Apply by Friday, June 15 for our 2018 Summer Retreats in Paris and Granada!

Applications close this Friday, June 15, for our 2018 Summer Writing Retreats in Paris, France and Granada, Spain. Don’t miss out on an opportunity to study with award-winning faculty in an inspiring and supportive community of writers. Scholarships are available. Apply today!

CWW-2018ParisRetreat

Summer in Paris

Our Paris retreat will be held from July 25-July 30 with faculty Kathleen Spivack, Kristina Marie Darling, Rita Banerjee, and Rita Banerjee. Students will stay in the heart of the Montparnasse neighborhood, enjoy classes in a beautiful Moroccan-themed room with an open-air courtyard, and take literary tours of Paris.

 

CWW-Paris2018Schedule

Memory/Memoir (with Kathleen Spivack)

We will be working with memory, memoir, the other, and ourselves as we explore the role of memory in our writing. We will focus on new work or, if you prefer, working on projects you bring to the class.

How can we use memory? Where do fact and fiction collide? What is a memoir and where exactly do we focus? How do we locate ourselves in our writing and where do we find the starting place and point of view? There are many ways of approaching memory/memoir in our writing and we will explore a few of them.

Prose Poetry and Micro-Fiction with (Kristina Marie Darling)

In this course, we will focus on prose poetry, meaning prose that draws from the extensive tradition, formal repertoire and literary devices that readers associate with poetry. We will work toward a set of drafts that enact the full range and diversity inherent in this exciting literary form. Questions we will address in this class include: How can poets effectively and economically use the tools of fiction in their craft? What formal variations on the prose poem are possible? How can prose poems complement work written in more traditional poetic forms? Readings will include work by Rochelle Hurt, Carol Guess, Kerri Webster, Joanna Ruocco, Jenny Boully, Sarah Vap, G.C. Waldrep, Suzanne Scanlon, and other writers as determined by student interest.

Grants, Residencies, & Publication (with Kristina Marie Darling)

This workshop will walk students through the basics of writing convincing and persuasive applications to fellowships, residencies, grants, and other opportunities.  We will begin with a discussion of strategies for researching those professional opportunities that best fit one’s chosen project. We will also address such topics as crafting personal statements, writing compelling project proposals, choosing the writing sample, and compiling your dossier as a whole.  Students will leave the workshop with a packet of resources for researching residencies and grants, as well as sample application materials and strategies for effectively presenting their own writing to selection committees.

Ekphrasis: Writing Confronts Visual Art (with Diana Norma Szokolyai)

The word “ekphrasis” comes from the Greek, referring to a literary response to a visual scene, or more commonly, a work of art. By engaging in the imaginative act of reflecting on the action of a work of visual art, the writer expands the meaning of the art. After reading literary examples and holding a discussion about applying the practice of ekphrasis to our own writing, our classroom will be one of the most beautiful museums in Paris: The Musée D’Orsay.

Flâneurs, Essays, and Provocateurs (with Rita Banerjee)

An essay is an attempt.  A trial. A test. In this class, we will explore how evocative essays are attempted and constructed.  We will explore how being a flâneur and an essayist are intimately combined. And we will study how essayists from Montaigne to John McPhee to Richard Rodriguez to David Shields to Teju Cole and Lauren Elkin redefine the environment they inhabit and create a space for electric art.

CWWGranadaPoster2018FINAL

Summer in Granada

Our Granada retreat will run from August 1-August 6 with faculty Tim Horvath Diana Norma Szokolyai, and Rita Banerjee. Intellectual, diverse, and artistic, Granada will always have creative opportunities and events to experience. No matter how you choose to spend your time, this city is full inspiration. The retreat offers multi-genre workshops, as well as craft seminars and time to write.

CWW-Granada2018Schedule (2)

Leyendo Intensamente: Reading Spanish Language Literature (in Translation) as a Writer (with Tim Horvath)

It is a given that writers must learn to read closely, with attention to nuance and craft, to unravel the methods by which other writers have managed to tell stories effectively and adapt them for their own purposes. In this class, we’ll focus on contemporary writers in Spanish. Beginning with now-canonical figures like Borges, Valenzuela, and Cortázar, we’ll look at the history of mid-twentieth century literature in Spanish, and explore how social and political conditions shaped the dissemination of that literature through the Western world. We’ll then look at how today’s writers are both continuing and radically transforming that tradition in light of contemporary issues. In particular, we’ll examine writers such as Valeria Luiselli, Andrés Neuman, Cristina Rivera Garza, and Samanta Schweblin, each of whom bends narrative, language, and thus our understanding of reality itself. We’ll also explore the fraught, infinitely rich topic of translation, discussing its complexities and the ways that understanding the innumerable decisions involved in bringing a work into another language can shed light on the act of “translating” any experience or concept from mind or world onto the page, i.e. writing itself.

