Happy New Year 2018 -💖- the Cambridge Writers’ Workshop!

Happy New Year 2018 from all of us here at the Cambridge Writers’ Workshop! We are looking forward to another year filled with inspiring workshops and retreats, readings and book launches and a variety of other ways to connect with new and old CWW writers and artists. Thank you to all of our CWW participants, teachers, friends and all of you who helped make this year creatively productive and inspiring.

2017 was a wild ride but looking back on the events of the past year we are overwhelmingly grateful for the ways we were able to connect with new and old friends through writing and art. Over the past year CWW held retreats and workshops in Europe and the United States, put the finishing touches on our anthology that is being published in 2018, and connected with other writers at readings and events throughout the country. We started the year off at the AWP Conference in Washington, DC where we hosted “Writers In Resistance.” Alexandria Marzano-Lesnevich, Emily Nemens, Jensen Beach, Tim Horvath, Rita Banerjee, Diana Norma Szokolyai, Alex Carrigan and Anna-Celestrya Carr read their original work at Upshur Street Books and it was a wonderful night of reading and community.

In March we held our Spring In New Orleans Writing Retreat where Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai led workshops on character development, storytelling and writing in the lyric register. We produced new work, shared our goals and expanded our writing community with new friend and new teachers. Because we were there during the Tennessee Williams Literary Festival, participants were able to take advantage of literary New Orleans in a very special way. We had such a wonderful time in New Orleans we’re doing it again! Stay tuned for details on our Spring 2018 New Orleans Writing Retreat.

From New Orleans it was on to our Spring in Portland Writing Retreat in April. Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai led workshops in fiction, non-fiction and poetry. We held sessions at the Secret Library in the historic Heathman Hotel, spent an afternoon exploring the famous Powell’s bookstore and attended a reading by local author Paul Dage. In our short weekend, we managed to get a feel for this amazing city and can’t wait to go back. Check out CWW alum Angie Walls Portland recommendations!

For our next retreat we headed abroad to Granada, Spain in the Andalucia region. Tim HorvathAlexandria Marzano-Lesnevich, Rita Banerjee and Diana Norma Szokolyai led workshops on character development, poetry, memoir, writing from the senses and translation. We enjoyed flamenco performances, visited the Roma caves of Sacromonte, enjoyed the delicious food and drink the region had to offer. It was a magical trip and we can’t wait to go back this August. Details coming soon! To get taste of what a CWW writing retreat is like check out Diana Norma Szokolyai’s poetic musings on the Granada 2017 retreat.

Our Harvest Creative Writing Retreat in Rockport, MA was our final writing retreat of 2017. We stayed in Gloucester, MA right by beautiful Wingaersheek Beach and took full advantage of our settings. When we weren’t in workshops led by Maya Sonenberg, Rita Banerjee, and Diana Norma Szokolyai, we were taking walks on the beach, enjoying the Rockport Harvest Festival and visiting nearby Salem to take advantage of their October Haunted Happenings. We are planning another New England retreat for 2018, but in the meantime, enjoy Alex Carrigan’s Rockport columns to get a sense of this fantastic weekend.

In addition to our retreats we hosted readings and performances in Boston and Cambridge throughout the year. Some of our readers and performers who joined us throughout the year were Fawn (Will Johnson and Anna Malin Ringwalt) Neil Sanzgiri, Audrey Harrer, Janaka Stucky, Matthew Wallenstein, Rita Banerjee, Sounds in Bloom (Diana Norma Szokolyai and Dennis Shafer), Erini S. Katopodis and Elizabeth Devlin. We also were excited to host our second annual fall writing series at the Cambridge Center for Adult Education. Janaka Stucky, Megan Fernandes, Frederick Douglas Knowles II and Diana Norma Szokolyai taught workshops on haiku, poetry in the age of terror, the power of hip-hop, writing in the lyric register, Black Mountain and New York Poetry School and how to craft compelling characters.

