Book Launch: Echo in Four Beats (poems) by Rita Banerjee Available for Pre-Order October 10 – December 8, 2017!


Rita Banerjees poetry debut, Echo in Four Beats, is now available for pre-order on the Finishing Line Press website from October 10 – December 8, 2017!

Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats.  But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats.  Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Book Prize, the Aquarius Press/Willow Books Literature Award, will be released by Finishing Line Press on February 2, 2018.

Early Praise for Echo in Four Beats:

Echo in Four Beats sounds the singular pulse of Harlem, Kyoto, Nainital and San Francisco to uncover a deeper mystery; what makes a word into a sensation, a sensation into a moment and what, in the swirling constellation of geographies, turns a moment into the sublime. Amidst the kinetic search for buried treasure in everyday encounters with photocopiers and the breathless search for lost objects, there are also unexpected collisions with silence so shocking, they stop us dead in our tracks. We realise the whiteness between words was here all along; its stillness curving the inside of this syncopated journey across time and space.”

— Dipika Guha, playwright and author of Mechanics of Love and The Rules, and screenwriter for American Gods

“Rita Banerjee’s Echo in Four Beats is a lyric wonder. Wildly intertextual and multilingual, Banerjee mines literatures, histories, and geographies, both eastern and western, to produce an expansive collection of poems. The breadth of her work is staggering and yet utterly approachable, at once intimate and worldly. This may well be the first truly post-national book of poems I’ve ever read. I look forward to reading it again and again.”

— Jaswinder Bolina, author of The 44th of July, Phantom Camera, andCarrier Wave

“Rita Banerjee’s Echo in Four Beats is a multilingual, intercontinental arpeggio of a journey on which ‘one layer/ of enchantment// dispels another.’ From Ovid to Baudelaire, from Manhattan to Atlantis to the Ganges, these poems conjure shape-shifting and gyroscopic worlds where erasure is sustenance, myth is religion, and home is but a constant state of momentary arrivals. Banerjee’s attentive, precise, incantatory poems reverberate ‘not sound not/ voice” and resound with the “enchantments of art/ and life.’”

— Tara Skurtu, author of The Amoeba Game and Skurtu, Romania

“In our narcissism-addled times, Rita Banerjee awakens Echo out of mythical slumber and accords her center stage, with stirring results. These poems dance nimbly from the playful to the sacred, the pentatonic-ancient to the jazzy-contemporary, the observational to the contemplative, and cross languages and borders with abandon, from trains in India to a Munich museum to the local copy shop. Yet while they may ‘change [their] temperament as quickly as salamanders change skin,’ Echo in Four Beats  is constantly returning us to a tonic center and rebuilding its chords and arpeggios anew, offering a music both savory and profound.”

— Tim Horvath, author of Understories and Circulation

“Banerjee’s polyglot collection–pushing at the edges of language; abounding with erasure, mistranslation and wit; impossible to contain in a single tongue. From the smallest pieces of our world–the falling snow, cobblestone, a reflection in the water–Banerjee has crafted something astonishing that reaches towards higher truths.”

— Stephen Aubrey, author of Daguerreotype and What I Took in My Handand Co-Artistic Director of The Assembly Theater, NYC

Pre-Order Echo in Four Beats on the Finishing Line Press website now!

ritabanerjeeRita Banerjee the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, March 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig-Maximilian University of Munich in Germany.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

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Rita Banerjee to judge the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest – Deadline: December 1, 2017

Poet, editor, professor and Executive Creative Director of the Cambridge Writers’ Workshop Rita Banerjee will judge the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest.

Minerva Rising is an independent literary press, celebrates the creativity and wisdom in every woman by giving them space to tell their stories and to tell them well.   This year’s contest embodies and embraces the theme “Dare to Speak” by opening up the Minerva Rising annual chapbook contest to writers whose voices have been suppressed.  If your poetry speaks a message that has never been heard before, the Universe is ripe to listen.  Now is the season to Dare.

