June 2: Cambridge Writers’ Workshop Celebrates the 90th Anniversary of the Grolier at the Grolier Poetry Festival – Harvard Sq., Cambridge, MA

On Saturday June 2, 2018, the Grolier Poetry Book Shop, the oldest poetry bookstore in the United States, will be celebrating its 90th Anniversary in Cambridge, MA. In order to celebrate 90 years of literary and intellectual activity, the Grolier will be hosting The Grolier Poetry Festival, featuring street performances, writing workshops, literary readings, food, and books in Harvard Square. The event was recently featured in The Boston Globe. The Cambridge Writers’ Workshop is delighted to be featured at the Grolier Poetry Festival on May 19 in Harvard Square.  Join us for our featured readings, performances, and CREDO Workshop!  The Cambridge Writers’ Workshop’s new anthology CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing (eds. Rita Banerjee & Diana Norma Szokolyai, May 15, 2018) can be purchased through C&R Press, Amazon, and Barnes and Noble. Information about our events and writers are posted below:

A 90th Anniversary Celebration
June 2, 2018, 12pm–8pm

Location: Outside Plympton St,
Between Mass Ave & Bow Street
Harvard Square, Cambridge, MA
1:00-2:00pm                
Welcome and Opening Remarks, Ifeanyi Menkiti, Proprietor, Director, Grolier Poetry Book Shop
 
Poets Read
David Ferry, Kathleen Spivack, and Lloyd Scwartz and Lillian Yvonne Bertram
 
2:00–2:20pm             
Michael Mack, Performs from Hearing Voices, Speaking in Tongues 
 
2:20–2:40pm             
Jim Vrabel, performs from John Berryman’s The Dream Songs
2:40–3:35pm
Poets Read
Fred Marchand • Harris Gardner • Patrick Sylvain • Martha Collins • Ruth Lepson • Dan Tobin • Monique-Adelle Callahan • Gail Mazur

Cambridge Writers’ Workshop Group : Diana Norma Szokolyai, accompanied by Audrey Harrer, Harpist • Kevin McLellan

 3:35-4:15pm  (off stage)
Diana Norma Szokolyai leads a workshop based on CREDO: An Anthology of Manifestos and Sourcebook for Creative Writingthat she and Rita Banerjee edited. This newly released book will be available for purchase.

Featured Authors:

DianVersion 2a Norma Szokolyai is author of Parallel Sparrows (honorable mention for Best Poetry Book, 2014 Paris Book Festival), Roses in the Snow (first runner­up, Best Poetry Book, 2009 DIY Book Festival), and a feminist rewriting of a classic fairytale for Brooklyn Art Library’s The Fiction Project, entitled Beneath the Surface: Blue Beard, Remixed. Szokolyai’s poetry and prose has been published in MER VOX Quarterly, VIDA Review, Quail Bell Magazine, The Boston Globe, Luna Luna Magazine, Up the Staircase Quarterly, and has been anthologized in Other Countries: Contemporary Poets Rewiring History, Teachers as Writers & elsewhere. Her edited volume is CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing (C&R Press, 2018). She’s founding Executive Artistic Director of Cambridge Writers’ Workshop. Szokolyai is author of Introduction, and the essay “What’s At Stake?” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Kathleen Spivack’s novel Unspeakable Things was released by Knopf in early 2016. Her previous book, the memoir With Robert Lowell and His Circle: Sylvia Plath, Anne Sexton, Elizabeth Bishop, Stanley Kunitz and Others was published by the University Press of New England in 2012. Her chapbook, A History of Yearning, won the Sows Ear International Poetry Chapbook Prize in 2010, and she recently received the Allen Ginsberg, Erika Mumford, and Paumanok awards for her poetry. Her book won the New England Book Festival and London Book Festival Prizes. Published in over 400 magazines and anthologies, Kathleen’s work has been translated into French. She has held grants from the National Endowment for the Arts; Massachusetts Artists Foundation; Bunting Institute; Howard Foundation; Massachusetts Council for the Arts and Humanities; is a Discovery winner and has been at Yaddo, MacDowell, Ragdale, Karolyi, and the American Academy in Rome. In Boston and Paris she directs the Advanced Writing Workshop, an intensive training program for professional writers. She has taught at conferences in Paris, Aspen, Santa Fe, Burgundy, Skidmore, and on the high seas, (Holland American Line). Spivak is the author of the Craft of Writing essays, “The Writing Exercise: A Recipe” and “Words As Inspiration” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Kevin McLellan is the author of Ornitheology (The Word Works, 2018), Hemispheres (Fact-Simile Editions, 2018), [box] (Letter [r] Press, 2016), Tributary (Barrow Street, 2015), and Round Trip (Seven Kitchens, 2010). He won the 2015 Third Coast Poetry Prize and Gival Press’ 2016 Oscar Wilde Award, and his poems appear in numerous literary journals. Kevin lives in Cambridge, Massachusetts. McLellan’s essay, “Attributes: A Prompt,” can be found in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

