Spring in New Orleans Writing Retreat Class Schedule & February 25, 2017 Deadline!

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The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry. The deadline to apply is February 25th, 2017.

applyDeadline: February 25, 2017

Schedule of Classes:

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The Art of Storytelling & New Orleans Tour  (with Emily Nemens)
A picture’s worth a thousand words, but what if there’s words with that picture? In this workshop we’ll explore the many intersections of art and writing, by considering poetry, fiction,and criticism about and including visual arts, and then look at our own works that combine language and text. Using prompts from local art and architecture, we’ll explore the range of expression from ekphrasis to graphic narratives, and put our heads together to discover the best means of storytelling for a range of different narratives. Illustration expertise is not required, but a curiosity about visual arts and how they can be employed in literary work is necessary.

Bake-Off (with Dipika Guha)

We will gather in one of the most evocative, haunting cities in the world and together write and read out loud our ‘bake-offs’. A bake-off is a playwriting exercise or writerly dare popularized by Pulitzer Prize winning playwright Paula Vogel. The dare is to write a play in a fixed span of time 24 hours in response to a list of shared elements. We will begin with a seminar on Saturday when we’ll visit our playwriting toolbox and look at devices, forms and structures available for our use. At this meeting we’ll choose six elements to include in our writing drawn from the city of New Orleans, seeking inspiration from its architecture, history and myths. After the seminar you will go away and write until the next evening. On Sunday over food and drink, we will read your bake-offs together and celebrate your progress. Bake-offs are not critiqued.

Character Development & the Law of Desire (with Rita Banerjee)

Femme fatales, gumshoe detectives, star-crossed lovers, wicked stepmothers, wise fools, empathetic anti-heroes: dynamic and archetypal characters can be key to making a good story or lyrical piece tick and pulling in the reader deeper into your creative work. In this workshop, we will discuss how dynamic and archetypal characters can help structure stories, propel narratives forwards, and how each character’s desire provides interesting ethical dilemmas and emotional spectrums to narratives and verse. We will learn about the building blocks of creating strong, unforgettable characters, discuss the connection between desire and plot, and learn how playing with persona can help liberate nonfictional stories and lyrical poems. 

Writing in the Lyric Register (with Diana Norma Szokolyai)

In this writing workshop, we will practice writing in the lyric register, expanding our writing into descriptive, poetic prose. We will look intensively at our writing, slowing down and unpacking a single moment. After examining some examples in literature, we will take to revising our own pieces to unlock the lyrical qualities in our writing. Our aim will be to pull our readers into the emotionally charged and poetic world of our narratives.

Featured Faculty:

dipikaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Award with the Lark Play Development Center, A Room of Her Own and the Hedgebrook Women Playwrights Festival. Her plays include  The Art of Gaman (Berkeley Rep Ground Floor ’16, KILROYS LIST ’16, Relentless Award Semi-Finalist), I Enter the Valley (Theatreworks New Play Festival ’16, Southern Rep New Play Festival‘16), Mechanics of Love (Crowded Fire Theatre, Upcoming: Two by For, NYC) and Blown Youth (Wallflower Theatricals, UK). She is currently working on Yoga Play, a commission for South Coast Repertory Theatre, a translation of Merry Wives of Windsor for Oregon Shakespeare Festival’s PlayOn Project and a play for the McCarter Theatre’s Princeton Slavery Project. Most recently her work has been developed at Playwrights Horizons, Rattlestick Playwrights Theatre, Roundabout Underground, McCarter Theatre’s Sallie B. Goodman Residency, New Georges, Shotgun Players, the Sam French Off Off Broadway Short Play Festival, Southern Rep, 24 Hour Plays on Broadway and the Magic Theatre amongst others. Dipika is currently a visiting artist at the Schell Center for International Human Rights at Yale Law School and a resident playwright at the Playwrights Foundation. MFA: Yale School of Drama under Paula Vogel.  Dipika will be a Hodder Fellow in Playwrighting at Princeton University from 2017-2018.