Writers are invited to submit 14-36 pages of a chapbook-length poetry manuscript (along with a table of contents and acknowledgements page) to Minerva Rising by December 1, 2017.  Winner receives $250 and 10 copies of chapbook.  More information on contest available here.  Submission fee is $20.  Applications open at minervarising.submittable.com.

Rita Banerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, March 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Ludwig-Maximilians-Universität München in Germany.  She is currently working on a documentary film about race, voyeurism, and intimacy in the United States and in France, a novel about a Tamil-Jewish American family in crisis during a post-authoritarian regime, and a collection of essays on race, sex, politics, and everything cool.

CWW Fall Harvest Retreat in Rockport, MA: Day Four

Sunday, October 15 was the last day of our Fall Harvest Retreat, and we made sure to make the most of it. We woke up to fog covering the area, which presented a great view as we made our final breakfast.

Over breakfast, we discussed what we took away from the retreat. We shared what we accomplished and what our goals from here on out would be. Some of us even shared the work we did for Rita Banerjee’s workshop.

After that, the fog had dissipated enough that we all moved out onto the deck to share our Bake Offs. We discussed whether or not we succeeded with the assignment, and if not what we had gotten done and what we had planned to finish. Some of us shared our work, showing how me managed to create work featuring lobster traps, Joan Baez, lavender, waves, pots, “stunned,” and whiskey stains.

Once we were done, some of us moved over to the nearby town of Salem, MA for a farewell lunch.  Every year, Salem hosts a month full of spooky and fun events with “Haunted Happenings” throughout the month of October.  As we roamed the town, we saw the streets turned into a Halloween carnival, with caramel apples, kettle corn, customized elvish ears, and skeleton swords.  Mixed in the crowd of humans, were also goblins, witches, and fantastic monsters just strolling around Salem’s haunts, like yarn shops, magic shops with potions and tarot cards or seaside cafés. The Peabody Essex Museum has an exhibit “It’s Alive! Classic Horror & Sci-Fi Art,” and some of us enjoyed exploring it, while others roamed the streets traveling through hundreds of Halloween & New Age/Occult-themed booths.

CWW Fall Harvest Retreat in Rockport, MA: Day Two

On October 13th, we had the first full day of our retreat. We started by working together to make breakfast, with CWW Artistic Director Diana Norma Szokolyai serving a veggie omelet along with fresh fruit and toast.

We then gathered for our first workshop with CWW Director Rita Banerjee’s workshop on Character Development & the Law of Desire. In this workshop, we discussed how we can create rounder, more dynamic characters. The participants looked at classic character archetypes and compared them to modern archetypes they see in literature. They were then challenged to find a character and write two scenes for them: one where they were alone and the reader could see entirely who they are, and another where that same character is confronted by one of these static archetypes.

After that, we took a break for lunch and to do some writing work. Some of us walked to the nearby Wingaersheek Beach, where the tide was low enough for us to walk far out. There we took in the beauty of the New England coast and observed people playing with their dogs and looked for any interesting shells or rocks we could find on the beach.

Once break time ended, we reconvened for our next workshop. Guest faculty member Maya Sonenberg led the first part of her workshop Forbidden Forms: Beyond the Plot Triangle. Here she brought in numerous examples of poems and short stories that played with worm and encouraged us to find ways to play around with plot and action. She even shared some interesting writing exercises that can help the reader break form and discover something new about their work.

After that, we all took a walk to a nearby beach. There, we played Literary Taboo. Each of us had to pick a word that was inspired by something we’ve experienced so far on the retreat or something we experienced on our way to and on the beach. Once we knew what our words were, we had to each write a short piece based on it that the other participants had to figure out. The only catch was that we couldn’t use the chosen word at all in the piece.

Once we all shared our pieces, this led to our Bake Off portion of the retreat. In the next 48 hours, we had to create a chapbook-length piece of work (around 20 pages) using all seven words however we pleased. We could create a book of poems, a series of short stories, or one short novella in that period of time. The words that we had to use were:

  • Lobster trap
  • Waves
  • “Stunned”
  • Joan Baez
  • Pot
  • Lavender
  • Whiskey stains

After that, we went to a lovely seafood restaurant, where we enjoyed oysters and other locally-sourced dishes. We used this to share ideas and to think about what we’d do for our Bake Off, and we all got to work.

