Happy New Year 2018 -💖- the Cambridge Writers’ Workshop!

Happy New Year 2018 from all of us here at the Cambridge Writers’ Workshop! We are looking forward to another year filled with inspiring workshops and retreats, readings and book launches and a variety of other ways to connect with new and old CWW writers and artists. Thank you to all of our CWW participants, teachers, friends and all of you who helped make this year creatively productive and inspiring.

2017 was a wild ride but looking back on the events of the past year we are overwhelmingly grateful for the ways we were able to connect with new and old friends through writing and art. Over the past year CWW held retreats and workshops in Europe and the United States, put the finishing touches on our anthology that is being published in 2018, and connected with other writers at readings and events throughout the country. We started the year off at the AWP Conference in Washington, DC where we hosted “Writers In Resistance.” Alexandria Marzano-Lesnevich, Emily Nemens, Jensen Beach, Tim Horvath, Rita Banerjee, Diana Norma Szokolyai, Alex Carrigan and Anna-Celestrya Carr read their original work at Upshur Street Books and it was a wonderful night of reading and community.

In March we held our Spring In New Orleans Writing Retreat where Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai led workshops on character development, storytelling and writing in the lyric register. We produced new work, shared our goals and expanded our writing community with new friend and new teachers. Because we were there during the Tennessee Williams Literary Festival, participants were able to take advantage of literary New Orleans in a very special way. We had such a wonderful time in New Orleans we’re doing it again! Stay tuned for details on our Spring 2018 New Orleans Writing Retreat.

From New Orleans it was on to our Spring in Portland Writing Retreat in April. Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai led workshops in fiction, non-fiction and poetry. We held sessions at the Secret Library in the historic Heathman Hotel, spent an afternoon exploring the famous Powell’s bookstore and attended a reading by local author Paul Dage. In our short weekend, we managed to get a feel for this amazing city and can’t wait to go back. Check out CWW alum Angie Walls Portland recommendations!

For our next retreat we headed abroad to Granada, Spain in the Andalucia region. Tim HorvathAlexandria Marzano-Lesnevich, Rita Banerjee and Diana Norma Szokolyai led workshops on character development, poetry, memoir, writing from the senses and translation. We enjoyed flamenco performances, visited the Roma caves of Sacromonte, enjoyed the delicious food and drink the region had to offer. It was a magical trip and we can’t wait to go back this August. Details coming soon! To get taste of what a CWW writing retreat is like check out Diana Norma Szokolyai’s poetic musings on the Granada 2017 retreat.

Our Harvest Creative Writing Retreat in Rockport, MA was our final writing retreat of 2017. We stayed in Gloucester, MA right by beautiful Wingaersheek Beach and took full advantage of our settings. When we weren’t in workshops led by Maya Sonenberg, Rita Banerjee, and Diana Norma Szokolyai, we were taking walks on the beach, enjoying the Rockport Harvest Festival and visiting nearby Salem to take advantage of their October Haunted Happenings. We are planning another New England retreat for 2018, but in the meantime, enjoy Alex Carrigan’s Rockport columns to get a sense of this fantastic weekend.

In addition to our retreats we hosted readings and performances in Boston and Cambridge throughout the year. Some of our readers and performers who joined us throughout the year were Fawn (Will Johnson and Anna Malin Ringwalt) Neil Sanzgiri, Audrey Harrer, Janaka Stucky, Matthew Wallenstein, Rita Banerjee, Sounds in Bloom (Diana Norma Szokolyai and Dennis Shafer), Erini S. Katopodis and Elizabeth Devlin. We also were excited to host our second annual fall writing series at the Cambridge Center for Adult Education. Janaka Stucky, Megan Fernandes, Frederick Douglas Knowles II and Diana Norma Szokolyai taught workshops on haiku, poetry in the age of terror, the power of hip-hop, writing in the lyric register, Black Mountain and New York Poetry School and how to craft compelling characters.

2017 was also the year we began production on our forthcoming podcast, Contact Zones, a series of interviews featuring artists from all mediums all over the world sharing their artistic process and how they related to the world in order to explore how art reverberates after its creation. Our media interns, Anna-Celestrya Carr and Shannon O. Sawyer, are readying the first season of Contact Zones, and we can’t wait to share it will you.

And in between all of the retreats, classes, readings and performances we were writing, editing and dreaming about CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing. CREDO comes out in March 2018 and we could not be more excited to share it with you! But we didn’t do it alone. Our agent, Natalie Kimber, at The Rights Factory, and our publishers John Gosslee and Andrew Sullivan at C&R Press deserve huge thanks! As do our writers! Kazim Ali, Forrest Anderson, Rita Banerjee, Lisa-Marie Basile, Jaswinder Bolina, Stephanie Burt, Alex Carrigan, Sam Cha, Melinda Combs, Thade Correa, Jeff Fernside, Ariel Francisco, John Guzlowski, Rachel Hanel, Janine Harrison, Lindsay Illich, Douglas Jackson, Christine Johnson-Duell, Caitlin Johnson, Jason Kapcala, Richard Kenney, Eve Langston, John Laue, S.D. Lishan, Ellaraine Lockie, Amy MacLennan, Kevin McLellan, E. Ce. Miller, Brenda Moguez, Peter Mountford, Nell Irvin Painter, Robert Pinsky, Kara Provost, Camille Rankine, Jessica Reidy, Amy Rutten, Elizabeth Sharp McKetta, David Shields, Lillian Slugocki, Maya Sonenberg, Kathleen Spivack, Laura Steadham Smith, Molly Sutton Kiefer, Jade Sylvan, Anca, Szilagyi, Diana Norma Szokolyai, Marilyn Taylor, Megan Tilley, Suzanne Van Dam, Nicole Walker, Allyson Whipple, Shawn Wong, Caroll Sun Yang, Matthew Zapruder contributed the beautiful, thought-provoking pieces that make up CREDO and we are so grateful. Stay tuned for details about our CREDO book launch event in March 2018 in conjunction with the AWP conference in Tampa, FL. If you’ll be at AWP stop by and say hi!

