Summer in Paris 2018 Writing Retreat: Day Five

Sunday, July 29, was the last full day of our Summer in Paris writing retreat. In the morning, Kristina Marie Darling led the group in her second workshop of the week: “Grants, Residencies, and Publication.” Kristina shared her insights on applying for grants and residencies as well as submitting work to a range of publications. Kristina addressed topics such as compiling a writing dossier, choosing writing samples, and crafting personal statements. Writers left the workshop with a packet of resources to help them research residency and publication opportunities as well as well as sample application materials and strategies for effectively presenting their own writing to selection committees.

In the afternoon Kathleen Spivack held her second “Memory and Memoir” workshop where students continued to explore how memory could be used in writing. Where do fact and fiction collide? What is a memoir and where exactly do we focus? How do we locate ourselves in our writing, and where do we find the starting place and point of view? These are a few of the questions that guided the class discussion and writing.

 

That evening the group visited Puces de Clignancort, the largest Parisian outdoor flea market. Puces de Clignancort is an open air market filled with clothing, antiques, books, music, and art and can be found in the 18th arrondissement.

Summer in Paris 2018 Writing Retreat: Day Four

Saturday, July 28, was a full day for our retreat faulty and participants. In the morning our guest faculty member Kristina Marie Darling taught her “Prose, Poetry, and Micro-Fiction” workshop. This course focused on prose poetry, meaning prose that draws from the extensive tradition, formal repertoire and literary devices that readers associate with poetry. Questions explored in class included: How can poets effectively and economically use the tools of fiction in their craft? What formal variations on the prose poem are possible? And how can prose poems compliment work written in more traditional poetic forms? Students ended the class with drafts of their own prose poetry or micro-fiction.

In the afternoon, CWW director Rita Banerjee held her workshop “Flâneurs, Essays, and Provocateurs.” Before meeting for Rita’s workshop, the participants were given a writing assignment where they were asked to spend 30 minutes “flaneusing or flaneuring” around Paris or Versailles in order to observe as much as they could about the people, places, animals, things, order, disorder or culture they were saw around them. These observations and experiences were then translated into a central question or thought that then became the beginning of an essay. Students were then asked to write until they found a solution to their central question or until they discovered an epiphany hiding in their work.

Following Rita’s workshop, faculty and writers traveled to Versailles where they explored the palace and gardens of the Chateau de Versailles. The Chateau de Versailles is perhaps best known as the residence of Louis XIV, who installed the Court and government at Versailles in 1632. Versailles is considered one of the greatest achievements of French 17th century art. The group ended their evening with an illuminated fountain and firework show in the gardens.

Summer in Paris 2018 Writing Retreat: Day Three

The morning of Friday, July 27 began with the first session of guest faculty member Kathleen Spivack’s “Memory and Memoir” workshop. Kathleen’s class focused on how writers can work with memory, nostalgia, the other, and ourselves and explored the role of memory in writing.

In the afternoon the group traveled to Musée d’Orsay for Diana Norma Szokolyai‘s workshop, “Ekphrasis: When Writing Confronts Visual Art.” Prior to the ekphrasis workshop, writers were asked to ponder several questions: How does writing about visual art combine both creative and critical processes? How can we use ekphrasis to jumpstart our own creative process?  How can ekphrasis help us explore the emotional world and perspectives of the Other? And how does ekphrasis reveal deeply personal and internal reflection by examining a creation external to ourselves? In addition to these musings, participants also wrote poems inspired by various pieces of art.

The day ended with more explorations around Paris, individual writing time, and preparations for Kristina Marie Darling’s class on “Prose Poetry and Micro-Fiction,” Rita Banerjee’s class on, “Flaneurs, Essays, and Provocateurs,” and a trip to Versailles.

Happy New Year 2015 from the Cambridge Writers’ Workshop!!

CWW-NY2015 Happy New Year 2015 from the directors and staff of the Cambridge Writers’ Workshop! We hope you’re all as excited for 2015 as we are!  We’re planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we’re looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2015!

The Cambridge Writers’ Workshop had a wonderful year in 2014.  Over the last twelve months, we’ve had a chance to hold retreats and readings across America and the world, meet exciting writers, yoga practicioneers, and artists, and have found new ways to inspire our own writing.  Our year began with the 2014 Association of Writers and Writing Programs Conference in Seattle, WA in February. At AWP 2014, we got a chance to announce our CREDO Anthology of Manifestos & Sourcebook for Creative Writing, promote our new literary internships,  and discuss our Summer 2014 Château de Verderonne Yoga & Writing Retreat, and our AWP 2014 A Night at the Victrola Reading. At AWP 2014, CWW Directors, Rita Banerjee and Diana Norma Szokolyai signed copies of their books, Cracklers at Night and Parallel Sparrows, respectively.  And our A Night at the Victrola, featuring readings from authors such as Rita Banerjee, Diana Norma Szokollyai, Peter Mountford, Anca Szilágyi, Nancy Jooyoun Kim, Pattabi Seshadri, Susan Parr, Johnny Horton, Talia Shalev, Leah Umansky, Dena Rash Guzman, Kevin Skiena, Jessica Day, and Carrie Kahler.  Our AWP 2014 literary reading was even featured in Vanguard Seattle as a top AWP reading event.

