Cambridge Writers’ Workshop feat. in The Independent (UK)

The Cambridge Writers’ Workshop is delighted to be featured in the British newspaper, The Independent, in their recent feature article, “World of Books: Ready to Write Your Own Best-seller?”  The article focuses on the Cambridge Writers’ Workshop Summer in Granada Writing Retreat (Aug 2-6, 2017), and quotes Jennifer Howard’s feature from The Washington Post:

You’ve spent too many summers reading novels, isn’t it about time you started to write one yourself.  Jennifer Howard selects the best of the world’s writing retreats:

Summer in Granada is part of a series of retreats created by writers Rita Banerjee and Diana Norma Szokolyai. They describe their retreat model as a kind of roving salon, with previous sessions in Paris and at a chateau in Picardy, among its envy-inducing locations. “All of these places have a very alive and electric culture, a culture that exists on the streets, in the imagination,” Banerjee says.

To read the complete article, please visit the The Independent’s British edition here.  Applications and scholarships for our Summer in Granada Writing Retreat (Aug 2-6, 2017) are open until June 20, 2017.  Please apply at cww.submittable.com.

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Cambridge Writers’ Workshop Summer in Granada, Andalusia, Spain Writing Retreat featured in The Washington Post

Original illustration by Lisk Feng for The Washington Post

The Cambridge Writers’ Workshop is delighted to be chosen as one of the six best writing retreats for the summer in their recent feature, “When You’re Ready to Move from Summer Writing to Summer Reading.”  In the article, journalist Jennifer Howard writes:

Your boss doesn’t care if you finish your novel. Your partner would rather not hear about the memoir you’ve been threatening to write. Feeling discouraged? It may be time to escape the creativity-quashing grind and reconnect with your muse in a lovely locale.

Whether you like Midwestern lakes or Icelandic hot springs, there’s a writers retreat for you. Here are half a dozen programs where you can spend quality time with your journal or get started on the next bestseller:

For culture connoisseurs

If tapas and flamenco are more your thing, the Summer in Granada retreat, sponsored by the Cambridge Writers’ Workshop, promises a warm cultural bath: “Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes,” the website says.

Summer in Granada is part of a series of retreats created by writers Rita Banerjee and Diana Norma Szokolyai. They describe their retreat model as a kind of roving salon, with previous sessions in Paris and at a chateau in Picardy, among its envy-inducing locations. “All of these places have a very alive and electric culture, a culture that exists on the streets, in the imagination,” Banerjee says.

This summer, participating writers will enjoy an “experiential tour” alongside workshops and writing sessions. Fiction writer Tim Horvath will teach a “writing from the senses” class that includes a visit to a “museum of smells,” a visit to a chocolatier and a tapas tour. “No matter how intellectual writing gets, you always want to draw in the senses and immerse the reader,” he says. (Did we mention chocolate?)

Cost/duration: $2,950; four nights. Some scholarships available.

To read the complete article, please visit the The Washington Post website here.  Print versions of the article will be available on June 11, 2017.

Applications and scholarships for our Summer in Granada Writing Retreat (Aug 2-6, 2017) are open until June 20, 2017.  Please apply at cww.submittable.com.

Summer in Granada, Spain Writing Retreat Class Schedule and June 1, 2017 Deadline!

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The Cambridge Writers’ Workshop’s Summer in Granada Writing Retreat will take place from August 2-6, 2017. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-Lesnevich, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  To apply, please submit an application at http://cww.submittable.com by June 1, 2017.

Schedule of Classes:

Character Development & the Law of Desire (with Rita Banerjee)

Femme fatales, gumshoe detectives, star-crossed lovers, wicked stepmothers, wise fools, empathetic anti-heroes: dynamic and archetypal characters can be key to making a good story or lyrical piece tick and pulling in the reader deeper into your creative work. In this workshop, we will discuss how dynamic and archetypal characters can help structure stories, propel narratives forwards, and how each character’s desire provides interesting ethical dilemmas and emotional spectrums to narratives and verse. We will learn about the building blocks of creating strong, unforgettable characters, discuss the connection between desire and plot, and learn how playing with persona can help liberate nonfictional stories and lyrical poems. 

