Cambridge, MA Fall 2017 Creative Writing Workshops & Craft of Writing Seminars

CCAEClasses2-2017
The Cambridge Writers’ Workshop is delighted announce that we will be hosting our second annual fall writing series at the Cambridge Center for Adult Education at 56 Brattle St, Cambridge, MA 02138 USA.  Our Craft of Writing Seminars and Creative Writing Workshops will take place on Saturday mornings from 10 am – 1 pm from September 23 – December 2, 2017.  Registration opens July 26, 2017 at the Cambridge Center for Adult Education.  Classes are $40 each.

Location:

Cambridge Center For Adult Education
56 Brattle St, Cambridge, MA 02138 USA

Time:

Saturdays, 10 am – 1 pm, September 23 – December 2, 2017
(Registration opens on July 26, 2017 on the CCAE Website!)

Class Schedule:

September 23: “Trance Poetry”
(with Janaka Stucky)

Many writers work in a self-induced trance state—which proves a powerful tool to access creative, free- associative, & innovative forms of consciousness. Whether you want to call it “flow,” or “meditation,” or “channeling,” there are multiple techniques artists can use to access & regulate this incredibly generative mindset. We will explore what it means to work from a trance state, ways we can safely induce trance, & look at works of writers who are known for espousing similar techniques.

September 30: “Writing Poetic Prose: Rising to the Lyric Register”
(with Diana Norma Szokolyai)

In this writing workshop, we will practice writing in the lyric register and elevate our writing into descriptive, poetic prose. We will look intensively at writing “the moment,” slowing down and unpacking a single turn of the prism. After examining some examples in literature, we will take to writing and revising our own pieces to unlock the lyrical qualities of a single moment. Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

October 21: “Black Mountain and New York School Poetry”
(with Megan Fernandes)

In this class, we will look at different elements of the Black Mountain and New York School poetry movements. The class will analyze how the use of monosyllables, experimental syntax, stream of consciousness, prepositions, and dental consonants were employed by poets in each of these eras including Frank O’Hara and Robert Creeley. Students will be expected to draft two poems by the end of the intensive that play with the major tenets of each movement.

November 4: “Crafting Storytelling that Sticks & Compelling Characters”
(with Diana Norma Szokolyai)

When telling a story, what are the underlying structures that make people want to keep reading? We will unpack the elements of timeless stories, examining what makes them memorable. When crafting our characters, we want to inspire empathy in our readers and of course, make them believable. We will learn from the examples of bestselling authors and try our hand at several strategies to build unforgettable characters. Expect to walk away from this class with a toolkit for crafting your story.

November 11: “Me Against The World: Tupac & the Power of Hip- Hop”

(with Frederick-Douglass Knowles II)

This workshop examines the poetry and musical works of Tupac Shakur in order to delineate social responsibility in Hip-Hop culture. The seminar will explore the historical significance of Hip-Hop culture and social injustices. The class will examine Shakur’s T.H.U.G. L.I.F.E. philosophy— and his identity as the progeny of a Black Panther Political Party member. Participants will devise poems on Shakur’s turbulent, dichotomous lifestyle; addressing the question: Tupac. Menace or Martyr?

November 18: “Haiku Intensive”
(with Janaka Stucky)

Often misrepresented or only partially understood, the heart of Haiku contains many lessons and silence. This intensive will survey the history and core principles while reading ancient and contemporary examples. Multiple haiku will be written and workshopped. By the end, you will be equipped to incorporate the powerful discipline of haiku into your life, using it to hone your poetic practice and increase your daily awareness.

December 2: “See Something/Say Something: Poetry in the Age of Terror”
(with Megan Fernandes)

We live in an age of terror where suspicion is elicited from us daily. We animalize immigrants and fantasize about borders that cage us into an insular nationalism. In this class, we will read poems about how discourses of terror create environmental wastelands, subhuman protagonists, and militarized kinship. What emotional landscapes are part of this era? What kind of speakers teach us how to navigate it? Students will be expected to draft two poems by the end of class.