Be sure to stick with us in 2018 for another year of incredible writing retreats in New Orleans, Paris, and Granada, Spain, fantastic readings, and a whole slew of exciting projects to come from the CWW and our friends and associates. Follow us on Facebook and Twitter for updates on our forthcoming retreats, workshops and readings and feel free to email us with any questions at info@cambridgewritersworkshop.org. We’d love to hear from you!

May you all have a happy, peaceful and creative 2018!
Cambridge Writers’ Workshop Directors, Board, & Staff

Advertisements

CWW’s CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing (C&R Press) Launches on March 7, 2018!

The Cambridge Writers’ Workshop is proud to announce that CREDO: An Anthology of Manifestos and Sourcebook for Creative Writingedited by Rita Banerjee and Diana Norma Szokolyai, and produced by the Cambridge Writers’ Workshop (with assistant editors Alexander Carrigan and Megan Tilley), will be published on March 7, 2018 by C&R Press.  C&R Press began in 2006 as a literary press committed to publishing books from new and emerging writers.  C&R Press is interested in supporting authors whose thoughtful and imaginative contribution to contemporary literature deserves recognition and support. C&R Press’s catalogue includes exciting new poetry, fiction, nonfiction, as well as reportage/journalism.

CREDO. I believe. No other statement is so full of intent, subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting themselves on the frontline. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto.

The Cambridge Writers’ Workshop’s CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing is a raw look at what motivates 21st century authors. CREDO is a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises. These manifestos interrogate and harken back to the modernist manifestos of the early 20th century. The second section of CREDO focuses on craft of writing essays that examine the writing process with candid vulnerability. The third section includes writing exercises, which are meant to challenge and incite creativity.

CREDO is our declaration against violence and limitations of free speech. Our CREDO focuses on transgender poetics, world literature and aesthetics, collage and appropriation, and the politics of place. The anthology bridges the theoretical and the practical with accessible writing advice, and its ultimate mission is to inspire innovative writing and to provoke it. CREDO features writing from contemporary authors such as Kazim Ali, Forrest Anderson, Rita Banerjee, Lisa-Marie Basile, Jaswinder Bolina, Stephen Burt, Alexander Carrigan, Sam Cha, Melinda Combs, Thade Correa, Jeff Fearnside, John Guzlowski, Rachael Hanel, Janine Harrison, Lindsay Illich, Douglas C. Jackson, Caitlin Johnson, Christine Johnson-Duell, Jason Kapcala, Richard Kenney, Eva Langston, John Laue, Stuart Lishan, Ellaraine Lockie, Amy MacLennan, Kevin McLellan, E. Ce. Miller, Brenda Moguez, Peter Mountford, Robert Pinsky, Kara Provost, Jessica Reidy, Amy Rutten, Elisabeth Sharp McKetta, David Shields, Lillian Ann Slugocki, Maya Sonenberg, Kathleen Spivack, Laura Steadham Smith, Molly Sutton Kiefer, Jade Sylvan, Anca Szilágyi, Diana Norma Szokolyai, Marilyn Taylor, Megan Tilley, Suzanne Van Dam, Nicole Walker, Allyson Whipple, Shawn Wong, Caroll Yang, and Matthew Zapruder.

Stay tuned for our upcoming launch & book tours for CREDO!  For inquiries and reading engagements regarding CREDO and publications by the Cambridge Writers’ Workshop, Inc., please contact our agent, Natalie Kimber at The Rights Factory.

Happy New Year, Writers! -♥️- Cambridge Writers’ Workshop

HappyNewYear2016-CWW

Happy New Year 2016 from the directors, staff, and board of the Cambridge Writers’ Workshop!  We hope you’re all as excited for 2016 as we are!  We’re planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we’re looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2016!

The Cambridge Writers’ Workshop had a wonderful year in 2015.  Over the last twelve months, we’ve had a chance to hold retreats and readings across America and the world, meet exciting writers, yoga practicioneers, and artists, and have found new ways to inspire our own writing.  Our year began with the Brooklyn Yoga, Aromatherapy, & Writing Workshop. We restored our minds with invigorating yoga, learned about Essential Oils, and inspired out writing. In February, we joined the 2015 Association of Writers and Writing Programs Conference in Minneapolis, Minnesota. At AWP 2015, we got a chance to promote CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, advertise our new literary internships, and discuss our Summer Writing Retreats in Granada, Spain and Paris, France, as well as our Spring Writing Retreat in Newport, Rhode Island. We also hosted our second AWP event at Boneshaker Books. At our Books & Bones event, there were featured readings from authors such as  Alex CarriganJonah KruvantDena Rash GuzmanLeah UmanskyAnca SzilagyiMicah Dean HicksMichele NereimBianca StoneJessica PiazzaJess BurnquistSheila McMullin, and Brenda Peynado.

