Congratulations to Emily Nemens, our 2017 CWW Spring in New Orleans Writing Instructor, for her appointment as Editor of The Paris Review

The Cambridge Writers’ Workshop would like to give a hearty congratulations and three cheers to Emily Nemens, co-editor of The Southern Review, and our 2017 Spring in New Orleans Writing Retreat Instructor, for her new appointment as Editor of The Paris Review.  On Ms. Nemens’s appointment, The New York Times writes:

Emily Nemens, a co-editor of The Southern Review, seems agnostic and omnivorous when it comes to narrative mediums. In addition to publishing poetry, fiction and essays, she is a prolific illustrator who has amassed a large following on Tumblr for her watercolor portraits of women serving in Congress.

She will now take on a more prominent role in American letters. On Thursday, she was named the new editor of The Paris Review, one of the most prestigious literary magazines in the United States.

Ms. Nemens, who lives in Baton Rouge, La., and has been a co-editor of The Southern Review since 2013.

“Her literary tastes, her accomplishments, the combination of her work ethic and her sense of collaboration — both with her writers and her staff — make her a really unique package of talent,” said Akash Shah, a Paris Review board member who led the search for a new editor. “This is someone who is on a steep trajectory, and The Paris Review is going to benefit from that.”

Ms. Nemens’s eclectic taste and creative ambitions proved to be a draw for the Paris Review board, which chose Ms. Nemens over a pool of candidates better known in New York’s literary circles. Ms. Nemens will begin her new job on June 1.

Read the full New York Times article on Emily Nemens here.  Our warm congratulations to Emily Nemens on her new position, and best wishes for much continued success!

Echo in Four Beats Launch Party at the Weehawken Writers and Artists Studio! Sunday, April 8, 6-9 pm

Sunday, April 8 * 6-9 pm
Weehawken Writers & Artists Studio
10 Louisa Pl.,
Weehawken, NJ 07086

Admission: Free

The Weehawken Writers & Artists Studio is delighted to host the launch party of Rita Banerjee’s debut poetry collection Echo in Four Beats !

Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats . But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats. Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Book Prize, the Aquarius Press/Willow Books Literature Award, was released by Finishing Line Press this March!

Books will be be available for purchase and signing by Rita!
Readings by: Rita BanerjeeDallas Athent , Jonah Kruvant, and more!

About the Authors:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Dallas Athent is an art reviewer for At Large Magazine, a board member of Nomadic Press and the editor of the short story collection, Bushwick Nightz. Her writing has appeared in Buzzfeed CommunityPACKET Bi-WeeklyPANK MagazineVIDA Reports from the FieldBUST Magazine, Yes Poetry & more.  She has been an editor for Bushwick Daily and Luna Luna Magazine. Her work has been profiled in Bedford + Bowery of New York Magazine, Brooklyn Based, Brooklyn Magazine, Papermag among others.

A writer, teacher, and student of the world, Jonah Kruvant received his Bachelor’s degree from Skidmore College, his Master’s degree in Teaching from Fordham University, and his MFA degree from Goddard College.  After living abroad in four different countries, Jonah moved back to his native New Jersey, where he wrote The Last Book Ever Written, published by PanAm Books in April, 2015. His work has appeared in Digital Americana, Bewildering Stories, Fiction on the Web, On the Verge, the Scarlet Leaf Review, and LIMN Literary and Arts Journal. He currently lives in Jersey City.

Literary Manifestos and What’s at Stake Workshop at the Weehawken Writers and Artists Studio – April 8, 2-4 pm

Literary Manifestos & What’s at Stake Workshop
Sunday, April 8 * 2-4 pm * Admission: $30

Weehawken Writers & Artists Studio
10 Louisa Pl., Weehawken, NJ 07086

The Weehawken Writers & Artists Studio is delighted to host a creative writing workshop on  Literary Manifestos & What’s at Stake Workshop!  To sign-up for the workshop, please register on Meetup.com!

CREDO. I believe. No other statement is so full of intent and subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting oneself on the front line. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto. In this creative writing workshop, writers will get a chance to create their own literary manifestos and discuss what’s at stake in their own writing, art, and craft. We will read literary manifestos and poetry from writers such as Allen Ginsberg, Sunil Gangopadhyay, Amiri Baraka, and Bianca Stone, and will explore how writers and readers become more invested in a work of writing, its performance, and its narrative by raising the stakes.

About the Instructor:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Poet & Editor Kristina Marie Darling joins the Cambridge Writers’ Workshop Summer in Paris Writing Retreat

The Cambridge Writers’ Workshop is delighted to announce that the award-winning poet and editor Kristina Marie Darling will be joining our faculty on our Summer in Paris (July 25-30, 2018) Writing Retreat.

