CWW Harvest Creative Writing Retreat in Rockport, MA (October 12-15, 2017)

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The Cambridge Writers’ Workshop Harvest Creative Writing Retreat will take place from October 12-15 2017. Our Harvest Retreat offers the opportunity for writers of all genres and levels to work alongside award-winning writers to hone their craft and expand their writing skills on the shores of a luxurious ocean-side beach house.

The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Maya SonenbergRita Banerjee, and Diana Norma Szokolyai. The cost of the retreat is $825 which includes tuition, lodging, and some meals.

If you’d like to join us in Rockport, please apply by August 15, 2017 (early application deadline), or by the final deadline of September 15, 2017 (early applications encouraged, spots fill up quickly).  Please submit 5-10 pages of poetry, fiction, creative nonfiction, or a play with a $5 application fee, a cover letter, and references. Please also include the following in your cover letter:

1. Full Legal Name
2. Contact Information (Email, Address, Phone)
3. Age & Nationality
4. Prior Workshop Experience and Publications
5. Creative Writing Goals for the Retreat
6. Short One-paragraph Biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

Due to limited seats, early applications are encouraged. Applications due at cww.submittable.com.

applyDeadline: September 15, 2017*

* Please note that early applications are encouraged as there is limited housing in the main retreat house.

Class Schedule:

Character Development & the Law of Desire (with Rita Banerjee)

Femme fatales, gumshoe detectives, star-crossed lovers, wicked stepmothers, wise fools, empathetic anti-heroes: dynamic and archetypal characters can be key to making a good story or lyrical piece tick and pulling in the reader deeper into your creative work. In this workshop, we will discuss how dynamic and archetypal characters can help structure stories, propel narratives forwards, and how each character’s desire provides interesting ethical dilemmas and emotional spectrums to narratives and verse. We will learn about the building blocks of creating strong, unforgettable characters, discuss the connection between desire and plot, and learn how playing with persona can help liberate nonfictional stories and lyrical poems. 

Forbidden Forms: Beyond the Plot Triangle, I & II (with Maya Sonenberg)

We often think of a story or essay as an organic thing, its form arising naturally from its content, but in this class, we will playfully turn that idea upside down, reading examples of prose using nontraditional forms, and then using forms to generate content. After a brief review of the uses and abuses of plot, we will dive into a wide variety of other forms your fiction and nonfiction can take: games, tests, verse forms, music, and a variety of inspiring forms from nonliterary nonfiction. Our first meeting will be devoted to discussion of readings and our second to group and individual writing exercises designed to show you how starting with form can help you generate new work, solve structural issues in your existing work, and dive even deeper into content.

Writing in the Lyric Register (with Diana Norma Szokolyai)

In this writing workshop, we will practice writing in the lyric register, expanding our writing into descriptive, poetic prose.  We will look intensively at writing “the moment,” slowing down and unpacking a single moment.  After examining some examples in literature, we will take to writing and revising our own pieces to unlock the lyrical qualities of a single moment.  Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

Bake-Off (with Rita Banerjee & Diana Norma Szokolyai)

During our Harvest Retreat in Rockport, MA, we will do a 48-hour creative writing bake-off together.  The Bake-off exercise or writerly dare was popularized by Pulitzer Prize winning playwright Paula Vogel and introduced to the CWW by playwright Dipika Guha. The dare is to write a narrative, play, or chapbook length collection of lyric pieces in a fixed span of time 48 hours in response to a list of shared elements. We will begin with a seminar on Friday afternoon when we’ll visit our creative writing toolbox and look at devices, forms and structures available for our use. At this meeting we’ll choose six elements to include in our writing drawn from the city of Rockport, MA, seeking inspiration from its architecture, history and myths. After the seminar you will go away and write until the next evening. On Sunday over food and drink, we will read your bake-offs together and celebrate your progress. Bake-offs are not critiqued.

Featured Faculty:

Maya Sonenberg’s first story collection, Cartographies, received the Drue Heinz Literature Prize and was published by the University of Pittsburgh Press. At the time, she was the youngest author to have received this prize. Her second collection, Voices from the Blue Hotel, appeared in 2007, and her chapbook of fiction and drawings, 26 Abductions, was published by The Cupboard in 2015. A second chapbook, After the Death of Shostakovich Père, won the 2016 PANK [CHAP]book contest and will appear in fall of 2017. Other stories and essays have appeared widely, in such journals as Fairy Tale Review, Web Conjunctions, The Literarian, New Ohio Review, and Hotel Amerika, and she has received grants from King County 4Culture and Artists Trust. She teaches in the creative writing program at the University of Washington—Seattle, and is currently at work on a book about her grandmother, Laura Ingalls Wilder (both the author and the character), and Jewish utopian settlements in the Dakotas during the late 19th century.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Ludwig-Maximilian University of Munich in Germany.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her poetry chapbook, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016.  Her debut poetry collection, Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Poetry Book Prize, and the Aquarius Press/Willow Books Literature Award, will be released by Finishing Line Press on February 2, 2018.  And her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press on March 7, 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