The Poetry of Flamenco (with Diana Norma Szokolyai)

In this class, we will explore the fantastically concise and heel-­to-­floor transmission of passion through the lyrics of flamenco music. Packed with intense rhythms, rhymes, and imagery to match the intensity of the music, flamenco songs are a form of poetry developed by Romani people to express the deepest human experiences of love, death, and oppression. We will examine symbols and structures in the poetry of flamenco, learning the distinctions between siguiriya, tango, playera, soleá, and carcelera. Complementary to the class, we will visit an authentic flamenco performance and get a tour of the Museo Cuevas del Sacromonte, where Romani people have traditionally lived in cave dwellings and practiced the art of flamenco.

Character Development & the Law of Desire (with Rita Banerjee)

Femme fatales, gumshoe detectives, star-crossed lovers, wicked stepmothers, wise fools, empathetic anti-heroes: dynamic and archetypal characters can be key to making a good story or lyrical piece tick and pulling in the reader deeper into your creative work. In this workshop, we will discuss how dynamic and archetypal characters can help structure stories, propel narratives forwards, and how each character’s desire provides interesting ethical dilemmas and emotional spectrums to narratives and verse. We will learn about the building blocks of creating strong, unforgettable characters, discuss the connection between desire and plot, and learn how playing with persona can help liberate nonfictional stories and lyrical poems.

Cambridge Writers’ Workshop Summer 2018 Retreats featured in India’s The Hindu

The Cambridge Writers’ Workshop is delighted to have its 2018 Summer in Paris and Summer in Granada, Spain Writing Retreats featured in the Indian newspaper The Hindu.  In the article, Artists’ and writers’ retreat throw open doors for a creative vacation,” journalist Sujatha Shankar Kumar writes:

Accomplished writers Rita Banerjee and Diana Norma Szokolyai started the Cambridge Writers’ Workshop (CWW) in 2008 as a literary writing forum set in Cambridge. “At its heart, CWW has a bi-fold model — French literary salon and the Bengali adda,” says Banerjee, explaining how they nurture non-hierarchical, productive and liberal spaces where writers perform and debate their work. Retreats in New Orleans, Paris and Granada have morning classes and afternoon tours, as Banerjee says, “We wanted writers to get snapshots of culture.” Their upcoming retreat in Granada (August 1 to 6) has Banerjee teaching the Law of Desire (how desire creates conflict) and creating memorable characters. Tim Horvath will explore ‘the five senses’ in Spanish, and Szokolyai will impart the history of flamenco and Roma literature. The fee includes tuition, lodging, a flamenco show, a tapas tour of the city and breakfast.

Read the full article and Kumar’s review of the Cambridge Writers’ Workshop here.

June 15, 2018 is the deadline to apply for the Cambridge Writers’ Workshop 2018 Summer in Paris and Summer in Granada Writing Retreats and Scholarships.  Our multi-genre faculty includesKathleen Spivack,Kristina Marie DarlingTim Horvath Rita Banerjee, and Diana Norma Szokolyai.  So many sure to get in your applications at http://cww.submittable.com by then!

June 15: CWW Summer in Paris & Granada Writing Retreat & Scholarships Deadlines

June 15 is the deadline to apply for the Cambridge Writers’ Workshop Summer in Paris and Summer in Granada Writing Retreats and Scholarships.  So many sure to get in your applications at http://cww.submittable.com by then!

Our Summer in Paris Writing Retreat will be held from July 25th – 30th, 2018 and will include poets and fiction writers Kathleen Spivack, Kristina Marie Darling, Rita Banerjee, and Diana Norma Szokolyai teaching eclectic multi-genre workshops.

Situated in the heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.

Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris!

apply

Deadline: June 15, 2018

Our Summer in Granada Writing Retreat will be from August 1st-6th, 2018 and will feature faculty members Tim Horvath, Diana Norma Szokolyai, and Rita Banerjee.