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Emily Nemens is coeditor and prose editor of The Southern Review, a literary quarterly published at Louisiana State University in Baton Rouge. Her editorial work has been featured in Writer’s Digest, draft: a journal of process, and on LeanIn.org, and her selections from The Southern Review have recently appeared in Best Mystery Writing 2016 and Best American Nonrequired Reading 2015. She studied art history and studio art at Brown University, and before moving to Louisiana to pursue an MFA in creative writing at LSU, she lived in Brooklyn and worked in editorial capacities at the Metropolitan Museum of Art and the Center for Architecture. Alongside her editorial work, Emily maintains active writing and illustration practices. Her fiction and essays have recently appeared in The Gettysburg Review, The Los Angeles Review of Books, and n+1, and she is working on a linked story collection about spring training baseball. As an illustrator she’s collaborated with Harvey Pekar on a Studs Terkel anthology, painted miniature portraits of all the women in Congress, and recently published her first New Yorker cartoon. Follow her at @emilynemens.

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, in Approaching Footsteps (Spider Road Press), released in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays.

DianaNormaDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers. Her poetry-music collaboration with Flux Without Pause led to their collaboration “Space Mothlight” hitting #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Szokolyai’s work has been recently reviewed by The London Grip and published in Quail Bell Magazine, Lyre Lyre, The Fiction Project, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase Quarterly, as well as anthologized in The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering and Teachers as Writers. Szokolyai earned her Ed.M. in Arts in Education from Harvard University and her M.A. in French Literature from the University of Connecticut, while she completed coursework at the Sorbonne and research on Romani writers in Paris. She is currently at work on three books and recording an album of poetry & music.

applyDeadline: February 25, 2017

Cambridge Writers’ Workshop 2017 Writing Retreats – Deadlines Approaching!

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Thank you to everyone who joined the Cambridge Writers’ Workshop at AWP 2017 in Washington D.C. We wanted to let all our new writers and readers know about the upcoming deadlines for our Spring and Summer 2017 writing retreats.

apply

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry. The deadline to apply is February 25th, 2017.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The deadline to apply is March 15th, 2017.

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry. The deadline to apply is March 15th, 2017.

Looking forward to seeing you this Spring and Summer.

In solidarity, and writing,
Cambridge Writers’ Workshop

apply

CWW Presents: Writers in Resistance – An AWP 2017 Reading – Washington D.C.

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The Association of Writers and Writing Programs will be hosting its annual writers conference in Washington DC from February 8-11. As in past years, the Cambridge Writers’ Workshop will be present at the conference, with a table at the book fair at Table 361-T. There, we will have information about our 2017 writing retreats, our internships, publications, and a ton of other goodies.

We will also be hosting three author signings at the Cambridge Writers’ Workshop Table 361-T during the AWP 2017 Conference. The schedule for author signings at our table is as follows:

Tim Horvath: Thursday February 9, 1-2 pm
Diana Norma Szokolyai: Friday February 10, 11 am-12 pm
Rita Banerjee: Saturday February 11, 11 am- 12 pm

As per tradition, we will also be hosting a reading during the conference. The CWW will be hosting a reading at Upshur Street Books on Friday February 10, 2017 from 5pm – 6:45 pm. The reading will be hosted at Upshur’s event space at Third Floor, 4200 9th St NW Washington DC 20011 (above Slim’s Diner). We have eight fabulous readers ready to present their work, including members of our executive board, faculty from our upcoming writing retreats, and some of our CWW friends. Our reading list includes the following:

ritabanerjee-smRita Banerjee
is Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Mass Poetry, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali in Approaching Footsteps (Spider Road Press), is forthcoming in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and collection of lyric essays.

beach-jensenJensen Beach is the author of two collections of short fiction, For out of the Heart Proceed, and most recently, Swallowed by the Cold. His stories have appeared A Public Space, the Paris Review, and The New Yorker. He teaches in the BFA Program at Johnson State College, where he is fiction editor at Green Mountains Review. He is also faculty in the MFA Program in Writing & Publishing at Vermont College of Fine Arts. With this family, he lives in Vermont.