 

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CWW Media Arts and Editing & Communications and Internships Announced – Apply by March 15, 2018 Deadline

Media Arts Internship 

Hours: 5-10 hours per week (Cambridge, MA or remote commuting)
Duration: 1 year (renewable)
Deadline & Guidelines: Applications due March 15, 2018. Submit a cover letter and résumé online at cww.submittable.com

The Cambridge Writers’ Workshop, Inc. seeks interns for our creative media team. Interns will further their knowledge in the following areas:

  • Editing and producing podcasts and videos for podcast platforms such as SoundCloud, iTunes, etc. and video platforms such as Vimeo, YouTube, etc.
  • Researching new media platforms and techniques
  • Copy editing promotional materials (print & web)
  • Formatting pieces for the web
  • Contributing to our Tumblr, Twitter, and Facebook pages
  • Attending regular meetings with the executive board

Ideal candidates:

  • Have experience and familiarity with audio programs including, but not limited to, Audacity, Adobe Audition, WavePad, etc., as well as video programs including, but not limited to, Adobe Final Cut and Premier, iMovie, Avid, etc.
  • Have experience producing content on a timely basis
  • Possess energy, enthusiasm, sense of humor, people skills, creativity
  • Have organizational skills, strict attention to detail, & ability to meet deadlines
  • Strong interest audio/video editing and publishing experience

Address the following questions in your cover letter:

  1. What makes you excited about interning with the Cambridge Writers’ Workshop?
  2. How will your skills help us as an organization?
  3. What skills do you hope to gain from your experience with the Cambridge Writers’ Workshop?

Please also include an audio/video portfolio with at least 3 media files (URL links to files are fine) that you have created.

apply

* This is an unpaid internship but Federal Work Study hours and course credit may apply.  Please inquire about details at directors@cambridgewritersworkshop.org

Editing & Communications Internship

Hours: 5-10 hours per week (Cambridge, MA or remote commuting)
Duration:
 6 months (renewable)
Deadline & Guidelines: 
Applications due March 15, 2018. Submit a cover letter and résumé online at cww.submittable.com

The Cambridge Writers’ Workshop, Inc. seeks interns for our editing & communications team.  Interns will gain experience in:

– Copyediting promotional materials (print & web)
– Formatting pieces for the web
– Editing and generating web content (blogging about literary topics)
– Editing and generating newsletter content
– Contributing to our Tumblr, Twitter, and Facebook pages
– Attending regular meetings with the executive board

Ideal candidates:
– Possess energy, enthusiasm, sense of humor, people skills, creativity
– Have organizational skills, strict attention to detail, & ability to meet deadlines
– Have fluency in internet and social media (esp. Twitter, Facebook, Tumblr, and WordPress)
– Strong interest editing/publishing experience
– Experience with Photoshop & HTML helpful but not necessary