After AWP 2015, we were off to our first annual Spring Writing Retreat in Newport, Rhode Island. We were joined by award-winning and internationally-renowned authors such as Kathleen Spivack and Stephen Aubrey, in addition to CWW directors Rita Banerjee and Diana Norma Szokolyai, and CWW yoga instructor Elissa Lewis. The event was a chance for writers to spend a long weekend in historic Newport and near the beach, participating in writing workshops (such as Aubrey’s workshops on theater and Spivack’s workshops on developing manuscripts) and craft of writing seminars, yoga classes, and cultural tours of the historic Newport village. We liveblogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.

During the summer we hosted our Summer in Granada and Summer in Paris Writing Retreats. In Paris, we explored the city and all of its historical, literary, and romantic charm. The retreat included craft of writing seminars and creative writing workshops, literary tours of Paris, daily yoga and meditation classes, and one-on-one manuscript consultations. We were also joined by Guggenheim Fellowship recipient and New York Times bestselling author David Shields, who taught workshops about collage, appropriation, and collaboration. CWW directors Rita Banerjee and Diana Norma Szokolyai taught workshops on stakes and building character, and also led workshops for participants to share their work and use the Liz Lerman method for critiquing writing. We live blogged our Paris retreat on our website, so feel free to check it out and see our workshops, as well as our excursions to Shakespeare and CompanyVersailles and Au Chat Noir. We were really happy to experience this with all of our participants, who traveled from all over the U.S, as well as England and Australia, to come write and explore Paris with us.

In Granada, wrote in the city’s winding streets, absorbed its Moorish history, and were inspired by its evocative landscapes. The retreat included craft of writing seminars and writing workshops and yoga classes. We were joined by Guggenheim Fellowship recipient and Pushcart Prize winner Peter Orner, who led a workshop on Spanish literature. Diana Norma Szokolyai led workshops on voice and stakes, while Rita Banerjee led a workshop on narrative development. We also live blogged this trip, so you can see all the exciting things we did on this trip, such as seeing Poeta in Nueva York and shopping for fans.

We hosted a Brooklyn Bookend Reading at Muchmore’s during The Brooklyn Book Festival. Some of the writers had emerged onto the literary scene with a bang, while others had recently published their first or second books, and had received prestigious awards in the past. The event was moderated by Diana Norma Szokolyai and included writers Rita Banerjee, Jonah Kruvant, Brandon Lewis, Elizabeth Devlin, Lisa Marie Basile, Jessica Reidy, Gregory Crosby, Matty Marks, and Emily Smith.

In November, we also hosted our annual Pre-Thanksgiving Writing & Yoga Cleanse. The two day event kicked off with yoga lessons from Elissa Lewis, followed by creative writing workshops and craft seminars from Jessica Reidy. Our Pre-Thanksgiving Writing & Yoga Cleanse was an opportunity for the participants to cleanse themselves mentally, spiritually, and creatively before the bustling holiday season.

In 2015, we continued our work on CREDO Anthology of Manifestos & Sourcebook for Creative Writing. The collection will feature personal writer manifestos, essays on writing advice, and writing exercises to help spur creativity. Our staff has greatly enjoyed critiquing and conversing with writers on this publication, and more information about publication will be announced in the upcoming year.

In 2015, we welcomed our second round of interns to the Cambridge Writers’ Workshop, and these interns include the wonderful Emily Smith, Casey Lynch, and Alyssa Goldstein, all of whom have helped the CWW greatly this year. They’ve helped manage our social media and written up posts about our events, shown their talent for graphic design and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year.  We’re excited to have Emily, Casey, and Alyssa, on our team, and we can’t wait to show you what they’ve helped us plan for 2016!

This was also a good year for our individual staff members getting published. CWW co-director Rita Banerjee had her poetry published in Quail Bell MagazineRiot Grrrl Magazine, and The Monarch Review. Her interview with CWW visiting professor and Guggenheim Fellowship recipient David Shields was published in Electric Literature. CWW co-director Diana Norma Szokolyai reported for VIDA: Women in Literary Arts on”The Defensive Male Writer.”  CWW Executive Board Member Jessica Reidy‘s “Why the Pyres are Unlit” was released in Drunken Boat’s Romani Folio and her poetry was nominated by The Poetry Blog for “Best of the Net.” Managing Intern Alex Carrigan had his work published in Strike! and Quail Bell Magazine and Managing Intern Emily Smith became a Contributing Blogger for Ploughshares.

While 2015 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Los Angeles from March 30-April 2, 2016, and will be announcing our AWP Reading in downtown Los Angeles shortly!

Join us April 21-24, 2016 for our second annual Spring in Newport, Rhode Island Writing Retreat. Our Newport retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects. In the past, faculty has included internationally renowned author and writing coach Kathleen SpivackStephen Aubrey, Diana Norma Szokolyai, Rita Banerjee, and Elissa Lewis.

