Join the Cambridge Writers’ Workshop at AWP 2020!!

For those writers, editors, and lit fans traveling to the 2020 AWP Conference (March 4-7) in San Antonio, TX this week, come stop by the Cambridge Writers’ Workshop’s AWP Bookfair Table at T2164!  The Cambridge Writers’ Workshop AWP Off-site Reading will be taking place as scheduled on Saturday, March 7 from 5:30-7:30 pm at Rosella Coffee House.  More details on that follow below.

However, please note that CWW Creative Director Rita Banerjee’s panel “Dismantling the White Imagination: On Intimacy in Creative Nonfiction” featuring our Summer in Paris Nonfiction Faculty David Shields on Saturday, March 7 from 9-10:15 am in Room 205, Henry B. González Convention Center, Meeting Room Level (San Antonio, TX) has been cancelled due to health concerns.

Course registration for our 2020 Spring in New Orleans Writing Retreat (March 19-22) and Summer in Paris Writing Retreat (July 16-21) is now live! Apply by March 10 for our NOLA Retreat and May 30 for our Paris Retreat on cww.submittable.com.

Our 2020 award-winning faculty includes essayist David Shields, playwright Stephen Aubrey, poet Diana Norma Szokolyai, and poet and essayist Rita Banerjee

Join the Cambridge Writers’ Workshop for our offsite reading at Rosella Coffee House(203 E Jones Ave, Suite 101) in San Antonio, TX! Featured readers include Rita Banerjee, Madeleine Barnes, Alex Carrigan, Kristina Marie Darling, Charlene Elsby, Adilene Hernandez, Tim Horvath, Samuel Kóláwọlé, Rachel Kurasz, and Mari Pack! Come celebrate with a gorgeous night of poetry, fiction, nonfiction, and speculative writing!  More info on the reading & featured authors below!  (Please note: that some authors may not be in attendance due to health concerns).

 

Featured Readers:

Rita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).   She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, featured on the Ruth Stone Foundation podcast, and named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010).  She is the co-writer and co-director of Burning Down the Louvre (2020), a documentary film about race, intimacy, and tribalism in the United States and in France.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants.  Her writing appears in the Academy of American PoetsPoets & Writers, PANK, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts and an Associate Scholar of Comparative Literature at Harvard.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.  Her writing is represented by agents Jeff Kleinman and Jamie Chambliss of Folio Literary Management.

Madeleine Barnes is a poet and visual artist from Pittsburgh living in Brooklyn. She is a doctoral fellow at CUNY’s Ph.D. Program in English, and the recipient of a New York State Summer Writers Institute Fellowship, two Academy of American Poets prizes, and the Princeton Poetry Prize. Her second chapbook, Light Experiments, is forthcoming from Porkbelly Press this year, and her protest embroideries were recently featured in Boston Accent Lit. She serves as Poetry Editor at Cordella Magazine.

Alex Carrigan is an associate editor with the American Correctional Association. He has edited and proofed the anthologies CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, 2018) and Her Plumage: An Anthology of Women’s Writings from Quail Bell Magazine (2019). He has had fiction, poetry, and media reviews published in Quail Bell Magazine, Life in 10 Minutes, Realms YA Fantasy Literary Magazine, Mercurial Stories, Lambda Literary Review, Stories About Penises (Guts Publishing, 2019) and the forthcoming anthologies Closet Cases: Queers on What We Wear (Et Alia Press, 2020) and Whale Road Review (Summer 2020). He currently lives in Alexandria, VA.  

Kristina Marie Darling is the author of thirty books, including Look to Your Left: The Poetics of Spectacle (University of Akron Press, 2020); Je Suis L’Autre: Essays & Interrogations (C&R Press, 2017), which was named one of the “Best Books of 2017” by The Brooklyn Rail; and DARK HORSE: Poems (C&R Press, 2018). Her work has been recognized with three residencies at Yaddo, where she has held both the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; a Fundación Valparaíso fellowship; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; three residencies at the American Academy in Rome; two grants from the Whiting Foundation; a Morris Fellowship in the Arts; and the Dan Liberthson Prize from the Academy of American Poets, among many other awards and honors. Her poems appear in The Harvard Review, Poetry International, New American Writing, Nimrod, Passages North, The Mid-American Review, and on the Academy of American Poets’ website, Poets.org. She has published essays in The Kenyon Review, Agni, Ploughshares, The Gettysburg Review, Gulf Coast, The Iowa Review, and numerous other magazines. Kristina currently serves as Editor-in-Chief of Tupelo Press and Tupelo Quarterly, an opinion columnist at The Los Angeles Review of Books, and a contributing writer at Publishers Weekly.

