Ludwig-Maximilian University of Munich in Germany.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her poetry chapbook, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016.  Her debut poetry collection, Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Poetry Book Prize, and the Aquarius Press/Willow Books Literature Award, will be released by Finishing Line Press on February 2, 2018.  And her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

FAQ:

What happens after I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. This amount is non-refundable. The remainder of tuition will be due by September 25, 2017. Our standard and preferred method of payment is PayPal invoice. You can also mail us a check. The deposit is non-refundable.

What is included in tuition?

  • creative writing workshops
  • craft of writing seminars
  • lodging in Portland
  • some meals

I’m local to Rockport. Is there a tuition only option?

Yes. For more information, please inquire at info@cambridgewritersworkshop.org.

What are accommodations like?

We will be staying near Wigaersheek Beach during the retreat, a location that will both inspire and relax participants to help them create. Writers will be staying at our nearby retreat house.

 

 

 

CWW Alumni News: “The One Tip that Changed My Life” by Nannie Flores

Nannie Flores at the Château de Verderonne in Picardy, France

Nannie Flores, an alumna of the 2014 Château de Verderonne Yoga & Writing Retreat in Picardy, France, writes a haunting and powerful new essay, “The One Tip That Changed My Life” for Ideiya Magazine.  In the essay, Flores tackles the taboos associated with writing nonfiction, trauma, illness, and its aftermath.  In the essay, Flores writes:

Write as if your parents were dead.” In retrospect, there was something ominous and sinister about this piece of writing advice. At the time, it seemed harmless. So I took the tip when I was in college.

While in university, I wrote two one-act plays that touched on themes such as virginity and physical and verbal abuse in relationships. My parents watched the play, and they applauded along with the audience. The writing tip worked.

On the ride back home, when all the hype was over, they made sure to say they were proud of me, but that they disapproved of certain elements in my works. “Relationships are meant to be healthy,” Mama said. Papa gave his usual silent nod.

But what’s done is done. I have already written it and I didn’t need to ask for their approval…”  

Read the full essay on Ideiya here.

Nannie Flores is a playwright and nonfiction writer based in the Philippines.  Her essays and articles have appeared in EntrepreneurCosmo.ph, ABS-CBN News, Ideiya, Spot.ph, and Philippine Daily Inquirer.  You can follow her on her blog, The Fancy Delight.

CWW Alumni News: Christina Ruotolo’s new story, “Turning Water,” in The Petigru Review

The Cambridge Writers’ Workshop is delighted to announce that Christina Ruotolo, an alumna of our 2014 Château de Verderonne Yoga & Writing Retreat in Picardy, France, has a new nonfiction story, “Turning Water” featured in the 10th Anniversary Edition of The Petigru Review.  This current issue of The Petigru Review published received a starred Kirkus review and copies can be purchased on Amazon.

 

 

Christina Ruotolo at the Chȃteau de Verderonne

Christina Ruotolo is currently the Hot Dish Writer for The Daily Reflector newspaper in Greenville, NC.  She writes a weekly food column about restaurants in the area.  She also writes for HER Magazine, a monthly women’s magazine features in eastern, NC with a circulation of 13,000.  When not freelance writing, she is a full-time Advertising Account Executive at a newspaper, Barnes & Noble Bookseller, Event Planner and Creative Writing instructor at a community college.  About the CWW Chȃteau de Verderonne Yoga & Writing Retreat, Ruotolo writes, “Attending a CWW writer’s retreat in France in 2014 was a life-changing experience for me. I met wonderful people from all over the world and was able to immerse myself in my writing, finding my inner calm, voice and enjoying the beauty of another country. I made life-long friendships and it was where the idea for my new book came from.”

Cambridge Writers’ Workshop Summer in Granada, Andalusia, Spain Writing Retreat featured in The Washington Post

Original illustration by Lisk Feng for The Washington Post

The Cambridge Writers’ Workshop is delighted to be chosen as one of the six best writing retreats for the summer in their recent feature, “When You’re Ready to Move from Summer Writing to Summer Reading.”  In the article, journalist Jennifer Howard writes:

Your boss doesn’t care if you finish your novel. Your partner would rather not hear about the memoir you’ve been threatening to write. Feeling discouraged? It may be time to escape the creativity-quashing grind and reconnect with your muse in a lovely locale.

Whether you like Midwestern lakes or Icelandic hot springs, there’s a writers retreat for you. Here are half a dozen programs where you can spend quality time with your journal or get started on the next bestseller:

For culture connoisseurs

If tapas and flamenco are more your thing, the Summer in Granada retreat, sponsored by the Cambridge Writers’ Workshop, promises a warm cultural bath: “Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes,” the website says.

Summer in Granada is part of a series of retreats created by writers Rita Banerjee and Diana Norma Szokolyai. They describe their retreat model as a kind of roving salon, with previous sessions in Paris and at a chateau in Picardy, among its envy-inducing locations. “All of these places have a very alive and electric culture, a culture that exists on the streets, in the imagination,” Banerjee says.

This summer, participating writers will enjoy an “experiential tour” alongside workshops and writing sessions. Fiction writer Tim Horvath will teach a “writing from the senses” class that includes a visit to a “museum of smells,” a visit to a chocolatier and a tapas tour. “No matter how intellectual writing gets, you always want to draw in the senses and immerse the reader,” he says. (Did we mention chocolate?)