The Cambridge Writers’ Workshop Summer in Narbonne & Barcelona Writing Retreat will take place July 18-26, 2016. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.  There will also be time to explore the city of Barcelona, Spain and the beaches of Narbonne, France.  Our past France retreats have included David Shields, Diana Norma Szokolyai, Rita Banerjee, Jessica Reidy, and Elissa Lewis as faculty members.

And from July 28-August 5, 2016, join the Cambridge Writers’ Workshop on our summer writing retreat to the cultural oasis of Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work with world-renowned authors on your manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  In our past Granada retreat, faculty has included Peter Orner, Rita Banerjee, Diana Norma Szokolyai, and Elissa Lewis.

We hope you are all as excited for our 2016 events as we are.  Information on our upcoming 2016 retreats and readings will be going live in January 2016!  If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org.  You can also follow us on FacebookTumblr, and Twitter for more information and updates on any of these events. We look forward to making 2016 a year full of creativity, writing, and renewal, so join us as we make 2016 rock!

— Emily Smith & Alex Carrigan, CWW Managing Interns

November 2015 Pre-Thanksgiving Yoga and Writing Cleanse Review

thanksgivingcleanseposter1

Last weekend, the Cambridge Writers’ Workshop continued its tradition of hosting a Pre-Thanksgiving Yoga and Writing Cleanse, this time at Sacred Sounds Yoga in Manhattan. Just like with previous years, the CWW offered participants the chance to cleanse their minds and bodies through yoga, and come out feeling rejuvenated and ready to write later on in the two-hour session.

The event commenced on Saturday, November 21st, at two p.m. Located on Bleecker Street, Sacred Sounds Yoga was our generous host for the weekend. After being provided with yoga mats, blocks, blankets, and bolsters, we were ready to begin. The first hour of the Yoga and Writing workshop consisted of our yoga instructor, Elissa Lewis, guiding us through not only a wide variety of yoga exercises and poses, but also breathing techniques geared towards achieving a sense of peace and tranquility.  Elissa made sure that with every pose, we concentrated on our breathing.

For those of us who were either new to yoga or returning after a period of prolonged absence, Elissa explained each exercise and demonstrated the transition from one pose to another. Some of the poses we did included downward facing dog, warrior II, peaceful warrior; low lunge, high lunge, lunge twist, cow pose, and cat pose.

We concluded the yoga portion by writing how we felt after doing yoga. What was the one central emotion or thought surrounding us? I must say, as a fellow participant,  it was so relaxing and revitalizing that when it came time to say “Namaste,” and move on to the writing portion, we were more than ready to get our creative juices flowing.

In the second half of our Saturday cleanse, Jessica Reidy demonstrated how to write creatively by incorporating the sense of sight, of smell, of touch, and of taste. To aid us with this particular workshop, Jessica had pears, which she cut up and handed out to us.

To start the exercise off, Jessica read a poem written by an author who used the very same techniques we were about to.  We were asked what we thought the poem was about and what really stood out to us. After that discussion, we moved along to the pears.

With our pears on hand, we were asked to examine them. What did they look like? Did they trigger any particular memory? What did they smell like? How about their touch? What did they taste like? As we explored each sense, we took notes, assigning words to the different categories we had just talked about. We were then asked to – with the use of our notes – write for about ten minutes, and thus create either a poem or a story that captured the essence of the pear. It didn’t necessarily have to be a memory or anything connected to our own lives. It just needed to be a creative piece.

With the little time we had left over after writing, a few of us (including myself) shared our pieces. After each person read, Jessica asked those of us who had listened what had jumped out at us from the story or poem. And was there any particular detail we wished the writer would expand upon?

The yoga and writing festivities continued onto Sunday, November 22nd, the second and final day of the workshop. Once again, Elissa did an hour of yoga, and Jessica did an hour of writing.

After two fun-filled days of yoga and writing, guests who attended the cleanse found themselves not only with a renewed sense of self and a clear mind, but also really great ideas for future stories, as well as extremely helpful writing tools. As with all of our workshops and retreats, we sincerely hope that those who joined in on the fun had a wonderful time, and of course, that they join us for any writing retreats we have in the future.

CUd_NRrWEAAYvq7

Jessica leading the writing workshop.

CWW Pre-Thanksgiving Writing & Yoga Cleanse (Sacred Sounds Yoga, NYC, November 21-22, 2015)

ThanksgivingCleansePoster

Join the Cambridge Writers’ Workshop for a Pre-Thanksgiving Writing & Yoga Cleanse at Sacred Sounds Yoga in New York City. We hope you’re as excited for this event as we are! Registration is currently $30 per day in advance or $35 on the day of the workshop.  REGISTER HERE

SATURDAY Nov. 21 & SUNDAY Nov. 22 * 2pm-4 pm

163 Bleecker Street, 2nd Floor
(b’twn Sullivan & Thompson Streets)
New York, NY 10012
T: 212.533.YOGA (9642)
E: info@sacredsoundsyoga.com

  • Yoga with Elissa Lewis
  • Writing Workshops with Diana Norma Szokolyai and Jessica Reidy

Join our 3rd annual Pre-Thanksgiving Yoga & Creative Writing Cleanse. As the leaves are changing colors, bring some of those transformations into your life.  Before re-uniting with family for lots of heavy food and holiday affairs (along with the cheer and stress that comes along with it), treat yourself to a weekend of creative writing & yoga.  If you’re participating in #NaNoWriMo 2015, come join us, rejuvenate your creative juices, and enjoy working on your novel in a relaxing environment!  The writing workshop is for all levels of writers and open to all genres.

