Laissez les bons temps rouler! 🎶 🎉 Join our 24-hour Writing #BakeOff Live on Twitter!

Dear Writers,

Greetings from sultry New Orleans!  Our Spring in New Orleans Writing Retreat kicked off on Thursday evening with writers descending on NOLA from all four corners of North America.  After a lovely orientation, meet and greets, and a discussion of our current writing projects, we were off to dine and wine and roll our sleeves up!  On Friday, after a home-made breakfast, Rita Banerjee kicked off our writing seminars with a class on “Character Development and the Law of Desire.”  From Hamlet to Tennessee Williams to Ben Percy and Siri Hustvedt, Rita and her students investigated what made their narratives and characters really tick, the charge between dynamic and typed, masked characters, and how many names desire could take.  Writing prompts and heated exchanges abounded, followed by a break-out writing session and then a Louisiana lunch.  In the afternoon, Emily Nemens taught a wonderful class on “The Art of Storytelling,” in which she examine the interplay between visual images, sculptures, artifacts, architectures, and the maps of streets and things, with the very process of creating evocative lyrical and narrative writing.  After her seminar and prompts, our writers took a tour on the grand Mississippi, shuttling ourselves against a moody blue sky and scatting waves to the delightful and decadent French Quarter in downtown New Orleans.  There we posed as Americans in Paris in Cafe du Monde, grabbing coffee with chicory, fresh beignets, and swapping techniques about speculative fiction and narrative craft for POC. We followed through, with a walking art and historical tour of New Orleans, in which Emily Nemens guided us to the homes and haunts of literary giants such as Faulkner, Tennessee Williams, and Anne Rice, introduced us to the local visual art scenes and galleries of New Orleans, strolled us past cemeteries and cathedrals, and narrated the history of how sugarcane and slavery had helped build the lofty, neoclassical homes of the Garden District.  After toasts over roti and jerk curry at a wonderful local Caribbean restaurant, we were back home to write and plot and think.

Our second day of classes kicked off with Diana Norma Szokolyai’s class, “Writing in the Lyric Register,” in which she examined the relationship between music, writing, and improvisation.  She discussed how writers quantify the lyric register and gestures of other writers with Kazim Ali’s Anais Nin: An Unprofessional Study, and discussed how writers from the French Troubadours to Maya Sonenberg used the lyric register to structure and charge their creative work.

And in just one hour, we will be launching out 24-hour creative writing bake off with playwright and Princeton Hodder Fellow, Dipika Guha.   Dipika writes, “A bake-off is a playwriting exercise or writerly dare popularized by Pulitzer Prize winning playwright Paula Vogel.  The dare is to write a play in a fixed span of time 24 hours in response to a list of shared elements. We will begin with a seminar on Saturday when we’ll visit our playwriting toolbox and look at devices, forms and structures available for our use.  At this meeting we’ll choose six elements to include in our writing drawn from the city of New Orleans, seeking inspiration from its architecture, history and myths. After the seminar you will go away and write until the next evening.  On Sunday over food and drink, we will read your bake-offs together and celebrate your progress. Bake-offs are not critiqued.”

We welcome all of our writers and readers from around the world to join our 24-hour creative writing bake-off remotely and on-line.  If you would like to participate in our 24-hour bake-off challenge, please tweet to us @CamWritersWkshp with the tag #BakeOff.  The challenge of the Bake-Off is simple: write 1 complete narrative (as a play or screenplay, a short story or novella, a novel if you dare, an essay or collection of essays, or a series of linked poems or collection) in a span of 24 hours.  Your work must have a beginning, middle, and end, and you must complete the challenge with 24 hours.  The clock starts at 1 pm Central Time on Saturday March 25, and ends exactly at 1 pm Central Time on Sunday March 26.  So join us, and tell us about your work and process with the tag #BakeOff at @CamWritersWkshp.  Happy Writing!

Et bon courage, mes amis!

Rita Banerjee
CWW Creative Director
New Orleans – 3.25.17

 

Spring in Portland Writing Retreat Class Schedule & March 25, 2017 Deadline!

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The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The deadline to apply is March 25th, 2017.