Address the following questions in your cover letter:

1.  What makes you excited about interning with the Cambridge Writers’ Workshop?
2.  How will your skills help us as an organization?
3.  What skills do you hope to gain from your experience with the Cambridge Writers’ Workshop?

apply

*  This is an unpaid internship but Federal Work Study hours may apply.  Please inquire about details at directors@cambridgewritersworkshop.org

 

Cambridge, MA Fall 2017 Creative Writing Workshops & Craft of Writing Seminars

CCAEClasses2-2017
The Cambridge Writers’ Workshop is delighted announce that we will be hosting our second annual fall writing series at the Cambridge Center for Adult Education at 56 Brattle St, Cambridge, MA 02138 USA.  Our Craft of Writing Seminars and Creative Writing Workshops will take place on Saturday mornings from 10 am – 1 pm from September 23 – December 2, 2017.  Registration opens July 26, 2017 at the Cambridge Center for Adult Education.  Classes are $40 each.

Location:

Cambridge Center For Adult Education
56 Brattle St, Cambridge, MA 02138 USA

Time:

Saturdays, 10 am – 1 pm, September 23 – December 2, 2017
(Registration opens on July 26, 2017 on the CCAE Website!)

Class Schedule:

September 23: “Trance Poetry”
(with Janaka Stucky)

Many writers work in a self-induced trance state—which proves a powerful tool to access creative, free- associative, & innovative forms of consciousness. Whether you want to call it “flow,” or “meditation,” or “channeling,” there are multiple techniques artists can use to access & regulate this incredibly generative mindset. We will explore what it means to work from a trance state, ways we can safely induce trance, & look at works of writers who are known for espousing similar techniques.

September 30: “Writing Poetic Prose: Rising to the Lyric Register”
(with Diana Norma Szokolyai)

In this writing workshop, we will practice writing in the lyric register and elevate our writing into descriptive, poetic prose. We will look intensively at writing “the moment,” slowing down and unpacking a single turn of the prism. After examining some examples in literature, we will take to writing and revising our own pieces to unlock the lyrical qualities of a single moment. Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

October 21: “Black Mountain and New York School Poetry”
(with Megan Fernandes)

In this class, we will look at different elements of the Black Mountain and New York School poetry movements. The class will analyze how the use of monosyllables, experimental syntax, stream of consciousness, prepositions, and dental consonants were employed by poets in each of these eras including Frank O’Hara and Robert Creeley. Students will be expected to draft two poems by the end of the intensive that play with the major tenets of each movement.

November 4: “Crafting Storytelling that Sticks & Compelling Characters”
(with Diana Norma Szokolyai)

When telling a story, what are the underlying structures that make people want to keep reading? We will unpack the elements of timeless stories, examining what makes them memorable. When crafting our characters, we want to inspire empathy in our readers and of course, make them believable. We will learn from the examples of bestselling authors and try our hand at several strategies to build unforgettable characters. Expect to walk away from this class with a toolkit for crafting your story.

November 11: “Me Against The World: Tupac & the Power of Hip- Hop”

(with Frederick-Douglass Knowles II)

This workshop examines the poetry and musical works of Tupac Shakur in order to delineate social responsibility in Hip-Hop culture. The seminar will explore the historical significance of Hip-Hop culture and social injustices. The class will examine Shakur’s T.H.U.G. L.I.F.E. philosophy— and his identity as the progeny of a Black Panther Political Party member. Participants will devise poems on Shakur’s turbulent, dichotomous lifestyle; addressing the question: Tupac. Menace or Martyr?

November 18: “Haiku Intensive”
(with Janaka Stucky)

Often misrepresented or only partially understood, the heart of Haiku contains many lessons and silence. This intensive will survey the history and core principles while reading ancient and contemporary examples. Multiple haiku will be written and workshopped. By the end, you will be equipped to incorporate the powerful discipline of haiku into your life, using it to hone your poetic practice and increase your daily awareness.