2017 was also the year we began production on our forthcoming podcast, Contact Zones, a series of interviews featuring artists from all mediums all over the world sharing their artistic process and how they related to the world in order to explore how art reverberates after its creation. Our media interns, Anna-Celestrya Carr and Shannon O. Sawyer, are readying the first season of Contact Zones, and we can’t wait to share it will you.

And in between all of the retreats, classes, readings and performances we were writing, editing and dreaming about CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing. CREDO comes out in March 2018 and we could not be more excited to share it with you! But we didn’t do it alone. Our agent, Natalie Kimber, at The Rights Factory, and our publishers John Gosslee and Andrew Sullivan at C&R Press deserve huge thanks! As do our writers! Kazim Ali, Forrest Anderson, Rita Banerjee, Lisa-Marie Basile, Jaswinder Bolina, Stephanie Burt, Alex Carrigan, Sam Cha, Melinda Combs, Thade Correa, Jeff Fernside, Ariel Francisco, John Guzlowski, Rachel Hanel, Janine Harrison, Lindsay Illich, Douglas Jackson, Christine Johnson-Duell, Caitlin Johnson, Jason Kapcala, Richard Kenney, Eve Langston, John Laue, S.D. Lishan, Ellaraine Lockie, Amy MacLennan, Kevin McLellan, E. Ce. Miller, Brenda Moguez, Peter Mountford, Nell Irvin Painter, Robert Pinsky, Kara Provost, Camille Rankine, Jessica Reidy, Amy Rutten, Elizabeth Sharp McKetta, David Shields, Lillian Slugocki, Maya Sonenberg, Kathleen Spivack, Laura Steadham Smith, Molly Sutton Kiefer, Jade Sylvan, Anca, Szilagyi, Diana Norma Szokolyai, Marilyn Taylor, Megan Tilley, Suzanne Van Dam, Nicole Walker, Allyson Whipple, Shawn Wong, Caroll Sun Yang, Matthew Zapruder contributed the beautiful, thought-provoking pieces that make up CREDO and we are so grateful. Stay tuned for details about our CREDO book launch event in March 2018 in conjunction with the AWP conference in Tampa, FL. If you’ll be at AWP stop by and say hi!

Be sure to stick with us in 2018 for another year of incredible writing retreats in New Orleans, Paris, and Granada, Spain, fantastic readings, and a whole slew of exciting projects to come from the CWW and our friends and associates. Follow us on Facebook and Twitter for updates on our forthcoming retreats, workshops and readings and feel free to email us with any questions at info@cambridgewritersworkshop.org. We’d love to hear from you!

May you all have a happy, peaceful and creative 2018!
Cambridge Writers’ Workshop Directors, Board, & Staff

CWW Alumni News: “The One Tip that Changed My Life” by Nannie Flores

Nannie Flores at the Château de Verderonne in Picardy, France

Nannie Flores, an alumna of the 2014 Château de Verderonne Yoga & Writing Retreat in Picardy, France, writes a haunting and powerful new essay, “The One Tip That Changed My Life” for Ideiya Magazine.  In the essay, Flores tackles the taboos associated with writing nonfiction, trauma, illness, and its aftermath.  In the essay, Flores writes:

Write as if your parents were dead.” In retrospect, there was something ominous and sinister about this piece of writing advice. At the time, it seemed harmless. So I took the tip when I was in college.

While in university, I wrote two one-act plays that touched on themes such as virginity and physical and verbal abuse in relationships. My parents watched the play, and they applauded along with the audience. The writing tip worked.

On the ride back home, when all the hype was over, they made sure to say they were proud of me, but that they disapproved of certain elements in my works. “Relationships are meant to be healthy,” Mama said. Papa gave his usual silent nod.

But what’s done is done. I have already written it and I didn’t need to ask for their approval…”  

Read the full essay on Ideiya here.