Writing from the Senses (with Tim Horvath)

Memorable writing often engages the senses first and foremost, immersing us in a character’s perceptions and sensations, and thus allowing us to dwell inside that character’s perspective. In this class, we’ll strive to make our writing more wholly and richly embodied by engaging the senses directly, building our abilities to depict each individually like a muscle group, and eventually intertwining them in synesthesia for the fullest effect. We explore each of the senses in turn by looking at exemplary instances where a writer is able to conjure the sense effectively.  We’ll take focused walks, taste local foods, do ekphrastic writing in museums, and attempt to capture sounds from that of traffic to flamenco guitar to the idiosyncratic grain of the individual human voice in multiple languages. This class also cuts across genres, shifting seamlessly between poetry, fiction, and creative nonfiction, grounding each in an embodied experience of the world. When we travel abroad, our senses are generally enlivened to begin with, and so you can think of this class as a way to translate that enhanced awareness into equally vivid words on the page.

The Storyteller’s Voice (with Alexandria Marzano-Lesnevich)

Of all types of prose, personal narrative is perhaps the most inherently voice-driven. After all, the reader is essentially choosing to spend a lot of time with you, the author. Too often, the writer’s desire to be relatable on the page results in a watered-down, bland voice, when a distinctive voice is what’s needed to keep the reader engaged. (As V.S.Pritchett put it, in memoir, you get no credit for the living—it’s all in how the living’s told.) So how can you find—and sharpen—your narrative voice? Will it be crisp like Didion’s? Humorously exaggerated like Sedaris’s? Lyrically gritty like Ballantine’s? We’ll look at exceptional examples of voice in memoir and personal essays, and diagnose what makes them so successful. We’ll discuss ways to identify and amplify whatever yours is, working to make it even more distinctive. Come prepared with an essay or chapter draft to work on.

Leyendo Intensamente: Writers Reading Spanish/Latin American Literature in Translation (with Tim Horvath)

It is a given that writers must learn to read closely, with attention to nuance and craft, to unravel the methods by which other writers have managed to tell stories effectively and adapt them for their own purposes. In this class, we’ll focus on writers in Spanish and Portuguese, from canonical authors like Borges, Marquez, Valenzuela, Cortázar, and Lispector to contemporary luminaries and up-and-comers such as Eduardo Halfon, Valeria Luiselli, Javier Marías, and Laia Jufresa. We’ll swerve through techniques of developing metafiction and surrealism, magical realism, and philosophical fiction, and blending these with realism where suitable. We’ll also explore the fraught, infinitely rich topic of translation, discussing its complexities really and the ways that understanding the innumerable decisions involved in bringing a work into another language can shed light on the act of “translating” any experience or concept from mind or world onto the page, i.e. writing itself.

Life Isn’t A Book Structure: Strategies for Shaping Memoir (with Alexandria Marzano-Lesnevich)

Even the wildest life, recounted straightforwardly from memory, will suffer from what Sven Birkerts calls “the coma-inducing effect of ‘and then.’” Good memoirists know this. So they reach into literature’s bag of tricks and find other ways to keep the pages turning: they speed time up in some places and slow it down in others; they layer two or more threads; or perhaps they find a structure that helps evoke the book’s meaning. All these considerations are part of shifting from thinking about your life as a life to thinking about the book as a book. But how can aspiring memoirists ready themselves to make that leap? In this session we’ll discuss strategies and approaches, as well as break down the choices made by a few published memoirists as they turned memory into literature. Then we’ll do a few exercises to help free you to do the same with your own material, turning life into art.