Charlene Elsby, Ph.D., is the Philosophy Program Director at Purdue University Fort Wayne. Her first novel, HEXIS, was published by CLASH Books. Her second novel, AFFECT, is forthcoming with The Porcupine’s Quill.

 

 

Adilene Hernández is a queer, Latina writer and educator with roots in Atlanta, GA. She earned her B.A. in Creative Writing from Knox College, and she aspires to continue her studies through an M.F.A. program. She is an alumna of the Winter Tangerine Workshop and Cambridge Writers’ Workshop. She is currently at work on her first two novels, both of which focus on family ties and identity in the Latinx culture.

 

 

 

Samuel Kọ́láwọlé was born and raised in Ibadan, Nigeria. His work has appeared in AGNI, Gulf Coast, Washington Square Review and Consequence amongst other literary journals. Samuel was a finalist for the 2018 Graywolf Prize for Africa and winner of the 2019 Editor-Writer Mentorship Program for Diverse Writers. His fiction has been supported with fellowships, residencies, and scholarships from the Norman Mailer Centre, International Writing Program at the University of Iowa,  Columbus State University’s Carson McCullers Center for Writers and Musicians, Clarion West Writers Workshop, Wellstone Centre in the Redwoods California, and Island Institute. Samuel was educated at the University of Ibadan, Nigeria and holds a Master of Arts degree in Creative Writing with distinction from Rhodes University, South Africa and an MFA in Writing and Publishing at Vermont College of Fine Arts, USA. His debut novel The Road to Salt Sea is forthcoming from Amistad/Harper Collins.

Rachel Kurasz is a PhD student at Northern Illinois University where she is studying rhetoric/composition and Graphic Novels/Comic Books.  Rachel earned her MFA in Creative Writing from Roosevelt University under the guidance of Christian TeBordo and Kyle Beachy. Rachel also was a Fall 2017 AWP writer to writer under mentor Laura Creedle.  Rachel is currently querying and writing her first graphic novel series entitled “weirdos”.

Mari Pack is a poet and writer from the suburbs of Washington, D.C. She has an MA from the University of Toronto, and is a current MFA candidate at Hunter College.

 

 

We look forward to seeing you at AWP 2020!

Applications for our Summer in Paris (July 16-21, 2020) Writing Retreat are now live! Apply by May 30, 2020!


The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 16-21, 2020 in Paris, France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects. There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm.

Retreat activities will include craft of writing seminars and creative writing workshops, and a chance to explore the literary history of Paris. If you’re serious about writing and want to bask in some exquisite French culture this summer, join our retreat in Paris! Tuition is $3,875, which includes lodging in central Paris, creative writing workshops and writing seminars with our supportive and award-winning faculty of writers and editors, and daily breakfast.

Faculty includes internationally renowned authors, David Shields (personal essayist, documentary filmmaker), Diana Norma Szokolyai (poetry, nonfiction), and Rita Banerjee (poetry, nonfiction, fiction).

If you’d like to join us in Paris, please apply online by May 30, 2020, and include $10 application screening fee and a 5-10 page writing sample of poetry or prose. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact & Address
3. Age & Nationality
4. Prior creative writing experience and publications
5. Creative writing goals for the retreat
6. Short one paragraph biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are strongly encouraged.  Our Scholarship deadline is March 1, 2020, and thus, we encourage applicants to complete their applications by our priority deadline of March 1, 2020. Our Paris retreat tends to fill up quickly, so feel free to send in your application early.

Featured Faculty:

jUSEu2sSo4RfT2C6eSXb6-plQPuQlknv-LggVh9tpUs David Shields is the internationally bestselling author of twenty-two books, including Reality Hunger (named one of the best books of 2010 by more than thirty publications), The Thing About Life Is That One Day You’ll Be Dead (New York Times bestseller), Black Planet (finalist for the National Book Critics Circle Award), and Other People: Takes & Mistakes (NYTBR Editors’ Choice). The film adaptation of I Think You’re Totally Wrong: A Quarrel was released by First Pond Entertainment in 2017. Nobody Hates Trump More Than Trump: An Intervention was published in 2018; The Trouble With Men: Reflections on Sex, Love, Marriage, Porn, and Power is forthcoming in March 2019. A recipient of Guggenheim and NEA fellowships and a senior contributing editor of Conjunctions, Shields has published essays and stories in the New York Times Magazine, Harper’s, Esquire, Yale Review, Salon, Slate, A Public Space, McSweeney’s, and Believer. His work has been translated into two dozen languages.

