Disobedient Futures – Call for Spec Lit & Art Submissions – Deadline: February 14, 2019

The Cambridge Writers’ Workshop welcomes submissions of poetry, fiction, nonfiction, mixed-genre work, plays, and screenplays on the topic of “Disobedient Futures” for our new speculative literature anthology. Writers are encouraged to imagine what the future cultures of America and the world might look like, and submit their work on the following topics:

Disobedient Women: How might women, feminists, female-identifying, and/or non-binary individuals disobey and reconfigure our understandings of power and femininity and masculinity in the future?

Disobedient Tribes: What if Americans found a way to subvert racial categories and challenge tribalism and cultures of fear? How might tribes disobey the rules of the game and create new types of community identities and cultural bridges?

Disobedient Class: Could Americans in the future overcome systems of class oppression and capitalist gluttony? How might individuals in the future subvert class hierarchies?

Disobedient Futures: Tell us what the future cultures of America and the world have in store. How might the emerging generations of today and tomorrow reconfigure today’s value systems, challenge today’s modes of violence, oppression, and power, and create new visions of society? Give us your best speculative writing which explores the possibilities and disruptions of disobedient futures.

Writers are welcome to submit utopian, dystopian, parallel history, futuristic, alternative reality, speculative essay, and even purely speculative fiction, nonfiction, poetry, and theatre. Optimistic and pessimistic tales of the future are welcome in equal measure, but gratuitous violence and discrimination are not. Poetry submissions should be 3-5 pages in length. Prose submissions can be 10-20 pages in length.  Excerpts from longer works with synopses are welcome. Visual art related to these categories of Disobedient Futures is also welcome.  Submit your retelling of the future today!

Submit your work at cww.submittable.com || Deadline: February 14, 2019

Happy New Year 2019 -💖- the Cambridge Writers’ Workshop

Happy New Year 2019 from all of us here at the Cambridge Writers’ Workshop! We are looking forward to another year filled with inspiring and creative writing workshops and retreats, readings and a variety of other ways to connect with new and old CWW writers and artists. Thank you to all of our CWW participants, teachers, friends and all of you who helped make this year creatively productive and inspiring.

2018 was a wild ride but looking back on the events of the past year we are overwhelmingly grateful for the ways we were able to connect with new and old friends through writing and art. Over the past year CWW held retreats and workshops in Europe and the United States, and connected with other writers at readings and events throughout the country.

We kicked the year off at AWP 2018 in Tampa, FL. This year’s AWP marked several important moments for the Cambridge Writers’ Workshop. It was there we released our first ever anthology, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, published by C&R Press. The anthology featured over fifty writers sharing their personal writing manifestos, essays on the craft of writing, and writing exercises to show where the field of literature is heading in the 21st century. This release coincided with a reading at the Spontaneous Reading Party, where CREDO authors Rita BanerjeeJanine HarrisonKevin McLellan,  Nell Irvin PainterAnca L. Szilágyi, and Diana Norma Szokolyai shared their work along with other authors from C&R Press and Women’s National Book Association. It was also during this event that we announced our call for submissions for our next anthology, Disobedient Futures. The speculative literature anthology asks writers to imagine what the future cultures of America and the world might look like, and submit their work on the following topics: Disobedient Women, Disobedient Class, Disobedient Tribes, and Disobedient Futures. Submissions will be accepted until February 14, 2019.

We also continued to host our national and international writing retreats in 2018. In April, we traveled to New Orleans, LA, where Rita Banerjee, Diana Norma Szokolyai, and literary agent Natalie Kimber held writing workshops on subjects like finding a literary agent and Rasa theory, all while participants enjoyed staying in a house in the famous Algiers Point neighborhood. In July, we traveled to Paris, France, where we were joined by authors Kathleen Spivack and Kristina Marie Darling for poetry and memoir writing workshops in one of the most famous literary cities in the world. In August, we returned to Granada, Spain with author Tim Horvath to use the diverse and unique city to aid in our writing processes.