Schedule of Classes:

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Writing in the Lyric Register (with Diana Norma Szokolyai)
In this writing workshop, we will practice writing in the lyric register, expanding our writing into descriptive, poetic prose.  We will look intensively at writing “the moment,” slowing down and unpacking a single moment.  After examining some examples in literature, we will take to writing and revising our own pieces to unlock the lyrical qualities of a single moment.  Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

Structuring Your Short Story or Novel (with Adam Reid Sexton)
From the time of Homer to the present day, writers have provided stories with the same basic shape – narrative structure, it’s called.  Regardless of content, the result of that structure is a kind of reading machine that people feel compelled to experience from start to finish.  In this course we learn the elements of classic story structure, as well as how much those elements can be varied without damage to your short-story, novel, or memoir.  Learn how to structure stories so potential readers of your work become actual readers.

Writing Memoir Honestly (with Kerry Cohen)
Annie Lamott famously wrote, “You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.” If only it were that easy! In this course we will examine the many challenges of writing about other people in memoir. We will discuss some anecdotes from memoir authors, address students’ concerns about their own memoirs, and we will complete writing exercises that will allow for practice in writing about ourselves and others honestly and ethically.

Science: Fiction – Building Literary Worlds  (with Rita Banerjee)
In this class, we will explore how the fabric and rules of literary worlds in realist and speculative fiction are created.  By examining the parameters of social and behavioral codes, human interactions and psychology, and the materiality of worlds, we’ll explore that volatile space where truth and lie meet, where conflicts crystallize, and where storytelling disturbs and delights.

Writing the Personal Essay (with Kerry Cohen)
Personal essays allow us to understand one another as fellow humans, to see ourselves in each other. They give us ways to know something in a new way, thereby expanding our understandings of ourselves. They are, in my mind, a key to living a self-examined life; and who wants to live another way? In this course, we will examine select essays by authors for their craft, their purpose, and their effect. Students will brainstorm ideas, write, workshop, and share their own personal essays, resulting in a polished piece by the end.

Playing with Point of View (with Adam Reid Sexton)
What’s the best point-of-view strategy to use when writing a particular work of fiction or creative nonfiction – first-person central, or third omniscient?  Second-person (“you”) – or even first person plural (“we”)?  This course breaks down the complicated, challenging topic of POV in storytelling, employing mini-lectures, in-class exercises, and short readings by contemporary masters like Jeffrey Eugenides and Lorrie Moore, to turn point of view from an obligation into an opportunity.  POV can be fun!

Featured Faculty:

kerrycohen
Kerry Cohen
is the author of 10 books, including the bestselling  Loose Girl:  A Memoir of Promiscuity and Girl Trouble: An Illustrated Memoir, her most recent book, which came out October 2016. Kerry is faculty at the Red Earth Low Residency MFA program and is a practicing counselor. She lives with her family in Portland, Oregon.

 

adamsextonAdam Reid Sexton teaches writing at Yale University, where he is a Lecturer in the English Department, a Critic on the faculty of Yale’s School of Art, and a Silliman Residential College Fellow.  He has taught writing at Columbia University and the New School, and he has lectured at the Folger Shakespeare Library, the University of Pennsylvania’s Kelly Writers House, and the University of Alabama, where he delivered the Hudson Strode Lecture in the Age of Shakespeare.  Sexton is the author of Master Class in Fiction Writing: Techniques from Austen, Hemingway and Other Greats, and with a team of graphic artists, he has adapted four of Shakespeare’s tragedies as manga (Japanese-style graphic novels).  His anthology Rap on Rap was acquired by Harvard’s W.E.B. Dubois Institute for African and African American Research, while Desperately Seeking Madonna is in the Rock & Roll Hall of Fame Library and Archive.  Sexton’s fiction, essays, and reviews have been published in the Bellevue Literary Review, the Mississippi Review, and Off Assignment, as well as the Boston Phoenix, the New York Times, and the Village Voice.  For four years Sexton curated a reading series at KGB Bar in New York City.  He has been interviewed on writing and literature by the New York Times, the Washington Post, Time, and npr.com, and one of his classes was broadcast on BBC Radio.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

DianaNormaDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers. Her poetry-music collaboration with Flux Without Pause led to their collaboration “Space Mothlight” hitting #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Szokolyai’s work has been recently reviewed by The London Grip and published in Quail Bell Magazine, Lyre Lyre, The Fiction Project, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase Quarterly, as well as anthologized in The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering and Teachers as Writers. Szokolyai earned her Ed.M. in Arts in Education from Harvard University and her M.A. in French Literature from the University of Connecticut, while she completed coursework at the Sorbonne and research on Romani writers in Paris. She is currently at work on three books and recording an album of poetry & music.