Cost/duration: $2,950; four nights. Some scholarships available.

To read the complete article, please visit the The Washington Post website here.  Print versions of the article will be available on June 11, 2017.

Applications and scholarships for our Summer in Granada Writing Retreat (Aug 2-6, 2017) are open until June 20, 2017.  Please apply at cww.submittable.com.

Spring in Portland Writing Retreat Class Schedule & March 25, 2017 Deadline!

Portland2017Poster

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The deadline to apply is March 25th, 2017.

Schedule of Classes:

cww-portland2017schedule

Writing in the Lyric Register (with Diana Norma Szokolyai)
In this writing workshop, we will practice writing in the lyric register, expanding our writing into descriptive, poetic prose.  We will look intensively at writing “the moment,” slowing down and unpacking a single moment.  After examining some examples in literature, we will take to writing and revising our own pieces to unlock the lyrical qualities of a single moment.  Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

Structuring Your Short Story or Novel (with Adam Reid Sexton)
From the time of Homer to the present day, writers have provided stories with the same basic shape – narrative structure, it’s called.  Regardless of content, the result of that structure is a kind of reading machine that people feel compelled to experience from start to finish.  In this course we learn the elements of classic story structure, as well as how much those elements can be varied without damage to your short-story, novel, or memoir.  Learn how to structure stories so potential readers of your work become actual readers.

Writing Memoir Honestly (with Kerry Cohen)
Annie Lamott famously wrote, “You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.” If only it were that easy! In this course we will examine the many challenges of writing about other people in memoir. We will discuss some anecdotes from memoir authors, address students’ concerns about their own memoirs, and we will complete writing exercises that will allow for practice in writing about ourselves and others honestly and ethically.

Science: Fiction – Building Literary Worlds  (with Rita Banerjee)
In this class, we will explore how the fabric and rules of literary worlds in realist and speculative fiction are created.  By examining the parameters of social and behavioral codes, human interactions and psychology, and the materiality of worlds, we’ll explore that volatile space where truth and lie meet, where conflicts crystallize, and where storytelling disturbs and delights.

Writing the Personal Essay (with Kerry Cohen)
Personal essays allow us to understand one another as fellow humans, to see ourselves in each other. They give us ways to know something in a new way, thereby expanding our understandings of ourselves. They are, in my mind, a key to living a self-examined life; and who wants to live another way? In this course, we will examine select essays by authors for their craft, their purpose, and their effect. Students will brainstorm ideas, write, workshop, and share their own personal essays, resulting in a polished piece by the end.

Playing with Point of View (with Adam Reid Sexton)
What’s the best point-of-view strategy to use when writing a particular work of fiction or creative nonfiction – first-person central, or third omniscient?  Second-person (“you”) – or even first person plural (“we”)?  This course breaks down the complicated, challenging topic of POV in storytelling, employing mini-lectures, in-class exercises, and short readings by contemporary masters like Jeffrey Eugenides and Lorrie Moore, to turn point of view from an obligation into an opportunity.  POV can be fun!

Featured Faculty:

kerrycohen
Kerry Cohen
is the author of 10 books, including the bestselling  Loose Girl:  A Memoir of Promiscuity and Girl Trouble: An Illustrated Memoir, her most recent book, which came out October 2016. Kerry is faculty at the Red Earth Low Residency MFA program and is a practicing counselor. She lives with her family in Portland, Oregon.

 

adamsextonAdam Reid Sexton teaches writing at Yale University, where he is a Lecturer in the English Department, a Critic on the faculty of Yale’s School of Art, and a Silliman Residential College Fellow.  He has taught writing at Columbia University and the New School, and he has lectured at the Folger Shakespeare Library, the University of Pennsylvania’s Kelly Writers House, and the University of Alabama, where he delivered the Hudson Strode Lecture in the Age of Shakespeare.  Sexton is the author of Master Class in Fiction Writing: Techniques from Austen, Hemingway and Other Greats, and with a team of graphic artists, he has adapted four of Shakespeare’s tragedies as manga (Japanese-style graphic novels).  His anthology Rap on Rap was acquired by Harvard’s W.E.B. Dubois Institute for African and African American Research, while Desperately Seeking Madonna is in the Rock & Roll Hall of Fame Library and Archive.  Sexton’s fiction, essays, and reviews have been published in the Bellevue Literary Review, the Mississippi Review, and Off Assignment, as well as the Boston Phoenix, the New York Times, and the Village Voice.  For four years Sexton curated a reading series at KGB Bar in New York City.  He has been interviewed on writing and literature by the New York Times, the Washington Post, Time, and npr.com, and one of his classes was broadcast on BBC Radio.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

DianaNormaDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers. Her poetry-music collaboration with Flux Without Pause led to their collaboration “Space Mothlight” hitting #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Szokolyai’s work has been recently reviewed by The London Grip and published in Quail Bell Magazine, Lyre Lyre, The Fiction Project, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase Quarterly, as well as anthologized in The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering and Teachers as Writers. Szokolyai earned her Ed.M. in Arts in Education from Harvard University and her M.A. in French Literature from the University of Connecticut, while she completed coursework at the Sorbonne and research on Romani writers in Paris. She is currently at work on three books and recording an album of poetry & music.

applyDeadline: March 25, 2017