December 2: “See Something/Say Something: Poetry in the Age of Terror”
(with Megan Fernandes)

We live in an age of terror where suspicion is elicited from us daily. We animalize immigrants and fantasize about borders that cage us into an insular nationalism. In this class, we will read poems about how discourses of terror create environmental wastelands, subhuman protagonists, and militarized kinship. What emotional landscapes are part of this era? What kind of speakers teach us how to navigate it? Students will be expected to draft two poems by the end of class.

Featured Faculty:

Janaka Stucky is an American poet, performer, and publisher. The founding editor of Black Ocean, as well as the annual poetry journal, Handsome, he is also the author of a few poetry collections. His poems have appeared in such journals as Denver Quarterly, Fence and North American Review, and his articles have been published by The Huffington Postand The Poetry Foundation. He is a two-time National Haiku Champion and in 2010 he was voted “Boston’s Best Poet” in The Boston Phoenix.  In 2015, Jack White’s Third Man Recordslaunched a new publishing imprint, Third Man Books, and chose Janaka’s full-length poetry collection, The Truth Is We Are Perfect, as their inaugural title. Janaka’s poems are at once incantatory, mystic, and epigrammatic. His esoteric & occult influences, combined with a mesmeric approach to performance, create an almost ecstatic presence on stage.

meganfernandes_newbioimage2015Megan Fernandes is an Assistant Professor of English at Lafayette College and teaches courses on poetry, feminist theory, and science and technology studies. She holds a PhD in English from the University of California, Santa Barbara, and an MFA in poetry from Boston University. She is the author of The Kingdom and After(Tightrope Books 2015), the poetry editor of the anthology Strangers in Paris (Tightrope Books 2011), and the author of two poetry chapbooks: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming in the Boston Review, Rattle, The Adroit Journal, Pank Magazine, The Walrus Magazine, Postmodern Culture, Guernica, Memorious, the Academy of American Poets, Redivider, the California Journal of Poetics, among others.

screen-shot-2016-09-27-at-10-52-49-amFrederick-Douglass Knowles II (Yesod) is a Poet-Educator-Activist involved in Community Education and the Performing Arts. He has competed on three National Poetry Slam Teams (2x Connecticut and Brooklyn, NY). His works have featured in the Martin Luther King Jr. Anthology by Yale University Press, East Haddam Stage Company of Connecticut, The 13th Annual Acacia Group Conference at California State University, Folio– a Southern Connecticut State University literary magazine, Lefoko—a Botswana (Southern Africa) Hip-Hop magazine and Fingernails Across the Chalkboard: AIDS Anthology by Third World Press. Frederick-Douglass is currently an English Professor at Three Rivers Community College where he infuses English Composition with social injustices, such as AIDS, Poverty and War. His debut collection of autobiographical poetry, Black Rose City, was currently released by Author House.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic
Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

CWW Harvest Creative Writing Retreat in Rockport, MA (October 12-15, 2017)

The Cambridge Writers’ Workshop Harvest Creative Writing Retreat will take place from October 12-15 2017. Our Harvest Retreat offers the opportunity for writers of all genres and levels to work alongside award-winning writers to hone their craft and expand their writing skills on the shores of a luxurious ocean-side beach house.

The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Maya SonenbergRita Banerjee, and Diana Norma Szokolyai. The cost of the retreat is $825 which includes tuition, lodging, and some meals.

If you’d like to join us in Rockport, please apply by the final deadline of September 25, 2017 (early applications encouraged, spots fill up quickly).  Please submit 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $5 application fee, a cover letter, and references. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact Information (Email, Address, Phone)
3. Age & Nationality
4. Prior Workshop Experience and Publications
5. Creative Writing Goals for the Retreat
6. Short One-paragraph Biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are encouraged. Applications due at cww.submittable.com.

applyDeadline: September 25, 2017*

* Please note that early applications are encouraged as there is limited housing in the main retreat house.