applyDeadline: March 25, 2017

AWP Exclusive: “Writing from the Fringe: Cultivating Writing Communities on Retreats and Abroad” feat. the Cambridge Writers’ Workshop

wcc-quarterlyThe AWP WC&C Quarterly recently featured an article on the Cambridge Writers’ Workshop: “Writing from the Fringe: Cultivating Writing Communities on Retreats and Abroad” feat. the Cambridge Writers’ Workshop.”  In the the quarterly, editor Kenny Lakes writes:

Whether you just joined in 2017, or you have been with us for years, thank you for being a part of AWP. We are excited to see what the next fifty years bring.  In this issue, we hear from a Rita Banerjee, who discusses the successes Cambridge Writers’ Workshop has had building community near and far.

An excerpt from Rita Banerjee’s essay follows below:

The Cambridge Writers’ Workshop (CWW) began as a creative writing community in Cambridge, Massachusetts. Formed by graduate students at Harvard University in 2008, the workshop was meant as a forum for fostering communities of dedicated writers and encouraging creative expression in the literary arts. Since the organization’s inception, the Cambridge Writers’ Workshop has been all-inclusive and open to all emerging and established writers, first in the Cambridge and Boston area, and now in Brooklyn, Manhattan, across the United States, and also abroad. Since 2008, the organization has been run by directors Rita Banerjee and Diana Norma Szokolyai.

In 2011, the Cambridge Writers’ Workshop expanded to include online creative writing courses and writing retreats. We have participated in the Mass Poetry Festival, the Brooklyn Book Festival, Brooklyn Lit Crawl, Manhattan Lit Crawl, and the AWP Conference. All writers, from amateurs to professionals, who are looking for a serious writing community, are welcome to join the Cambridge Writers’ Workshop.

In 2012, the Cambridge Writers’ Workshop hosted its first writing retreat abroad at the Château de Sacy in Picardy, France, a rural country enclave just forty-five minutes outside of Paris. The focus of the workshop was on “Writing and Eco-Living,” and during our retreat in Sacy, our participants enjoyed fresh meals from the organic potager of the Château de Sacy, daily craft of writing seminars and writing workshops, and outings around Picardy. On our retreats, our instructors and participants have hailed from Australia, the US, the UK, France, Germany, and the Philippines. At our Sacy workshop, one of our participants began writing a poetry collection inspired by gaming and also produced a second manuscript about France, WWII, and the memory of her father. Another participant produced a wonderful series of lyric essays and memoirs on fleet week, public swimming pools, and interracial relationships in 1940s Brooklyn.  On our first workshop abroad, one of our participants Gloria Rich said, Norma and Rita gave a fabulous writers’ workshop at Le Petit Sacy, France. Their knowledge, enthusiasm and caring were exemplary. I will definitely continue to take workshops with them…I was totally inspired, will continue to write and hopefully participate with them in their forthcoming programs.” …  Read Rita Banerjee’s full essay here.

Bluestockings presents A Night with Kali: A Reading by Rita Banerjee – March 12, 7pm, NYC

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A Night with Kali:
A Reading by Rita Banerjee

Bluestockings
172 Allen Street, NY 10002

Sunday March 12, 2017
7:00 – 9:30 pm

Rita Banerjee’s novella, “A Night with Kali,” in Approaching Footsteps, has just been released on Kindle Books and in Print by Spider Road Press. In Rita Banerjee’s novella, “A Night with Kali,” two people from different classes, a taxi driver called Tamal-da and his well-to-do passenger meet under unusual circumstances. Stuck together in a flood in the middle of a monsoon hitting Kolkata, Tamal entertains his bored, out-of-town passenger by telling her the story of his life. As he explains how he ended up hustling the mean streets of Kolkata, how he abandoned his rural village, and why he left his family of fishers behind, Tamal spins a tale that is both mundane and fantastic. Built on the tradition of Bengali ghost stories, Tamal’s coming-of-age tale depends as much on the supernatural as on the possibility or impossibility of human connection.