Diana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble. Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

ritabanerjee

Rita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).   She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, featured on the Ruth Stone Foundation podcast, and named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010).  She is the co-writer and co-director of Burning Down the Louvre (2020), a documentary film about race, intimacy, and tribalism in the United States and in France.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants.  Her writing appears in the Academy of American PoetsPoets & Writers, PANK, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts and an Associate Scholar of Comparative Literature at Harvard.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.  Her writing is represented by agents Jeff Kleinman and Jamie Chambliss of Folio Literary Management.

FAQ:

What Happens After I apply?
Once you apply, you can expect to hear from us within 10-14 days and know whether you were accepted into the program.

What is the process of paying tuition?
Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. Please note that the deposit is non-refundable. The remainder of tuition will be due by May 30, 2020. Our standard and preferred method of payment is PayPal invoice, which does have a service fee. You can also mail us a check. Please email us if you prefer to send a check and we will give you the mailing address.

What is included in tuition?

    • lodging in central Paris
    • daily breakfast at the hotel
    • creative writing workshops
    • craft of writing seminars
    • a celebratory meet-&-greet dinner with faculty

Where will the program be held?
The program will be held at Hôtel du Midi Paris Montparnasse, 4 Avenue René Coty, 14th Arr., 75014, Paris, France.

What language is the program in?
The program is in English, but French or other non-anglophones are welcome as long as you can speak, read and write in English!

I’m local to Paris. Is there a tuition only option?
Yes. For more information, please inquire at directors@cambridgewritersworkshop.org.

What if the deadline has passed? Can I still apply?
Sometimes, we do have seats open after our deadlines have passed. Please apply or just email us directly at directors@cambridgewritersworkshop.org to check whether there is still availability.

Applications for our Spring in New Orleans Writing Retreat (March 19-22, 2020) are now live! Apply by March 10, 2020!

The Cambridge Writers’ Workshop is pleased to announce our fourth annual Spring in New Orleans Writing Retreat! Apply to the Cambridge Writers’ Workshop Spring in New Orleans (March 19-22, 2020) Writing Retreat by March 10, 2020 on cww.submmittable.com! Known for its Spanish and French architecture, live jazz, Cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind experience for writers. Our retreat features multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers & playwrights: Stephen Aubrey, Rita Banerjee, and Diana Norma Szokolyai. All genres welcome. Genres include playwriting, nonfiction, fiction, and poetry. This year, we will also be exploring writing for live action roleplay (LARP) theater with an expert. The cost of the retreat is $1650, which includes tuition, lodging, and some meals. If you’d like to join us in NOLA, please apply by our priority deadline of March 1, 2020 by submitting 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $10 application fee, a cover letter, and references at cww.submittable.com. Please also include the following in your cover letter:
    1. Full Legal Name
    2. Contact Information (Email, Address, Phone)
    3. Age & Nationality
    4. Prior Workshop Experience and Publications
    5. Creative Writing Goals for the Retreat
    6. Short One-paragraph Biography
    7. Contact info of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)
Due to limited seats, early applications are encouraged. Our Scholarship Deadline for our 2020 retreats is March 1, 2020.  Thus, applications are encouraged by our priority deadline of March 1, 2020.  All applications will be reviewed through March 10, 2020.
apply

Priority Deadline: March 1, 2020

Featured Faculty:

Stephen Aubrey is a Brooklyn-based writer and dramaturg. He is co-artistic director and resident playwright of The Assembly theater company. His plays have been produced at The New Ohio Theater, The Living Theater, The Flea Theater, The Collapsable Hole, and the Edinburgh Fringe Festival. His writing has appeared in Electric Literature, Publishing Genius, and The Brooklyn Review. He teaches creative writing and literature in the CUNY system.

ritabanerjee

Rita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).   She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, featured on the Ruth Stone Foundation podcast, and named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010).  She is the co-writer and co-director of Burning Down the Louvre (2020), a documentary film about race, intimacy, and tribalism in the United States and in France.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants.  Her writing appears in the Academy of American PoetsPoets & Writers, PANK, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts and an Associate Scholar of Comparative Literature at Harvard.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.  Her writing is represented by agents Jeff Kleinman and Jamie Chambliss of Folio Literary Management.

Diana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble. Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

   

FAQ:

What happens after I apply? Once you apply, you can expect to hear from us within 10-14 days and know whether you were accepted into the program.

What is the process of paying tuition? Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. This amount is non-refundable. The remainder of tuition will be due by March 10, 2020. Our standard and preferred method of payment is PayPal invoice. You can also mail us a check. Please email us at directors [at]cambridgewritersworkshop.org and we will provide instructions for mailing.

What is included in tuition?