Class ScheduleCharacter Development & the Law of Desire (with Rita Banerjee)

Femme fatales, gumshoe detectives, star-crossed lovers, wicked stepmothers, wise fools, empathetic anti-heroes: dynamic and archetypal characters can be key to making a good story or lyrical piece tick and pulling in the reader deeper into your creative work. In this workshop, we will discuss how dynamic and archetypal characters can help structure stories, propel narratives forwards, and how each character’s desire provides interesting ethical dilemmas and emotional spectrums to narratives and verse. We will learn about the building blocks of creating strong, unforgettable characters, discuss the connection between desire and plot, and learn how playing with persona can help liberate nonfictional stories and lyrical poems. 

Forbidden Forms: Beyond the Plot Triangle, I & II (with Maya Sonenberg)

We often think of a story or essay as an organic thing, its form arising naturally from its content, but in this class, we will playfully turn that idea upside down, reading examples of prose using nontraditional forms, and then using forms to generate content. After a brief review of the uses and abuses of plot, we will dive into a wide variety of other forms your fiction and nonfiction can take: games, tests, verse forms, music, and a variety of inspiring forms from nonliterary nonfiction. Our first meeting will be devoted to discussion of readings and our second to group and individual writing exercises designed to show you how starting with form can help you generate new work, solve structural issues in your existing work, and dive even deeper into content.

Writing in the Lyric Register (with Diana Norma Szokolyai)

In this writing workshop, we will practice writing in the lyric register, expanding our writing into descriptive, poetic prose.  We will look intensively at writing “the moment,” slowing down and unpacking a single moment.  After examining some examples in literature, we will take to writing and revising our own pieces to unlock the lyrical qualities of a single moment.  Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

Bake-Off (with Rita Banerjee & Diana Norma Szokolyai)

During our Harvest Retreat in Rockport, MA, we will do a 48-hour creative writing bake-off together.  The Bake-off exercise or writerly dare was popularized by Pulitzer Prize winning playwright Paula Vogel and introduced to the CWW by playwright Dipika Guha. The dare is to write a narrative, play, or chapbook length collection of lyric pieces in a fixed span of time 48 hours in response to a list of shared elements. We will begin with a seminar on Friday afternoon when we’ll visit our creative writing toolbox and look at devices, forms and structures available for our use. At this meeting we’ll choose six elements to include in our writing drawn from the city of Rockport, MA, seeking inspiration from its architecture, history and myths. After the seminar you will go away and write until the next evening. On Sunday over food and drink, we will read your bake-offs together and celebrate your progress. Bake-offs are not critiqued.

Featured Faculty:

Maya Sonenberg’s first story collection, Cartographies, received the Drue Heinz Literature Prize and was published by the University of Pittsburgh Press. At the time, she was the youngest author to have received this prize. Her second collection, Voices from the Blue Hotel, appeared in 2007, and her chapbook of fiction and drawings, 26 Abductions, was published by The Cupboard in 2015. A second chapbook, After the Death of Shostakovich Père, won the 2016 PANK [CHAP]book contest and will appear in fall of 2017. Other stories and essays have appeared widely, in such journals as Fairy Tale Review, Web Conjunctions, The Literarian, New Ohio Review, and Hotel Amerika, and she has received grants from King County 4Culture and Artists Trust. She teaches in the creative writing program at the University of Washington—Seattle, and is currently at work on a book about her grandmother, Laura Ingalls Wilder (both the author and the character), and Jewish utopian settlements in the Dakotas during the late 19th century.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Ludwig-Maximilian University of Munich in Germany.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her poetry chapbook, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016.  Her debut poetry collection, Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Poetry Book Prize, and the Aquarius Press/Willow Books Literature Award, will be released by Finishing Line Press on February 2, 2018.  And her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

FAQ:

What happens after I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. This amount is non-refundable. The remainder of tuition will be due by September 25, 2017. Our standard and preferred method of payment is PayPal invoice. You can also mail us a check. The deposit is non-refundable.