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place from July 25-30, 2018.  Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.  Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris!   The faculty includes award-winning writers Kathleen SpivackKristina Marie DarlingRita Banerjee, and Diana Norma Szokolyai.  Genres include poetry, fiction, and nonfiction. If you’d like to join us in Paris, France, please apply online at cww.submittable.com by June 1, 2018.  Here is a little bit more about Ms. Darling:

Kristina Marie Darling is the author of thirty books, including Look to Your Left: The Poetics of Spectacle (University of Akron Press, 2020); Je Suis L’Autre: Essays & Interrogations (C&R Press, 2017), which was named one of the “Best Books of 2017” by The Brooklyn Rail; and DARK HORSE: Poems (C&R Press, 2018). Her work has been recognized with three residencies at Yaddo, where she has held both the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; a Fundación Valparaíso fellowship; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; three residencies at the American Academy in Rome; two grants from the Whiting Foundation; a Morris Fellowship in the Arts; and the Dan Liberthson Prize from the Academy of American Poets, among many other awards and honors. Her poems appear in The Harvard Review, Poetry International, New American Writing, Nimrod, Passages North, The Mid-American Review, and on the Academy of American Poets’ website, Poets.org. She has published essays in The Kenyon Review, Agni, Ploughshares, The Gettysburg Review, Gulf Coast, The Iowa Review, and numerous other magazines. Kristina currently serves as Editor-in-Chief of Tupelo Press and Tupelo Quarterly, an opinion columnist at The Los Angeles Review of Books, and a contributing writer at Publishers Weekly.

Visiting Writer Rita Banerjee reads at the New Hampshire Institute of Art this Week!

The Cambridge Writers’ Workshop’s Executive Creative Director Rita Banerjee will be a Visiting Writer at the New Hampshire Institute of Art this Spring.  She will be lecturing and giving workshops on topics such as “Rasa: Emotion and Suspense in Theatre, Poetry, and (Non)Fiction,” “Poetry and What’s at Stake,” and “Revising, Pitching, and Publishing” at NHIA on Tuesday, March 27.  In addition, she will be holding a discussion with Ayris editors and staff on Tuesday, March 27.  Rita Banerjee will also be reading from her debut poetry collection Echo in Four Beats at the French Hall Rotunda at NHIA from 5:30-7:30 pm on Tuesday, March 27, 2018.  The poetry reading and Q&A for Echo in Four Beats is free and open to the public.

Earlier this week, Rita Banerjee’s poetry debut Echo in Four Beats was featured on New Hampshire Weekly’s The Hippo.  In the article, entitled “Echo Speaks,” journalist Angie Sykeny interviews Rita Banerjee about her new collection of poems, and discusses gender roles, feminism, and speech acts with the author.  Here’s a short excerpt from the interview below:

The New Hampshire Institute of Art in Manchester welcomes a special guest writer, Rita Banerjee, on Tuesday, March 27, for a reading, signing and discussion of her debut collection of poetry, Echo in Four Beats, released earlier this month.

What is the idea behind Echo in Four Beats? 
It dreams of a common language. What happens when people from different backgrounds and places of power, with different ideas of masculinity and femininity, come together … and figure out how to connect, despite language barriers, and despite defined roles? How do they find ways to support that female agency and the female gaze? 

What would you like readers to take away from Echo in Four Beats?
I would like readers to kind of interrogate their own power and find where and how they can express their own voice. It doesn’t have to be in proper English to express ourselves and our complicated identities in an honored form. I hope people will read [the poems] and be able to relate, but I hope it also invites response, and that they will try to express themselves in that form. 

And you can read “Echo Speaks” on The Hippo here.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing  (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig Maximilian University of Munich in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Apply to the Cambridge Writers’ Workshop Spring in New Orleans (April 13-16) Writing Retreat by March 20!

Apply to the Cambridge Writers’ Workshop Spring in New Orleans (April 13-16, 2018) Writing Retreat by March 20, 2018 on cww.submmittable.com!  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind experience for writers.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.

The faculty includes award-winning writers & a top NYC literary agent: Rita BanerjeeDiana Norma Szokolyai, and Natalie Kimber. All genres welcome. Genres include playwriting, nonfiction, fiction, and poetry. The cost of the retreat is $1200, which includes tuition, lodging, and some meals.