    • creative writing workshops
    • craft of writing seminars
    • lodging in NOLA
    • breakfasts & some other meals

I’m local to New Orleans. Is there a tuition only option?

Yes. For more information, please inquire at directors[at]cambridgewritersworkshop.org.

What are accommodations like?

During the retreat, we will be staying at the lovely Pelham Hotel. The hotel is centrally located and within walking distance to the French Quarter, Bourbon St, Convention Center and the Superdome. In this location, you will have access to museums, historical sites, malls, and many other exciting attractions!

Happy New Year ’20 from the Cambridge Writers’ Workshop!!

From our staff and board at the Cambridge Writers’ Workshop, we’d like to wish you a festive, fun, and very creative New Year 2020!

Let’s make this next decade shine for creativity, art, and new voices in the field!  Thank you to all of the writers, colleagues, artists, and institutions that have supported the Cambridge Writers’ Workshop since 2008!  We’re looking forward to seeing what our second decade brings!

More news regarding accepted authors for Disobedient Futures will be announced in Spring 2020!

The Cambridge Writers’ Workshop will also be at the AWP 2020 Conference in San Antonio, TX from March 4-7, 2020.  Come stop by our AWP Bookfair Table T2164!  We will also be having an off-site reading for AWP 2020 so stay tuned for details about that!  And of course, check our CWW Creative Director Rita Banerjee’s panel “Dismantling the White Imagination: On Intimacy in Creative Nonfiction” on Saturday, March 7 from 9-10:15 am in Room 205, Henry B. González Convention Center, Meeting Room Level (San Antonio, TX).

Finally, we are delighted to announce our instructors for our Spring and Summer 2020 writing retreats.  Our 2020 award-winning faculty includes essayist David Shields, playwright Stephen Aubrey, poet Diana Norma Szokolyai, and poet and essayist Rita Banerjee.  Course registration for our 2020 Spring in New Orleans Writing Retreat (March 19-22) and Summer in Paris Writing Retreat (July 16-21) will be going live on this website and on cww.submittable.com shortly!  So stay tuned!

 

And in the meantime, let’s have an amazing 2020!  Here’s to the return of the “Roaring 20’s” and art that’s not afraid to make the world vibrate just a little bit!

Cheers,
The Cambridge Writers’ Workshop

Disobedient Futures – Final Call for Submissions – November 1, 2019 Deadline

Dear Writers, in honor of all the buzz around Disobedient Futures generated at the Brooklyn Book Festival in September 2019, we will be extending the call for submissions for our new anthology to November 1, 2019.  The editorial team is currently reviewing all submitted work and will be in touch with all of the writers and artists who submitted through the Winter 2019-2020 season.  The final roster of accepted authors for our new anthology will be announced in Spring 2020.

And if you’d like to submit your work before our final deadline, please do so by November 1, 2020 at cww.submittable.comMore info about our new anthology follows below:

Cambridge Writers’ Workshop welcomes submissions of poetry, fiction, nonfiction, mixed-genre work, plays, and screenplays on the topic of “Disobedient Futures” for our new speculative literature anthology. Writers are encouraged to imagine what the future cultures of America and the world might look like, and submit their work on the following topics:

Disobedient Women: How might women, feminists, female-identifying, and/or non-binary individuals disobey and reconfigure our understandings of power and femininity and masculinity in the future?

Disobedient Tribes: What if Americans found a way to subvert racial categories and challenge tribalism and cultures of fear? How might tribes disobey the rules of the game and create new types of community identities and cultural bridges?

Disobedient Class: Could Americans in the future overcome systems of class oppression and capitalist gluttony? How might individuals in the future subvert class hierarchies?

Disobedient Futures: Tell us what the future cultures of America and the world have in store. How might the emerging generations of today and tomorrow reconfigure today’s value systems, challenge today’s modes of violence, oppression, and power, and create new visions of society? Give us your best speculative writing which explores the possibilities and disruptions of disobedient futures.

Writers are welcome to submit utopian, dystopian, parallel history, futuristic, alternative reality, speculative essay, and even purely speculative fiction, nonfiction, poetry, and theatre. Optimistic and pessimistic tales of the future are welcome in equal measure, but gratuitous violence and discrimination are not. Poetry submissions should be 3-5 pages in length. Prose submissions can be 10-20 pages in length.  Excerpts from longer works with synopses are welcome. Previously published work of which the author holds copyright and the right to republication is acceptable for submission. Visual art related to these categories of Disobedient Futures is also welcome.  Submit your retelling of the future today!