After AWP 2014, we were off to our annual writing and yoga retreat to the Château de Verderonne in Picardy, France. The event, which was featured in Poets and Writers and Quail Bell Magazine, was a chance for writers to spend two weeks in the French countryside, participating in writing workshops and craft of writing seminars, yoga classes, and culturally tours of Paris and Chantilly. We liveblogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.

Our New Yorker members also hosted an event as part of LitCrawl Manhattan in September 2014.  Our Literary Masquerade featured readings of poetry, noir, science fiction, and original songs from Diana Norma Szokolyai, Rita Banerjee, Gregory Crosby, Elizabeth Devlin, Jonah Kruvant, and Nicole Colbert.

We also hosted an annual Pre-Thanksgiving Yoga and Writing Cleanse in November 2014. The two day event kicked off with yoga lessons from Elissa Lewis, followed by fresh juice cleanses, and creative writing workshops and craft seminars from Diana Norma Szkolyai, Jessica Reidy, and Jonah Kruvant.  Some of the creative writing classes included on the retreat included “The Art of Withholding,” “The Art of Revision” and “Sense of Smell, Memory, and Narrative.”   Our Pre-Thanksgiving Yoga & Writing Cleanse was an opportunity for the participants to cleanse themselves mentally, spiritually, and creatively before the bustling holiday season, and was even featured in a piece in Quail Bell Magazine.

In 2014, we also began work on CREDO Anthology of Manifestos & Sourcebook for Creative Writing.  The collection will feature personal writer manifestos, essays on writing advice, and writing exercises to help spur creativity. Our staff has greatly enjoyed critiquing and conversing with writers on this publication, and more information about our featured writers will be announced shortly.

In 2014, we also welcomed our first interns to the Cambridge Writers’ Workshop, and these interns include the wonderful  Alex Carrigan, Katy Miller, and Megan Tilley, all of whom have helped the CWW greatly this year. They’ve helped manage our social media and written up post about our events, critiqued and edited submissions for CREDO, shown their talent for graphic design and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year.  We’re excited to have Alex, Katy, and Megan on our team, and we can’t wait to show you what they’ve helped us plan for 2015!

This was also a good year for our individual staff members getting published. Quail Bell Magazine featured plenty of creative writing from our staffers, including Jessica Reidy’s essay on novel research in Paris, Norma and Rita’s Mis/Translation poems, Megan Tilley’s poem “Puddle,” and Alex Carrigan’s poem “When I First Saw Her.” Reidy also had a series of trauma poems featured in Luna Luna Magazine and Tilley was featured in FictionvaleSzokolyai was also named one of twenty Romani authors you should be reading by VIDA and published in the anthology Other Countries: Contemporary Poets Rewiring History.

While 2014 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Minneapolis from April 8-11, 2015 You can find us at the AWP 2015 Bookfair at Table 954. We will also be planning an offsite reading, and more information about that will come as we get closer to the event.

Join us April 2-5, 2015 for our first annual springtime Writing & Yoga Retreat in beautiful and gilded Newport, Rhode Island.  Our Newport retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects.  Faculty includes internationally renowned author and writing coach Kathleen Spivack (fiction, poetry, nonfiction), Stephen Aubrey (playwriting,  screenwriting), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), and Elissa Lewis (yoga, meditation).  Registration closes on February 20, 2015 and spots are limited, so sign up on cww.submittable.com as soon as you can.

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 22-30, 2015 in France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.  There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel where we will stay is full of charm and our Moroccan themed classroom will offer a wonderful oasis to practice the writing life.  Faculty includes internationally renowned author and writing coach Kathleen Spivack (poetry, fiction, nonfiction), David Shields (fiction, book-length essay), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), and Elissa Lewis (yoga, meditation).  If you’d like to join us in Paris, please apply online at cww.submittable.com by May 5, 2015.

And from August 3-10. 2015, join the Cambridge Writers’ Workshop on our summer writing retreat to the cultural oasis of Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work with world-renowned authors on your manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  Faculty includes Rita Banerjee (poetry, fiction), Diana Norma Szokolyai (poetry, nonfiction), Jessica Reidy (fiction, poetry) and Elissa Lewis (yoga, meditation).  If you’d like to join us in Granada, please apply online at cww.submittable.com by April 20, 2015.

We hope you are all as excited for our 2015 events as we are. If you have any questions about our upcoming retreats, please view the pages linked above. If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org.  You can also follow us on Facebook, Tumblr, and Twitter for more information and updates on any of these events. We look forward to making 2015 a year full of creativity, writing, and renewal, so join us as we make 2015 rock!

– Alex Carrigan & Rita Banerjee