“Two novellas stand especially tall: A Night with Kali, by Rita Banerjee, begins with a taxi ride through Kolkata during a monsoon and soon develops into an entertaining story-in-a-story supernatural tale reminiscent of classic Indian literature.  In 136 Auburn Lane, novelist Donna Hillevokes a mysterious Harlem boarding house in the 1930’s, where a down-and-out woman has one final chance to rescue her pitiful existence.” -Gay Yellen

“’A Night with Kali’” by Rita Banerjee was a pair of ghost stores-within stories-within a story, set in Kolkata and the surrounding villages. The voice was distinct but unobtrusive and created a cozy familiarity with the narrator. The setting was also particularly vivid, but never got bogged down in exposition – rather, well-placed details sprinkled throughout made me feel like I’d lived in the area all my life. This was my favorite of the four, partly because it was the most upbeat. That may sound strange for a ghost story, but it works.” – MJL

Biography:

RitaBanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

Applications for Cambridge Writers’ Workshop Spring & Summer 2017 Retreats Open!

The Cambridge Writers’ Workshop is delighted to announce our upcoming Spring and Summer 2017 Writing Retreats.

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

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And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.

Writers are welcome to register for all retreats at cww.submittable.com by the early deadline of February 15, 2017!

applyDeadline: February 15, 2017

Rita Banerjee’s essay, “Emotion and Suspense: The Essence of Rasa Theory,” now available in Poets & Writers Magazine

Rita Banerjee‘s essay, “Emotion and Suspense: The Essence of Rasa Theory” now appears in the January/February 2017 Inspiration Issue of Poets & Writers Magazine.  An excerpt from the article follows below:

“Rasa theory centers on taste. Not taste in the sense of sophistication or composure or discernment. Not taste in the sense of good or bad. But taste in its most primal, animalistic, emotive, and provocative form.

Rasa is what happens to you, spectator, reader, part-time lover, when you watch or read a work of art with intensity. Rasa is the flavor of the art experience. It is the feeling produced in the viewer when a work of art is at its most potent and devastating form. Rasa is the immediate, unfettered emotional reaction produced in the spectator when a work of art has left her breathless or yearning for more. Rasa means to savor, to bring a work of art within the body, to let words linger on the tongue. Rasa is a shot to the heart, it’s a festering wound, it’s the mind at unrest, and it is nobody’s captive. It can be dangerous. It can be pleasurable. A visceral form of taste, rasa tends to resist cultivation and containment. Rasa is what happens to you when you find yourself spellbound and alone, and completely enraptured by a work of art for just a moment. It’s where the emotional, narrative, and lyrical landscape of a work washes over, prickles, or consumes you. It’s the moment where you loose yourself and loosen, and find in your body the first stirrings of emotion…”

To read the full article, please check your local bookstores for the current issue of Poets & Writers Magazine or visit Poets & Writers here.

Rita Banerjee’s “Chicago Ode” – A Mass Poetry: Poem of the Moment

masspoetry-poemofthemomentMany thanks to Mass Poetry for featuring CWW Creative Director Rita Banerjee’s poem, “Chicago Ode,” in their Poem of the Moment section.  Mass Poetry supports poets and poetry in Massachusetts.  Mass Poetry helps to broaden the audience of poetry readers, brings poetry to readers of all ages and transform people’s lives through inspiring verse.  A selection of the poem is included below, and you can read the poem on Mass Poetry here.

Chicago Ode

You came quiet on
cat feet with
disregard
for minor names

Like architecture,
you remained
aortal and stung—

Colors dropped
off grids and arcs
bending like yellow,
red and unglued blue

You moved like
a river under
Boul Mich elevated
trains

undulated space,
kept sails and lovers
lit on harbor.

like bodies lit
on grass, you stood
unlike bronze

unlike concrete, too
contained in no
form, no limb
that would move

like fever
your eyes grew
catlike, calling to
strange bodies,

locking lakes in land,
you asked time to
sneeze, hiccup, to not
speak at all—

asked to linger no
longer or to
stay longer like

cracklers at night,
the firework’s parched
breath & Ferris wheel
lights that held

like ships & whistles
a cradle
without thread.

* Read the poem on Mass Poetry here.

Rita Banerjee’s novella, “A Night with Kali,” in Approaching Footsteps now available for pre-order from Spider Road Press

Pageflex Persona [document: PRS0000038_00068]Rita Banerjee’s novella, A Night with Kali, will be published in Approaching Footsteps, an anthology of four compelling novellas by talented women which will keep you guessing. In the anthology, best-selling novelist Donna Hill spins a gripping tale of desperation and danger. Author Jennifer Leeper puts a unique spin on noir fiction. Writer and scholar Rita Banerjee blends a story of two unlikely allies trapped in a monsoon with a tale of murder and magic. Debut writer Megan Steusloff tells the story of an interracial couple and the deadly price that must be paid for freedom. Reader’s Bonus: Highlights from Spider Road Press’ recent flash fiction contests. Spider Road Press donates 5% of the proceeds from its titles to charities which address the issues of sexual assault, supporting American veterans, empowering youth and fighting hunger at home and abroad. Pre-order Approaching Footsteps from Spider Road Press here!