Submit your work at cww.submittable.com || Deadline: November 1, 2019

Cambridge Writers’ Workshop Summer in Paris 2019 Retreat Schedule Announced

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place from July 17-22, 2019.  Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.  Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris!   The faculty includes award-winning writers Kazim Ali, Rita Banerjee, and Diana Norma Szokolyai.  Genres include poetry, fiction, and nonfiction.

The schedule for the Cambridge Writers’ Workshop Summer in Paris Retreat (July 17-22, 2019) has been announced.  More details about classes and instructors follow below! À bientôt!

Schedule:

Writing about Space and Place (with Kazim Ali)
We experience place through multiple present tense lenses– sensory perception, kinesthetic observation, relationship of inner reality to outer surroundings– as well as through history, language, geography, botany, biology and zoology.

Craft Seminar:
We will look at a number of writers who have engaged space and place in their work and discuss what techniques and forms they developed, often very site-specific. Writers discussed will include Layli Long Soldier, Craig Santos Perez, Cristina Peri Rossi and Georges Perec

Generative Workshop:
Using techniques of walking meditation, we will experience the surrounding neighborhood of the conference venue (including the Cemeterie Montparnasse) as a launch point to generate work and provide feedback and critique to one another.

Ekphrasis: Writing Confronts Visual Art (with Diana Norma Szokolyai)

The word “ekphrasis” comes from the Greek, referring to a literary response to a visual scene, or more commonly, a work of art. By engaging in the imaginative act of reflecting on the action of a work of visual art, the writer expands the meaning of the art. After reading literary examples and holding a discussion about applying the practice of ekphrasis to our own writing, our classroom will be one of the most beautiful museums in Paris: The Musée D’Orsay.

Flâneurs, Essays, and Provocateurs (with Rita Banerjee)

An essay is an attempt.  A trial. A test. In this class, we will explore how evocative essays are attempted and constructed.  We will explore how being a flâneur and an essayist are intimately combined. And we will study how essayists from Montaigne to James Baldwin to Lauren Elkin to Edmund White to David Shields to Yoko Tawada redefine the environment they inhabit and create a space for electric art.

Featured Faculty:

Kazim Ali was born in the United Kingdom to Muslim parents of Indian, Iranian and Egyptian descent. He received a B.A. and M.A. from the University of Albany-SUNY, and an M.F.A. from New York University. His books encompass several volumes of poetry, including Inquisition, Sky Ward, winner of the Ohioana Book Award in Poetry; The Far Mosque, winner of Alice James Books’ New England/New York Award; The Fortieth DayAll One’s Blue; and the cross-genre text Bright Felon. His novels include the recently published The Secret Room: A String Quartet and among his books of essays are the hybrid memoir Silver Road: Essays, Maps & Calligraphies and Fasting for Ramadan: Notes from a Spiritual Practice. Ali has taught at various colleges and universities, including Oberlin College, Davidson College, St. Mary’s College of California, and Naropa University. He is currently a professor of Literature and Writing at the University of California, San Diego.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018),which was named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, was nominated for the 2018 Kate Tufts Discovery Award, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants. Her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Tahoma Literary Review, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts, an Associate Scholar at Harvard, and the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest. She is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Diana Norma Szokolyai is an author, educator, interdisciplinary artist and artistic director. Her books are CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing(edited anthology), Parallel Sparrows(poetry + photography), Roses in the Snow (poetry + photography), and Blue Beard, Remixed (poetry + short story + art). Her poetry was shortlisted for the 2018 Bridport Prize and received honorable mention in the 87thAnnual Writer’s Digest Competition (2018). She also performs her poetry with music and her collaboration with Project 5 a.m., “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015 and can be found in the curated WFMU Free Music Archive. She is Executive Artistic Director of Cambridge Writers’ Workshop, where she leads writing retreats, and Co-Director of Chagall Performance Art Collaborative. She holds an Ed.M in Arts in Education from Harvard University and an M.A. in French from the University of Connecticut.

Cambridge Writers’ Workshop Summer in Paris Writing Retreat (July 17-22, 2019) – Apply by June 15, 2019!

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 17-22, 2019 in Paris, France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.

There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.

Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris! Tuition is $3250, which includes lodging in central Paris, daily creative writing workshops and writing seminars, daily breakfast, and a walking tour of “literary” Paris.

Faculty includes internationally renowned author Kazim Ali (fiction, poetry), Diana Norma Szokolyai(poetry, nonfiction), Rita Banerjee (poetry, nonfiction, fiction).

Schedule:

Writing about Space and Place (with Kazim Ali)
We experience place through multiple present tense lenses– sensory perception, kinesthetic observation, relationship of inner reality to outer surroundings– as well as through history, language, geography, botany, biology and zoology.