Elissa Lewis will begin class each day with a gentle vinyasa flow to relieve stress in the body followed by restorative poses, essential oils and yoga nidra. She will focus on the ajna chakra, or our “third eye,” the lens which we see the world through.  This asana is ideal for “opening up the third eye” so that we’re intuitive, imaginative, and able to visualize. Then, writing instructors Diana Norma Szokolyai Jessica Reidy will lead you in generating new material for existing or potential writing projects.

Faculty Information:

DianaNormaDiana Norma Szokolyai is a writer/interdisciplinary artist/educator and Executive Artistic Director of Cambridge Writers’ Workshop. She frequently records her poetry with musicians and has collaborated with several composers, such as Jason Haye (UK), Sebastian Wesman (Argentina), Peter James (UK), Julie Case (US), Jeremie Jones (Canada), Claudio Gabriele (Italy) and David Krebs (US). Her poetry-music collaboration with Flux Without Pause led to their collaboration “Space Mothlight” hitting the Creative Commons Hot 100 list twice in 2015, and can be found in the curated WFMU Free Music Archive. Her writing on literary communities was the subject of a monthly feature on HER KIND by VIDA: Women in the Literary Arts and an interview on the same topic was featured in Quail Bell Magazine in May 2014. Author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­‐‑up Best Poetry Book at the 2009 DIY Book Festival), she has also been published in Quail BellInternational Who’s Who in Poetry 2012, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, Polarity, The Fiction Project, Up the Staircase Quarterly, The Dudley Review, and elsewhere. Her writing has been anthologized in Always Wondering, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring HistoryThe Cambridge Community Poem, and Teachers as Writers. She co-­curates a poetry-music series, performs in CHAGALL PAC, and is an interdisciplinary performance artist with the Brooklyn Soundpainting Ensemble. She lives in Brooklyn, NY and holds an Ed.M degree in Arts in Education from Harvard, as well as an M.A. in French literature from UConn.

Jessica Reidy is a mixed-Romani (Gypsy) heritage writer from New Hampshire. She earned her MFA in Fiction at Florida State University and a B.A. from Hollins University. Her work has been nominated for a Pushcart, and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, Arsenic Lobster, and other journals. She’s a staff-writer and Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Visiting Professor for the Cambridge Writer’s Workshop retreats, and Art Editor for The Southeast Review. She also teaches yoga and occasionally still works her family trades, fortune telling and dance. Jessica is currently working on her first novel set in post-WWII Paris about Coco Charbonneau, a half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter.

ElissaLewisElissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her websitefor informative yoga sequences and information.

You can also email us at directors@cambridgewritersworkshop.org if you have any specific questions. Follow us on FacebookTwitter, and Tumblr for more information and to learn more about upcoming events.

CWW Instructor Jessica Reidy nominated for Best of the Net

Cambridge Writers’ Workshop Instructor, Jessica Reidy, recently had her poem “Transfiguration of the Black Madonna: Gypsy Goddess, Gypsy Saint” nominated by The Infoxicated Corner of The The Poetry Blog for “Best of the Net.”  Check out the other nominees here!

Transfiguration of the Black Madonna (excerpted from Zenith)

Gypsy Goddess; Gypsy Saint
Black Madonna, full of snakes, let your crescent down. Wield the sickle, rush the milk, and salt the serpents’ mouths. Golden bangles, black milk snakes—these adorn your arms. Blue sky cloth cut for (you) Sarah, Sarah Black, Madonna Shadow, cut for goddess saint of wanderers, cut predestined, cut of chaos, cut the star palm bowls. Slip the feathers under scales and reform the body whole. You were a slave who sailed the chasm, sailed the sea and sun. Persecution sprang a river from the monster: milk, and spit, and blood. In the monster lived a woman and the woman’s soul—you wore her face and wore her tresses spun from black snake gold—golden teeth and golden brow, golden tail and root. The milk snakes split their nests and fled and now your mouth is ruined. There is no birth, there is no death, there’s only mutant growth, and milk snakes dyeing Sarah’s skin with heaps and heaps of gold. There is no sickle there is no moon, there is no blood or salt. There’s only Sarah sailing through the dream in which she’s caught.

Jessica will be teaching alongside Diana Norma Szkoloyai (writing faculty) and Elissa Lewis (yoga faculty) at our upcoming Thanksgiving Cleanse Writing & Yoga Retreat at Sacred Sounds in Greenwich Village, NYC. The retreat runs from 2-4 on Saturday November 21st and 2-4 on Sunday November 22nd, and is packed with both writing and craft classes and yoga classes. Registration is currently $30 per day in advance or $35 on the day of the workshop. The workshops will be different each day, and we’d love to have you with us for the whole weekend!

Jessica ReidyJessica Reidy attended Florida State University for her MFA in Fiction and earned her B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, The Missouri Review, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter.  You can learn more at www.jessicareidy.com.