It was also in 2018 that we held several great literary readings and events. Earlier in the year, CWW Creative Director Rita Banerjee released her new poetry collection Echo in Four Beats. This included a workshop on Literary Manifestos and What’s at Stake? in Weehawken, NJ, followed by a launch party that same night, which included writers Dallas Athent and Jonah Kruvant. That same month, Banerjee was a part of the literary panel “Fantasy As Reality: Activism & Catharsis in Speculative Writing,” which was part of the Split This Rock Poetry Festival: Poems of Provocation and Witness (April 19-21, 2018) in Washington, D.C., along with poets Christina M. Rau and Marlena Chertock. The panel demonstrated how non-realist poems and prose can offer a space for political critique and empowerment. The panelists also held a reading entitled “Disobedient Futures,” which included CWW Communications and PR Manager Alex Carrigan.

On June 2nd, CWW’s Artistic Director, Diana Norma Szokolyai, was a featured performer at the Grolier Poetry Bookshop’s 90th Anniversary Celebration. She performed her poetry with musical collaborators Dennis Shafer (saxophone) and Audrey Harrer (harp). Cambridge Writers’ Workshop was also represented by readings given by faculty member Kathleen Spivack and contributor to CREDO, Kevin McLellan. That afternoon, Diana Norma Szokolyai also led a Writing Workshop on Literary Manifestos and Jumpstarting the Process of Writing inside the Grolier Poetry Bookshop  using exercises like her own “What’s At Stake” and Kathleen Spivack’s “Words as Inspiration” from CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing.

In September, the CWW also made an appearance at the Brooklyn Book Festival. Along with hosting a table at the event, the CWW held a reading at WORD Bookstore, featuring several CWW members and affiliates, including Rita Banerjee, Diana Norma Szokolyai, Alex Carrigan, Amanda Toronto, Emily Smith, Stephen Aubrey, Madeleine Barnes, Elizabeth Devlin, Jonah Kruvant, and Devynity Wray. These authors welcomed the festival by sharing some of their original poems, short stories, and play excerpts.

We wish to give a warm congratulations to the CWW Co-Directors Rita Banerjee and Diana Norma Szokolyai for some notable honors in 2018. Rita Banerjee’s book Echo in Four Beats was nominated for the National Book Award in Poetry by Finishing Line Press. Diana Norma Szokolyai’s poem “Shadows of the Pantry” was shortlisted for the prestigious Bridport Prize, received honorable mention in the 87th Annual Writer’s Digest Writing Competition, and will be published in 87th Annual Writer’s Digest Writing Competition Collection.

With 2018 over, the CWW is now looking forward to what 2019 has in store. We are still looking for literary submissions to our Disobedient Futures anthology, so please read over our guidelines to find out how you can submit. We are also planning to once again host retreats in New Orleans and Paris, featuring Stephen Aubrey, Carly Dwyer, and Kazim Ali. More information about the retreats will be announced in the coming months.

We hope to see you sometime this year!

 

Cambridge Writers’ Workshop presents Disobedient Futures – A Split This Rock Festival Reading – Friday, April 20, 2018

Disobediant_Futures_Reading-updatedIn honor of the Split This Rock Poetry Festival: Poems of Provocation and Witness (April 19-21, 2018), the Cambridge Writers’ Workshop will be hosting its reading Disobedient Futures at the Colony Club in Washington D.C. this Friday, April 20, 2018 from 5:30 pm – 7:30 pm.  Disobedient Futures will feature readings from Rita BanerjeeAlex CarriganMarlena Chertock, and Christina M. Rau .

To get to the reading at the Colony Club, please take the Green line Metro towards Greenbelt and exit at the Columbia Heights Station, then walk to 3118 Georgia Ave NW, Washington DC 20010.

Featured Readers:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently an associate editor with the American Correctional Association. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Poictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Marlena Chertock has two books of poetry, Crumb-sized (Unnamed Press, 2017) and On that one-way trip to Mars (Bottlecap Press, 2016). She lives in Washington, D.C. and uses her skeletal dysplasia and chronic pain as a bridge to scientific poetry. Her poems and short stories have appeared in Breath & Shadow, The Deaf Poets Society, Noble/Gas Quarterly, Paper Darts, Rogue Agent, Wordgathering, and more. Marlena often moderates or speaks on panels at literary conferences and festivals. She serves as the Communications Coordinator for the LGBTQ Writers Caucus. Find her on Twitter at @mchertock.