What is included in tuition?

  • creative writing workshops
  • craft of writing seminars
  • lodging in Portland
  • some meals

I’m local to Rockport. Is there a tuition only option?

Yes. For more information, please inquire at info@cambridgewritersworkshop.org.

What are accommodations like?

We will be staying near Wigaersheek Beach during the retreat, a location that will both inspire and relax participants to help them create. Writers will be staying at our nearby retreat house.

 

 

 

Announcing New Cambridge Writers’ Workshop Faculty for Fall 2017 Workshops & Retreat

The Cambridge Writers’ Workshop is delighted to announce the following poets and writers will be joining our Fall 2017 Faculty for our classes in Cambridge, MA at the Cambridge Center for Adult Education (September 23 – December 2, 2017) and our Harvest Creative Writing Retreat in Rockport, MA (October 12-15, 2017).

Maya Sonenberg’s first story collection, Cartographies, received the Drue Heinz Literature Prize and was published by the University of Pittsburgh Press. At the time, she was the youngest author to have received this prize. Her second collection, Voices from the Blue Hotel, appeared in 2007, and her chapbook of fiction and drawings, 26 Abductions, was published by The Cupboard in 2015. A second chapbook, After the Death of Shostakovich Père, won the 2016 PANK [CHAP]book contest and will appear in fall of 2017. Other stories and essays have appeared widely, in such journals as Fairy Tale Review, Web Conjunctions, The Literarian, New Ohio Review, and Hotel Amerika, and she has received grants from King County 4Culture and Artists Trust. She teaches in the creative writing program at the University of Washington—Seattle, and is currently at work on a book about her grandmother, Laura Ingalls Wilder (both the author and the character), and Jewish utopian settlements in the Dakotas during the late 19th century.

meganfernandes_newbioimage2015Megan Fernandes is an Assistant Professor of English at Lafayette College and teaches courses on poetry, feminist theory, and science and technology studies. She holds a PhD in English from the University of California, Santa Barbara, and an MFA in poetry from Boston University. She is the author of The Kingdom and After(Tightrope Books 2015), the poetry editor of the anthology Strangers in Paris (Tightrope Books 2011), and the author of two poetry chapbooks: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming in the Boston Review, Rattle, The Adroit Journal, Pank Magazine, The Walrus Magazine, Postmodern Culture, Guernica, Memorious, the Academy of American Poets, Redivider, the California Journal of Poetics, among others.

screen-shot-2016-09-27-at-10-52-49-amFrederick-Douglass Knowles II (Yesod) is a Poet-Educator-Activist involved in Community Education and the Performing Arts. He has competed on three National Poetry Slam Teams (2x Connecticut and Brooklyn, NY). His works have featured in the Martin Luther King Jr. Anthology by Yale University Press, East Haddam Stage Company of Connecticut, The 13th Annual Acacia Group Conference at California State University, Folio– a Southern Connecticut State University literary magazine, Lefoko—a Botswana (Southern Africa) Hip-Hop magazine and Fingernails Across the Chalkboard: AIDS Anthology by Third World Press. Frederick-Douglass is currently an English Professor at Three Rivers Community College where he infuses English Composition with social injustices, such as AIDS, Poverty and War. His debut collection of autobiographical poetry, Black Rose City, was currently released by Author House.

Janaka Stucky is an American poet, performer, and publisher. The founding editor of Black Ocean, as well as the annual poetry journal, Handsome, he is also the author of a few poetry collections. His poems have appeared in such journals as Denver Quarterly, Fence and North American Review, and his articles have been published by The Huffington Postand The Poetry Foundation. He is a two-time National Haiku Champion and in 2010 he was voted “Boston’s Best Poet” in The Boston Phoenix.  In 2015, Jack White’s Third Man Recordslaunched a new publishing imprint, Third Man Books, and chose Janaka’s full-length poetry collection, The Truth Is We Are Perfect, as their inaugural title. Janaka’s poems are at once incantatory, mystic, and epigrammatic. His esoteric & occult influences, combined with a mesmeric approach to performance, create an almost ecstatic presence on stage.