The End of the Tour (2015) – David Foster Wallace in Mostly-Self-Aware Snapshots

TEOTT PosterThe End of the Tour (dir. James Ponsoldt, 2015) tells the story of writer David Lipsky’s unpublished Rolling Stone interview with David Foster Wallace, in which Lipsky (Jesse Eisenberg), an emerging writer of some acclaim, follows Wallace (Jason Segal) on a five-day book tour, pitching questions the whole way along the road of junk food, hotels, and indie bookshops packed with fans. The screenplay, by Pulitzer Prize winning playwright Donald Margulies, is based on Lipsky’s memoir Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace. When first meeting Wallace in The End of the Tour, he is strikingly wry, reclusive, and aloof, which could be mistaken for the personality of a writer too full of his own genius to be close to the world. But soon Lipsky and the audience see that Wallace’s distance is the product of anxiety, his cutting quips are deflection, and that his evasive or non-existent answers stem from his fear of what people might believe about him if he presents himself wrong. Wallace lets Lipsky see this vulnerability early-on, unable or unwilling to keep up the pretense. Even when Wallace’s over-eager desire to behave well ultimately folds on itself, it’s in a charming, nervous, very forgivable way. Lipsky, who shares Wallace’s vulnerability, goes from holding his breath to sighing in relief many times over throughout the course of interviewing Wallace, yet these fluctuations still give way to a kind of constructed intimacy between the interviewer and his subject. What makes The End of the Tour enthralling is Lipsky’s almost-loving attention to Wallace’s authenticity, and the question of whether or not authenticity is even possible. Here is a writer celebrated as a genius for his momentous tome, Infinite Jest, trying to put everyone at ease—the reader, the aspiring and emerging writer, the writers on the scene with less fame and critical appeal—by assuring us all that he is not as smart as we are, that he needs pen and paper, a library, and so much time to sound clever, that in any moment of this off-the-cuff, on-the-record interview, he will seriously fuck this whole thing up. Lipsky calls him out on these in-authentic reveals repeatedly, pointing out those few moments when Wallace is comfortable in the assumption that he is the smartest person in the room, moments, which of course, tread on Lipsky’s own ego and jealousy. Lipsky’s journalistic (and rather personal) finger-pointing comes out particularly when the course of their intellectual, maybe unrequited, bromance is made rocky by many social slips, mostly rooted in their own fears of baring the self, but also, predictably, the presence of a desirable and amiable lady, Betsy (Mickey Sumner).

Perhaps because the relationship between Lipsky and Wallace is built on pretense, they are deeply dimensional characters on screen—their intimacy, while it has moments that feel, and maybe are, genuine for both of them, is ultimately faux and thus reveals so much more complexity. They remember, from time to time, that this friendship is an interview, and both of them have a game. “This is nice,” Wallace tells Lipsky, “but it isn’t real.” And yet, it does feel real, and the viewer is left to wonder if so much of his despair comes from the short-sightedness of waving off the constructed interactions we all share, day in, day out, as necessarily meaningless. Throughout the film, Wallace despairs perhaps the most because of this inability to accept and trust the truthfulness of relationships. The people who are kind and close to him – editors, colleagues, publicists, agents – are nice but not real to him. The film reveals that there is real intimacy even in pretense, and as Wallace’s character shows, there is authenticity even in inauthentic behaviors, although he can’t see it himself.

The film itself is, for the most part, made with the same nail-biting self-awareness. Says director James Ponsoldt: “Biopics have a tendency to flatten out and reduce the complexity of a life. I usually have a fierce aversion to them. The End of the Tour is more like a snapshot of two lives taken over just a handful of days.” There is one aspect of the film that lacks the character-vibrancy of these biopic snapshots—the female characters and the role of women. Wallace and Lipsky talk at length about women, just as they talk about art and the cosmic palpitations we all feel. Wallace wants women and a partner to have children with, but he frets that getting close to any woman who might admire him, as people often admire their partners, may make him look like he’s using his book to get his “dick sucked,” a reduction which is both attractive and vile to him. In Wallace’s eyes, and perhaps Lipsky’s too, women are reduced to a one-dimensional femme fatale (or her opposite), even though the film shows, through one line of dialogue, that Wallace clearly respects women writers. The film, however, does not make the same artful reveal about the three-dimensionality of the women around them that it does for the realness of Wallace and Lipsky’s own structured intimacy. If this riveting film with brilliant performances by Eisenberg and Segal has a downfall, it’s that in all of its heart-breaking reveals to the audience of what the two characters are missing, it failed to be self-aware of the trope of the one-dimensional woman. Lipsky and Wallace speak of the women in the film, likely out of normalized fear rather than malicious intent, as objects that fulfill or fail to incite sexual desire and emotion from them. This is unchallenged by the film—the female characters have no moments of revelation, do not show us their power, their realness, or in short, what the main characters are missing. Considering that Wallace’s failure to bring himself past the façade of human existence and connection is both the crux of the film and the subject of discussion between himself and Lipsky, both in terms of his life and Infinite Jest, it seems all the more important to give the women in the film three-dimensional characters that, at the very least, pass the Bechdel test, and ideally show-up the myopic tics that Wallace and Lipsky share. When so much of the beauty and poignancy of this film deals with revealing the ever-shifting fullness and authenticity of the characters in it, even the authentically inauthentic qualities of people, the woman who incited so much angst (Betsy) was at most an avatar of Lipsky’s and Wallace’s imagination.