Nannie Flores is a playwright and nonfiction writer based in the Philippines.  Her essays and articles have appeared in EntrepreneurCosmo.ph, ABS-CBN News, Ideiya, Spot.ph, and Philippine Daily Inquirer.  You can follow her on her blog, The Fancy Delight.

CWW Spring in New Orleans Retreat Faculty & Playwright Dipika Guha Awarded Princeton Hodder Fellowship

Congratulations to our 2017 Spring in New Orleans Faculty and playwright Dipika Guha for being one of five artists selected for the Princeton Hodder Fellowship.  Hodder Fellows may be writers, composers, choreographers, visual artists, performance artists, or other kinds of artists or humanists who have, as the program outlines, “much more than ordinary intellectual and literary gifts.”

Dipika Guha will join the ranks of former fellowship recipients including novelist Chimamanda Ngozi Adichie and playwright Will Eno.  As a Hodder Fellow, Guha will be working on a play about the history of partitions, homelands, and the politics of migration.

Dipika Guha is a playwright raised in India, Russia, and the United Kingdom. She was the inaugural recipient of the Shakespeare’s Sister Playwriting Award with the Lark Play Development Center, A Room of Her Own, and the Hedgebrook Women Playwrights Festival. Her play The Art of Gaman was developed at the Ground Floor at Berkeley Rep and topped the Kilroys List 2016. Her other plays include I Enter the Valley (Theatreworks New Play Festival 2016, Ruby Prize Finalist 2016), Mechanics of Love (Crowded Fire Theatre, Two by For, SIS Productions), Blown Youth (published by Playscripts), and The Rules (San Francisco Playhouse). Recent commissions include Yoga Play for South Coast Repertory Theatre and a translation of The Merry Wives of Windsor for Oregon Shakespeare Festival. Upcoming commissions include a play for Playwrights Horizons Theatre School, the McCarter Theatre’s Princeton Slavery Project, and in collaboration with Jeremy Cohen a new play for ACT. Guha is currently a playwright-in-residence at the Playwrights Foundation and an artist-in-residence at the Orville Schell Center for Human Rights at Yale Law School.

Introducing our Spring in Portland Alumna Angie Walls’s Award-Winning “Redmonton”

Angie Walls, an alumna of our 2017 Spring in Portland Writing Retreat, has created an award-winning web series called Redmonton.  Redmonton follows four young girls who dream of leaving their small Midwest town for the big city, but life keeps getting in the way. They get a rude awakening when they find out a friend of theirs is moving to New York City, and have to come to terms with how their lives have turned out in their mid-20s, which grows with uncertainty and loss of direction.

Redmonton is the recipient of 27 prestigious film awards worldwide, including best screenwriting, direction, cinematography, women filmmakers, and ensemble cast.  For more information on Redmonton, and to watch the web series online, please visit the following:

Official Website: www.redmonton.com
IMDB Page: www.imdb.com/title/tt5181896/
Watch on YouTube: www.youtube.com/channel/UCVTCxEWBBXUq9JTmsN8eJgw
Watch on Vimeo: www.vimeo.com/channels/redmonton  

Angie Walls is a short story writer, novelist, and screenwriter who grew up in Springfield, Missouri, near the Ozarks. Many of her stories explore contemporary themes of identity, isolation, and helplessness in the Midwest. She is the award-winning screenwriter and director behind Redmonton, an original web series inspired by her hometown, and has published stories in various journals including Cutthroat, East Bay Review, Summerset Review, Halfway Down the Stairs, The Helix, Fredericksburg Literary and Art Review, The Griffin, and Stirring. Her short story “Things We Should’ve Said” received an honorable mention from Glimmer Train, and one of her essays will be published in Carve Magazine. In 2017, she will be releasing a new book of short stories, Anywhere But Here.  Angie Walls is an alumna of our 2017 Spring in Portland Writing Retreat.

Laissez les bons temps rouler! 🎶 🎉 Join our 24-hour Writing #BakeOff Live on Twitter!