Craft Seminar:
We will look at a number of writers who have engaged space and place in their work and discuss what techniques and forms they developed, often very site-specific. Writers discussed will include Layli Long Soldier, Craig Santos Perez, Cristina Peri Rossi and Georges Perec

Generative Workshop:
Using techniques of walking meditation, we will experience the surrounding neighborhood of the conference venue (including the Cemeterie Montparnasse) as a launch point to generate work and provide feedback and critique to one another.

Ekphrasis: Writing Confronts Visual Art (with Diana Norma Szokolyai)

The word “ekphrasis” comes from the Greek, referring to a literary response to a visual scene, or more commonly, a work of art. By engaging in the imaginative act of reflecting on the action of a work of visual art, the writer expands the meaning of the art. After reading literary examples and holding a discussion about applying the practice of ekphrasis to our own writing, our classroom will be one of the most beautiful museums in Paris: The Musée D’Orsay.

Flâneurs, Essays, and Provocateurs (with Rita Banerjee)

An essay is an attempt.  A trial. A test. In this class, we will explore how evocative essays are attempted and constructed.  We will explore how being a flâneur and an essayist are intimately combined. And we will study how essayists from Montaigne to John McPhee to Richard Rodriguez to David Shields to Teju Cole and Lauren Elkin redefine the environment they inhabit and create a space for electric art.

Featured Faculty:

Photo by Tanya Rosen-Jones

Kazim Ali was born in the United Kingdom to Muslim parents of Indian, Iranian and Egyptian descent. He received a B.A. and M.A. from the University of Albany-SUNY, and an M.F.A. from New York University. His books encompass several volumes of poetry, including Inquisition, Sky Ward, winner of the Ohioana Book Award in Poetry; The Far Mosque, winner of Alice James Books’ New England/New York Award; The Fortieth DayAll One’s Blue; and the cross-genre text Bright Felon. His novels include the recently published The Secret Room: A String Quartet and among his books of essays are the hybrid memoir Silver Road: Essays, Maps & Calligraphies and Fasting for Ramadan: Notes from a Spiritual Practice. Ali has taught at various colleges and universities, including Oberlin College, Davidson College, St. Mary’s College of California, and Naropa University. He is currently a professor of Literature and Writing at the University of California, San Diego.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018),which was named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, was nominated for the 2018 Kate Tufts Discovery Award, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants. Her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Tahoma Literary Review, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts, an Associate Scholar at Harvard, and the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest. She is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Diana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble. Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

If you’d like to join us in Paris, please apply online by June 15, 2019, and include $10 application screening fee and a 5-10 page writing sample of poetry or prose.  Please also include the following in your cover letter:

1. Full Legal Name
2. Contact & Address
3. Age & Nationality
4. Prior creative writing experience and publications
5. Creative writing goals for the retreat
6. Short one paragraph biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

(Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability). More information available at cww.nyc

apply

Deadline: June 15, 2019

CWW Spring in New Orleans Writing Retreat (March 14-17) Schedule Announced! Apply by February 28, 2019

Apply to the Cambridge Writers’ Workshop Spring in New Orleans (March 14-17, 2019) Writing Retreat by February 28, 2019 on cww.submmittable.com! Known for its Spanish and French architecture, live jazz, Cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind experience for writers. Our retreat features multi-genre workshops, as well as craft seminars and time to write.

The faculty includes award-winning writers & playwrights: Stephen AubreyCarly Dwyer, Rita Banerjee, and Diana Norma Szokolyai. All genres welcome. Genres include playwriting, nonfiction, fiction, and poetry. This year, we will also be exploring writing for live action roleplay (LARP) theater with an expert. The cost of the retreat is $1200, which includes tuition, lodging, and some meals. Due to limited seats, early applications are encouraged. Applications are due February 28, 2019.

apply

Deadline: February 28, 2019

Schedule & Classes:

Emotion and Suspense in Theatre, Poetry, and (Non)Fiction
with Rita Banerjee

Plato argues that human behavior flows from three main sources: desire, emotion, and knowledge.  And before staging Kalidasa’s The Recognition of Śākuntalā, the director challenges his actress-lover: “As though in a painting, the entire audience has had their emotion colored through your melody.  So now—what shall we perform to sustain the mood?”  In this class, we will explore how creating vivid emotional worlds between characters and within storylines can build suspense, sustain drama, and lure the reader deeper in. Whether you’re currently working on a short story, novel, screenplay, theatrical play, lyrical essay, memoir, or narrative poem this class will help you craft a unique emotional landscape

Weirding the World
with Stephen Aubrey

“My mind affects my reality.” -Farad’n Corrino (in Frank Herbert’s Dune)

Every piece of writing is an act of imagination, another world passing before you in time and space. Language is only one part of this world. The rest is space. And before we populate this space, we must create it. In this class, we will discuss the basics of world-building and, through guided exercise, explore the spaces in which our writing takes place, interrogating our own implicit assumptions and expectations of what is possible in our imagined universes.