CWW Harvest Creative Writing Retreat in Rockport, MA (October 12-15, 2017)

The Cambridge Writers’ Workshop Harvest Creative Writing Retreat will take place from October 12-15 2017. Our Harvest Retreat offers the opportunity for writers of all genres and levels to work alongside award-winning writers to hone their craft and expand their writing skills on the shores of a luxurious ocean-side beach house.

The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Maya SonenbergRita Banerjee, and Diana Norma Szokolyai. The cost of the retreat is $825 which includes tuition, lodging, and some meals.

If you’d like to join us in Rockport, please apply by the final deadline of September 25, 2017 (early applications encouraged, spots fill up quickly).  Please submit 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $5 application fee, a cover letter, and references. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact Information (Email, Address, Phone)
3. Age & Nationality
4. Prior Workshop Experience and Publications
5. Creative Writing Goals for the Retreat
6. Short One-paragraph Biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are encouraged. Applications due at cww.submittable.com.

applyDeadline: September 25, 2017*

* Please note that early applications are encouraged as there is limited housing in the main retreat house.

Class ScheduleCharacter Development & the Law of Desire (with Rita Banerjee)

Femme fatales, gumshoe detectives, star-crossed lovers, wicked stepmothers, wise fools, empathetic anti-heroes: dynamic and archetypal characters can be key to making a good story or lyrical piece tick and pulling in the reader deeper into your creative work. In this workshop, we will discuss how dynamic and archetypal characters can help structure stories, propel narratives forwards, and how each character’s desire provides interesting ethical dilemmas and emotional spectrums to narratives and verse. We will learn about the building blocks of creating strong, unforgettable characters, discuss the connection between desire and plot, and learn how playing with persona can help liberate nonfictional stories and lyrical poems. 

Forbidden Forms: Beyond the Plot Triangle, I & II (with Maya Sonenberg)

We often think of a story or essay as an organic thing, its form arising naturally from its content, but in this class, we will playfully turn that idea upside down, reading examples of prose using nontraditional forms, and then using forms to generate content. After a brief review of the uses and abuses of plot, we will dive into a wide variety of other forms your fiction and nonfiction can take: games, tests, verse forms, music, and a variety of inspiring forms from nonliterary nonfiction. Our first meeting will be devoted to discussion of readings and our second to group and individual writing exercises designed to show you how starting with form can help you generate new work, solve structural issues in your existing work, and dive even deeper into content.

Writing in the Lyric Register (with Diana Norma Szokolyai)

In this writing workshop, we will practice writing in the lyric register, expanding our writing into descriptive, poetic prose.  We will look intensively at writing “the moment,” slowing down and unpacking a single moment.  After examining some examples in literature, we will take to writing and revising our own pieces to unlock the lyrical qualities of a single moment.  Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

Bake-Off (with Rita Banerjee & Diana Norma Szokolyai)

During our Harvest Retreat in Rockport, MA, we will do a 48-hour creative writing bake-off together.  The Bake-off exercise or writerly dare was popularized by Pulitzer Prize winning playwright Paula Vogel and introduced to the CWW by playwright Dipika Guha. The dare is to write a narrative, play, or chapbook length collection of lyric pieces in a fixed span of time 48 hours in response to a list of shared elements. We will begin with a seminar on Friday afternoon when we’ll visit our creative writing toolbox and look at devices, forms and structures available for our use. At this meeting we’ll choose six elements to include in our writing drawn from the city of Rockport, MA, seeking inspiration from its architecture, history and myths. After the seminar you will go away and write until the next evening. On Sunday over food and drink, we will read your bake-offs together and celebrate your progress. Bake-offs are not critiqued.