And while the film has very limited diversity, it lifts the skin to reveal the anatomy of Wallace’s melancholy and unflinchingly reveals the structure of his privilege. We have all heard privileged, white male writers emerging and struggling to carve out a place in their MFA programs or writing communities, complaining that because they were neither poor nor abused, neither a minority voice nor traumatized, no one cared about their stories of middle-class, white guy directionless angst. I have two reactions when I hear this: one primarily of rage and jealousy, the second of rage and confusion.

1. It must be nice. If you had any idea what you’re wishing for, sweet baby

2. The nameless angst of privileged white men is the majority of whom and what gets published. Check the numbers—VIDA has them.

These kinds of men with these kinds of complaints rarely make anything of value because they are not thinking in interesting directions. Their self-absorption is an un-ending loop. Their inability to look outside themselves, to explore that feeling of lack rather than childishly resenting the often debilitating horrors or centuries of oppression that they believe make someone “interesting,” is what castrates any virility their work might have. I also wonder how many writers of color and women writers they read, but that’s another issue altogether. The End of the Tour shows a man who is all too aware of his position and still aches, and aches from awareness, and aches from guilt, and aches from the inability to foster the intimacy he needs, but he recognizes all of this and makes something great of it. The film, through device and the clever awareness of device, reveals a writer who has “exhausted” too many ways of living, and ultimately closes the miles between himself and sleep, but with both eyes wide open.

– Jessica Reidy

Extended Deadline – Apply to the CWW Summer Writing Retreat in Granada, Andalucía, Spain by May 1!

GranadaPoster2015May1Deadline

 

Join the Cambridge Writers’ Workshop on our summer writing & yoga retreat to Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Indulge in delicious Andalucían cuisine and traditional Arab baths. Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.

The retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors like Peter Orner (fiction, nonfiction),Rita Banerjee (poetry, fiction), Diana Norma Szkoloyai (poetry, nonfiction), Jessica Reidy (fiction, poetry) and Elissa Lewis (yoga, meditation) to hone their craft and expand their writing skills, while working on new or existing projects.

Our Andalucían writing retreat will take place from August 3-10, 2015, and the cost of the workshop is $2950, which includes lodging, craft of writing seminars and writing workshops, yoga classes, room cleaning, and breakfast. Optional add-ons include reiki healing and aromatherapy sessions.

If you’d like to join us in Granada, please apply online at cww.submittable.comby May 1, 2015, and include a $5 application screening fee and a 5-page writing sample. (Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability).

applyDeadline: May 1, 2015

Featured Faculty:

Peter OrnerPeter Orner Chicago born Peter Orner’s fiction and non-fiction has appeared in the New York Times, the Atlantic Monthly, Granta, The Paris Review, McSweeney’s, The Southern Review, The Forward, The San Francisco Chronicle, andPloughshares. Stories have been anthologized in Best American Stories and twice won a Pushcart Prize. Orner was awarded a Guggenheim Fellowship (2006), as well as the two-year Lannan Foundation Literary Fellowship (2007-2008). A film version of one of Orner’s stories, “The Raft” with a screenplay by Orner and the film’s director, Rob Jones, is currently in production and stars Ed Asner.  Esther Stories (Houghton Mifflin/​ Mariner, 2001) was awarded the Rome Prize from the American Academy of Arts and Letters, the Goldberg Prize for Jewish Fiction, and was a Finalist for the Pen Hemingway Award and the New York Public Library’s Young Lions Award. Esther Stories was a 2001 New York Times Notable Book.

RBRita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, and Chrysanthemumamong other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured onHER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

DianaNormaDiana Norma Szkoloyai is author of the poetry books Roses in the Snow and Parallel Sparrows(Finishing Line Press). Her writing and hybrid art have appeared in Lyre Lyre, Dr. Hurley’s Snake Oil Cure, The Fiction Project, Teachers as Writers, Polarity, The Boston Globe, The Dudley Review, Up the Staircase, Area Zinc Art Magazine, Belltower & the Beach, and Human Rights News. Founding Literary Arts Director of Chagall Performance Art Collaborative and co-director of the Cambridge Writer’s Workshop, she holds an Ed.M from Harvard and an M.A. in French Literature from the University of Connecticut.

25ugmblJessica Reidy earned her MFA in Fiction at Florida State University and a B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, Arsenic Lobster, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter. You can learn more at www.jessicareidy.com.

ElissaLewisElissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her websitefor informative yoga sequences and information.

 

 

Register for CWW Summer Writing Retreat in Granada, Andalucía, Spain by May 1!

GranadaPoster2015May1Deadline

apply

Join the Cambridge Writers’ Workshop on our summer writing & yoga retreat to the cultural oasis of Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.

The retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects. Our Andalucían writing retreat will take place from August 3-10, 2015, and the cost of the workshop is $2950, which includes lodging, craft of writing seminars and writing workshops, yoga classes, room cleaning, and breakfast. Optional add-ons include reiki healing and aromatherapy sessions.

The retreat will be held at Hotel Guadalupe on Paseo de la Sabica in Granada, Spain.

Faculty includes Peter Orner (fiction, nonfiction), Rita Banerjee (poetry, fiction), Diana Norma Szkoloyai (poetry, nonfiction), Jessica Reidy (fiction, poetry) and Elissa Lewis (yoga, meditation).