 

 

Anna-Celestrya Carr is a Metis/Anishinaabe artist, filmmaker, writer, dancer and speaker.  She graduated from both the Vancouver Film School and the National Screen Institute’s New Voices program in Canada. While at NSI she created Dreamcatcher: A short dramatic fantasy of Aboriginal mythology.  In 2012 she created Tik-A-Lee-Kick, an honest and candid telling of a young Aboriginal woman’s perspective on the role of the Little People funded by the Video Pool Aboriginal Media Art Initiative. She has previously attended the University of Manitoba School of Art.  Shehas worked for the National Film Board of Canada and Urban Shaman Contemporary Aboriginal Art Gallery.  Anna-Celestrya focuses her creative energy on her Aboriginal roots and on advancing the rights of Aboriginal women in North America. She has worked with many organizations and institutions to promote human rights and peace. The artwork that she is best known for is The Men’s Banner Project. This work is a combination of interactive performance and installation, about which she also lectures.

Alex Carrigan is originally from Newport News, Virginia and currently resides in Upper Marlboro, MD.  He graduated from Virginia Commonwealth University with a degree in print/online journalism and a minor in world cinema.  He is currently an managing intern for the Cambridge Writers’ Workshop, as well as a contributing writer for Quail Bell Magazine.  He has written articles for The Commonwealth Times and has had work featured in Luna Luna Magazine. He is also a creative writer and have had work published in Amendment Literary Journal, Life in 10 Minutes, Realms YA Fantasy Literary Magazine, and in Poictesme Literary Journal, of which he was a staff member for four years, two years in which he was deputy editor-in-chief.

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

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Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, is forthcoming from Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.

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Emily Nemens is coeditor and prose editor of The Southern Review, a literary quarterly published at Louisiana State University in Baton Rouge. Her editorial work has been featured in Writer’s Digest, draft: a journal of process, and on LeanIn.org, and her selections from The Southern Review have recently appeared in Best Mystery Writing 2016 and Best American Nonrequired Reading 2015. She studied art history and studio art at Brown University, and before moving to Louisiana to pursue an MFA in creative writing at LSU, she lived in Brooklyn and worked in editorial capacities at the Metropolitan Museum of Art and the Center for Architecture. Alongside her editorial work, Emily maintains active writing and illustration practices. Her fiction and essays have recently appeared in The Gettysburg Review, The Los Angeles Review of Books, and n+1, and she is working on a linked story collection about spring training baseball. As an illustrator she’s collaborated with Harvey Pekar on a Studs Terkel anthology, painted miniature portraits of all the women in Congress, and recently published her first New Yorker cartoon. Follow her at @emilynemens.

 

DianaNormaDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers. Her poetry-music collaboration with Flux Without Pause led to their collaboration “Space Mothlight” hitting #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Szokolyai’s work has been recently reviewed by The London Grip and published in Quail Bell Magazine, Lyre Lyre, The Fiction Project, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase Quarterly, as well as anthologized in The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering and Teachers as Writers. Szokolyai earned her Ed.M. in Arts in Education from Harvard University and her M.A. in French Literature from the University of Connecticut, while she completed coursework at the Sorbonne and research on Romani writers in Paris. She is currently at work on three books and recording an album of poetry & music.

 

If you have any questions about the CWW at AWP 2017, be sure to email us at info@cambridgewritersworkshop.org

*Our poster image is licensed under  CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/  The Reader’s Bill of Rights has produced these graphics originally but is not affiliated with or endorse the CWW https://www.defectivebydesign.org/graphics http://readersbillofrights.info

Happy New Year 2017! -♥️- Cambridge Writers’ Workshop

happynewyear2017-cwwHappy New Year 2017 from the directors, staff, and board of the Cambridge Writers’ Workshop!  We hope you’re all as excited for 2017 as we are!  We’re planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we’re looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2017!