If you’d like to join us in NOLA, please apply by March 20, 2018 by submitting 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $10 application fee, a cover letter, and references at cww.submittable.com. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact Information (Email, Address, Phone)
3. Age & Nationality
4. Prior Workshop Experience and Publications
5. Creative Writing Goals for the Retreat
6. Short One-paragraph Biography
7. Contact info of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are encouraged. Applications are due March 20, 2018.

apply

Deadline: March 20, 2018

Schedule of Classes:

Featured Faculty:

Natalie Kimber is an Associate Literary Agent at The Rights Factory, and started her career in publishing as an assistant to Muriel Nellis at Literary and Creative Artists Inc., and later worked at Georgetown University’s Booklab, where she developed academic and trade book proposals, fiction titles, and edited books for New Academia PublishingShe joined with The Rights Factory in 2014, helping the Toronto based agency expand its operations in New York.  She represents a wide array of writers in the adult trade fiction and nonfiction space, and particularly favors books that showcase truly creative writing and books that unveil meaningful new ways to see the world and ourselves in it. She currently lives in Weehawken, NJ, overlooking the Hudson River and Manhattan, where she founded the Weehawken Writers and Artists Studio with a view to help creatives of all kinds collaborate, learn, and share their creative process through workshops and events.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing  (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig Maximilian University of Munich in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).  Diana Norma Szokolyai is represented by Nat Kimber (The Rights Factory).

FAQ:

What happens after I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. This amount is non-refundable. The remainder of tuition will be due by March 15, 2018. Our standard and preferred method of payment is PayPal invoice. You can also mail us a check.

What is included in tuition?

  • creative writing workshops
  • craft of writing seminars
  • lodging in NOLA
  • breakfasts & some other meals
  • walking tour of downtown New Orleans and Cafe du Monde

I’m local to New Orleans. Is there a tuition only option?

Yes. The tuition-only option is $675.  For more information, please inquire at info@cambridgewritersworkshop.org.

What are accommodations like?

During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Writers will be staying at our retreat house and at a hotel nearby.  Rooms at the retreat house will be provided to early registrants first.

 

Application Deadlines for Cambridge Writers’ Workshop Writing Retreats in New Orleans, Paris, and Granada Approaching!

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from April 13-16, 2018. Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers and literary agent Rita BanerjeeDiana Norma Szokolyai, and Natalie Kimber. There will one-on-one consultations with our literary agent, and workshop genres include nonfiction, fiction, and poetry. If you’d like to join us in New Orleans, please apply online at cww.submittable.com by March 20, 2018.

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place from July 25-30, 2018.  Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.  Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris!   The faculty includes award-winning writers Kathleen Spivack, Kristina Marie DarlingRita Banerjee, and Diana Norma Szokolyai.  Genres include poetry, fiction, and nonfiction. If you’d like to join us in Paris, France, please apply online at cww.submittable.com by June 1, 2018.

The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 1-6, 2018 in Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  Faculty includes Tim Horvath (fiction), Rita Banerjee (poetry, fiction), and Diana Norma Szokolyai (poetry, nonfiction).  If you’d like to join us in Granada, please apply online at cww.submittable.com by June 15, 2018.

To learn more about our upcoming writing retreats, visit the Cambridge Writers’ Workshop table (T403) at the AWP Bookfair in Tampa, FL from March 7-10, 2018!

Disobedient Futures – Call for Spec Lit & Art Submissions!

The Cambridge Writers’ Workshop welcomes submissions of poetry, fiction, nonfiction, mixed-genre work, plays, and screenplays on the topic of “Disobedient Futures” for our new speculative literature anthology. Writers are encouraged to imagine what the future cultures of America and the world might look like, and submit their work on the following topics:

Disobedient Women: How might women, feminists, and/or non-binary individuals disobey and reconfigure our understandings of power and femininity and masculinity in the future?

Disobedient Tribes: What if Americans found a way to subvert racial categories and challenge tribalism and cultures of fear? How might tribes disobey the rules of the game and create new types of community identities and cultural bridges?

Disobedient Class: Could Americans in the future overcome systems of class oppression and capitalist gluttony? How might individuals in the future subvert class hierarchies?

Disobedient Futures: Tell us what the future cultures of America and the world have in store. How might the emerging generations of today and tomorrow reconfigure today’s value systems, challenge today’s modes of violence, oppression, and power, and create new visions of society? Give us your best speculative writing which explores the possibilities and disruptions of disobedient futures.

Writers are welcome to submit utopian, dystopian, parallel history, futuristic, alternative reality, speculative essay, and even purely speculative fiction, nonfiction, poetry, and theatre. Optimistic and pessimistic tales of the future are welcome in equal measure, but gratuitous violence and discrimination are not. Poetry submissions should be 3-5 pages in length. Prose submissions can be 10-20 pages in length.  Excerpts from longer works with synopses are welcome. Visual art related to these categories of Disobedient Futures is also welcome.  Submit your retelling of the future today!

