Happy New Year 2018 -💖- the Cambridge Writers’ Workshop!

Happy New Year 2018 from all of us here at the Cambridge Writers’ Workshop! We are looking forward to another year filled with inspiring workshops and retreats, readings and book launches and a variety of other ways to connect with new and old CWW writers and artists. Thank you to all of our CWW participants, teachers, friends and all of you who helped make this year creatively productive and inspiring.

2017 was a wild ride but looking back on the events of the past year we are overwhelmingly grateful for the ways we were able to connect with new and old friends through writing and art. Over the past year CWW held retreats and workshops in Europe and the United States, put the finishing touches on our anthology that is being published in 2018, and connected with other writers at readings and events throughout the country. We started the year off at the AWP Conference in Washington, DC where we hosted “Writers In Resistance.” Alexandria Marzano-Lesnevich, Emily Nemens, Jensen Beach, Tim Horvath, Rita Banerjee, Diana Norma Szokolyai, Alex Carrigan and Anna-Celestrya Carr read their original work at Upshur Street Books and it was a wonderful night of reading and community.

In March we held our Spring In New Orleans Writing Retreat where Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai led workshops on character development, storytelling and writing in the lyric register. We produced new work, shared our goals and expanded our writing community with new friend and new teachers. Because we were there during the Tennessee Williams Literary Festival, participants were able to take advantage of literary New Orleans in a very special way. We had such a wonderful time in New Orleans we’re doing it again! Stay tuned for details on our Spring 2018 New Orleans Writing Retreat.

From New Orleans it was on to our Spring in Portland Writing Retreat in April. Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai led workshops in fiction, non-fiction and poetry. We held sessions at the Secret Library in the historic Heathman Hotel, spent an afternoon exploring the famous Powell’s bookstore and attended a reading by local author Paul Dage. In our short weekend, we managed to get a feel for this amazing city and can’t wait to go back. Check out CWW alum Angie Walls Portland recommendations!

For our next retreat we headed abroad to Granada, Spain in the Andalucia region. Tim HorvathAlexandria Marzano-Lesnevich, Rita Banerjee and Diana Norma Szokolyai led workshops on character development, poetry, memoir, writing from the senses and translation. We enjoyed flamenco performances, visited the Roma caves of Sacromonte, enjoyed the delicious food and drink the region had to offer. It was a magical trip and we can’t wait to go back this August. Details coming soon! To get taste of what a CWW writing retreat is like check out Diana Norma Szokolyai’s poetic musings on the Granada 2017 retreat.

Our Harvest Creative Writing Retreat in Rockport, MA was our final writing retreat of 2017. We stayed in Gloucester, MA right by beautiful Wingaersheek Beach and took full advantage of our settings. When we weren’t in workshops led by Maya Sonenberg, Rita Banerjee, and Diana Norma Szokolyai, we were taking walks on the beach, enjoying the Rockport Harvest Festival and visiting nearby Salem to take advantage of their October Haunted Happenings. We are planning another New England retreat for 2018, but in the meantime, enjoy Alex Carrigan’s Rockport columns to get a sense of this fantastic weekend.

In addition to our retreats we hosted readings and performances in Boston and Cambridge throughout the year. Some of our readers and performers who joined us throughout the year were Fawn (Will Johnson and Anna Malin Ringwalt) Neil Sanzgiri, Audrey Harrer, Janaka Stucky, Matthew Wallenstein, Rita Banerjee, Sounds in Bloom (Diana Norma Szokolyai and Dennis Shafer), Erini S. Katopodis and Elizabeth Devlin. We also were excited to host our second annual fall writing series at the Cambridge Center for Adult Education. Janaka Stucky, Megan Fernandes, Frederick Douglas Knowles II and Diana Norma Szokolyai taught workshops on haiku, poetry in the age of terror, the power of hip-hop, writing in the lyric register, Black Mountain and New York Poetry School and how to craft compelling characters.

2017 was also the year we began production on our forthcoming podcast, Contact Zones, a series of interviews featuring artists from all mediums all over the world sharing their artistic process and how they related to the world in order to explore how art reverberates after its creation. Our media interns, Anna-Celestrya Carr and Shannon O. Sawyer, are readying the first season of Contact Zones, and we can’t wait to share it will you.