The Cambridge Writers’ Workshop had a wonderful year in 2016.  Over the last twelve months, we’ve had a chance to hold retreats and readings across America and the world, meet exciting writers and artists, and have found new ways to inspire our own writing.  Our year began with  the 2016 Association of Writers and Writing Programs Conference in Los Angeles, California. At AWP 2016, we got a chance to promote CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, advertise our new literary internships, and discuss our Summer Writing Retreats in Granada, Spain, Barcelona, Spain, and Narbonne, France, as well as our Spring Writing Retreat in Newport, Rhode Island. We also hosted our third AWP event at Sabor y Cultura. At our event, there were featured readings from authors such as Rita BanerjeeJess BurnquistJulialicia CaseAriana KellyGwen E. KirbyKatie KnollEllaraine LockieOndrej PazdirekHeather Aimee O’NeillBrenda Peynado, Esther Pfaff, Jessica PiazzaJonathan ShapiroEmily Skaja, and Emily Smith.

After AWP 2016, we were off to our second annual Spring Writing Retreat in Newport, Rhode Island. We were joined by award-winning and internationally-renowned authors such as Jade SylvanDiana Norma Szokolyai, and CWW yoga instructor Elissa Lewis. The event was a chance for writers to spend a long weekend in historic Newport and near the beach, participating in writing workshops (such as Sylvan’s workshops on “writing yourself naked”) and craft of writing seminars, yoga classes, and cultural tours of the historic Newport village. We live blogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.

During the summer we hosted our Summer in Granada and Summer in Barcelona and Narbonne Writing Retreats. In Barcelona and Narbonne, we explored the cities and all of their historical, literary, and romantic charm. The retreat included craft of writing seminars and creative writing workshops, literary tours of the cities, and one-on-one manuscript consultations. We were also joined by writer and professor Bret Anthony Johnston and literary editor Heidi Pitlor. CWW directors Rita Banerjee and Diana Norma Szokolyai taught workshops on spacial poetics and world building, and also led workshops for participants to share their work and use the Liz Lerman method for critiquing writing. We live blogged our retreat on our website, so be sure to check out the sights and classes from our trip. We were really happy to experience this with all of our participants, who traveled from all over to come write and explore these cities with us.

In Granada, wrote in the city’s winding streets, absorbed its Moorish history, and were inspired by its evocative landscapes. The retreat included craft of writing seminars and writing workshops and yoga classes. We were joined by novelist Alexander Chee and poet and activist Frederick-Douglas Knowles II, who taught classes on historical fiction and hip-hop and poetry, respectively. Rita Banerjee led workshops on narrative stakes and emotion and suspense. We also live blogged this trip, so you can see all the exciting things we did on this trip.

We also hosted creative writing workshops and craft of writing seminars at The Cambridge Center for Adult Education throughout the fall. In addition to Rita Banerjee and Diana Norma Szokolyai, we were joined by Jade Sylvan and Cambridge writer Laura van den Berg for creative writing workshops and craft of writing seminars every other weekend in Cambridge, MA. This is something we hope to repeat this year, and we hope we can bring in new faculty and participants as well.

We hosted a Brooklyn Bookend Reading at Molasses Books during The Brooklyn Book Festival. Some of the writers had emerged onto the literary scene with a bang, while others had recently published their first or second books, and had received prestigious awards in the past. The event featured Stephen AubreyRita BanerjeeMadeleine BarnesEllaraine LockieBen PeaseAnne Malin Ringwalt, Kate McMahon, Emily SmithBianca Stone, and Diana Norma Szokolyai, along with a beautiful interludes of music from accomplished songwriters Erica Buettner and Elizabeth Devlin.

We also hosted a literary crawl event during Lit Crawl NYC 2016. Our Literary Vaudeville event featured performances and readings from Rita Banerjee, Diana Norma Szokolyai, Megan Fernandes, Claire Ince, Emily Smith, Christina M. Rau, and Frederick-Douglass Knowles II.