Featured Faculty:

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

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Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, is forthcoming from Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

480540_535092196513183_901741364_nDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow. She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe,  and elsewhere, as well as anthologized in Other Countries: Contemporary Poets Rewiring History, Always Wondering, and the International Who’s Who in Poetry 2012. She is currently at work on her next book and an album of poetry & music.

applyDeadline: June 1, 2017

CWW Summer in Granada Writing Retreat Faculty Alexander Chee featured in The New York Times

Last year author Alexander Chee joined the Cambridge Writers’ Workshop as our fiction instructor for our 2016 Summer in Granada, Spain Writing Retreat. Now Chee has been chosen as one of four authors to share stories of how love and travel intersect for The New York Times’s debut Love Issue. The his essay, “In Spain, Secrets and a Possible Betrayal,” Chee recounts traveling to Granada during the summer with a former boyfriend, referred to as M. in the piece. In the essay, Chee writes:

M. loved poets, wrote poetry, sometimes wrote me poems, and his favorite poets all seemed to have met violent or tragic deaths, including Lorca. The day we visited Lorca’s house in Granada, we found the whole of it kept much as it was when he was there. I noticed the roses in the vases were almost gone, ready to be replaced, while roses bloomed outside. I imagined the poet had planted them, or at least tended them, but I didn’t want to ask in case it wasn’t true. I can still see the shrug as the tour guide said, “Yes, he was the son of a wealthy man,” a detail I wrote down in my notebook, along with how we all then looked at the beautiful wooden desk that seemed like a boat. I didn’t know why the guide said that and still don’t. Just as I don’t know why a book of his poems on the desk that day was open to “Poet in New York” — his other city.

Lorca’s murder had made him Granada’s presiding ghost. If his body had vanished at the hands of fascist murderers, he was everywhere there now, his face and words on mugs, T-shirts, restaurant menus and graffiti nearly anywhere you looked.

Unlike M., I already spoke Spanish. I needed to go to Paris and London to research my second novel, so we planned a summer trip across Europe to combine our aims, beginning with me in London and Paris, where he would join me, then Granada, beginning in July and concluding in late August…

M. had chosen our apartment because it was opposite the Alhambra, the magnificent historic Moorish palace on the hill across from our neighborhood, the Albaicín. The Darro ran between us. Our roof patio was opposite a simple mirador with a fountain, where there always seemed to be people playing guitar and smoking marijuana, with whom we exchanged waves. The apartment was simple and clean, its magnificence concentrated in the patio view of the palace and the city. Each room was on a different floor off a spiral staircase, the apartment as winding as the hill it was on. We left and returned by climbing a series of winding footpaths and side streets, and if I was confused, at night, I was always able to follow the guitar music home…

M.’s days at the school began early and were long, and left to my own devices, I would write for a few hours and then walk through the side streets, where I mapped the ancient cathedrals, most of which had been mosques before the expulsion of the Muslims, and then had the traditional breakfast of bread with tomate, a fresh tomato purée on toast, and olive oil. In Granada, there are usually two kinds of olive oil on the tables to put on, it seemed, anything you ate, but especially for this.

Read Alexander Chee’s full essay on his summer spent writing in Granada here.

The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.  Apply at cww.submittable.com by May 1, 2015!

Reminder: Upcoming Deadlines for Spring & Summer Writing Retreats

The Cambridge Writers’ Workshop is offering scholarships in the amount of $100 – $200 for our Spring and Summer Writing Retreats in New Orleans (March 23 – 26, 2017), Portland, OR (April 22-24, 2017), and Granada, Spain (August 2-6, 2017).  Deadline for our first Scholarship Applications is March 5, 2017.  Apply at http://cww.submittable.com!

WRITING RETREATS with the supportive faculty of the Cambridge Writers’ Workshop will take place in New Orleans (March 23–26), Portland (April 22–24), Granada, Spain (August 2–6), and Rockport, MA (October 13-15). Faculty include Dipika GuhaEmily NemensAdam Reid SextonKerry CohenRita BanerjeeTim HorvathAlexandria Marzano-LesnevichMaya Sonenbergand Diana Norma Szokolyai. Genres include fiction, nonfiction, poetry, playwriting, and hybrid.  First scholarship applications due by March 5, 2017 at http://cww.submittable.com!

  • Diversity Scholarship
    Diversity scholarships will be offered to minorities who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Student Scholarship
    Student scholarships will be offered to students (both undergraduate and graduate, full or part time) who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Writer/Parent Scholarship
    Writers/Parent scholarships will be offered to writers who show a commitment to creative writing and are raising children (infant through college).  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.

applyFirst Deadline: March 5, 2017

Cambridge Writers’ Workshop 2017 Writing Retreats – Deadlines Approaching!

