Happy New Year 2018 -💖- the Cambridge Writers’ Workshop!

Happy New Year 2018 from all of us here at the Cambridge Writers’ Workshop! We are looking forward to another year filled with inspiring workshops and retreats, readings and book launches and a variety of other ways to connect with new and old CWW writers and artists. Thank you to all of our CWW participants, teachers, friends and all of you who helped make this year creatively productive and inspiring.

2017 was a wild ride but looking back on the events of the past year we are overwhelmingly grateful for the ways we were able to connect with new and old friends through writing and art. Over the past year CWW held retreats and workshops in Europe and the United States, put the finishing touches on our anthology that is being published in 2018, and connected with other writers at readings and events throughout the country. We started the year off at the AWP Conference in Washington, DC where we hosted “Writers In Resistance.” Alexandria Marzano-Lesnevich, Emily Nemens, Jensen Beach, Tim Horvath, Rita Banerjee, Diana Norma Szokolyai, Alex Carrigan and Anna-Celestrya Carr read their original work at Upshur Street Books and it was a wonderful night of reading and community.

In March we held our Spring In New Orleans Writing Retreat where Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai led workshops on character development, storytelling and writing in the lyric register. We produced new work, shared our goals and expanded our writing community with new friend and new teachers. Because we were there during the Tennessee Williams Literary Festival, participants were able to take advantage of literary New Orleans in a very special way. We had such a wonderful time in New Orleans we’re doing it again! Stay tuned for details on our Spring 2018 New Orleans Writing Retreat.

From New Orleans it was on to our Spring in Portland Writing Retreat in April. Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai led workshops in fiction, non-fiction and poetry. We held sessions at the Secret Library in the historic Heathman Hotel, spent an afternoon exploring the famous Powell’s bookstore and attended a reading by local author Paul Dage. In our short weekend, we managed to get a feel for this amazing city and can’t wait to go back. Check out CWW alum Angie Walls Portland recommendations!

For our next retreat we headed abroad to Granada, Spain in the Andalucia region. Tim HorvathAlexandria Marzano-Lesnevich, Rita Banerjee and Diana Norma Szokolyai led workshops on character development, poetry, memoir, writing from the senses and translation. We enjoyed flamenco performances, visited the Roma caves of Sacromonte, enjoyed the delicious food and drink the region had to offer. It was a magical trip and we can’t wait to go back this August. Details coming soon! To get taste of what a CWW writing retreat is like check out Diana Norma Szokolyai’s poetic musings on the Granada 2017 retreat.

Our Harvest Creative Writing Retreat in Rockport, MA was our final writing retreat of 2017. We stayed in Gloucester, MA right by beautiful Wingaersheek Beach and took full advantage of our settings. When we weren’t in workshops led by Maya Sonenberg, Rita Banerjee, and Diana Norma Szokolyai, we were taking walks on the beach, enjoying the Rockport Harvest Festival and visiting nearby Salem to take advantage of their October Haunted Happenings. We are planning another New England retreat for 2018, but in the meantime, enjoy Alex Carrigan’s Rockport columns to get a sense of this fantastic weekend.

In addition to our retreats we hosted readings and performances in Boston and Cambridge throughout the year. Some of our readers and performers who joined us throughout the year were Fawn (Will Johnson and Anna Malin Ringwalt) Neil Sanzgiri, Audrey Harrer, Janaka Stucky, Matthew Wallenstein, Rita Banerjee, Sounds in Bloom (Diana Norma Szokolyai and Dennis Shafer), Erini S. Katopodis and Elizabeth Devlin. We also were excited to host our second annual fall writing series at the Cambridge Center for Adult Education. Janaka Stucky, Megan Fernandes, Frederick Douglas Knowles II and Diana Norma Szokolyai taught workshops on haiku, poetry in the age of terror, the power of hip-hop, writing in the lyric register, Black Mountain and New York Poetry School and how to craft compelling characters.

2017 was also the year we began production on our forthcoming podcast, Contact Zones, a series of interviews featuring artists from all mediums all over the world sharing their artistic process and how they related to the world in order to explore how art reverberates after its creation. Our media interns, Anna-Celestrya Carr and Shannon O. Sawyer, are readying the first season of Contact Zones, and we can’t wait to share it will you.

And in between all of the retreats, classes, readings and performances we were writing, editing and dreaming about CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing. CREDO comes out in March 2018 and we could not be more excited to share it with you! But we didn’t do it alone. Our agent, Natalie Kimber, at The Rights Factory, and our publishers John Gosslee and Andrew Sullivan at C&R Press deserve huge thanks! As do our writers! Kazim Ali, Forrest Anderson, Rita Banerjee, Lisa-Marie Basile, Jaswinder Bolina, Stephanie Burt, Alex Carrigan, Sam Cha, Melinda Combs, Thade Correa, Jeff Fernside, Ariel Francisco, John Guzlowski, Rachel Hanel, Janine Harrison, Lindsay Illich, Douglas Jackson, Christine Johnson-Duell, Caitlin Johnson, Jason Kapcala, Richard Kenney, Eve Langston, John Laue, S.D. Lishan, Ellaraine Lockie, Amy MacLennan, Kevin McLellan, E. Ce. Miller, Brenda Moguez, Peter Mountford, Nell Irvin Painter, Robert Pinsky, Kara Provost, Camille Rankine, Jessica Reidy, Amy Rutten, Elizabeth Sharp McKetta, David Shields, Lillian Slugocki, Maya Sonenberg, Kathleen Spivack, Laura Steadham Smith, Molly Sutton Kiefer, Jade Sylvan, Anca, Szilagyi, Diana Norma Szokolyai, Marilyn Taylor, Megan Tilley, Suzanne Van Dam, Nicole Walker, Allyson Whipple, Shawn Wong, Caroll Sun Yang, Matthew Zapruder contributed the beautiful, thought-provoking pieces that make up CREDO and we are so grateful. Stay tuned for details about our CREDO book launch event in March 2018 in conjunction with the AWP conference in Tampa, FL. If you’ll be at AWP stop by and say hi!