Dear Writers,

Greetings from sultry New Orleans!  Our Spring in New Orleans Writing Retreat kicked off on Thursday evening with writers descending on NOLA from all four corners of North America.  After a lovely orientation, meet and greets, and a discussion of our current writing projects, we were off to dine and wine and roll our sleeves up!  On Friday, after a home-made breakfast, Rita Banerjee kicked off our writing seminars with a class on “Character Development and the Law of Desire.”  From Hamlet to Tennessee Williams to Ben Percy and Siri Hustvedt, Rita and her students investigated what made their narratives and characters really tick, the charge between dynamic and typed, masked characters, and how many names desire could take.  Writing prompts and heated exchanges abounded, followed by a break-out writing session and then a Louisiana lunch.  In the afternoon, Emily Nemens taught a wonderful class on “The Art of Storytelling,” in which she examine the interplay between visual images, sculptures, artifacts, architectures, and the maps of streets and things, with the very process of creating evocative lyrical and narrative writing.  After her seminar and prompts, our writers took a tour on the grand Mississippi, shuttling ourselves against a moody blue sky and scatting waves to the delightful and decadent French Quarter in downtown New Orleans.  There we posed as Americans in Paris in Cafe du Monde, grabbing coffee with chicory, fresh beignets, and swapping techniques about speculative fiction and narrative craft for POC. We followed through, with a walking art and historical tour of New Orleans, in which Emily Nemens guided us to the homes and haunts of literary giants such as Faulkner, Tennessee Williams, and Anne Rice, introduced us to the local visual art scenes and galleries of New Orleans, strolled us past cemeteries and cathedrals, and narrated the history of how sugarcane and slavery had helped build the lofty, neoclassical homes of the Garden District.  After toasts over roti and jerk curry at a wonderful local Caribbean restaurant, we were back home to write and plot and think.

Our second day of classes kicked off with Diana Norma Szokolyai’s class, “Writing in the Lyric Register,” in which she examined the relationship between music, writing, and improvisation.  She discussed how writers quantify the lyric register and gestures of other writers with Kazim Ali’s Anais Nin: An Unprofessional Study, and discussed how writers from the French Troubadours to Maya Sonenberg used the lyric register to structure and charge their creative work.

And in just one hour, we will be launching out 24-hour creative writing bake off with playwright and Princeton Hodder Fellow, Dipika Guha.   Dipika writes, “A bake-off is a playwriting exercise or writerly dare popularized by Pulitzer Prize winning playwright Paula Vogel.  The dare is to write a play in a fixed span of time 24 hours in response to a list of shared elements. We will begin with a seminar on Saturday when we’ll visit our playwriting toolbox and look at devices, forms and structures available for our use.  At this meeting we’ll choose six elements to include in our writing drawn from the city of New Orleans, seeking inspiration from its architecture, history and myths. After the seminar you will go away and write until the next evening.  On Sunday over food and drink, we will read your bake-offs together and celebrate your progress. Bake-offs are not critiqued.”

We welcome all of our writers and readers from around the world to join our 24-hour creative writing bake-off remotely and on-line.  If you would like to participate in our 24-hour bake-off challenge, please tweet to us @CamWritersWkshp with the tag #BakeOff.  The challenge of the Bake-Off is simple: write 1 complete narrative (as a play or screenplay, a short story or novella, a novel if you dare, an essay or collection of essays, or a series of linked poems or collection) in a span of 24 hours.  Your work must have a beginning, middle, and end, and you must complete the challenge with 24 hours.  The clock starts at 1 pm Central Time on Saturday March 25, and ends exactly at 1 pm Central Time on Sunday March 26.  So join us, and tell us about your work and process with the tag #BakeOff at @CamWritersWkshp.  Happy Writing!

Et bon courage, mes amis!