FAQ:

What happens after I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit to hold your seat within 3-5 days of acceptance. This amount is non-refundable. The remainder of tuition will be due by September 1, 2017. Our standard and preferred method of payment is PayPal invoice. You can also mail us a check. The deposit is non-refundable.

What is included in tuition?

  • creative writing workshops
  • craft of writing seminars
  • lodging in Portland
  • some meals

I’m local to Rockport. Is there a tuition only option?

Yes. For more information, please inquire at info@cambridgewritersworkshop.org.

What are accommodations like?

We will be staying near Wigaersheek Beach during the retreat, a location that will both inspire and relax participants to help them create. Writers will be staying at our nearby retreat house.

 

 

Announcing New Cambridge Writers’ Workshop Faculty for Fall 2017 Workshops & Retreat

The Cambridge Writers’ Workshop is delighted to announce the following poets and writers will be joining our Fall 2017 Faculty for our classes in Cambridge, MA at the Cambridge Center for Adult Education (September 23 – December 2, 2017) and our Harvest Creative Writing Retreat in Rockport, MA (October 12-15, 2017).

Maya Sonenberg’s first story collection, Cartographies, received the Drue Heinz Literature Prize and was published by the University of Pittsburgh Press. At the time, she was the youngest author to have received this prize. Her second collection, Voices from the Blue Hotel, appeared in 2007, and her chapbook of fiction and drawings, 26 Abductions, was published by The Cupboard in 2015. A second chapbook, After the Death of Shostakovich Père, won the 2016 PANK [CHAP]book contest and will appear in fall of 2017. Other stories and essays have appeared widely, in such journals as Fairy Tale Review, Web Conjunctions, The Literarian, New Ohio Review, and Hotel Amerika, and she has received grants from King County 4Culture and Artists Trust. She teaches in the creative writing program at the University of Washington—Seattle, and is currently at work on a book about her grandmother, Laura Ingalls Wilder (both the author and the character), and Jewish utopian settlements in the Dakotas during the late 19th century.

meganfernandes_newbioimage2015Megan Fernandes is an Assistant Professor of English at Lafayette College and teaches courses on poetry, feminist theory, and science and technology studies. She holds a PhD in English from the University of California, Santa Barbara, and an MFA in poetry from Boston University. She is the author of The Kingdom and After(Tightrope Books 2015), the poetry editor of the anthology Strangers in Paris (Tightrope Books 2011), and the author of two poetry chapbooks: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming in the Boston Review, Rattle, The Adroit Journal, Pank Magazine, The Walrus Magazine, Postmodern Culture, Guernica, Memorious, the Academy of American Poets, Redivider, the California Journal of Poetics, among others.

screen-shot-2016-09-27-at-10-52-49-amFrederick-Douglass Knowles II (Yesod) is a Poet-Educator-Activist involved in Community Education and the Performing Arts. He has competed on three National Poetry Slam Teams (2x Connecticut and Brooklyn, NY). His works have featured in the Martin Luther King Jr. Anthology by Yale University Press, East Haddam Stage Company of Connecticut, The 13th Annual Acacia Group Conference at California State University, Folio– a Southern Connecticut State University literary magazine, Lefoko—a Botswana (Southern Africa) Hip-Hop magazine and Fingernails Across the Chalkboard: AIDS Anthology by Third World Press. Frederick-Douglass is currently an English Professor at Three Rivers Community College where he infuses English Composition with social injustices, such as AIDS, Poverty and War. His debut collection of autobiographical poetry, Black Rose City, was currently released by Author House.

Janaka Stucky is an American poet, performer, and publisher. The founding editor of Black Ocean, as well as the annual poetry journal, Handsome, he is also the author of a few poetry collections. His poems have appeared in such journals as Denver Quarterly, Fence and North American Review, and his articles have been published by The Huffington Postand The Poetry Foundation. He is a two-time National Haiku Champion and in 2010 he was voted “Boston’s Best Poet” in The Boston Phoenix.  In 2015, Jack White’s Third Man Recordslaunched a new publishing imprint, Third Man Books, and chose Janaka’s full-length poetry collection, The Truth Is We Are Perfect, as their inaugural title. Janaka’s poems are at once incantatory, mystic, and epigrammatic. His esoteric & occult influences, combined with a mesmeric approach to performance, create an almost ecstatic presence on stage.