Featured Faculty:

Janaka Stucky is an American poet, performer, and publisher. The founding editor of Black Ocean, as well as the annual poetry journal, Handsome, he is also the author of a few poetry collections. His poems have appeared in such journals as Denver Quarterly, Fence and North American Review, and his articles have been published by The Huffington Postand The Poetry Foundation. He is a two-time National Haiku Champion and in 2010 he was voted “Boston’s Best Poet” in The Boston Phoenix.  In 2015, Jack White’s Third Man Recordslaunched a new publishing imprint, Third Man Books, and chose Janaka’s full-length poetry collection, The Truth Is We Are Perfect, as their inaugural title. Janaka’s poems are at once incantatory, mystic, and epigrammatic. His esoteric & occult influences, combined with a mesmeric approach to performance, create an almost ecstatic presence on stage.

meganfernandes_newbioimage2015Megan Fernandes is an Assistant Professor of English at Lafayette College and teaches courses on poetry, feminist theory, and science and technology studies. She holds a PhD in English from the University of California, Santa Barbara, and an MFA in poetry from Boston University. She is the author of The Kingdom and After(Tightrope Books 2015), the poetry editor of the anthology Strangers in Paris (Tightrope Books 2011), and the author of two poetry chapbooks: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming in the Boston Review, Rattle, The Adroit Journal, Pank Magazine, The Walrus Magazine, Postmodern Culture, Guernica, Memorious, the Academy of American Poets, Redivider, the California Journal of Poetics, among others.

screen-shot-2016-09-27-at-10-52-49-amFrederick-Douglass Knowles II (Yesod) is a Poet-Educator-Activist involved in Community Education and the Performing Arts. He has competed on three National Poetry Slam Teams (2x Connecticut and Brooklyn, NY). His works have featured in the Martin Luther King Jr. Anthology by Yale University Press, East Haddam Stage Company of Connecticut, The 13th Annual Acacia Group Conference at California State University, Folio– a Southern Connecticut State University literary magazine, Lefoko—a Botswana (Southern Africa) Hip-Hop magazine and Fingernails Across the Chalkboard: AIDS Anthology by Third World Press. Frederick-Douglass is currently an English Professor at Three Rivers Community College where he infuses English Composition with social injustices, such as AIDS, Poverty and War. His debut collection of autobiographical poetry, Black Rose City, was currently released by Author House.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic
Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).
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New York Premiere of Dipika Guha’s Play – Mechanics of Love – at the Paradise Factory (September 8 – 24, 2016)

DipikaGuha-MechanicsofLoveThe Cambridge Writers’ Workshop is proud to announce the New York premiere of Mechanics of Love, a new play by the talented playwright Dipika Guha, a CWW affiliate and dear friend.  Mechanics of Love, which is produced by To-By-Four Productions, a female-driven theatre and film production company dedicated to making work by women, for everyone, and directed by Elena Araoz, will play at the Paradise Factory in New York City from September 8 – 24, 2016.

In the play, a man who forgets everything falls in love with a ballerina who forgets nothing. That is, until she falls in love with him. And his wife. And the mechanic. This rapidly moving, madcap comedy explores how we love, who we choose, and the cost of making sense of it all.  On Mechanics of Love, Mina Morita writes:

“Written with a finely tuned and absurd lilt, wry poetry, and unnerving humor, her plays break open character stereotypes piece by piece to reveal the shared and vulnerable underbelly of our humanity. She creates worlds that exist beyond the traditional psychological realism of most American theatre, and employs the poetry of unexpected pairings and motives to capture a more truthful human experience.  Love is that intangible force that has assured the growth of humankind and our survival, driven the creation of entire industries, and caused artists to go mad trying to capture its essence. In Mechanics of Love, Guha unveils ‘a mythical European city, pressed up against a communist state’ that has recently fallen. The citizens are suddenly awakened to the possibility of being anyone, or falling in love with anyone… and everyone! It is a moment when cultural norms are being rewritten.”