And in between all of the retreats, classes, readings and performances we were writing, editing and dreaming about CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing. CREDO comes out in March 2018 and we could not be more excited to share it with you! But we didn’t do it alone. Our agent, Natalie Kimber, at The Rights Factory, and our publishers John Gosslee and Andrew Sullivan at C&R Press deserve huge thanks! As do our writers! Kazim Ali, Forrest Anderson, Rita Banerjee, Lisa-Marie Basile, Jaswinder Bolina, Stephanie Burt, Alex Carrigan, Sam Cha, Melinda Combs, Thade Correa, Jeff Fernside, Ariel Francisco, John Guzlowski, Rachel Hanel, Janine Harrison, Lindsay Illich, Douglas Jackson, Christine Johnson-Duell, Caitlin Johnson, Jason Kapcala, Richard Kenney, Eve Langston, John Laue, S.D. Lishan, Ellaraine Lockie, Amy MacLennan, Kevin McLellan, E. Ce. Miller, Brenda Moguez, Peter Mountford, Nell Irvin Painter, Robert Pinsky, Kara Provost, Camille Rankine, Jessica Reidy, Amy Rutten, Elizabeth Sharp McKetta, David Shields, Lillian Slugocki, Maya Sonenberg, Kathleen Spivack, Laura Steadham Smith, Molly Sutton Kiefer, Jade Sylvan, Anca, Szilagyi, Diana Norma Szokolyai, Marilyn Taylor, Megan Tilley, Suzanne Van Dam, Nicole Walker, Allyson Whipple, Shawn Wong, Caroll Sun Yang, Matthew Zapruder contributed the beautiful, thought-provoking pieces that make up CREDO and we are so grateful. Stay tuned for details about our CREDO book launch event in March 2018 in conjunction with the AWP conference in Tampa, FL. If you’ll be at AWP stop by and say hi!

Be sure to stick with us in 2018 for another year of incredible writing retreats in New Orleans, Paris, and Granada, Spain, fantastic readings, and a whole slew of exciting projects to come from the CWW and our friends and associates. Follow us on Facebook and Twitter for updates on our forthcoming retreats, workshops and readings and feel free to email us with any questions at info@cambridgewritersworkshop.org. We’d love to hear from you!

May you all have a happy, peaceful and creative 2018!
Cambridge Writers’ Workshop Directors, Board, & Staff

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CWW Presents: Writers in Resistance – An AWP 2017 Reading – Washington D.C.

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The Association of Writers and Writing Programs will be hosting its annual writers conference in Washington DC from February 8-11. As in past years, the Cambridge Writers’ Workshop will be present at the conference, with a table at the book fair at Table 361-T. There, we will have information about our 2017 writing retreats, our internships, publications, and a ton of other goodies.

We will also be hosting three author signings at the Cambridge Writers’ Workshop Table 361-T during the AWP 2017 Conference. The schedule for author signings at our table is as follows:

Tim Horvath: Thursday February 9, 1-2 pm
Diana Norma Szokolyai: Friday February 10, 11 am-12 pm
Rita Banerjee: Saturday February 11, 11 am- 12 pm

As per tradition, we will also be hosting a reading during the conference. The CWW will be hosting a reading at Upshur Street Books on Friday February 10, 2017 from 5pm – 6:45 pm. The reading will be hosted at Upshur’s event space at Third Floor, 4200 9th St NW Washington DC 20011 (above Slim’s Diner). We have eight fabulous readers ready to present their work, including members of our executive board, faculty from our upcoming writing retreats, and some of our CWW friends. Our reading list includes the following:

ritabanerjee-smRita Banerjee
is Executive Creative Director of the Cambridge Writers’ Workshop and teaches at Rutgers University.  She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in Poets & Writers, The Rumpus, Mass Poetry, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. Her first collection of poems, Cracklers at Night (Finishing Line Press), received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali in Approaching Footsteps (Spider Road Press), is forthcoming in November 2016. Finalist for the 2015 Red Hen Press Benjamin Saltman Award and the 2016 Aquarius Press Willow Books Literature Award, she is currently working on a novel, a book on South Asian literary modernisms, and collection of lyric essays.

beach-jensenJensen Beach is the author of two collections of short fiction, For out of the Heart Proceed, and most recently, Swallowed by the Cold. His stories have appeared A Public Space, the Paris Review, and The New Yorker. He teaches in the BFA Program at Johnson State College, where he is fiction editor at Green Mountains Review. He is also faculty in the MFA Program in Writing & Publishing at Vermont College of Fine Arts. With this family, he lives in Vermont.

 

 

Anna-Celestrya Carr is a Metis/Anishinaabe artist, filmmaker, writer, dancer and speaker.  She graduated from both the Vancouver Film School and the National Screen Institute’s New Voices program in Canada. While at NSI she created Dreamcatcher: A short dramatic fantasy of Aboriginal mythology.  In 2012 she created Tik-A-Lee-Kick, an honest and candid telling of a young Aboriginal woman’s perspective on the role of the Little People funded by the Video Pool Aboriginal Media Art Initiative. She has previously attended the University of Manitoba School of Art.  Shehas worked for the National Film Board of Canada and Urban Shaman Contemporary Aboriginal Art Gallery.  Anna-Celestrya focuses her creative energy on her Aboriginal roots and on advancing the rights of Aboriginal women in North America. She has worked with many organizations and institutions to promote human rights and peace. The artwork that she is best known for is The Men’s Banner Project. This work is a combination of interactive performance and installation, about which she also lectures.