In 2016, we welcomed our second round of interns to the Cambridge Writers’ Workshop, and these interns include the wonderful AM Ringwalt, Anna-Celestrya Carr, Erynn Porter, and Shannon Sawyer, all of whom have helped the CWW greatly this year. They’ve helped manage our social media and written up posts about our events, shown their talent for graphic design, grant writing, audio/visual media development and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year.  We’re excited to have, on our team, and we can’t wait to show you what they’ve helped us plan for 2016!

* * *

While 2016 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Washington DC from February 8-February 10, 2017, and will be announcing our AWP Reading in downtown Los Angeles shortly!

neworleans2017posterwcThe Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.

portland2017posterThe Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

granada2017posterAnd the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

We hope you are all as excited for our 2017 events as we are. If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org.  You can also follow us on FacebookTumblr, and Twitter for more information and updates on any of these events. We look forward to making 2017 a year full of creativity, writing, and renewal, so join us as we make 2017 rock!

— Alex Carrigan, CWW Managing Intern

Applications for Cambridge Writers’ Workshop Spring & Summer 2017 Retreats Open!

The Cambridge Writers’ Workshop is delighted to announce our upcoming Spring and Summer 2017 Writing Retreats.

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

granada2017poster

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.

Writers are welcome to register for all retreats at cww.submittable.com by the early deadline of February 15, 2017!

applyDeadline: February 15, 2017

Rita Banerjee’s essay, “Emotion and Suspense: The Essence of Rasa Theory,” now available in Poets & Writers Magazine

Rita Banerjee‘s essay, “Emotion and Suspense: The Essence of Rasa Theory” now appears in the January/February 2017 Inspiration Issue of Poets & Writers Magazine.  An excerpt from the article follows below:

“Rasa theory centers on taste. Not taste in the sense of sophistication or composure or discernment. Not taste in the sense of good or bad. But taste in its most primal, animalistic, emotive, and provocative form.

Rasa is what happens to you, spectator, reader, part-time lover, when you watch or read a work of art with intensity. Rasa is the flavor of the art experience. It is the feeling produced in the viewer when a work of art is at its most potent and devastating form. Rasa is the immediate, unfettered emotional reaction produced in the spectator when a work of art has left her breathless or yearning for more. Rasa means to savor, to bring a work of art within the body, to let words linger on the tongue. Rasa is a shot to the heart, it’s a festering wound, it’s the mind at unrest, and it is nobody’s captive. It can be dangerous. It can be pleasurable. A visceral form of taste, rasa tends to resist cultivation and containment. Rasa is what happens to you when you find yourself spellbound and alone, and completely enraptured by a work of art for just a moment. It’s where the emotional, narrative, and lyrical landscape of a work washes over, prickles, or consumes you. It’s the moment where you loose yourself and loosen, and find in your body the first stirrings of emotion…”

To read the full article, please check your local bookstores for the current issue of Poets & Writers Magazine or visit Poets & Writers here.

New Faculty Announced for the Cambridge Writers’ Workshop

The Cambridge Writers’ Workshop is delighted to announce our new faculty members for our upcoming Spring and Summer 2017 Writing Retreats.  The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

Writers are welcome to register for all retreats at cww.submittable.com by the early deadline of February 15, 2017!  We are delighted to work with a talented group of poets, playwrights, essayists, and fiction writers during our Spring and Summer 2017 Writing Retreats.  Please give a warm welcome to our new faculty!

dipikaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Award with the Lark Play Development Center, A Room of Her Own and the Hedgebrook Women Playwrights Festival. Her plays include  The Art of Gaman (Berkeley Rep Ground Floor ’16, KILROYS LIST ’16, Relentless Award Semi-Finalist), I Enter the Valley (Theatreworks New Play Festival ’16, Southern Rep New Play Festival‘16), Mechanics of Love (Crowded Fire Theatre, Upcoming: Two by For, NYC) and Blown Youth (Wallflower Theatricals, UK). She is currently working on Yoga Play, a commission for South Coast Repertory Theatre, a translation of Merry Wives of Windsor for Oregon Shakespeare Festival’s PlayOn Project and a play for the McCarter Theatre’s Princeton Slavery Project. Most recently her work has been developed at Playwrights Horizons, Rattlestick Playwrights Theatre, Roundabout Underground, McCarter Theatre’s Sallie B. Goodman Residency, New Georges, Shotgun Players, the Sam French Off Off Broadway Short Play Festival, Southern Rep, 24 Hour Plays on Broadway and the Magic Theatre amongst others. Dipika is currently a visiting artist at the Schell Center for International Human Rights at Yale Law School and a resident playwright at the Playwrights Foundation. MFA: Yale School of Drama under Paula Vogel.  Dipika will be a Hodder Fellow in Playwrighting at Princeton University from 2017-2018.