If you’d like to join us in Granada, please apply online at cww.submittable.com by May 1, 2015, and include $5 application screening fee and a 5-page writing sample. (Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability).

applyDeadline: May 1, 2015

Featured Faculty:

Peter OrnerPeter Orner Chicago born Peter Orner’s fiction and non-fiction has appeared in the New York Times, the Atlantic Monthly, Granta, The Paris Review, McSweeney’s, The Southern Review, The Forward, The San Francisco Chronicle, and Ploughshares. Stories have been anthologized in Best American Stories and twice won a Pushcart Prize. Orner was awarded a Guggenheim Fellowship (2006), as well as the two-year Lannan Foundation Literary Fellowship (2007-2008). A film version of one of Orner’s stories, “The Raft” with a screenplay by Orner and the film’s director, Rob Jones, is currently in production and stars Ed Asner.  Esther Stories (Houghton Mifflin/​ Mariner, 2001) was awarded the Rome Prize from the American Academy of Arts and Letters, the Goldberg Prize for Jewish Fiction, and was a Finalist for the Pen Hemingway Award and the New York Public Library’s Young Lions Award. Esther Stories was a 2001 New York Times Notable Book.

RBRita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, and Chrysanthemum among other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured on HER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

DianaNormaDiana Norma Szkoloyai is author of the poetry books Roses in the Snow and Parallel Sparrows (Finishing Line Press). Her writing and hybrid art have appeared in Lyre Lyre, Dr. Hurley’s Snake Oil Cure, The Fiction Project, Teachers as Writers, Polarity, The Boston Globe, The Dudley Review, Up the Staircase, Area Zinc Art Magazine, Belltower & the Beach, and Human Rights News. Founding Literary Arts Director of Chagall Performance Art Collaborative and co-director of the Cambridge Writer’s Workshop, she holds an Ed.M from Harvard and an M.A. in French Literature from the University of Connecticut.

25ugmblJessica Reidy earned her MFA in Fiction at Florida State University and a B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, Arsenic Lobster, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter. You can learn more at www.jessicareidy.com.

ElissaLewisElissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her website for informative yoga sequences and information.

Cambridge Writers’ Workshop 2015 Retreats featured in Poets & Writers Magazine

IMG_0036Writers such as David Shields, Kathleen Spivack, Peter Orner, Rita Banerjee, Diana Norma Szokolyai, Stephen Aubrey, Jessica Reidy, and yoga instructor Elissa Lewis are featured in the March/April 2015 Writers Retreats Issue of Poets & Writers Magazine for their instruction in fiction, nonfiction, poetry, playwriting, screenwriting, and yoga the CWW Newport, RI Writing & Yoga Retreat (April 2-5, 2015), CWW Summer Writing Retreat in Paris (July 22-30, 2015), and CWW Summer Writing Retreat in Granada, Andalucía, Spain (August 3-10, 2015).  In this special issue of Poets & Writers, the “Conferences & Residencies” section features the Cambridge Writers’ Workshop 2015 Spring and Summer Creative Writing Retreats in New England, France, and Spain.   Here’s some more information on each retreat:

CWW Newport, RI Writing & Yoga Retreat (April 2-5, 2015)

NewportThe 2015 Cambridge Writers’ Workshop Writing & Yoga Retreat will be held from April 2 to April 5 in Newport, Rhode Island. The retreat offers workshops in poetry, fiction, and creative nonfiction, as well as craft seminars, manuscript consultations, time to write, daily yoga and meditation classes, and local excursions. The faculty includes poets and prose writers Rita Banerjee, Kathleen Spivack, and Diana Norma Szokolyai; and prose writer Stephen Aubrey. The cost of the retreat is $650, which includes tuition and some meals. Shared room lodging is also included. Using the online submission system, submit five pages of poetry, fiction, or creative nonfiction with a $5 application fee by March 15, 2015. Apply at cww.submittable.com

CWW Summer Writing Retreat in Paris (July 22-30, 2015)

ParisThe 2015 Cambridge Writers’ Workshop Summer in Paris Writing Retreat will be held from July 22 to July 30 at the Hôtel Denfert-Montparnasse in Paris. The retreat offers workshops in poetry, fiction, and creative nonfiction, as well as craft seminars, one-on-one manuscript consultations, time to write, daily yoga and meditation classes, and local excursions. The faculty includes poets and prose writers Rita Banerjee, Kathleen Spivack, Jessica Reidy, and Diana Norma Szokolyai; and fiction and nonfiction writer David Shields. The cost of the retreat is $2,950, which includes tuition, lodging, and some meals. Using the online submission system, submit five pages of poetry, fiction, or creative nonfiction with a $5 application fee by May 5, 2015.  Apply at cww.submittable.com

CWW Summer Writing Retreat in Granada, Andalucía, Spain (August 3-10, 2015)

alhambra-granada-spain-900x1440The 2015 Cambridge Writers’ Workshop Summer in Andalucía Writing Retreat will be held from August 3 to August 10 at the Hotel Gar-Anat in Granada, Spain. The retreat offers workshops in poetry, fiction, and creative nonfiction, as well as craft seminars, time to write, daily yoga and meditation classes, and local excursions. The faculty includes poets and prose writers Peter Orner, Rita Banerjee, Diana Norma Szokolyai, and Jessica Reidy. The cost of the retreat is $2,950, which includes tuition, lodging, and some meals. Using the online submission system, submit five pages of poetry, fiction, or creative nonfiction with a $5 application fee by April 20, 2015.  Apply at cww.submittable.com