Alex Carrigan is originally from Newport News, Virginia and currently resides in Upper Marlboro, MD.  He graduated from Virginia Commonwealth University with a degree in print/online journalism and a minor in world cinema.  He is currently an managing intern for the Cambridge Writers’ Workshop, as well as a contributing writer for Quail Bell Magazine.  He has written articles for The Commonwealth Times and has had work featured in Luna Luna Magazine. He is also a creative writer and have had work published in Amendment Literary Journal, Life in 10 Minutes, Realms YA Fantasy Literary Magazine, and in Poictesme Literary Journal, of which he was a staff member for four years, two years in which he was deputy editor-in-chief.

tim_horvath_authorphotoTim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award, and Circulation (sunnyoutside). His stories have appeared in Conjunctions, Fiction, The Normal School, Harvard Review, and elsewhere. His story “The Understory” won the Raymond Carver Short Story Award, and “The Conversations” earned a Special Mention in the 2014 Pushcart Prize Anthology; he is also a recipient of a Yaddo Fellowship. He teaches in the BFA and low-residency MFA programs at the New Hampshire Institute of Art, where he coordinates the Visiting Writers Series. He is currently at work on The Spinal Descent, a novel about contemporary classical composers, as well as a second short story collection.

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Alexandria Marzano-Lesnevich’s first book, THE FACT OF A BODY: A Murder and a Memoir, is forthcoming from Flatiron Books (Macmillan) in May 2017, as well as from publishers internationally. The book layers a memoir with an investigation into, and recreation of, a 1992 Louisiana murder and death penalty case. For her work on the book, Marzano-Lesnevich received a National Endowment for the Arts fellowship and a Rona Jaffe Award, and has twice been a fellow at both MacDowell and Yaddo. Other scholarships and fellowships received include those from the Bread Loaf Writers’ Conference, the Millay Colony for the Arts, Blue Mountain Center, Kimmel Harding Nelson Center, Djerassi Resident Artists Program, the Studios at Key West, Vermont Studio Center, and the Alice Hayes Fellowship for Social Justice Writing from the Ragdale Foundation. Her essays appear in The New York Times, Oxford American, Iowa Review, Hotel Amerika, The Rumpus, and the anthologies True Crime and Waveform: Twenty-First Century Essays by Women, among many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She was educated at Harvard (JD), Emerson College (MFA), and Columbia University (BA) and now teaches at Grub Street, a nonprofit writing center in Boston, and in the graduate public policy program at Harvard’s Kennedy School of Government.

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Emily Nemens is coeditor and prose editor of The Southern Review, a literary quarterly published at Louisiana State University in Baton Rouge. Her editorial work has been featured in Writer’s Digest, draft: a journal of process, and on LeanIn.org, and her selections from The Southern Review have recently appeared in Best Mystery Writing 2016 and Best American Nonrequired Reading 2015. She studied art history and studio art at Brown University, and before moving to Louisiana to pursue an MFA in creative writing at LSU, she lived in Brooklyn and worked in editorial capacities at the Metropolitan Museum of Art and the Center for Architecture. Alongside her editorial work, Emily maintains active writing and illustration practices. Her fiction and essays have recently appeared in The Gettysburg Review, The Los Angeles Review of Books, and n+1, and she is working on a linked story collection about spring training baseball. As an illustrator she’s collaborated with Harvey Pekar on a Studs Terkel anthology, painted miniature portraits of all the women in Congress, and recently published her first New Yorker cartoon. Follow her at @emilynemens.

 

DianaNormaDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers. Her poetry-music collaboration with Flux Without Pause led to their collaboration “Space Mothlight” hitting #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Szokolyai’s work has been recently reviewed by The London Grip and published in Quail Bell Magazine, Lyre Lyre, The Fiction Project, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase Quarterly, as well as anthologized in The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering and Teachers as Writers. Szokolyai earned her Ed.M. in Arts in Education from Harvard University and her M.A. in French Literature from the University of Connecticut, while she completed coursework at the Sorbonne and research on Romani writers in Paris. She is currently at work on three books and recording an album of poetry & music.

 

If you have any questions about the CWW at AWP 2017, be sure to email us at info@cambridgewritersworkshop.org

*Our poster image is licensed under  CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/  The Reader’s Bill of Rights has produced these graphics originally but is not affiliated with or endorse the CWW https://www.defectivebydesign.org/graphics http://readersbillofrights.info