Intellectual, diverse, and artistic, this town will always have creative opportunities and events to experience. No matter how you choose to spend your time, this city is full inspiration. The retreat offers multi-genre workshops, as well as craft seminars and time to write.

For both retreats, please submit 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $10 application fee, a cover letter, and references at cww.submittable.com. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact Information (Email, Address, Phone)
3. Age & Nationality
4. Prior Workshop Experience and Publications
5. Creative Writing Goals for the Retreat
6. Short One-Paragraph Biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are encouraged.

applyDeadline: June 15, 2018

We also have scholarships available for our retreats! If you are planning to apply for a scholarship for our 2018 Writing Retreats, please submit a retreat application above, and a separate scholarship application with the information requested below. Please indicate which scholarship you are applying for, your reasons for applying, and which retreat you would like to be considered for.

Here are the scholarships we are offering this summer:

  • Diversity Scholarship: Diversity scholarships will be offered to minorities who show a commitment to creative writing. In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Student Scholarship: Student scholarships will be offered to students (both undergraduate and graduate, full or part time) who show a commitment to creative writing. In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Writer/Parent Scholarship: Writers/Parent scholarships will be offered to writers who show a commitment to creative writing and are raising children (infant through college). In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).

applyDeadline: June 15, 2018

Please email info@cambridgewritersworkshop.org if you have any questions.

Application Deadlines for Cambridge Writers’ Workshop Writing Retreats in New Orleans, Paris, and Granada Approaching!

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from April 13-16, 2018. Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers and literary agent Rita BanerjeeDiana Norma Szokolyai, and Natalie Kimber. There will one-on-one consultations with our literary agent, and workshop genres include nonfiction, fiction, and poetry. If you’d like to join us in New Orleans, please apply online at cww.submittable.com by March 20, 2018.

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place from July 25-30, 2018.  Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.  Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris!   The faculty includes award-winning writers Kathleen Spivack, Kristina Marie DarlingRita Banerjee, and Diana Norma Szokolyai.  Genres include poetry, fiction, and nonfiction. If you’d like to join us in Paris, France, please apply online at cww.submittable.com by June 1, 2018.

The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 1-6, 2018 in Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  Faculty includes Tim Horvath (fiction), Rita Banerjee (poetry, fiction), and Diana Norma Szokolyai (poetry, nonfiction).  If you’d like to join us in Granada, please apply online at cww.submittable.com by June 15, 2018.

To learn more about our upcoming writing retreats, visit the Cambridge Writers’ Workshop table (T403) at the AWP Bookfair in Tampa, FL from March 7-10, 2018!

Applications for Cambridge Writers’ Workshop Summer in Granada, Spain Writing Retreat (Aug 1-6, 2018) Now Open!

The Cambridge Writers’ Workshop Summer in Granada, Spain Writing Retreat will take place from August 1-6, 2018. Intellectual, diverse, and artistic, this town will always have creative opportunities and events to experience. No matter how you choose to spend your time, this city is full inspiration. The retreat offers multi-genre workshops, as well as craft seminars and time to write.

The faculty includes award-winning writers Tim HorvathRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The cost of the retreat is $3250, which includes tuition, lodging, a flamenco show, a tapas tour of the city and daily breakfast.

If you’d like to join us in Granada, please apply by June 15, 2018 by submitting 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $10 application fee, a cover letter, and references at cww.submittable.com. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact Information (Email, Address, Phone)
3. Age & Nationality
4. Prior Workshop Experience and Publications
5. Creative Writing Goals for the Retreat
6. Short One-Paragraph Biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are encouraged. Applications due June 15, 2018.


apply
Deadline: June 15, 2018

Featured Faculty:

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig Maximilian University of Munich in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Version 2Diana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).  Diana Norma Szokolyai is represented by Nat Kimber (The Rights Factory).

FAQ:

What happens after I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. The deposit is non-refundable. The remainder of tuition will be due by May 20, 2018.  Our standard and preferred method of payment is PayPal invoice, which does have a service fee. You can also mail us a check payable to “Cambridge Writers’ Workshop, Inc.” at:

Cambridge Writers’ Workshop, Inc.
PO Box 380482
Cambridge, MA 02238 USA

What is included in tuition?

  • creative writing workshops
  • craft of writing seminars
  • lodging in Granada
  • daily breakfast
  • tapas tour of the city
  • flamenco show

Happy New Year 2018 -💖- the Cambridge Writers’ Workshop!