Christina M. Rau is the author of the sci-fi fem poetry collection, Liberating The Astronauts (Aqueduct Press, 2017), and the chapbooks WakeBreatheMove (Finishing Line Press, 2015) and For The Girls, I (Dancing Girl Press, 2014). Her poetry has also appeared on gallery walls in The Ekphrastic Poster Show, on car magnets for The Living Poetry Project, and in various literary journals both online and in print. She is the founder of the Long Island reading circuit, Poets In Nassau, and has read and run workshops for various community groups nationwide. She teaches English and Creative Writing at Nassau Community College where she also serves as Poetry Editor for The Nassau Review. In her non-writing life, she teaches yoga occasionally and line dances on other occasions.

Our readers Rita BanerjeeMarlena Chertock, and Christina M. Rau will also be hosting a panel during Split This Rock, entitled Fantasy As Reality: Activism & Catharsis in Speculative Writing,” which will be held at National Housing Center Room B (1201 15th Street NW, Washington, DC 20005) on Saturday, April 21 from 9-10:30 am. The Fantasy As Reality is described below:

“This panel will demonstrate how non-realist poems and prose can offer a space for political critique and empowerment. We will ask audience members about their own speculative writing and reading experiences and offer prompts to those who wish to work on similar future writing. Speculative and science fiction are often stereotyped as futuristic, extraterrestrial, and fantastical romps through universes using space travel, time travel, and super-advanced technology centered on white cis males. However, women, non-binary, and activist writers of speculative literature are purposefully subverting this stereotype, diversifying and owning the fantastical worlds that they imagine. Speculative literature, at its core, is about giving voice to ‘The Other.’ Speculative writing, in prose or poetry, focuses on not only imagined realities of the future, past, and present but also gives voice to bodies and individuals who are disabled, alien, marginalized, menial workers, and other traditionally neglected voices. Sci-fi and fantasy characters and voices can—and should—represent the underrepresented to create a sense of community as well as to challenge injustices in our real world.”

We hope to see you at some of our events at Split This Rock !

Disobedient Futures – Call for Spec Lit & Art Submissions!

The Cambridge Writers’ Workshop welcomes submissions of poetry, fiction, nonfiction, mixed-genre work, plays, and screenplays on the topic of “Disobedient Futures” for our new speculative literature anthology. Writers are encouraged to imagine what the future cultures of America and the world might look like, and submit their work on the following topics:

Disobedient Women: How might women, feminists, and/or non-binary individuals disobey and reconfigure our understandings of power and femininity and masculinity in the future?

Disobedient Tribes: What if Americans found a way to subvert racial categories and challenge tribalism and cultures of fear? How might tribes disobey the rules of the game and create new types of community identities and cultural bridges?

Disobedient Class: Could Americans in the future overcome systems of class oppression and capitalist gluttony? How might individuals in the future subvert class hierarchies?

Disobedient Futures: Tell us what the future cultures of America and the world have in store. How might the emerging generations of today and tomorrow reconfigure today’s value systems, challenge today’s modes of violence, oppression, and power, and create new visions of society? Give us your best speculative writing which explores the possibilities and disruptions of disobedient futures.

Writers are welcome to submit utopian, dystopian, parallel history, futuristic, alternative reality, speculative essay, and even purely speculative fiction, nonfiction, poetry, and theatre. Optimistic and pessimistic tales of the future are welcome in equal measure, but gratuitous violence and discrimination are not. Poetry submissions should be 3-5 pages in length. Prose submissions can be 10-20 pages in length.  Excerpts from longer works with synopses are welcome. Visual art related to these categories of Disobedient Futures is also welcome.  Submit your retelling of the future today!

Submit your work at cww.submittable.com || Deadline: February 14, 2019