Rita Banerjee
CWW Creative Director
New Orleans – 3.25.17

 

AWP Exclusive: “Writing from the Fringe: Cultivating Writing Communities on Retreats and Abroad” feat. the Cambridge Writers’ Workshop

wcc-quarterlyThe AWP WC&C Quarterly recently featured an article on the Cambridge Writers’ Workshop: “Writing from the Fringe: Cultivating Writing Communities on Retreats and Abroad” feat. the Cambridge Writers’ Workshop.”  In the the quarterly, editor Kenny Lakes writes:

Whether you just joined in 2017, or you have been with us for years, thank you for being a part of AWP. We are excited to see what the next fifty years bring.  In this issue, we hear from a Rita Banerjee, who discusses the successes Cambridge Writers’ Workshop has had building community near and far.

An excerpt from Rita Banerjee’s essay follows below:

The Cambridge Writers’ Workshop (CWW) began as a creative writing community in Cambridge, Massachusetts. Formed by graduate students at Harvard University in 2008, the workshop was meant as a forum for fostering communities of dedicated writers and encouraging creative expression in the literary arts. Since the organization’s inception, the Cambridge Writers’ Workshop has been all-inclusive and open to all emerging and established writers, first in the Cambridge and Boston area, and now in Brooklyn, Manhattan, across the United States, and also abroad. Since 2008, the organization has been run by directors Rita Banerjee and Diana Norma Szokolyai.

In 2011, the Cambridge Writers’ Workshop expanded to include online creative writing courses and writing retreats. We have participated in the Mass Poetry Festival, the Brooklyn Book Festival, Brooklyn Lit Crawl, Manhattan Lit Crawl, and the AWP Conference. All writers, from amateurs to professionals, who are looking for a serious writing community, are welcome to join the Cambridge Writers’ Workshop.

In 2012, the Cambridge Writers’ Workshop hosted its first writing retreat abroad at the Château de Sacy in Picardy, France, a rural country enclave just forty-five minutes outside of Paris. The focus of the workshop was on “Writing and Eco-Living,” and during our retreat in Sacy, our participants enjoyed fresh meals from the organic potager of the Château de Sacy, daily craft of writing seminars and writing workshops, and outings around Picardy. On our retreats, our instructors and participants have hailed from Australia, the US, the UK, France, Germany, and the Philippines. At our Sacy workshop, one of our participants began writing a poetry collection inspired by gaming and also produced a second manuscript about France, WWII, and the memory of her father. Another participant produced a wonderful series of lyric essays and memoirs on fleet week, public swimming pools, and interracial relationships in 1940s Brooklyn.  On our first workshop abroad, one of our participants Gloria Rich said, Norma and Rita gave a fabulous writers’ workshop at Le Petit Sacy, France. Their knowledge, enthusiasm and caring were exemplary. I will definitely continue to take workshops with them…I was totally inspired, will continue to write and hopefully participate with them in their forthcoming programs.” …  Read Rita Banerjee’s full essay here.

Reminder: Upcoming Deadlines for Spring & Summer Writing Retreats

The Cambridge Writers’ Workshop is offering scholarships in the amount of $100 – $200 for our Spring and Summer Writing Retreats in New Orleans (March 23 – 26, 2017), Portland, OR (April 22-24, 2017), and Granada, Spain (August 2-6, 2017).  Deadline for our first Scholarship Applications is March 5, 2017.  Apply at http://cww.submittable.com!

WRITING RETREATS with the supportive faculty of the Cambridge Writers’ Workshop will take place in New Orleans (March 23–26), Portland (April 22–24), Granada, Spain (August 2–6), and Rockport, MA (October 13-15). Faculty include Dipika GuhaEmily NemensAdam Reid SextonKerry CohenRita BanerjeeTim HorvathAlexandria Marzano-LesnevichMaya Sonenbergand Diana Norma Szokolyai. Genres include fiction, nonfiction, poetry, playwriting, and hybrid.  First scholarship applications due by March 5, 2017 at http://cww.submittable.com!