The Situation and the Story
with Stephen Aubrey

When we write, we usually start from something: a character, a setting, a phrase, an event. And we usually have an initial sense of where things will end up (even if we’re eventually wrong about that). But to get from that establishing moment to a satisfying denouement requires an unfathomable number of decisions about structure, character, point of view, and information flow. These decisions are what carve story out from situation. This class will focus on how one can create effective narrative and character arc by tackling the important decisions every writer must make.

LARP Theatre: No End In Sight
with Carly Dwyer

Description: LARP-Theatre creator Carly Dwyer will take you through a condensed series of exercises she has devised for creating complex playable characters that inhabit the worlds of her live action role play based theatre pieces. Instead of creating characters who travel through an arc, larp writing requires developing characters with complex characteristics and details that allow the character to exist wholly in their world, but for whom their story has no predetermined ending. Combining theatre exercises with writing prompts, research and fieldwork, this class will have you on your feet, in your head, and out in the world.

Featured Faculty:

Stephen Aubrey is a Brooklyn-based writer and dramaturg. He is co-artistic director and resident playwright of The Assembly theater company. His plays have been produced at The New Ohio Theater, The Living Theater, The Flea Theater, The Collapsable Hole, and the Edinburgh Fringe Festival. His writing has appeared in Electric Literature, Publishing Genius, and The Brooklyn Review. He teaches creative writing and literature in the CUNY system.

Carly Dwyer is an experienced director, educator and designer passionate about intersectional learning opportunities and sustainable creative economies. She uses immersive LARP theater as a way to challenge audience boundaries, to provide opportunities for audience autonomy in the story, and to explore the limits of their capabilities from within our worlds. Through collaborations with the venues and communities she works with, she helps organizations diversify their engagement and innovate the way the public interacts with their business.

ritabanerjee

Rita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018),which was named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, was nominated for the 2018 Kate Tufts Discovery Award, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants. Her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Tahoma Literary Review, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts, an Associate Scholar at Harvard, and the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest. She is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Diana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble. Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

Disobedient Futures – Call for Spec Lit & Art Submissions – Deadline: February 14, 2019

The Cambridge Writers’ Workshop welcomes submissions of poetry, fiction, nonfiction, mixed-genre work, plays, and screenplays on the topic of “Disobedient Futures” for our new speculative literature anthology. Writers are encouraged to imagine what the future cultures of America and the world might look like, and submit their work on the following topics:

Disobedient Women: How might women, feminists, female-identifying, and/or non-binary individuals disobey and reconfigure our understandings of power and femininity and masculinity in the future?

Disobedient Tribes: What if Americans found a way to subvert racial categories and challenge tribalism and cultures of fear? How might tribes disobey the rules of the game and create new types of community identities and cultural bridges?

Disobedient Class: Could Americans in the future overcome systems of class oppression and capitalist gluttony? How might individuals in the future subvert class hierarchies?

Disobedient Futures: Tell us what the future cultures of America and the world have in store. How might the emerging generations of today and tomorrow reconfigure today’s value systems, challenge today’s modes of violence, oppression, and power, and create new visions of society? Give us your best speculative writing which explores the possibilities and disruptions of disobedient futures.

Writers are welcome to submit utopian, dystopian, parallel history, futuristic, alternative reality, speculative essay, and even purely speculative fiction, nonfiction, poetry, and theatre. Optimistic and pessimistic tales of the future are welcome in equal measure, but gratuitous violence and discrimination are not. Poetry submissions should be 3-5 pages in length. Prose submissions can be 10-20 pages in length.  Excerpts from longer works with synopses are welcome. Visual art related to these categories of Disobedient Futures is also welcome.  Submit your retelling of the future today!

Submit your work at cww.submittable.com || Deadline: February 14, 2019

Happy New Year 2019 -💖- the Cambridge Writers’ Workshop

Happy New Year 2019 from all of us here at the Cambridge Writers’ Workshop! We are looking forward to another year filled with inspiring and creative writing workshops and retreats, readings and a variety of other ways to connect with new and old CWW writers and artists. Thank you to all of our CWW participants, teachers, friends and all of you who helped make this year creatively productive and inspiring.

2018 was a wild ride but looking back on the events of the past year we are overwhelmingly grateful for the ways we were able to connect with new and old friends through writing and art. Over the past year CWW held retreats and workshops in Europe and the United States, and connected with other writers at readings and events throughout the country.