In Rita Banerjee’s novella, A Night with Kali, two people from different classes, a taxi driver called Tamal-da and his well-to-do passenger meet under unusual circumstances. Stuck together in a flood in the middle of a monsoon hitting Kolkata, Tamal entertains his bored, out-of-town passenger by telling her the story of his life. As he explains how he ended up hustling the mean streets of Kolkata, how he abandoned his rural village, and why he left his family of fishers behind, Tamal spins a tale that is both mundane and fantastic. Built on the tradition of Bengali ghost stories, Tamal’s coming-of-age tale depends as much on the supernatural as on the possibility or impossibility of human connection.

New York Premiere of Dipika Guha’s Play – Mechanics of Love – at the Paradise Factory (September 8 – 24, 2016)

DipikaGuha-MechanicsofLoveThe Cambridge Writers’ Workshop is proud to announce the New York premiere of Mechanics of Love, a new play by the talented playwright Dipika Guha, a CWW affiliate and dear friend.  Mechanics of Love, which is produced by To-By-Four Productions, a female-driven theatre and film production company dedicated to making work by women, for everyone, and directed by Elena Araoz, will play at the Paradise Factory in New York City from September 8 – 24, 2016.

In the play, a man who forgets everything falls in love with a ballerina who forgets nothing. That is, until she falls in love with him. And his wife. And the mechanic. This rapidly moving, madcap comedy explores how we love, who we choose, and the cost of making sense of it all.  On Mechanics of Love, Mina Morita writes:

“Written with a finely tuned and absurd lilt, wry poetry, and unnerving humor, her plays break open character stereotypes piece by piece to reveal the shared and vulnerable underbelly of our humanity. She creates worlds that exist beyond the traditional psychological realism of most American theatre, and employs the poetry of unexpected pairings and motives to capture a more truthful human experience.  Love is that intangible force that has assured the growth of humankind and our survival, driven the creation of entire industries, and caused artists to go mad trying to capture its essence. In Mechanics of Love, Guha unveils ‘a mythical European city, pressed up against a communist state’ that has recently fallen. The citizens are suddenly awakened to the possibility of being anyone, or falling in love with anyone… and everyone! It is a moment when cultural norms are being rewritten.”

Dipika Guha’s Mechanics of Love had its world premiere at the Crowded Fire Theater in San Francisco, CA in February 2016.  The cast of this mad-cap love dramedy includes actors Victoria Frings, Anastasia Olowin, Eric Miler, and Sathya Sridharan.  Performances will be held at the Paradise Factory (64 E 4th St, New York, New York 10003) and will take place on Wednesday and Thursday at 7:30pm and Friday and Saturday at 8pm with matinees on Saturday, September 17 & 24 and Sunday, September 11 & 18 at 2pm, and an opening night performance on Monday, September 12 at 7:30pm. Tickets are available online at www.tobyforproductions.com or by calling 1-800-838-3006.

DipikaGuhaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Fellowship with The Lark Playwrights Development Center, A Room of Her Own and Hedgebrook. Her plays include I ENTER the VALLEY (Upcoming; Theatreworks New Play Festival, Finalist Ruby Prize ’15); THE ART of GAMAN (KILROY LIST 2016, Upcoming: Berkeley Rep Ground Floor), MECHANICS of LOVE (Crowded Fire Theatre) and UNRELIABLE(developed at the Rattlestick Playwrights Theatre). She is currently under commission from South Coast Rep, Oregon Shakespeare Festival and Playwrights Horizons Theatre School.