Dipika Guha’s Mechanics of Love had its world premiere at the Crowded Fire Theater in San Francisco, CA in February 2016.  The cast of this mad-cap love dramedy includes actors Victoria Frings, Anastasia Olowin, Eric Miler, and Sathya Sridharan.  Performances will be held at the Paradise Factory (64 E 4th St, New York, New York 10003) and will take place on Wednesday and Thursday at 7:30pm and Friday and Saturday at 8pm with matinees on Saturday, September 17 & 24 and Sunday, September 11 & 18 at 2pm, and an opening night performance on Monday, September 12 at 7:30pm. Tickets are available online at www.tobyforproductions.com or by calling 1-800-838-3006.

DipikaGuhaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Fellowship with The Lark Playwrights Development Center, A Room of Her Own and Hedgebrook. Her plays include I ENTER the VALLEY (Upcoming; Theatreworks New Play Festival, Finalist Ruby Prize ’15); THE ART of GAMAN (KILROY LIST 2016, Upcoming: Berkeley Rep Ground Floor), MECHANICS of LOVE (Crowded Fire Theatre) and UNRELIABLE(developed at the Rattlestick Playwrights Theatre). She is currently under commission from South Coast Rep, Oregon Shakespeare Festival and Playwrights Horizons Theatre School.

Her work has been developed at Rattlestick Playwrights Theatre, The Atlantic Theatre Company, the Drama League, Cutting Ball Theatre, Playwrights Horizons, New Georges, Roundabout Underground, Shotgun Players, Red Bull Theatre, Leviathan Theatre, Naked Angels, The Cherry Lane Theatre, One Coast Collaboration, The Sam French OOB Festival, The 24 Hour Plays on Broadway and the Tobacco Factory (UK) amongst others. She’s been awarded residencies at the Hermitage Artist Residency, Djerassi Resident Artists Program, SPACE at Ryder Farm, McCarter Theatre’s Sallie B.Goodman Residency, Ucross Artists Residency and the Rasmuson Foundation in Sitka, Alaska. She’s an alumnus of Ars Nova Playgroup, the Dramatists Guild Fellows Program, Soho Rep W/D Lab, the Women’s Project Lab & the Ma-Yi Writer’s Lab.

Dipika received her BA in English Literature from University College London, was a Frank Knox Fellow at Harvard University and received her MFA in Playwriting at the Yale School of Drama under Paula Vogel. She is currently a Visiting Artist at the Schell Center for International Human Rights at Yale Law School and a Resident Playwright at The Playwrights Foundation in San Francisco. Despite a long run in the United States she still drinks tea. 

CWW Newport faculty Jade Sylvan discusses their new play, Spider Cult: The Musical

spidercultSpider Cult: The Musical, written by Jade Sylvan, our Spring in Newport, RI Writing Retreat (April 22-24, 2015) fiction faculty member, will be playing at The Oberon Theatre in Cambridge, MA, on June 24 & June 26, 2016.  There will be two shows on the night of Friday, June 24, as well as a matinee and evening performance on Sunday, June 26.

Spider Cult is Boston’s first apocalyptic lesbian sci-fi horror burlesque musical. The musical follows Scout, an orphan stripper who over the course of the story is pursued by a “crazy” cult. To learn more about the musical and keep up to date with its production, visit: www.spidercultthemusical.com.

jadesylvanJade Sylvan (they/them/their), called a “risqué queer icon” by The Boston Globe, is an award-winning author, poet, screenwriter, producer, and performing artist heavily rooted in the literary and performance community of Cambridge and Somerville, Massachusetts. Jade’s most recent book, Kissing Oscar Wilde (Write Bloody, 2013), a novelized memoir about the author’s experience as a touring poet in Paris (sponsored by a travel grant from The Foundation of Contemporary Arts), was a finalist for the New England Book Award and the Bisexual Book Award.  Other work has appeared in The Washington PostBuzzfeedThe Toast, Mudfish, Lady Churchill’s Rosebud Wristlet, and many other publications.  Jade has toured extensively, performing their work to audiences across the United States, Canada, and Europe.  They are currently overseeing the production of their first full-length stage play, Spider Cult: The Musical, opening June 24th, 2016 at Oberon Theater in Harvard Square.