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Emily Nemens is coeditor and prose editor of The Southern Review, a literary quarterly published at Louisiana State University in Baton Rouge. Her editorial work has been featured in Writer’s Digest, draft: a journal of process, and on LeanIn.org, and her selections from The Southern Review have recently appeared in Best Mystery Writing 2016 and Best American Nonrequired Reading 2015. She studied art history and studio art at Brown University, and before moving to Louisiana to pursue an MFA in creative writing at LSU, she lived in Brooklyn and worked in editorial capacities at the Metropolitan Museum of Art and the Center for Architecture. Alongside her editorial work, Emily maintains active writing and illustration practices. Her fiction and essays have recently appeared in The Gettysburg Review, The Los Angeles Review of Books, and n+1, and she is working on a linked story collection about spring training baseball. As an illustrator she’s collaborated with Harvey Pekar on a Studs Terkel anthology, painted miniature portraits of all the women in Congress, and recently published her first New Yorker cartoon. Follow her at @emilynemens.

adamsextonAdam Reid Sexton
teaches writing at Yale University, where he is a Lecturer in the English Department, a Critic on the faculty of Yale’s School of Art, and a Silliman Residential College Fellow.  He has taught writing at Columbia University and the New School, and he has lectured at the Folger Shakespeare Library, the University of Pennsylvania’s Kelly Writers House, and the University of Alabama, where he delivered the Hudson Strode Lecture in the Age of Shakespeare.  Sexton is the author of Master Class in Fiction Writing: Techniques from Austen, Hemingway and Other Greats, and with a team of graphic artists, he has adapted four of Shakespeare’s tragedies as manga (Japanese-style graphic novels).  His anthology Rap on Rap was acquired by Harvard’s W.E.B. Dubois Institute for African and African American Research, while Desperately Seeking Madonna is in the Rock & Roll Hall of Fame Library and Archive.  Sexton’s fiction, essays, and reviews have been published in the Bellevue Literary Review, the Mississippi Review, and Off Assignment, as well as the Boston Phoenix, the New York Times, and the Village Voice.  For four years Sexton curated a reading series at KGB Bar in New York City.  He has been interviewed on writing and literature by the New York Times, the Washington Post, Time, and npr.com, and one of his classes was broadcast on BBC Radio.

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Kerry Cohen
is the author of 10 books, including the bestselling Loose Girl: A Memoir of Promiscuity and Girl Trouble: An Illustrated Memoir, her most recent book, which came out October 2016. Kerry is faculty at the Red Earth Low Residency MFA program and is a practicing counselor. She lives with her family in Portland, Oregon.

 

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

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Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, is forthcoming from Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.

Only Limited Seats Available for Newport Writing Retreat

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Only a few seats remain for the Cambridge Writers’ Workshop Spring in Newport, Rhode Island Writing & Yoga Retreat!  The application deadline has been extended to April 15, 2016.  We encourage candidates to apply as soon as possible as registration will close once the retreat has sold out.  Please visit our Newport Retreat page to see when registration has closed.

Our Spring in Newport, Rhode Island Writing & Yoga Retreat will take place April 22-24, 2016, in Newport, RI.  Participants will enjoy craft of writing seminars taught by award-winning authors Jade Sylvan (fiction, nonfiction) and Diana Norma Szokolyai (poetry, nonfiction). Certified yoga instructor Elissa Lewis will guide daily breath-focused movement and meditation classes.  More information about our Spring in Newport, Rhode Island Writing & Yoga Retreat can be found at cww.submittable.com.