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Thank you to everyone who joined the Cambridge Writers’ Workshop at AWP 2017 in Washington D.C. We wanted to let all our new writers and readers know about the upcoming deadlines for our Spring and Summer 2017 writing retreats.

apply

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry. The deadline to apply is February 25th, 2017.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The deadline to apply is March 15th, 2017.

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The deadline to apply is March 15th, 2017.

Looking forward to seeing you this Spring and Summer.

In solidarity, and writing,
Cambridge Writers’ Workshop

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CWW Presents: Writers in Resistance – An AWP 2017 Reading – Washington D.C.

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The Association of Writers and Writing Programs will be hosting its annual writers conference in Washington DC from February 8-11. As in past years, the Cambridge Writers’ Workshop will be present at the conference, with a table at the book fair at Table 361-T. There, we will have information about our 2017 writing retreats, our internships, publications, and a ton of other goodies.

We will also be hosting three author signings at the Cambridge Writers’ Workshop Table 361-T during the AWP 2017 Conference. The schedule for author signings at our table is as follows:

Tim Horvath: Thursday February 9, 1-2 pm
Diana Norma Szokolyai: Friday February 10, 11 am-12 pm
Rita Banerjee: Saturday February 11, 11 am- 12 pm

As per tradition, we will also be hosting a reading during the conference. The CWW will be hosting a reading at Upshur Street Books on Friday February 10, 2017 from 5pm – 6:45 pm. The reading will be hosted at Upshur’s event space at Third Floor, 4200 9th St NW Washington DC 20011 (above Slim’s Diner). We have eight fabulous readers ready to present their work, including members of our executive board, faculty from our upcoming writing retreats, and some of our CWW friends. Our reading list includes the following:

ritabanerjee-smRita Banerjee
is Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Mass Poetry, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali in Approaching Footsteps (Spider Road Press), is forthcoming in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and collection of lyric essays.

beach-jensenJensen Beach is the author of two collections of short fiction, For out of the Heart Proceed, and most recently, Swallowed by the Cold. His stories have appeared A Public Space, the Paris Review, and The New Yorker. He teaches in the BFA Program at Johnson State College, where he is fiction editor at Green Mountains Review. He is also faculty in the MFA Program in Writing & Publishing at Vermont College of Fine Arts. With this family, he lives in Vermont.

 

 

Anna-Celestrya Carr is a Metis/Anishinaabe artist, filmmaker, writer, dancer and speaker.  She graduated from both the Vancouver Film School and the National Screen Institute’s New Voices program in Canada. While at NSI she created Dreamcatcher: A short dramatic fantasy of Aboriginal mythology.  In 2012 she created Tik-A-Lee-Kick, an honest and candid telling of a young Aboriginal woman’s perspective on the role of the Little People funded by the Video Pool Aboriginal Media Art Initiative. She has previously attended the University of Manitoba School of Art.  Shehas worked for the National Film Board of Canada and Urban Shaman Contemporary Aboriginal Art Gallery.  Anna-Celestrya focuses her creative energy on her Aboriginal roots and on advancing the rights of Aboriginal women in North America. She has worked with many organizations and institutions to promote human rights and peace. The artwork that she is best known for is The Men’s Banner Project. This work is a combination of interactive performance and installation, about which she also lectures.

Alex Carrigan is originally from Newport News, Virginia and currently resides in Upper Marlboro, MD.  He graduated from Virginia Commonwealth University with a degree in print/online journalism and a minor in world cinema.  He is currently an managing intern for the Cambridge Writers’ Workshop, as well as a contributing writer for Quail Bell Magazine.  He has written articles for The Commonwealth Times and has had work featured in Luna Luna Magazine. He is also a creative writer and have had work published in Amendment Literary Journal, Life in 10 Minutes, Realms YA Fantasy Literary Magazine, and in Poictesme Literary Journal, of which he was a staff member for four years, two years in which he was deputy editor-in-chief.