Happy New Year 2018 from all of us here at the Cambridge Writers’ Workshop! We are looking forward to another year filled with inspiring workshops and retreats, readings and book launches and a variety of other ways to connect with new and old CWW writers and artists. Thank you to all of our CWW participants, teachers, friends and all of you who helped make this year creatively productive and inspiring.

2017 was a wild ride but looking back on the events of the past year we are overwhelmingly grateful for the ways we were able to connect with new and old friends through writing and art. Over the past year CWW held retreats and workshops in Europe and the United States, put the finishing touches on our anthology that is being published in 2018, and connected with other writers at readings and events throughout the country. We started the year off at the AWP Conference in Washington, DC where we hosted “Writers In Resistance.” Alexandria Marzano-Lesnevich, Emily Nemens, Jensen Beach, Tim Horvath, Rita Banerjee, Diana Norma Szokolyai, Alex Carrigan and Anna-Celestrya Carr read their original work at Upshur Street Books and it was a wonderful night of reading and community.

In March we held our Spring In New Orleans Writing Retreat where Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai led workshops on character development, storytelling and writing in the lyric register. We produced new work, shared our goals and expanded our writing community with new friend and new teachers. Because we were there during the Tennessee Williams Literary Festival, participants were able to take advantage of literary New Orleans in a very special way. We had such a wonderful time in New Orleans we’re doing it again! Stay tuned for details on our Spring 2018 New Orleans Writing Retreat.

From New Orleans it was on to our Spring in Portland Writing Retreat in April. Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai led workshops in fiction, non-fiction and poetry. We held sessions at the Secret Library in the historic Heathman Hotel, spent an afternoon exploring the famous Powell’s bookstore and attended a reading by local author Paul Dage. In our short weekend, we managed to get a feel for this amazing city and can’t wait to go back. Check out CWW alum Angie Walls Portland recommendations!

For our next retreat we headed abroad to Granada, Spain in the Andalucia region. Tim HorvathAlexandria Marzano-Lesnevich, Rita Banerjee and Diana Norma Szokolyai led workshops on character development, poetry, memoir, writing from the senses and translation. We enjoyed flamenco performances, visited the Roma caves of Sacromonte, enjoyed the delicious food and drink the region had to offer. It was a magical trip and we can’t wait to go back this August. Details coming soon! To get taste of what a CWW writing retreat is like check out Diana Norma Szokolyai’s poetic musings on the Granada 2017 retreat.

Our Harvest Creative Writing Retreat in Rockport, MA was our final writing retreat of 2017. We stayed in Gloucester, MA right by beautiful Wingaersheek Beach and took full advantage of our settings. When we weren’t in workshops led by Maya Sonenberg, Rita Banerjee, and Diana Norma Szokolyai, we were taking walks on the beach, enjoying the Rockport Harvest Festival and visiting nearby Salem to take advantage of their October Haunted Happenings. We are planning another New England retreat for 2018, but in the meantime, enjoy Alex Carrigan’s Rockport columns to get a sense of this fantastic weekend.

In addition to our retreats we hosted readings and performances in Boston and Cambridge throughout the year. Some of our readers and performers who joined us throughout the year were Fawn (Will Johnson and Anna Malin Ringwalt) Neil Sanzgiri, Audrey Harrer, Janaka Stucky, Matthew Wallenstein, Rita Banerjee, Sounds in Bloom (Diana Norma Szokolyai and Dennis Shafer), Erini S. Katopodis and Elizabeth Devlin. We also were excited to host our second annual fall writing series at the Cambridge Center for Adult Education. Janaka Stucky, Megan Fernandes, Frederick Douglas Knowles II and Diana Norma Szokolyai taught workshops on haiku, poetry in the age of terror, the power of hip-hop, writing in the lyric register, Black Mountain and New York Poetry School and how to craft compelling characters.

2017 was also the year we began production on our forthcoming podcast, Contact Zones, a series of interviews featuring artists from all mediums all over the world sharing their artistic process and how they related to the world in order to explore how art reverberates after its creation. Our media interns, Anna-Celestrya Carr and Shannon O. Sawyer, are readying the first season of Contact Zones, and we can’t wait to share it will you.