Soundtrack for Jade Sylvan’s “Spider Cult: The Musical” now available on Bandcamp!

SpiderCultSoundtrackCongratulations to CWW Instructor and talented playwright, Jade Sylvan, for a raucous performance of their play, Spider Cult: The Musical, at the American Repertory Theatre in Harvard Square in Cambridge, MA this past weekend!  The play was produced by Jane Doe, choreographed and directed by Fem Bones, and featured dance performances by the Slaughterhouse Sweethearts.  Catherine Cappozi (a.k.a. AxeMunkee) played electric guitar and composed the soundtrack for Spider Cult.  We’re proud to announce that the original soundtrack for Spider Cult: The Musical is now available on Bandcamp for those who couldn’t make it out to Cambridge, MA to see the play this weekend.  And a big hurrah for Jade Sylvan and the wonderful cast and crew of Spider Cult who brought down the house at the Oberon Theatre on Sunday!

CWW Instructor Jade Sylvan’s “Spider Cult: The Musical” debuts at the Oberon Theatre in Cambridge, MA on June 24!

SPIDEROBERON

Spider Cult: The Musical, an original apocalyptic lesbian, fringe, sci-fi horror, burlesque musical, will have its debut at the American Repertory Theatre in Harvard Square in Cambridge, MA on June 24th, with an additional showing on June 26th. Written and produced by CWW instructor and playwright Jade Sylvan, Spider Cult is a spin-off from a previous burlesque show called Revenge of the Robot Battle Nuns by the Boston burlesque group Slaughterhouse Sweethearts. It follows Scout, a temptress from Battle Nuns who led the heroes astray into her web of lust, and shows how she became such an evil villainess. This story stars some of Boston’s most known burlesque performers, including Fem Bones, Jane Doe, and Bella Gunz.

Spider Cult will run for four shows on June 24th (at 6:30 pm and 10 pm) and June 26th (at 5:30 pm and 8 pm) at the Oberon Theatre.  For more information on the show and how to purchase tickets, please visit check out more information here.  The musical was successfully funded via Kickstarter.  And here’s an NSFW preview of the show below:

CWW Interview with Jade Sylvan Our Newport, RI Writing Instructor & Author of Spider Cult: The Musical

LowRes-DSC_0440-Edit-2Last week, our Spring in Newport, Rhode Island Writing & Yoga Retreat took place from April 22-24. Highlights of the retreat included featured faculty member Jade Sylvan’s class, Writing Yourself Naked. Sylvan, author of  acclaimed memoir, Kissing Oscar Wilde (2013) and writer/producer of the upcoming Spider Cult: The Musical (2016) took the time to sit down with Cambridge Writers’ Workshop’s Alyssa Goldstein Ekstrom for an interview. Read below the interview people and check out our Spring in Newport, Rhode Island recap! And don’t forget, you have until May 30 to register for our Summer Writing Retreats in Barcelona & South of France (July 18-26, 2016) and Granada, Spain (July 28- August 5, 2016)!

Alyssa Goldstein Ekstrom: You just taught a class on our Newport retreat called Writing Yourself Naked. What was your experience in Newport like and did you have a favorite part of the retreat?

Jade Sylvan: Honestly, my favorite part was getting to know the writers and what they were working on. It’s great to get out of my own echo-chamber and learn with people from all over with different backgrounds who I’d never meet otherwise.

AGE: You’re an award-winning poet, author, screenwriter, producer, and performance artist. What do you think it is that drives you to keep on creating?

JS: Habit. What else would I do with my feelings?