Featured Faculty:

Maya Sonenberg’s first story collection, Cartographies, received the Drue Heinz Literature Prize and was published by the University of Pittsburgh Press. At the time, she was the youngest author to have received this prize. Her second collection, Voices from the Blue Hotel, appeared in 2007, and her chapbook of fiction and drawings, 26 Abductions, was published by The Cupboard in 2015. A second chapbook, After the Death of Shostakovich Père, won the 2016 PANK [CHAP]book contest and will appear in fall of 2017. Other stories and essays have appeared widely, in such journals as Fairy Tale Review, Web Conjunctions, The Literarian, New Ohio Review, and Hotel Amerika, and she has received grants from King County 4Culture and Artists Trust. She teaches in the creative writing program at the University of Washington—Seattle, and is currently at work on a book about her grandmother, Laura Ingalls Wilder (both the author and the character), and Jewish utopian settlements in the Dakotas during the late 19th century.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Ludwig-Maximilian University of Munich in Germany.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her poetry chapbook, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016.  Her debut poetry collection, Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Poetry Book Prize, and the Aquarius Press/Willow Books Literature Award, will be released by Finishing Line Press on February 2, 2018.  And her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

FAQ:

What happens after I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. This amount is non-refundable. The remainder of tuition will be due by September 25, 2017. Our standard and preferred method of payment is PayPal invoice. You can also mail us a check. The deposit is non-refundable.

What is included in tuition?

  • creative writing workshops
  • craft of writing seminars
  • lodging in Portland
  • some meals

I’m local to Rockport. Is there a tuition only option?

Yes. For more information, please inquire at info@cambridgewritersworkshop.org.

What are accommodations like?

We will be staying near Wigaersheek Beach during the retreat, a location that will both inspire and relax participants to help them create. Writers will be staying at our nearby retreat house.

 

 

 

CWW Summer in Granada Writing Retreat- Aug 4 2017: Storyteller’s Voice, Poetry of Flamenco, & Roma Caves Tour

Today, we started off our day unpacking the elements of The Storyteller’s Voice with Alexandria Marzano-Lesnevich.  After enjoying this craft of writing seminar in our classroom overlooking the Alhambra, we enjoyed a lunch break and some free writing time.  We re-convened later in the afternoon for a class on The Evocative Poetry of Flamenco with Diana Norma Szokolyai, who taught about the history of flamenco and its influence on the musical and literary landscape.  We analyzed a variety of forms presented in flamenco lyrics, before setting off for Sacromonte to hike to the museum of the Roma caves.  After visiting several traditional Roma cave dwellings, we went to one of the most well known cuevas, Cueva de la Rocio to enjoy a spectacular performance of Zambra, a traditional Roma (“Gypsy”) wedding dance.  After the performance, we went to the Mirador San Nicolas for a stunning night view of the Alhambra and enjoyed the evening artist market.

-Diana Norma Szokolyai, Granada 2017

CWW Summer in Granada Writing Retreat- Aug. 3 2017: Character Development & Writing from your Senses in the City of Pomegranates

Granada. City that is a feast for the senses, city that pulls you into its perfumed streets, filled with the foglight of frankincense and the pepper of flamenco music.  We started Thursday off with an intensive class taught by Rita Banerjee on Character Development & the Law of Desire.  After breaking for lunch and some time to write our character sketches, we re-convened for Tim Horvath’s class on Writing from Your Senses. During the class, we examined a variety of literary texts, as well as sampled tantalizing chocolate from a world class chocolatier and some handmade by CWW Artistic Director Diana Norma Szokolyai just days before in a chocolate factory in a small mountain village, Mijas.  Cacao, ginger, chile, sea salt, essential oil of lemon, corn nuts, blueberries…these were just some of the flavorful notes that we tasted.  As we went through all of the senses, we were surprised by some I Hate Perfume scents that evoked literary landscapes from novels or particular seasons and decades.  At night, we went on a tapas tour and enjoyed sampling local sangria, wine, tinto de verano, clara (lemonade and beer) and cañas.  The colorful street markets were a delight to explore as we sampled local cheeses and tapas.  It was a day full of sensorial experiences to feed our writing.