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

Alexandria-Marzano-Lesnevich_MACD-15-201_414

Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, is forthcoming from Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.

emilynemens2

Emily Nemens is coeditor and prose editor of The Southern Review, a literary quarterly published at Louisiana State University in Baton Rouge. Her editorial work has been featured in Writer’s Digest, draft: a journal of process, and on LeanIn.org, and her selections from The Southern Review have recently appeared in Best Mystery Writing 2016 and Best American Nonrequired Reading 2015. She studied art history and studio art at Brown University, and before moving to Louisiana to pursue an MFA in creative writing at LSU, she lived in Brooklyn and worked in editorial capacities at the Metropolitan Museum of Art and the Center for Architecture. Alongside her editorial work, Emily maintains active writing and illustration practices. Her fiction and essays have recently appeared in The Gettysburg Review, The Los Angeles Review of Books, and n+1, and she is working on a linked story collection about spring training baseball. As an illustrator she’s collaborated with Harvey Pekar on a Studs Terkel anthology, painted miniature portraits of all the women in Congress, and recently published her first New Yorker cartoon. Follow her at @emilynemens.

 

DianaNormaDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers. Her poetry-music collaboration with Flux Without Pause led to their collaboration “Space Mothlight” hitting #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Szokolyai’s work has been recently reviewed by The London Grip and published in Quail Bell Magazine, Lyre Lyre, The Fiction Project, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase Quarterly, as well as anthologized in The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering and Teachers as Writers. Szokolyai earned her Ed.M. in Arts in Education from Harvard University and her M.A. in French Literature from the University of Connecticut, while she completed coursework at the Sorbonne and research on Romani writers in Paris. She is currently at work on three books and recording an album of poetry & music.

 

If you have any questions about the CWW at AWP 2017, be sure to email us at info@cambridgewritersworkshop.org

*Our poster image is licensed under  CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/  The Reader’s Bill of Rights has produced these graphics originally but is not affiliated with or endorse the CWW https://www.defectivebydesign.org/graphics http://readersbillofrights.info

Happy New Year 2017! -♥️- Cambridge Writers’ Workshop

happynewyear2017-cwwHappy New Year 2017 from the directors, staff, and board of the Cambridge Writers’ Workshop!  We hope you’re all as excited for 2017 as we are!  We’re planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we’re looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2017!

The Cambridge Writers’ Workshop had a wonderful year in 2016.  Over the last twelve months, we’ve had a chance to hold retreats and readings across America and the world, meet exciting writers and artists, and have found new ways to inspire our own writing.  Our year began with  the 2016 Association of Writers and Writing Programs Conference in Los Angeles, California. At AWP 2016, we got a chance to promote CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, advertise our new literary internships, and discuss our Summer Writing Retreats in Granada, Spain, Barcelona, Spain, and Narbonne, France, as well as our Spring Writing Retreat in Newport, Rhode Island. We also hosted our third AWP event at Sabor y Cultura. At our event, there were featured readings from authors such as Rita BanerjeeJess BurnquistJulialicia CaseAriana KellyGwen E. KirbyKatie KnollEllaraine LockieOndrej PazdirekHeather Aimee O’NeillBrenda Peynado, Esther Pfaff, Jessica PiazzaJonathan ShapiroEmily Skaja, and Emily Smith.

After AWP 2016, we were off to our second annual Spring Writing Retreat in Newport, Rhode Island. We were joined by award-winning and internationally-renowned authors such as Jade SylvanDiana Norma Szokolyai, and CWW yoga instructor Elissa Lewis. The event was a chance for writers to spend a long weekend in historic Newport and near the beach, participating in writing workshops (such as Sylvan’s workshops on “writing yourself naked”) and craft of writing seminars, yoga classes, and cultural tours of the historic Newport village. We live blogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.