  • Diversity Scholarship
    Diversity scholarships will be offered to minorities who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Student Scholarship
    Student scholarships will be offered to students (both undergraduate and graduate, full or part time) who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Writer/Parent Scholarship
    Writers/Parent scholarships will be offered to writers who show a commitment to creative writing and are raising children (infant through college).  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.

applyFirst Deadline: March 5, 2017

Spring in New Orleans Writing Retreat Class Schedule & February 25, 2017 Deadline!

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The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry. The deadline to apply is February 25th, 2017.

applyDeadline: February 25, 2017

Schedule of Classes:

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The Art of Storytelling & New Orleans Tour  (with Emily Nemens)
A picture’s worth a thousand words, but what if there’s words with that picture? In this workshop we’ll explore the many intersections of art and writing, by considering poetry, fiction,and criticism about and including visual arts, and then look at our own works that combine language and text. Using prompts from local art and architecture, we’ll explore the range of expression from ekphrasis to graphic narratives, and put our heads together to discover the best means of storytelling for a range of different narratives. Illustration expertise is not required, but a curiosity about visual arts and how they can be employed in literary work is necessary.

Bake-Off (with Dipika Guha)

We will gather in one of the most evocative, haunting cities in the world and together write and read out loud our ‘bake-offs’. A bake-off is a playwriting exercise or writerly dare popularized by Pulitzer Prize winning playwright Paula Vogel. The dare is to write a play in a fixed span of time 24 hours in response to a list of shared elements. We will begin with a seminar on Saturday when we’ll visit our playwriting toolbox and look at devices, forms and structures available for our use. At this meeting we’ll choose six elements to include in our writing drawn from the city of New Orleans, seeking inspiration from its architecture, history and myths. After the seminar you will go away and write until the next evening. On Sunday over food and drink, we will read your bake-offs together and celebrate your progress. Bake-offs are not critiqued.

Character Development & the Law of Desire (with Rita Banerjee)

Femme fatales, gumshoe detectives, star-crossed lovers, wicked stepmothers, wise fools, empathetic anti-heroes: dynamic and archetypal characters can be key to making a good story or lyrical piece tick and pulling in the reader deeper into your creative work. In this workshop, we will discuss how dynamic and archetypal characters can help structure stories, propel narratives forwards, and how each character’s desire provides interesting ethical dilemmas and emotional spectrums to narratives and verse. We will learn about the building blocks of creating strong, unforgettable characters, discuss the connection between desire and plot, and learn how playing with persona can help liberate nonfictional stories and lyrical poems. 

Writing in the Lyric Register (with Diana Norma Szokolyai)

In this writing workshop, we will practice writing in the lyric register, expanding our writing into descriptive, poetic prose. We will look intensively at our writing, slowing down and unpacking a single moment. After examining some examples in literature, we will take to revising our own pieces to unlock the lyrical qualities in our writing. Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

Featured Faculty:

dipikaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Award with the Lark Play Development Center, A Room of Her Own and the Hedgebrook Women Playwrights Festival. Her plays include  The Art of Gaman (Berkeley Rep Ground Floor ’16, KILROYS LIST ’16, Relentless Award Semi-Finalist), I Enter the Valley (Theatreworks New Play Festival ’16, Southern Rep New Play Festival‘16), Mechanics of Love (Crowded Fire Theatre, Upcoming: Two by For, NYC) and Blown Youth (Wallflower Theatricals, UK). She is currently working on Yoga Play, a commission for South Coast Repertory Theatre, a translation of Merry Wives of Windsor for Oregon Shakespeare Festival’s PlayOn Project and a play for the McCarter Theatre’s Princeton Slavery Project. Most recently her work has been developed at Playwrights Horizons, Rattlestick Playwrights Theatre, Roundabout Underground, McCarter Theatre’s Sallie B. Goodman Residency, New Georges, Shotgun Players, the Sam French Off Off Broadway Short Play Festival, Southern Rep, 24 Hour Plays on Broadway and the Magic Theatre amongst others. Dipika is currently a visiting artist at the Schell Center for International Human Rights at Yale Law School and a resident playwright at the Playwrights Foundation. MFA: Yale School of Drama under Paula Vogel.  Dipika will be a Hodder Fellow in Playwrighting at Princeton University from 2017-2018.