Submit your work at cww.submittable.com || Deadline: February 14, 2019

Rita Banerjee’s poetry collection “Echo in Four Beats” now available for order on Amazon!

Rita Banerjee’s new poetry collection Echo in Four Beats is now available for order on Amazon.com and also through the Finishing Line Press website. Echo in Four Beats will officially release on March 9, 2018 at the AWP 2018 Conference in Tampa, Florida.  Here are some upcoming authors signings for Echo in Four Beats:

Rita Banerjee will be signing for CREDO and her new poetry collection Echo in Four Beats (Finishing Line Press, March 2018) at the Cambridge Writers’ Workshop Table (T403) from 1-2 pm on Friday, March 9, 2018.  She will also be signing for Echo in Four Beats at the Finishing Line Press Table (T743) from 1-2 pm on Saturday, March 10, 2018.

And here is more information about the collection:

Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats.  But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats. 

Praise for Echo in Four Beats:

“In our narcissism-addled times, Rita Banerjee awakens Echo out of mythical slumber and accords her center stage, with stirring results. These poems dance nimbly from the playful to the sacred, the pentatonic-ancient to the jazzy-contemporary, the observational to the contemplative, and cross languages and borders with abandon…offering a music both savory and profound.” — Tim Horvath, author of Understories and Circulation

Echo in Four Beats uncover[s] what makes a word into a sensation, a sensation into a moment and what, in the swirling constellation of geographies, turns a moment into the sublime. Amidst the kinetic search for buried treasure in everyday encounters,…there are also unexpected collisions with silence so shocking, they stop us dead in our tracks. We realize the whiteness between words was here all along; its stillness curving the inside of this syncopated journey across time and space.”Dipika Guha, playwright and author of Mechanics of Loveand The Rules, and screenwriter for American Gods

“From Ovid to Baudelaire, from Manhattan to Atlantis to the Ganges, these poems conjure shape-shifting and gyroscopic worlds where erasure is sustenance, myth is religion, and home is but a constant state of momentary arrivals. Banerjee’s attentive, precise, incantatory poems reverberate… with the “enchantments of art/ and life.’” — Tara Skurtu, author of The Amoeba Game and Skurtu, Romania

“Rita Banerjee’s Echo in Four Beats is a lyric wonder. Wildly intertextual and multilingual…the breadth of her work is staggering and yet utterly approachable, at once intimate and worldly. This may well be the first truly post-national book of poems I’ve ever read. I look forward to reading it again and again.” — Jaswinder Bolina, author of The 44th of July, Phantom Camera, and Carrier Wave

“[In] Banerjee’s polyglot collection–abounding with erasure, mistranslation and wit, [she] has crafted something astonishing.” Stephen Aubrey, author of Daguerreotypeand What I Took in My Hand and Co-Artistic Director of The Assembly Theater, NYC

RitaBanerjeeRita Banerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps(Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.  Born in California and raised in New Jersey, she teaches on modernism, art house film, and South Asian literary theory and aesthetics at the Institute for Indology and Tibetology at Ludwig-Maximilians-Universität München in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays. Her work is represented by literary agent Natalie Kimber at The Rights Factory.

Celebrate the Pre-Launch of CREDO with the Cambridge Writers’ Workshop, C&R Press, and Women’s National Book Association at AWP 2018!

The Cambridge Writers’ Workshop is delighted to celebrate the pre-launch of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing at the Spontaneous Reading Party, at the AWP 2018 Conference in Tampa, Florida.

SPONTANEOUS READING PARTY presented by C&R PressWomen’s National Book Association and Cambridge Writers’ Workshop will take place on Friday, March 9 from 7-11 pm at the historic The Centre for Women Hyde Park Mansion. The party will featuring readings from C&R Press authors and CREDO Contributors, and will feature a full bar and food.  The location for the party is less than one mile from the AWP Convention Center.

To register for free tickets to the Spontaneous Reading Party, please register via Eventbrite here.

From C&R Press, readers include: Brian LeungKristina Marie Darling, Earl Braggs, Katie RoginSybil BakerLaura Catherine BrownAriel FranciscoValerie TomaselliBrenna Womer, Erik Rasmussen and more.