During the summer we hosted our Summer in Granada and Summer in Barcelona and Narbonne Writing Retreats. In Barcelona and Narbonne, we explored the cities and all of their historical, literary, and romantic charm. The retreat included craft of writing seminars and creative writing workshops, literary tours of the cities, and one-on-one manuscript consultations. We were also joined by writer and professor Bret Anthony Johnston and literary editor Heidi Pitlor. CWW directors Rita Banerjee and Diana Norma Szokolyai taught workshops on spacial poetics and world building, and also led workshops for participants to share their work and use the Liz Lerman method for critiquing writing. We live blogged our retreat on our website, so be sure to check out the sights and classes from our trip. We were really happy to experience this with all of our participants, who traveled from all over to come write and explore these cities with us.

In Granada, wrote in the city’s winding streets, absorbed its Moorish history, and were inspired by its evocative landscapes. The retreat included craft of writing seminars and writing workshops and yoga classes. We were joined by novelist Alexander Chee and poet and activist Frederick-Douglas Knowles II, who taught classes on historical fiction and hip-hop and poetry, respectively. Rita Banerjee led workshops on narrative stakes and emotion and suspense. We also live blogged this trip, so you can see all the exciting things we did on this trip.

We also hosted creative writing workshops and craft of writing seminars at The Cambridge Center for Adult Education throughout the fall. In addition to Rita Banerjee and Diana Norma Szokolyai, we were joined by Jade Sylvan and Cambridge writer Laura van den Berg for creative writing workshops and craft of writing seminars every other weekend in Cambridge, MA. This is something we hope to repeat this year, and we hope we can bring in new faculty and participants as well.

We hosted a Brooklyn Bookend Reading at Molasses Books during The Brooklyn Book Festival. Some of the writers had emerged onto the literary scene with a bang, while others had recently published their first or second books, and had received prestigious awards in the past. The event featured Stephen AubreyRita BanerjeeMadeleine BarnesEllaraine LockieBen PeaseAnne Malin Ringwalt, Kate McMahon, Emily SmithBianca Stone, and Diana Norma Szokolyai, along with a beautiful interludes of music from accomplished songwriters Erica Buettner and Elizabeth Devlin.

We also hosted a literary crawl event during Lit Crawl NYC 2016. Our Literary Vaudeville event featured performances and readings from Rita Banerjee, Diana Norma Szokolyai, Megan Fernandes, Claire Ince, Emily Smith, Christina M. Rau, and Frederick-Douglass Knowles II.

In 2016, we welcomed our second round of interns to the Cambridge Writers’ Workshop, and these interns include the wonderful AM Ringwalt, Anna-Celestrya Carr, Erynn Porter, and Shannon Sawyer, all of whom have helped the CWW greatly this year. They’ve helped manage our social media and written up posts about our events, shown their talent for graphic design, grant writing, audio/visual media development and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year.  We’re excited to have, on our team, and we can’t wait to show you what they’ve helped us plan for 2016!

* * *

While 2016 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Washington DC from February 8-February 10, 2017, and will be announcing our AWP Reading in downtown Los Angeles shortly!

neworleans2017posterwcThe Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.

portland2017posterThe Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

granada2017posterAnd the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

We hope you are all as excited for our 2017 events as we are. If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org.  You can also follow us on FacebookTumblr, and Twitter for more information and updates on any of these events. We look forward to making 2017 a year full of creativity, writing, and renewal, so join us as we make 2017 rock!

— Alex Carrigan, CWW Managing Intern

Applications for Cambridge Writers’ Workshop Spring & Summer 2017 Retreats Open!

The Cambridge Writers’ Workshop is delighted to announce our upcoming Spring and Summer 2017 Writing Retreats.

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

granada2017poster

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.

Writers are welcome to register for all retreats at cww.submittable.com by the early deadline of February 15, 2017!

applyDeadline: February 15, 2017

New Faculty Announced for the Cambridge Writers’ Workshop

The Cambridge Writers’ Workshop is delighted to announce our new faculty members for our upcoming Spring and Summer 2017 Writing Retreats.  The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

Writers are welcome to register for all retreats at cww.submittable.com by the early deadline of February 15, 2017!  We are delighted to work with a talented group of poets, playwrights, essayists, and fiction writers during our Spring and Summer 2017 Writing Retreats.  Please give a warm welcome to our new faculty!

dipikaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Award with the Lark Play Development Center, A Room of Her Own and the Hedgebrook Women Playwrights Festival. Her plays include  The Art of Gaman (Berkeley Rep Ground Floor ’16, KILROYS LIST ’16, Relentless Award Semi-Finalist), I Enter the Valley (Theatreworks New Play Festival ’16, Southern Rep New Play Festival‘16), Mechanics of Love (Crowded Fire Theatre, Upcoming: Two by For, NYC) and Blown Youth (Wallflower Theatricals, UK). She is currently working on Yoga Play, a commission for South Coast Repertory Theatre, a translation of Merry Wives of Windsor for Oregon Shakespeare Festival’s PlayOn Project and a play for the McCarter Theatre’s Princeton Slavery Project. Most recently her work has been developed at Playwrights Horizons, Rattlestick Playwrights Theatre, Roundabout Underground, McCarter Theatre’s Sallie B. Goodman Residency, New Georges, Shotgun Players, the Sam French Off Off Broadway Short Play Festival, Southern Rep, 24 Hour Plays on Broadway and the Magic Theatre amongst others. Dipika is currently a visiting artist at the Schell Center for International Human Rights at Yale Law School and a resident playwright at the Playwrights Foundation. MFA: Yale School of Drama under Paula Vogel.  Dipika will be a Hodder Fellow in Playwrighting at Princeton University from 2017-2018.

emilynemens2

Emily Nemens is coeditor and prose editor of The Southern Review, a literary quarterly published at Louisiana State University in Baton Rouge. Her editorial work has been featured in Writer’s Digest, draft: a journal of process, and on LeanIn.org, and her selections from The Southern Review have recently appeared in Best Mystery Writing 2016 and Best American Nonrequired Reading 2015. She studied art history and studio art at Brown University, and before moving to Louisiana to pursue an MFA in creative writing at LSU, she lived in Brooklyn and worked in editorial capacities at the Metropolitan Museum of Art and the Center for Architecture. Alongside her editorial work, Emily maintains active writing and illustration practices. Her fiction and essays have recently appeared in The Gettysburg Review, The Los Angeles Review of Books, and n+1, and she is working on a linked story collection about spring training baseball. As an illustrator she’s collaborated with Harvey Pekar on a Studs Terkel anthology, painted miniature portraits of all the women in Congress, and recently published her first New Yorker cartoon. Follow her at @emilynemens.

adamsextonAdam Reid Sexton
teaches writing at Yale University, where he is a Lecturer in the English Department, a Critic on the faculty of Yale’s School of Art, and a Silliman Residential College Fellow.  He has taught writing at Columbia University and the New School, and he has lectured at the Folger Shakespeare Library, the University of Pennsylvania’s Kelly Writers House, and the University of Alabama, where he delivered the Hudson Strode Lecture in the Age of Shakespeare.  Sexton is the author of Master Class in Fiction Writing: Techniques from Austen, Hemingway and Other Greats, and with a team of graphic artists, he has adapted four of Shakespeare’s tragedies as manga (Japanese-style graphic novels).  His anthology Rap on Rap was acquired by Harvard’s W.E.B. Dubois Institute for African and African American Research, while Desperately Seeking Madonna is in the Rock & Roll Hall of Fame Library and Archive.  Sexton’s fiction, essays, and reviews have been published in the Bellevue Literary Review, the Mississippi Review, and Off Assignment, as well as the Boston Phoenix, the New York Times, and the Village Voice.  For four years Sexton curated a reading series at KGB Bar in New York City.  He has been interviewed on writing and literature by the New York Times, the Washington Post, Time, and npr.com, and one of his classes was broadcast on BBC Radio.

kerrycohen
Kerry Cohen
is the author of 10 books, including the bestselling Loose Girl: A Memoir of Promiscuity and Girl Trouble: An Illustrated Memoir, her most recent book, which came out October 2016. Kerry is faculty at the Red Earth Low Residency MFA program and is a practicing counselor. She lives with her family in Portland, Oregon.

 

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

Alexandria-Marzano-Lesnevich_MACD-15-201_414

Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, is forthcoming from Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.