-Diana Norma Szokolyai, Granada

CWW Summer in Granada – August 2 – Orientation, Toasts, Trick Candles, and Live Jazz

On August 2, the Cambridge Writers’ Workshop Summer in Granada Writing Retreat officially kicked off with our merry band of writers, musicians, and instructors.  Orientation took place right out side the gardens of the Alhambra where writers had an opportunity to meet and greet their instructors.  During toasts with our poison of choice, tinto de veranos, we also celebrated the birthdays of Tim Horvath, Maggie Downs, and Leah Harris in style with pionono cakes and trick candles!  Afterwards we strolled downtown to the Plaza Nueva to rendezvous with our favorite jazz and flamenco musicians, Dennis Shafer and Victor Pachas, and enjoyed the treat of writing to their beautiful music!

Echo in Four Beats – poetry debut by Rita Banerjee – forthcoming in February 2018

Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a multi-lingual, modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats.  But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats.  Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award and the Aquarius Press/Willow Books Literature Award, will be released by Finishing Line Press on February 2, 2018.  The poetry manuscript will be available for pre-order on Finishing Line Press’s website from October 10 – December 8, 2017.  On Rita Banerjee’s poetry, the following writers have written:

“Rita Banerjee’s poems are an acrobatic music, a swinging erudition, a hip lyric to make shape of Whitman’s ‘ostent evanescent,’ a phrase he uses to conjure the metaphysical projections of the physical world. Banerjee, with thrilling compression and off-beat breaks, fashions a multi-dimensional America…With wit, play, consonance, anagram, assonance, the unexpected rhyme, Banerjee offers, in this short collection, a material, feminist, postcolonial critique of where we are as a nation, what we are made of, what we fail to make, and what we can make of language regardless…’ – Patrick Rosal, author of Brooklyn Antediluvian, My American Kundiman, and Uprock, Headspin, Scramble, and Dive

“’I had no roam / no hope to / call a // road’” writes Rita Banerjee, but I don’t believe her for a second. This is a mobile and hopeful speaker, capable of making her home in a rail car heading out of Manipal just as easily as she inhabits Renoir’s Bougival. Throughout, the worldliness is laced with heartache, in search of “’some solace that would heal the lines / between blue and continent.’” ~ Srikanth Reddy, author of Voyager and Facts for Visitors

“Rita Banerjee’s poems spin the reader into a world of tightly packed imagery that leaves us gasping at the edge of violent endings or floating in wondrous, ancient silences. With lyric intensity, delicacy, and humor, she has the capacity to make places and sounds palpable, taking the reader on a journey from Harlem to the Himalayas. This is a new voice of hypnotizing and rare beauty.” ~ Diana Norma Szokolyai, author of Parallel Sparrows and Roses in the Snow

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her poetry chapbook, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016.  Her debut poetry collection, Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award and the Aquarius Press/Willow Books Literature Award, will be released by Finishing Line Press on February 2, 2018.  And her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

Cambridge Writers’ Workshop feat. in The Independent (UK)

The Cambridge Writers’ Workshop is delighted to be featured in the British newspaper, The Independent, in their recent feature article, “World of Books: Ready to Write Your Own Best-seller?”  The article focuses on the Cambridge Writers’ Workshop Summer in Granada Writing Retreat (Aug 2-6, 2017), and quotes Jennifer Howard’s feature from The Washington Post:

You’ve spent too many summers reading novels, isn’t it about time you started to write one yourself.  Jennifer Howard selects the best of the world’s writing retreats:

Summer in Granada is part of a series of retreats created by writers Rita Banerjee and Diana Norma Szokolyai. They describe their retreat model as a kind of roving salon, with previous sessions in Paris and at a chateau in Picardy, among its envy-inducing locations. “All of these places have a very alive and electric culture, a culture that exists on the streets, in the imagination,” Banerjee says.

To read the complete article, please visit the The Independent’s British edition here.  Applications and scholarships for our Summer in Granada Writing Retreat (Aug 2-6, 2017) are open until June 20, 2017.  Please apply at cww.submittable.com.

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