The Cambridge Writers’ Workshop is delighted to have our writing faculty from our 2018 Summer in Paris Writing Retreat featured at SpokenWord Paris and Paris Lit Up this summer!
SpokenWord Paris featuring Kathleen Spivack
Adrian Leeds’ Après-Midi (Café de la Mairie) * 3-5 pm
corner of rue des Archives & rue de Bretagne
Paris, France 75003
Kathleen Spivack will read from her latest novel Unspeakable Things, which deals with refugees from Eastern Europe coming over to New York during World War II. The main characters are members of a string quartet smuggled out of Europe and deals with their displacement and eventual redemption.
Begun in France while the Maurice Papon Trials were going on, in Unspeakable ThingsKathleen weaves her own family’s experience as immigrant refugees with her encounters with individuals she met when she lived and taught in the French university system off and on for almost 30 years. France has been a home and a temporary way stop for people escaping oppression, and this is why Kathleen is so very happy to be able to share this novel with you.
Kathleen Spivack is the author of ten books, prose and poetry (Knopf, Doubleday, Graywolf, etc). Her most recent novel Unspeakable Things (Knopf) centers on European refugees in New York City, struggling to survive during the last years of the Second World War. Kathleen’s previous book was With Robert Lowell and His Circle: Plath, Sexton, Bishop, Rich, Kunitz and others (University Press of New England). Kathleen arrived in Boston in 1959 on a scholarship to study with Robert Lowell. Lowell introduced her to the poets of that time, who took her under their wing. This memoir centers on how these poets approached their work.
Other books include: A History of Yearning, Winner of the Sows Ear International Poetry Prize 2010, the London Book Festival Poetry Prize, and others; Moments of Past Happiness (Earthwinds/Grolier Editions); The Beds We Lie In (Scarecrow), nominated for a Pulitzer Prize; The Honeymoon (Graywolf); Swimmer in the Spreading Dawn (Applewood); The Jane Poems (Doubleday); and Flying Inland(Doubleday). She has also published in magazines and anthologies, including The New Yorker, Ploughshares, The Atlantic Monthly, The Paris Review, The Chicago Review, Poetry, Massachusetts Review, Solas Awards, and many others. Her work has also been translated into French. Her work has been featured at festivals in France and in the United States. She performs in theatres, often with music. Kathleen is a recipient of the Allen Ginsberg Poetry Award and a Discovery Winner among many others. She has also received grants from the Fulbright Commission, National Endowment for the Arts and various organizations. Her residencies include Yaddo, MacDowell, the American Academy in Rome, Ragdale, Karolyi Foundation, etc.
Since 1990, Kathleen has been a visiting professor of American Literature/Creative Writing (one semester annually) throughout the French University System. In the U.S. she directs an advanced writing program and has been named by the National Writers’ Union as “best writing coach”. Her students have published widely and won major prizes. You will too! For more information on Kathleen Spivack, please visit her website at www.kathleenspivack.org. You can also follow her on Facebook.
Paris Lit Up featuring Rita Banerjee
Culture Rapide * July 26, 2018 * 8:45 – 11:00 pm
103 rue Julien Lacroix, 75020 Paris, France
Paris Lit Up will host Rita Banerjee as their featured writer on July 26, 2018 from 8:45 – 11:00 pm! Banerjee will read from her new poetry collection Echo in Four Beats (FLP, march 2018), which was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry, and her edited volume CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018). Banerjee will also read from her new collection of essays on race, sex, politics, and everything cool, and her novel-in-progress about a Tamil-Jewish family in crisis during a post-authoritarian regime.
Writers from the Cambridge Writers’ Workshop Summer in Paris (July 25-30, 2018) Writing Retreat will also read during the open mic portion starting at 8:45 pm.
Paris Lit Up is a non-profit community organization that aims to intensify collaborative artistic practices through community events, performance and publication. With emphasis on transnational writers, artists and musicians, Paris Lit Up promotes the importance of artistic synergy through transparent, democratic, consensus-based decision making.
Rita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018). She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018),which was named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, was nominated for the 2018 Kate Tufts Discovery Award, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry. Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants. Her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut., The Scofield, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of Books, Electric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts, an Associate Scholar at Harvard, and the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest. She is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.
More information about Rita Banerjee’s Echo in Four Beats and CREDO Book Tours available here!
Paris Lit Up featuring Kristina Marie Darling
Culture Rapide * August 9, 2018 * 8:45 – 11:00 pm
103 rue Julien Lacroix, 75020 Paris, France
Cancel any August vacation right now. Why? Because we are incredibly luckily to be hosting the writer extraordinaire Kristina Marie Darling on August 9 at the PLU open mic! Sign up from 8pm, wiggle your bums down around 8.45pm. Here’s her delicious bio… seriously, read it.
Kristina Marie Darling is the author of thirty books, including Look to Your Left: The Poetics of Spectacle (University of Akron Press, 2020); Je Suis L’Autre: Essays & Interrogations (C&R Press, 2017), which was named one of the “Best Books of 2017” by The Brooklyn Rail; and DARK HORSE: Poems (C&R Press, 2018). Her work has been recognized with three residencies at Yaddo, where she has held both the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; a Fundación Valparaíso fellowship; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; three residencies at the American Academy in Rome; two grants from the Whiting Foundation; a Morris Fellowship in the Arts; and the Dan Liberthson Prize from the Academy of American Poets, among many other awards and honors. Her poems appear in The Harvard Review, Poetry International, New American Writing, Nimrod, Passages North, The Mid-American Review, and on the Academy of American Poets’ website, Poets.org. She has published essays in The Kenyon Review, Agni, Ploughshares, The Gettysburg Review, Gulf Coast, The Iowa Review, and numerous other magazines. Kristina currently serves as Editor-in-Chief of Tupelo Press and Tupelo Quarterly, an opinion columnist at The Los Angeles Review of Books, and a contributing writer at Publishers Weekly.