Be sure to stick with us in 2018 for another year of incredible writing retreats in New Orleans, Paris, and Granada, Spain, fantastic readings, and a whole slew of exciting projects to come from the CWW and our friends and associates. Follow us on Facebook and Twitter for updates on our forthcoming retreats, workshops and readings and feel free to email us with any questions at info@cambridgewritersworkshop.org. We’d love to hear from you!

May you all have a happy, peaceful and creative 2018!
Cambridge Writers’ Workshop Directors, Board, & Staff

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Seasons Greetings from the Cambridge Writers’ Workshop

Dear writers and readers,

Seasons Greetings & best wishes for a creative, joyous, and oh-so-writerly holiday season!  Stay tuned for some exciting news concerning our CREDO Anthology, upcoming 2018 retreats in New Orleans, Paris, & Granada, Spain, and our AWP 2018 Conference spectacular 😉  In the meantime, happy writing & happy holidays!

💖 Cambridge Writers’ Workshop ❄️🎉❄️🎊❄️

 

Reminder: Upcoming Deadlines for Spring & Summer Writing Retreats

The Cambridge Writers’ Workshop is offering scholarships in the amount of $100 – $200 for our Spring and Summer Writing Retreats in New Orleans (March 23 – 26, 2017), Portland, OR (April 22-24, 2017), and Granada, Spain (August 2-6, 2017).  Deadline for our first Scholarship Applications is March 5, 2017.  Apply at http://cww.submittable.com!

WRITING RETREATS with the supportive faculty of the Cambridge Writers’ Workshop will take place in New Orleans (March 23–26), Portland (April 22–24), Granada, Spain (August 2–6), and Rockport, MA (October 13-15). Faculty include Dipika GuhaEmily NemensAdam Reid SextonKerry CohenRita BanerjeeTim HorvathAlexandria Marzano-LesnevichMaya Sonenbergand Diana Norma Szokolyai. Genres include fiction, nonfiction, poetry, playwriting, and hybrid.  First scholarship applications due by March 5, 2017 at http://cww.submittable.com!

  • Diversity Scholarship
    Diversity scholarships will be offered to minorities who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Student Scholarship
    Student scholarships will be offered to students (both undergraduate and graduate, full or part time) who show a commitment to creative writing.  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Writer/Parent Scholarship
    Writers/Parent scholarships will be offered to writers who show a commitment to creative writing and are raising children (infant through college).  In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

The Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $750, which includes tuition, lodging, and some meals.

And the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.  The cost of the retreat is $2950, which includes tuition, lodging, and daily breakfast.

applyFirst Deadline: March 5, 2017

Alexander Chee, our Summer in Granada Fiction Instructor, feat in Elle, NY Times, The New Yorker, and on NPR

“A woman’s desire is either terrifying or it’s ignored. I think what’s terrifying, is that men want power, even over that. It is the one thing, in a sense, that a woman can withhold, her sexuality. It’s incontrovertible, the withholding of her pleasure—and that was a source of the courtesan’s power: the performance of pleasure. A courtesan not only played lover, but mother, too. You know, it was common to blame courtesans for the fall of the Second Empire—and that fascinated me. The idea that they bankrupted these poor young men, who spent so much money on them and made France so weak.”  — Alexander Chee on novel, The Queen of the Night

The Queen of the Night, Alexander Chee’s second novel, has received significant critical attention since its February 2016 debut.   Read more about The Queen of The Night at Alexander Chee in ElleThe New York TimesThe New Yorkerand NPR.

alexandercheeAlexander Chee
was born in Rhode Island, and raised in South Korea, Guam and Maine. He is a recipient of the 2003 Whiting Writers’ Award, a 2004 NEA Fellowship in Fiction, and residency fellowships from the MacDowell Colony, the VCCA, Ledig House, the Hermitage and Civitella Ranieri. His first novel,
Edinburgh (Picador, 2002), is a winner of the Michener Copernicus Prize, the AAWW Lit Award and the Lambda Editor’s Choice Prize, and was a Publisher’s Weekly Best Book of the Year and a Booksense 76 selection.  Chee, will be teaching at our Summer in Granada, Andalucía, Spain Writing Retreat (July 28-Aug 5, 2016).  The deadline to sign up for our Summer in Granada, Andalucia, Spain Writing Retreat is this April 15, 2016.  Apply at: https://cww.submittable.com/