And in between all of the retreats, classes, readings and performances we were writing, editing and dreaming about CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing. CREDO comes out in March 2018 and we could not be more excited to share it with you! But we didn’t do it alone. Our agent, Natalie Kimber, at The Rights Factory, and our publishers John Gosslee and Andrew Sullivan at C&R Press deserve huge thanks! As do our writers! Kazim Ali, Forrest Anderson, Rita Banerjee, Lisa-Marie Basile, Jaswinder Bolina, Stephanie Burt, Alex Carrigan, Sam Cha, Melinda Combs, Thade Correa, Jeff Fernside, Ariel Francisco, John Guzlowski, Rachel Hanel, Janine Harrison, Lindsay Illich, Douglas Jackson, Christine Johnson-Duell, Caitlin Johnson, Jason Kapcala, Richard Kenney, Eve Langston, John Laue, S.D. Lishan, Ellaraine Lockie, Amy MacLennan, Kevin McLellan, E. Ce. Miller, Brenda Moguez, Peter Mountford, Nell Irvin Painter, Robert Pinsky, Kara Provost, Camille Rankine, Jessica Reidy, Amy Rutten, Elizabeth Sharp McKetta, David Shields, Lillian Slugocki, Maya Sonenberg, Kathleen Spivack, Laura Steadham Smith, Molly Sutton Kiefer, Jade Sylvan, Anca, Szilagyi, Diana Norma Szokolyai, Marilyn Taylor, Megan Tilley, Suzanne Van Dam, Nicole Walker, Allyson Whipple, Shawn Wong, Caroll Sun Yang, Matthew Zapruder contributed the beautiful, thought-provoking pieces that make up CREDO and we are so grateful. Stay tuned for details about our CREDO book launch event in March 2018 in conjunction with the AWP conference in Tampa, FL. If you’ll be at AWP stop by and say hi!

Be sure to stick with us in 2018 for another year of incredible writing retreats in New Orleans, Paris, and Granada, Spain, fantastic readings, and a whole slew of exciting projects to come from the CWW and our friends and associates. Follow us on Facebook and Twitter for updates on our forthcoming retreats, workshops and readings and feel free to email us with any questions at info@cambridgewritersworkshop.org. We’d love to hear from you!

May you all have a happy, peaceful and creative 2018!
Cambridge Writers’ Workshop Directors, Board, & Staff

Book Launch: Echo in Four Beats (poems) by Rita Banerjee Available for Pre-Order October 10 – December 8, 2017!


Rita Banerjees poetry debut, Echo in Four Beats, is now available for pre-order on the Finishing Line Press website from October 10 – December 8, 2017!

Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats.  But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats.  Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Book Prize, the Aquarius Press/Willow Books Literature Award, will be released by Finishing Line Press on February 2, 2018.

Early Praise for Echo in Four Beats:

Echo in Four Beats sounds the singular pulse of Harlem, Kyoto, Nainital and San Francisco to uncover a deeper mystery; what makes a word into a sensation, a sensation into a moment and what, in the swirling constellation of geographies, turns a moment into the sublime. Amidst the kinetic search for buried treasure in everyday encounters with photocopiers and the breathless search for lost objects, there are also unexpected collisions with silence so shocking, they stop us dead in our tracks. We realise the whiteness between words was here all along; its stillness curving the inside of this syncopated journey across time and space.”

— Dipika Guha, playwright and author of Mechanics of Love and The Rules, and screenwriter for American Gods

“Rita Banerjee’s Echo in Four Beats is a lyric wonder. Wildly intertextual and multilingual, Banerjee mines literatures, histories, and geographies, both eastern and western, to produce an expansive collection of poems. The breadth of her work is staggering and yet utterly approachable, at once intimate and worldly. This may well be the first truly post-national book of poems I’ve ever read. I look forward to reading it again and again.”

— Jaswinder Bolina, author of The 44th of July, Phantom Camera, andCarrier Wave

“Rita Banerjee’s Echo in Four Beats is a multilingual, intercontinental arpeggio of a journey on which ‘one layer/ of enchantment// dispels another.’ From Ovid to Baudelaire, from Manhattan to Atlantis to the Ganges, these poems conjure shape-shifting and gyroscopic worlds where erasure is sustenance, myth is religion, and home is but a constant state of momentary arrivals. Banerjee’s attentive, precise, incantatory poems reverberate ‘not sound not/ voice” and resound with the “enchantments of art/ and life.’”