AGE: The Boston Globe called you a “risqué queer icon.” Do you feel being labeled an icon, and more importantly, a queer icon, puts more pressure on you when it comes to creating new work or does it perhaps aid you in your creative process or does it have no bearing on what you do at all?

JS:  I think it’s funny more than anything. Whenever people write about me it always feels like they miss the point, but I guess it’s good to be written about. I like attention but I’m an introvert. Writer’s curse.

KissingOscar-Book2AGE: You wrote a memoir titled Kissing Oscar Wilde. Was writing a memoir more than challenging than you expected it to be and what surprised you most about writing it?

JS: It was very hard to write something personal and honest and what surprised me most about it was how it changed and in some cases deepened my relationships with the other people in the book. I learned a lot about communication from that experience.

AGE: What advice would you give to someone who is thinking about writing a memoir?

JS: Just write what happened.

spidersamAGE: Congratulations on Spider Cult: The Musical which will be held at the Oberon in Cambridge, MA June 24 & 26! It its description it says it is  “the apocalyptic lesbian sci-fi horror burlesque musical of the century.” What inspired you to write this script?

JS: People always say to “write what you know.” Well, I know about religion and lesbian orgies and pseudo-science and boobs.

AGE: Finally, aside from Spider Cult: The Musical, do you have any other upcoming projects you can tell us about?

JS: I’m working on a supernatural erotic thriller and a short YA story, but I can say no more!

jadesylvanJade Sylvan (they/them/their), called a “risqué queer icon” by The Boston Globe, is an award-winning author, poet, screenwriter, producer, and performing artist heavily rooted in the literary and performance community of Cambridge and Somerville, Massachusetts. Jade’s most recent book, Kissing Oscar Wilde (Write Bloody, 2013), a novelized memoir about the author’s experience as a touring poet in Paris (sponsored by a travel grant from The Foundation of Contemporary Arts), was a finalist for the New England Book Award and the Bisexual Book Award.  Other work has appeared in The Washington PostBuzzfeedThe Toast, Mudfish, Lady Churchill’s Rosebud Wristlet, and many other publications.  Jade has toured extensively, performing their work to audiences across the United States, Canada, and Europe.  They are currently overseeing the production of their first full-length stage play, Spider Cult: The Musical, opening June 24th, 2016 at Oberon Theater in Harvard Square.

CWW Newport faculty Jade Sylvan discusses their new play, Spider Cult: The Musical

spidercultSpider Cult: The Musical, written by Jade Sylvan, our Spring in Newport, RI Writing Retreat (April 22-24, 2015) fiction faculty member, will be playing at The Oberon Theatre in Cambridge, MA, on June 24 & June 26, 2016.  There will be two shows on the night of Friday, June 24, as well as a matinee and evening performance on Sunday, June 26.

Spider Cult is Boston’s first apocalyptic lesbian sci-fi horror burlesque musical. The musical follows Scout, an orphan stripper who over the course of the story is pursued by a “crazy” cult. To learn more about the musical and keep up to date with its production, visit: www.spidercultthemusical.com.

jadesylvanJade Sylvan (they/them/their), called a “risqué queer icon” by The Boston Globe, is an award-winning author, poet, screenwriter, producer, and performing artist heavily rooted in the literary and performance community of Cambridge and Somerville, Massachusetts. Jade’s most recent book, Kissing Oscar Wilde (Write Bloody, 2013), a novelized memoir about the author’s experience as a touring poet in Paris (sponsored by a travel grant from The Foundation of Contemporary Arts), was a finalist for the New England Book Award and the Bisexual Book Award.  Other work has appeared in The Washington PostBuzzfeedThe Toast, Mudfish, Lady Churchill’s Rosebud Wristlet, and many other publications.  Jade has toured extensively, performing their work to audiences across the United States, Canada, and Europe.  They are currently overseeing the production of their first full-length stage play, Spider Cult: The Musical, opening June 24th, 2016 at Oberon Theater in Harvard Square.