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Emily Nemens is coeditor and prose editor of The Southern Review, a literary quarterly published at Louisiana State University in Baton Rouge. Her editorial work has been featured in Writer’s Digest, draft: a journal of process, and on LeanIn.org, and her selections from The Southern Review have recently appeared in Best Mystery Writing 2016 and Best American Nonrequired Reading 2015. She studied art history and studio art at Brown University, and before moving to Louisiana to pursue an MFA in creative writing at LSU, she lived in Brooklyn and worked in editorial capacities at the Metropolitan Museum of Art and the Center for Architecture. Alongside her editorial work, Emily maintains active writing and illustration practices. Her fiction and essays have recently appeared in The Gettysburg Review, The Los Angeles Review of Books, and n+1, and she is working on a linked story collection about spring training baseball. As an illustrator she’s collaborated with Harvey Pekar on a Studs Terkel anthology, painted miniature portraits of all the women in Congress, and recently published her first New Yorker cartoon. Follow her at @emilynemens.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

DianaNormaDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers. Her poetry-music collaboration with Flux Without Pause led to their collaboration “Space Mothlight” hitting #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Szokolyai’s work has been recently reviewed by The London Grip and published in Quail Bell Magazine, Lyre Lyre, The Fiction Project, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase Quarterly, as well as anthologized in The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering and Teachers as Writers. Szokolyai earned her Ed.M. in Arts in Education from Harvard University and her M.A. in French Literature from the University of Connecticut, while she completed coursework at the Sorbonne and research on Romani writers in Paris. She is currently at work on three books and recording an album of poetry & music.

applyDeadline: February 25, 2017

Cambridge Writers’ Workshop 2017 Writing Retreats – Deadlines Approaching!

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Thank you to everyone who joined the Cambridge Writers’ Workshop at AWP 2017 in Washington D.C. We wanted to let all our new writers and readers know about the upcoming deadlines for our Spring and Summer 2017 writing retreats.

apply

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry. The deadline to apply is February 25th, 2017.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The deadline to apply is March 15th, 2017.

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The deadline to apply is March 15th, 2017.

Looking forward to seeing you this Spring and Summer.

In solidarity, and writing,
Cambridge Writers’ Workshop

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CWW Presents: Writers in Resistance – An AWP 2017 Reading – Washington D.C.

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The Association of Writers and Writing Programs will be hosting its annual writers conference in Washington DC from February 8-11. As in past years, the Cambridge Writers’ Workshop will be present at the conference, with a table at the book fair at Table 361-T. There, we will have information about our 2017 writing retreats, our internships, publications, and a ton of other goodies.

We will also be hosting three author signings at the Cambridge Writers’ Workshop Table 361-T during the AWP 2017 Conference. The schedule for author signings at our table is as follows:

Tim Horvath: Thursday February 9, 1-2 pm
Diana Norma Szokolyai: Friday February 10, 11 am-12 pm
Rita Banerjee: Saturday February 11, 11 am- 12 pm

As per tradition, we will also be hosting a reading during the conference. The CWW will be hosting a reading at Upshur Street Books on Friday February 10, 2017 from 5pm – 6:45 pm. The reading will be hosted at Upshur’s event space at Third Floor, 4200 9th St NW Washington DC 20011 (above Slim’s Diner). We have eight fabulous readers ready to present their work, including members of our executive board, faculty from our upcoming writing retreats, and some of our CWW friends. Our reading list includes the following:

ritabanerjee-smRita Banerjee
is Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Mass Poetry, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali in Approaching Footsteps (Spider Road Press), is forthcoming in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and collection of lyric essays.

beach-jensenJensen Beach is the author of two collections of short fiction, For out of the Heart Proceed, and most recently, Swallowed by the Cold. His stories have appeared A Public Space, the Paris Review, and The New Yorker. He teaches in the BFA Program at Johnson State College, where he is fiction editor at Green Mountains Review. He is also faculty in the MFA Program in Writing & Publishing at Vermont College of Fine Arts. With this family, he lives in Vermont.