CWW Spring and Summer Writing Application Retreats Deadline: April 15, 2016

The Cambridge Writers’ Workshop is excited to be hosting three retreats in spring and summer 2016!

The first, our Spring in Newport, RI Yoga & Writing Retreat, is slated to take place April 22-24, 2016 in Newport, RI.  Participants will work on new and existing writing projects alongside award-winning authors Diana Norma Szokolyai (poetry, nonfiction) and Jade Sylvan (fiction, nonfiction), and practice yoga with Elissa Lewis.  For more information and to apply to our Newport retreat, visit cww.submittable.com.  Applications for this retreat are due April 15, 2016.

Our Summer in Barcelona and South of France Writing Retreat is slated to take place July 18-26, 2016.  Participants will spend three days in Barcelona, Spain and four days in Narbonne, France.  They will work on new and existing writing projects alongside award-winning authors Bret Anthony Johnston (fiction), David Shields (fiction, book-length essay), Rita Banerjee (poetry, fiction), and Diana Norma Szokolyai (poetry, nonfiction).  For more information and to apply to our Summer in Barcelona and South of France Writing Retreat, visit cww.submittable.com.  Applications for this retreat are due April 15, 2016.

Our Summer in Granada, Spain Writing Retreat is slated to take place July 28-August 5, 2016.  Participants will work on new and existing writing projects alongside award-winning authors David Shields (fiction, book-length essay), Alexander Chee (fiction), Rita Banerjee (poetry, fiction), and Diana Norma Szokolyai (poetry, nonfiction).  For more information and to apply to our Summer in Granada, Spain Writing Retreat, visit cww.submittable.com.  Applications for this retreat are due April 15, 2016.

Register by March 15 for our Newport, RI Writing & Yoga Retreat (April 2-5, 2015)

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Join us April 2-5, 2015

Our Newport retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects. Famous for its seafood and coastline, we chose this location for its inspiring beauty and history. During free sessions in the afternoon, take a mansion tour of gilded-era Newport, visit the Newport Museum, listen to some Newport jazz classics, or just relax beside the ocean watching the sailboats and let the stunning location influence your writing.

Tuition includes:

  • Shared room lodging
  • Daily creative writing workshops 
  • Craft seminars
  • One-on-one manuscript consultations
  • Toasts
  • An orientation dinner
  • A farewell brunch 
  • Yoga and meditation classes

During the retreat, writers and yoga practitioners will learn craft techniques alongside award-winning and internationally-renowned authors such as Kathleen Spivack (fiction, poetry, nonfiction), Stephen Aubrey (playwriting, screenwriting), Rita Banerjee (poetry, fiction), & Diana Norma Szokolyai (poetry, nonfiction).  Yoga and meditation will be lead by Elissa Lewis

Included in the $650 tuition are all daily creative writing workshops, craft of writing seminars, one-on-one manuscript consultation, orientation dinner, toasts, and farewell brunch, plus daily yoga and meditation classes.  Shared room lodging is included. Please send us an email to inquire about partial attendance ($375 or $475 with shared lodging). Please inquire about optional add-ons include aromatherapy, massage, and reiki healing. There are limited seats for this workshop so apply early! There are limited seats, so apply early!  The extended deadline for admittance for our retreat is March 15, 2015.  Apply at cww.submittable.com.

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Faculty includes internationally renowned author and writing coach Kathleen Spivack (fiction, poetry, nonfiction), Stephen Aubrey (playwriting, screenwriting), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), and Elissa Lewis (yoga, meditation).