Her work has been developed at Rattlestick Playwrights Theatre, The Atlantic Theatre Company, the Drama League, Cutting Ball Theatre, Playwrights Horizons, New Georges, Roundabout Underground, Shotgun Players, Red Bull Theatre, Leviathan Theatre, Naked Angels, The Cherry Lane Theatre, One Coast Collaboration, The Sam French OOB Festival, The 24 Hour Plays on Broadway and the Tobacco Factory (UK) amongst others. She’s been awarded residencies at the Hermitage Artist Residency, Djerassi Resident Artists Program, SPACE at Ryder Farm, McCarter Theatre’s Sallie B.Goodman Residency, Ucross Artists Residency and the Rasmuson Foundation in Sitka, Alaska. She’s an alumnus of Ars Nova Playgroup, the Dramatists Guild Fellows Program, Soho Rep W/D Lab, the Women’s Project Lab & the Ma-Yi Writer’s Lab.

Dipika received her BA in English Literature from University College London, was a Frank Knox Fellow at Harvard University and received her MFA in Playwriting at the Yale School of Drama under Paula Vogel. She is currently a Visiting Artist at the Schell Center for International Human Rights at Yale Law School and a Resident Playwright at The Playwrights Foundation in San Francisco. Despite a long run in the United States she still drinks tea. 

Announcing New Cambridge Writers’ Workshop Faculty

The Cambridge Writers’ Workshop is delighted to announce that Heidi Pitlor and Laura van den Berg will be joining us as full faculty on our upcoming retreats and workshops, and that Lily Hoang and Frederick-Douglass Knowles II will be our newly appointed Summer 2016 Teaching Fellows.  More about our new faculty and teaching fellows and their talented work in fiction, editing, publishing, nonfiction, poetry, and performance can be found below:

49zoqdckHeidi Pitlor received her B.A. from McGill University in Montreal and her M.F.A. in Creative Writing from Emerson College. She eventually became an editor and later a senior editor at Houghton Mifflin (now Houghton Mifflin Harcourt). She has been the series editor of The Best American Short Stories since 2007. Her writing has appeared in such publications as Ploughshares, The Huffington Post, and Labor Day: True Birth Stories by Today’s Best Women Writers.

LauraCandidPhotoLaura van den Berg was raised in Florida and earned her M.F.A. at Emerson College. Her first novel, Find Me, published by FSG last yearwas selected as a “Best Book of 2015” by NPR, Time Out New York, and BuzzFeed, among others. Find Me was longlisted for the 2016 International Dylan Thomas Prize. She is also the author of two collections of stories, What the World Will Look Like When All the Water Leaves Us (Dzanc Books, 2009) and The Isle of Youth (FSG, 2013). What the World was a Barnes & Noble “Discover Great New Writers” selection and shortlisted for the Frank O’Connor International Short Story Award. The Isle of Youth was named a “Best Book of 2013” by over a dozen outlets, including NPR, The Boston Globe, and O, The Oprah Magazine; a finalist for the Frank O’Connor Award; and received The Rosenthal Family Foundation Award from the American Academy of Arts & Letters and the 2015 Bard Fiction Prize. Laura lives in Brooklyn with her husband and dog, and she is currently at work on a new story collection and a new novel, both forthcoming from FSG. Beginning in the fall of 2016, she will be a Briggs-Copeland Lecturer in Fiction at Harvard.

lily

Lily Hoang is the author of five books, including A Bestiary (winner of the inaugural Cleveland State University Poetry Center’s Nonfiction Contest) and Changing (recipient of a PEN Open Books Award). With Joshua Marie Wilkinson, she edited the anthology The Force of What’s Possible: Writers on Accessibility and the Avant-Garde. She is Director of the MFA program at New Mexico State University. She serves as Prose Editor at Puerto del Sol and Editor for Jaded Ibis Press.

Frederick-Douglass Knowles IIFDK is a poet, educator and activist involved in community education and the performing arts. He has competed on two National Poetry Slam Teams and served as the 2011 Connecticut Slam Team coach. His works have been featured in Poems on the Road to Peace: A Collective Tribute to Dr. King Volume 2Peabody Museum of Natural History by Yale University Press, The East Haddam Stage Company of Connecticut, The 13th Annual Acacia Group Conference at California State University, Folio –a Southern Connecticut State University literary magazine, Lefoko –a Botswana, Southern Africa Hip-Hop magazine and Fingernails Across the Chalkboard: Poetry and Prose on HIV/AIDS from the Black Diaspora by Third World Press. Frederick-Douglass is currently an Assistant Professor of English at Three Rivers Community College where he infuses English Composition with social injustice.

Please give a warm welcome to our new CWW Faculty!  We’re excited to have such wonderful writers join our team!

~ Cambridge Writers’ Workshop