 

 

Anna-Celestrya Carr is a Metis/Anishinaabe artist, filmmaker, writer, dancer and speaker.  She graduated from both the Vancouver Film School and the National Screen Institute’s New Voices program in Canada. While at NSI she created Dreamcatcher: A short dramatic fantasy of Aboriginal mythology.  In 2012 she created Tik-A-Lee-Kick, an honest and candid telling of a young Aboriginal woman’s perspective on the role of the Little People funded by the Video Pool Aboriginal Media Art Initiative. She has previously attended the University of Manitoba School of Art.  Shehas worked for the National Film Board of Canada and Urban Shaman Contemporary Aboriginal Art Gallery.  Anna-Celestrya focuses her creative energy on her Aboriginal roots and on advancing the rights of Aboriginal women in North America. She has worked with many organizations and institutions to promote human rights and peace. The artwork that she is best known for is The Men’s Banner Project. This work is a combination of interactive performance and installation, about which she also lectures.

Alex Carrigan is originally from Newport News, Virginia and currently resides in Upper Marlboro, MD.  He graduated from Virginia Commonwealth University with a degree in print/online journalism and a minor in world cinema.  He is currently an managing intern for the Cambridge Writers’ Workshop, as well as a contributing writer for Quail Bell Magazine.  He has written articles for The Commonwealth Times and has had work featured in Luna Luna Magazine. He is also a creative writer and have had work published in Amendment Literary Journal, Life in 10 Minutes, Realms YA Fantasy Literary Magazine, and in Poictesme Literary Journal, of which he was a staff member for four years, two years in which he was deputy editor-in-chief.

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

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Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, is forthcoming from Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.

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Emily Nemens is coeditor and prose editor of The Southern Review, a literary quarterly published at Louisiana State University in Baton Rouge. Her editorial work has been featured in Writer’s Digest, draft: a journal of process, and on LeanIn.org, and her selections from The Southern Review have recently appeared in Best Mystery Writing 2016 and Best American Nonrequired Reading 2015. She studied art history and studio art at Brown University, and before moving to Louisiana to pursue an MFA in creative writing at LSU, she lived in Brooklyn and worked in editorial capacities at the Metropolitan Museum of Art and the Center for Architecture. Alongside her editorial work, Emily maintains active writing and illustration practices. Her fiction and essays have recently appeared in The Gettysburg Review, The Los Angeles Review of Books, and n+1, and she is working on a linked story collection about spring training baseball. As an illustrator she’s collaborated with Harvey Pekar on a Studs Terkel anthology, painted miniature portraits of all the women in Congress, and recently published her first New Yorker cartoon. Follow her at @emilynemens.

 

DianaNormaDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers. Her poetry-music collaboration with Flux Without Pause led to their collaboration “Space Mothlight” hitting #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Szokolyai’s work has been recently reviewed by The London Grip and published in Quail Bell Magazine, Lyre Lyre, The Fiction Project, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase Quarterly, as well as anthologized in The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering and Teachers as Writers. Szokolyai earned her Ed.M. in Arts in Education from Harvard University and her M.A. in French Literature from the University of Connecticut, while she completed coursework at the Sorbonne and research on Romani writers in Paris. She is currently at work on three books and recording an album of poetry & music.

 

If you have any questions about the CWW at AWP 2017, be sure to email us at info@cambridgewritersworkshop.org

*Our poster image is licensed under  CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/  The Reader’s Bill of Rights has produced these graphics originally but is not affiliated with or endorse the CWW https://www.defectivebydesign.org/graphics http://readersbillofrights.info