From the Cambridge Writers’ Workshop, we’re proud to feature our CREDO contributing authors Rita BanerjeeAlexander Carrigan, Janine Harrison, Kevin McLellan,  Nell Irvin PainterAnca L. Szilágyi, and Diana Norma Szokolyai at the Spontaneous Reading PartyRead more about our featured CREDO authors below! Authors will be reading in the following order:

Rita Banerjee is the author of Echo in Four Beats (Finishing Line Press, February 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA from the University of Washington. Her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop, editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, and the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and is currently working on a novel, a documentary film about race and intimacy in the United States and in France, and a collection of essays on race, sex, politics, and everything cool.  Banerjee teaches at Ludwig-Maxmilian University of Munich in Germany. Banerjee is author of the essays “CREDO” and “Rasa: Emotion and Suspense in Theatre, Poetry and, (Non)Fiction,” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

DianVersion 2a Norma Szokolyai is author of Parallel Sparrows (honorable mention for Best Poetry Book, 2014 Paris Book Festival), Roses in the Snow (first runner­up, Best Poetry Book, 2009 DIY Book Festival), and a feminist rewriting of a classic fairytale for Brooklyn Art Library’s The Fiction Project, entitled Beneath the Surface: Blue Beard, Remixed. Szokolyai’s poetry and prose has been published in MER VOX Quarterly, VIDA Review, Quail Bell Magazine, The Boston Globe, Luna Luna Magazine, Up the Staircase Quarterly, and has been anthologized in Other Countries: Contemporary Poets Rewiring History, Teachers as Writers & elsewhere. Her edited volume is CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing (C&R Press, 2018). She’s founding Executive Artistic Director of Cambridge Writers’ Workshop. Szokolyai is author of Introduction, and the essay “What’s At Stake?” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Nell Painter is the Edwards Professor of American History, Emerita, at Princeton University and author of several books including Sojourner Truth, A Life, A Symbol, The History of White People, and Standing at Armageddon: The United States: 1877-1919. In additiona to a Ph.D. in history from Harvard University, she holds a BFA from Mason Gross School of the Arts and an MFA from the Rhode Island School of Design, both in painting. Her art school memoir is entitled Old In Art School: A Memoir of Starting Over. Painter’s essays, “Leaving My Former Life” and “You’ll Never Be A Painter!” appear in the Manifesto section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Maya SonenbergMaya Sonenberg is the author of the story collections Cartographies (winner of the Drue Heinz Prize for Literature) and Voices from the Blue Hotel.  26 Abductions, a chapbook of her prose and drawings was published in 2015 by The Cupboard, and her newest chapbook of prose and photographs, After the Death of Shostakovich Père, won the PANK [Chap]book contest and will appear in 2018. Other fiction and nonfiction have appeared in Fairy Tale ReviewWeb ConjunctionsDIAGRAM, New Ohio ReviewThe LiterarianLady Churchill’s Rosebud Wristlet, Hotel Amerika, and numerous other journals, both in print and online. Her writing has received grants from the Washington State Arts Commission and King County 4Culture. She teaches in the creative writing program at the University of Washington. Sonenberg is the author of “Beyond The Plot Triangle” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Anca L. Szilágyi’s debut novel is Daughters of the Air. Her writing has appeared or is forthcoming from Los Angeles Review of BooksElectric Literature, and Lilith Magazine, among other publications. She is the recipient of the inaugural Artist Trust / Gar LaSalle Storyteller Award, a Made at Hugo House fellowship, and awards from the Vermont Studio Center, 4Culture, the Seattle Office of Arts & Culture, and the Jack Straw Cultural Center. The Stranger hailed Anca as one of the “fresh new faces in Seattle fiction.” Originally from Brooklyn, she currently lives in Seattle with her husband. Find her on Twitter @ancawrites. Szilagyi is the author of “Summer-Inspired Writing Prompts,” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently a news copy editor for Rare.us. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Poictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Janine Harrison, M.A., M.F.A., poet, nonfictionist, and fiction writer, teaches creative writing at Purdue University Calumet and leads the nonprofit organization, Indiana Writers’ Consortium.  Her work has been published or is forthcoming in A&UVeils, Halos, and Shackles (Kasva Press, 2016); and other publications. She is currently finishing her first poetry collection, The Weight of Silence.  Janine lives with husband, fiction writer Michael Poore, and daughter, Jianna, in NW Indiana. Harrison’s essay, “In Ink: Tattoo Images and Phrases,” appears in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Kevin McLellan is the author of Ornitheology (The Word Works, 2018), Hemispheres (Fact-Simile Editions, 2018), [box] (Letter [r] Press, 2016), Tributary (Barrow Street, 2015), and Round Trip (Seven Kitchens, 2010). He won the 2015 Third Coast Poetry Prize and Gival Press’ 2016 Oscar Wilde Award, and his poems appear in numerous literary journals. Kevin lives in Cambridge, Massachusetts. McLellan’s essay, “Attributes: A Prompt,” can be found in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).