— Tara Skurtu, author of The Amoeba Game and Skurtu, Romania

“In our narcissism-addled times, Rita Banerjee awakens Echo out of mythical slumber and accords her center stage, with stirring results. These poems dance nimbly from the playful to the sacred, the pentatonic-ancient to the jazzy-contemporary, the observational to the contemplative, and cross languages and borders with abandon, from trains in India to a Munich museum to the local copy shop. Yet while they may ‘change [their] temperament as quickly as salamanders change skin,’ Echo in Four Beats  is constantly returning us to a tonic center and rebuilding its chords and arpeggios anew, offering a music both savory and profound.”

— Tim Horvath, author of Understories and Circulation

“Banerjee’s polyglot collection–pushing at the edges of language; abounding with erasure, mistranslation and wit; impossible to contain in a single tongue. From the smallest pieces of our world–the falling snow, cobblestone, a reflection in the water–Banerjee has crafted something astonishing that reaches towards higher truths.”

— Stephen Aubrey, author of Daguerreotype and What I Took in My Handand Co-Artistic Director of The Assembly Theater, NYC

Pre-Order Echo in Four Beats on the Finishing Line Press website now!

ritabanerjeeRita Banerjee the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, March 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig-Maximilian University of Munich in Germany.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

CWW Summer in Granada Writing Retreat- Aug 4 2017: Storyteller’s Voice, Poetry of Flamenco, & Roma Caves Tour

Today, we started off our day unpacking the elements of The Storyteller’s Voice with Alexandria Marzano-Lesnevich.  After enjoying this craft of writing seminar in our classroom overlooking the Alhambra, we enjoyed a lunch break and some free writing time.  We re-convened later in the afternoon for a class on The Evocative Poetry of Flamenco with Diana Norma Szokolyai, who taught about the history of flamenco and its influence on the musical and literary landscape.  We analyzed a variety of forms presented in flamenco lyrics, before setting off for Sacromonte to hike to the museum of the Roma caves.  After visiting several traditional Roma cave dwellings, we went to one of the most well known cuevas, Cueva de la Rocio to enjoy a spectacular performance of Zambra, a traditional Roma (“Gypsy”) wedding dance.  After the performance, we went to the Mirador San Nicolas for a stunning night view of the Alhambra and enjoyed the evening artist market.

-Diana Norma Szokolyai, Granada 2017

CWW Summer in Granada Writing Retreat- Aug. 3 2017: Character Development & Writing from your Senses in the City of Pomegranates

Granada. City that is a feast for the senses, city that pulls you into its perfumed streets, filled with the foglight of frankincense and the pepper of flamenco music.  We started Thursday off with an intensive class taught by Rita Banerjee on Character Development & the Law of Desire.  After breaking for lunch and some time to write our character sketches, we re-convened for Tim Horvath’s class on Writing from Your Senses. During the class, we examined a variety of literary texts, as well as sampled tantalizing chocolate from a world class chocolatier and some handmade by CWW Artistic Director Diana Norma Szokolyai just days before in a chocolate factory in a small mountain village, Mijas.  Cacao, ginger, chile, sea salt, essential oil of lemon, corn nuts, blueberries…these were just some of the flavorful notes that we tasted.  As we went through all of the senses, we were surprised by some I Hate Perfume scents that evoked literary landscapes from novels or particular seasons and decades.  At night, we went on a tapas tour and enjoyed sampling local sangria, wine, tinto de verano, clara (lemonade and beer) and cañas.  The colorful street markets were a delight to explore as we sampled local cheeses and tapas.  It was a day full of sensorial experiences to feed our writing.

-Diana Norma Szokolyai, Granada

CWW Summer in Granada – August 2 – Orientation, Toasts, Trick Candles, and Live Jazz

On August 2, the Cambridge Writers’ Workshop Summer in Granada Writing Retreat officially kicked off with our merry band of writers, musicians, and instructors.  Orientation took place right out side the gardens of the Alhambra where writers had an opportunity to meet and greet their instructors.  During toasts with our poison of choice, tinto de veranos, we also celebrated the birthdays of Tim Horvath, Maggie Downs, and Leah Harris in style with pionono cakes and trick candles!  Afterwards we strolled downtown to the Plaza Nueva to rendezvous with our favorite jazz and flamenco musicians, Dennis Shafer and Victor Pachas, and enjoyed the treat of writing to their beautiful music!