If you’d like to join us in Newport, please apply online at cww.submittable.com by March 15, 2015 and include $5 application screening fee along with a 5-page writing sample. (Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability).

applyExtended Deadline: March 15, 2015

Featured Faculty:

Stephen Aubrey is a Brooklyn-based writer, editor, dramaturg, lecturer, storyteller and recovering medievalist. His writing has appeared in Publishing Genius, CommonwealThe Brooklyn Review, Forté, Pomp & Circumstance, and The Outlet.  He is also a co-founder and the resident dramaturg and playwright of The Assembly Theater Company. His plays have been produced at The Ontological-Hysteric Theater, The Flea Theater, The Collapsable Hole, The Brick Theater, Symphony Space, the Abingdon Theater Complex, UNDER St Marks, The Philly Fringe and the Edinburgh Fringe Festival where his original play, We Can’t Reach You, Hartford, was nominated for a 2006 Fringe First Award.

Kathleen Spivack is the author of A History of Yearning, winner of the Sows Ear International Poetry Prize 2010, first runner up in the New England Book Festival, and winner of the London Book Festival; Moments of Past Happiness (Earthwinds/Grolier Editions 2007); The Beds We Lie In (Scarecrow 1986), nominated for a Pulitzer Prize; The Honeymoon (Graywolf 1986); Swimmer in the Spreading Dawn (Applewood 1981); The Jane Poems (Doubleday 1973); Flying Inland (Doubleday 1971); Robert Lowell and His Circle (2011) and a novel, Unspeakable Things. She is a recipient of the Allen Ginsberg Poetry Award 2010, the 2010 Erica Mumford Award, and the 2010 Paumanok Award. Published in numerous magazines and anthologies, some of her work has been translated into French. Other publications include The New Yorker, Ploughshares, The Atlantic Monthly, Poetry, Massachusetts Review, Virginia Quarterly, The Southern Review, Harvard Review, The Paris Review, The Kenyon Review, Agni, New Letters, and others. Her work is featured in numerous anthologies. She has also won several International Solas Prizes for “Best Essays.”

Diana Norma Szkoloyai is author of the poetry books Roses in the Snow and Parallel Sparrows (Finishing Line Press). Her writing and hybrid art have appeared in Lyre Lyre, Dr. Hurley’s Snake Oil Cure, The Fiction Project, Teachers as Writers, Polarity, The Boston Globe, The Dudley Review, Up the Staircase, Area Zinc Art Magazine, Belltower & the Beach, and Human Rights News. Founding Literary Arts Director of Chagall Performance Art Collaborative and co-director of the Cambridge Writer’s Workshop, she holds an Ed.M from Harvard and an M.A. in French Literature from the University of Connecticut.

Rita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, and Chrysanthemum among other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured on HER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

Elissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her website for informative yoga sequences and information.

Suggested Accommodations:

We encourage people to stay at the Architect’s Inn, as they are affiliated with Inn Bliss and will make your stay as comfortable as possible.  They are offering a special discount for people on our retreat.  Contact Nick Maione for details at (401)845-2547 and mention that you are with the Cambridge Writers’ Workshop.  Discounts will depend on the particular room and number of nights you are staying between April 2-5, 2015.

(Detailed list with descriptions and locations available here.)

Bed & Breakfast:

Newport Blues Inn, average nightly price from $109-$269
Marshall Slocum Inn, average nightly price from $137-$175
Ivy Lodge, average nightly price from $139-$209
La Farge Perry House, average nightly price from $149-$269
Hydrangea House Inn, average nightly price from $150-$233
Sarah Kendall Houseaverage nightly price from $150-$295
Beech Tree Inn & Cottage, average nightly price from $155-$202
Almondy Inn, average nightly price from $175-$290
Cliffside Inn, average nightly price from $175-$365
Samuel Durfee House, average nightly price from $186-$233
Frances Malbone House, average nightly prices from $207-$395

Mid-Range Hotel:

The Attwater, average nightly price from $119-$409
Newport Harbor Hotel & Marina, average nightly price from $155-$185
Mill Street Inn, average nightly prices from $168-$228
Hyatt Regency Newport, average nightly prices from $229-$379

Budget Hotel:

Mainstay Hotel & Conference Center, average nightly prices from $64-$82
Carriage House Inn, average nightly prices from $99
Courtyard Marriott Newport Middletown, average nightly prices from $99
AirBnb Rentals, prices vary