CWW’s CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing (C&R Press) Launches on March 7, 2018!

The Cambridge Writers’ Workshop is proud to announce that CREDO: An Anthology of Manifestos and Sourcebook for Creative Writingedited by Rita Banerjee and Diana Norma Szokolyai, and produced by the Cambridge Writers’ Workshop (with assistant editors Alexander Carrigan and Megan Tilley), will be published on March 7, 2018 by C&R Press.  C&R Press began in 2006 as a literary press committed to publishing books from new and emerging writers.  C&R Press is interested in supporting authors whose thoughtful and imaginative contribution to contemporary literature deserves recognition and support. C&R Press’s catalogue includes exciting new poetry, fiction, nonfiction, as well as reportage/journalism.

CREDO. I believe. No other statement is so full of intent, subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting themselves on the frontline. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto.

The Cambridge Writers’ Workshop’s CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing is a raw look at what motivates 21st century authors. CREDO is a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises. These manifestos interrogate and harken back to the modernist manifestos of the early 20th century. The second section of CREDO focuses on craft of writing essays that examine the writing process with candid vulnerability. The third section includes writing exercises, which are meant to challenge and incite creativity.

CREDO is our declaration against violence and limitations of free speech. Our CREDO focuses on transgender poetics, world literature and aesthetics, collage and appropriation, and the politics of place. The anthology bridges the theoretical and the practical with accessible writing advice, and its ultimate mission is to inspire innovative writing and to provoke it. CREDO features writing from contemporary authors such as Kazim Ali, Forrest Anderson, Rita Banerjee, Lisa-Marie Basile, Jaswinder Bolina, Stephen Burt, Alexander Carrigan, Sam Cha, Melinda Combs, Thade Correa, Jeff Fearnside, John Guzlowski, Rachael Hanel, Janine Harrison, Lindsay Illich, Douglas C. Jackson, Caitlin Johnson, Christine Johnson-Duell, Jason Kapcala, Richard Kenney, Eva Langston, John Laue, Stuart Lishan, Ellaraine Lockie, Amy MacLennan, Kevin McLellan, E. Ce. Miller, Brenda Moguez, Peter Mountford, Robert Pinsky, Kara Provost, Jessica Reidy, Amy Rutten, Elisabeth Sharp McKetta, David Shields, Lillian Ann Slugocki, Maya Sonenberg, Kathleen Spivack, Laura Steadham Smith, Molly Sutton Kiefer, Jade Sylvan, Anca Szilágyi, Diana Norma Szokolyai, Marilyn Taylor, Megan Tilley, Suzanne Van Dam, Nicole Walker, Allyson Whipple, Shawn Wong, Caroll Yang, and Matthew Zapruder.

Stay tuned for our upcoming launch & book tours for CREDO!  For inquiries and reading engagements regarding CREDO and publications by the Cambridge Writers’ Workshop, Inc., please contact our agent, Natalie Kimber at The Rights Factory.

Reminder: Upcoming Deadlines for Spring & Summer Writing Retreats

The Cambridge Writers’ Workshop is offering scholarships in the amount of $100 – $200 for our Spring and Summer Writing Retreats in New Orleans (March 23 – 26, 2017), Portland, OR (April 22-24, 2017), and Granada, Spain (August 2-6, 2017).  Deadline for our first Scholarship Applications is March 5, 2017.  Apply at http://cww.submittable.com!

WRITING RETREATS with the supportive faculty of the Cambridge Writers’ Workshop will take place in New Orleans (March 23–26), Portland (April 22–24), Granada, Spain (August 2–6), and Rockport, MA (October 13-15). Faculty include Dipika GuhaEmily NemensAdam Reid SextonKerry CohenRita BanerjeeTim HorvathAlexandria Marzano-LesnevichMaya Sonenbergand Diana Norma Szokolyai. Genres include fiction, nonfiction, poetry, playwriting, and hybrid.  First scholarship applications due by March 5, 2017 at http://cww.submittable.com!

  • Diversity Scholarship
    Diversity scholarships will be offered to minorities who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Student Scholarship
    Student scholarships will be offered to students (both undergraduate and graduate, full or part time) who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Writer/Parent Scholarship
    Writers/Parent scholarships will be offered to writers who show a commitment to creative writing and are raising children (infant through college).  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.

applyFirst Deadline: March 5, 2017