We kicked the year off at AWP 2018 in Tampa, FL. This year’s AWP marked several important moments for the Cambridge Writers’ Workshop. It was there we released our first ever anthology, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, published by C&R Press. The anthology featured over fifty writers sharing their personal writing manifestos, essays on the craft of writing, and writing exercises to show where the field of literature is heading in the 21st century. This release coincided with a reading at the Spontaneous Reading Party, where CREDO authors Rita BanerjeeJanine HarrisonKevin McLellan,  Nell Irvin PainterAnca L. Szilágyi, and Diana Norma Szokolyai shared their work along with other authors from C&R Press and Women’s National Book Association. It was also during this event that we announced our call for submissions for our next anthology, Disobedient Futures. The speculative literature anthology asks writers to imagine what the future cultures of America and the world might look like, and submit their work on the following topics: Disobedient Women, Disobedient Class, Disobedient Tribes, and Disobedient Futures. Submissions will be accepted until February 14, 2019.

We also continued to host our national and international writing retreats in 2018. In April, we traveled to New Orleans, LA, where Rita Banerjee, Diana Norma Szokolyai, and literary agent Natalie Kimber held writing workshops on subjects like finding a literary agent and Rasa theory, all while participants enjoyed staying in a house in the famous Algiers Point neighborhood. In July, we traveled to Paris, France, where we were joined by authors Kathleen Spivack and Kristina Marie Darling for poetry and memoir writing workshops in one of the most famous literary cities in the world. In August, we returned to Granada, Spain with author Tim Horvath to use the diverse and unique city to aid in our writing processes.

It was also in 2018 that we held several great literary readings and events. Earlier in the year, CWW Creative Director Rita Banerjee released her new poetry collection Echo in Four Beats. This included a workshop on Literary Manifestos and What’s at Stake? in Weehawken, NJ, followed by a launch party that same night, which included writers Dallas Athent and Jonah Kruvant. That same month, Banerjee was a part of the literary panel “Fantasy As Reality: Activism & Catharsis in Speculative Writing,” which was part of the Split This Rock Poetry Festival: Poems of Provocation and Witness (April 19-21, 2018) in Washington, D.C., along with poets Christina M. Rau and Marlena Chertock. The panel demonstrated how non-realist poems and prose can offer a space for political critique and empowerment. The panelists also held a reading entitled “Disobedient Futures,” which included CWW Communications and PR Manager Alex Carrigan.

On June 2nd, CWW’s Artistic Director, Diana Norma Szokolyai, was a featured performer at the Grolier Poetry Bookshop’s 90th Anniversary Celebration. She performed her poetry with musical collaborators Dennis Shafer (saxophone) and Audrey Harrer (harp). Cambridge Writers’ Workshop was also represented by readings given by faculty member Kathleen Spivack and contributor to CREDO, Kevin McLellan. That afternoon, Diana Norma Szokolyai also led a Writing Workshop on Literary Manifestos and Jumpstarting the Process of Writing inside the Grolier Poetry Bookshop  using exercises like her own “What’s At Stake” and Kathleen Spivack’s “Words as Inspiration” from CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing.

In September, the CWW also made an appearance at the Brooklyn Book Festival. Along with hosting a table at the event, the CWW held a reading at WORD Bookstore, featuring several CWW members and affiliates, including Rita Banerjee, Diana Norma Szokolyai, Alex Carrigan, Amanda Toronto, Emily Smith, Stephen Aubrey, Madeleine Barnes, Elizabeth Devlin, Jonah Kruvant, and Devynity Wray. These authors welcomed the festival by sharing some of their original poems, short stories, and play excerpts.

We wish to give a warm congratulations to the CWW Co-Directors Rita Banerjee and Diana Norma Szokolyai for some notable honors in 2018. Rita Banerjee’s book Echo in Four Beats was nominated for the National Book Award in Poetry by Finishing Line Press. Diana Norma Szokolyai’s poem “Shadows of the Pantry” was shortlisted for the prestigious Bridport Prize, received honorable mention in the 87th Annual Writer’s Digest Writing Competition, and will be published in 87th Annual Writer’s Digest Writing Competition Collection.

With 2018 over, the CWW is now looking forward to what 2019 has in store. We are still looking for literary submissions to our Disobedient Futures anthology, so please read over our guidelines to find out how you can submit. We are also planning to once again host retreats in New Orleans and Paris, featuring Stephen Aubrey, Carly Dwyer, and Kazim Ali. More information about the retreats will be announced in the coming months.

We hope to see you sometime this year!