Cambridge Writers’ Workshop presents Disobedient Futures – A Split This Rock Festival Reading – Friday, April 20, 2018

Disobediant_Futures_Reading-updatedIn honor of the Split This Rock Poetry Festival: Poems of Provocation and Witness (April 19-21, 2018), the Cambridge Writers’ Workshop will be hosting its reading Disobedient Futures at the Colony Club in Washington D.C. this Friday, April 20, 2018 from 5:30 pm – 7:30 pm.  Disobedient Futures will feature readings from Rita BanerjeeAlex CarriganMarlena Chertock, and Christina M. Rau .

To get to the reading at the Colony Club, please take the Green line Metro towards Greenbelt and exit at the Columbia Heights Station, then walk to 3118 Georgia Ave NW, Washington DC 20010.

Featured Readers:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently an associate editor with the American Correctional Association. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Poictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Marlena Chertock has two books of poetry, Crumb-sized (Unnamed Press, 2017) and On that one-way trip to Mars (Bottlecap Press, 2016). She lives in Washington, D.C. and uses her skeletal dysplasia and chronic pain as a bridge to scientific poetry. Her poems and short stories have appeared in Breath & Shadow, The Deaf Poets Society, Noble/Gas Quarterly, Paper Darts, Rogue Agent, Wordgathering, and more. Marlena often moderates or speaks on panels at literary conferences and festivals. She serves as the Communications Coordinator for the LGBTQ Writers Caucus. Find her on Twitter at @mchertock.

Christina M. Rau is the author of the sci-fi fem poetry collection, Liberating The Astronauts (Aqueduct Press, 2017), and the chapbooks WakeBreatheMove (Finishing Line Press, 2015) and For The Girls, I (Dancing Girl Press, 2014). Her poetry has also appeared on gallery walls in The Ekphrastic Poster Show, on car magnets for The Living Poetry Project, and in various literary journals both online and in print. She is the founder of the Long Island reading circuit, Poets In Nassau, and has read and run workshops for various community groups nationwide. She teaches English and Creative Writing at Nassau Community College where she also serves as Poetry Editor for The Nassau Review. In her non-writing life, she teaches yoga occasionally and line dances on other occasions.

Our readers Rita BanerjeeMarlena Chertock, and Christina M. Rau will also be hosting a panel during Split This Rock, entitled Fantasy As Reality: Activism & Catharsis in Speculative Writing,” which will be held at National Housing Center Room B (1201 15th Street NW, Washington, DC 20005) on Saturday, April 21 from 9-10:30 am. The Fantasy As Reality is described below:

“This panel will demonstrate how non-realist poems and prose can offer a space for political critique and empowerment. We will ask audience members about their own speculative writing and reading experiences and offer prompts to those who wish to work on similar future writing. Speculative and science fiction are often stereotyped as futuristic, extraterrestrial, and fantastical romps through universes using space travel, time travel, and super-advanced technology centered on white cis males. However, women, non-binary, and activist writers of speculative literature are purposefully subverting this stereotype, diversifying and owning the fantastical worlds that they imagine. Speculative literature, at its core, is about giving voice to ‘The Other.’ Speculative writing, in prose or poetry, focuses on not only imagined realities of the future, past, and present but also gives voice to bodies and individuals who are disabled, alien, marginalized, menial workers, and other traditionally neglected voices. Sci-fi and fantasy characters and voices can—and should—represent the underrepresented to create a sense of community as well as to challenge injustices in our real world.”

We hope to see you at some of our events at Split This Rock !

Visiting Writer Rita Banerjee reads at the New Hampshire Institute of Art this Week!

The Cambridge Writers’ Workshop’s Executive Creative Director Rita Banerjee will be a Visiting Writer at the New Hampshire Institute of Art this Spring.  She will be lecturing and giving workshops on topics such as “Rasa: Emotion and Suspense in Theatre, Poetry, and (Non)Fiction,” “Poetry and What’s at Stake,” and “Revising, Pitching, and Publishing” at NHIA on Tuesday, March 27.  In addition, she will be holding a discussion with Ayris editors and staff on Tuesday, March 27.  Rita Banerjee will also be reading from her debut poetry collection Echo in Four Beats at the French Hall Rotunda at NHIA from 5:30-7:30 pm on Tuesday, March 27, 2018.  The poetry reading and Q&A for Echo in Four Beats is free and open to the public.

Earlier this week, Rita Banerjee’s poetry debut Echo in Four Beats was featured on New Hampshire Weekly’s The Hippo.  In the article, entitled “Echo Speaks,” journalist Angie Sykeny interviews Rita Banerjee about her new collection of poems, and discusses gender roles, feminism, and speech acts with the author.  Here’s a short excerpt from the interview below:

The New Hampshire Institute of Art in Manchester welcomes a special guest writer, Rita Banerjee, on Tuesday, March 27, for a reading, signing and discussion of her debut collection of poetry, Echo in Four Beats, released earlier this month.

What is the idea behind Echo in Four Beats? 
It dreams of a common language. What happens when people from different backgrounds and places of power, with different ideas of masculinity and femininity, come together … and figure out how to connect, despite language barriers, and despite defined roles? How do they find ways to support that female agency and the female gaze? 

What would you like readers to take away from Echo in Four Beats?
I would like readers to kind of interrogate their own power and find where and how they can express their own voice. It doesn’t have to be in proper English to express ourselves and our complicated identities in an honored form. I hope people will read [the poems] and be able to relate, but I hope it also invites response, and that they will try to express themselves in that form. 

And you can read “Echo Speaks” on The Hippo here.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing  (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere.  She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig Maximilian University of Munich in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Disobedient Futures – Call for Spec Lit & Art Submissions!

The Cambridge Writers’ Workshop welcomes submissions of poetry, fiction, nonfiction, mixed-genre work, plays, and screenplays on the topic of “Disobedient Futures” for our new speculative literature anthology. Writers are encouraged to imagine what the future cultures of America and the world might look like, and submit their work on the following topics:

Disobedient Women: How might women, feminists, and/or non-binary individuals disobey and reconfigure our understandings of power and femininity and masculinity in the future?

Disobedient Tribes: What if Americans found a way to subvert racial categories and challenge tribalism and cultures of fear? How might tribes disobey the rules of the game and create new types of community identities and cultural bridges?

Disobedient Class: Could Americans in the future overcome systems of class oppression and capitalist gluttony? How might individuals in the future subvert class hierarchies?

Disobedient Futures: Tell us what the future cultures of America and the world have in store. How might the emerging generations of today and tomorrow reconfigure today’s value systems, challenge today’s modes of violence, oppression, and power, and create new visions of society? Give us your best speculative writing which explores the possibilities and disruptions of disobedient futures.

Writers are welcome to submit utopian, dystopian, parallel history, futuristic, alternative reality, speculative essay, and even purely speculative fiction, nonfiction, poetry, and theatre. Optimistic and pessimistic tales of the future are welcome in equal measure, but gratuitous violence and discrimination are not. Poetry submissions should be 3-5 pages in length. Prose submissions can be 10-20 pages in length.  Excerpts from longer works with synopses are welcome. Visual art related to these categories of Disobedient Futures is also welcome.  Submit your retelling of the future today!

Submit your work at cww.submittable.com || Deadline: February 14, 2019