CWW Alumni News: “The One Tip that Changed My Life” by Nannie Flores

Nannie Flores at the Château de Verderonne in Picardy, France

Nannie Flores, an alumna of the 2014 Château de Verderonne Yoga & Writing Retreat in Picardy, France, writes a haunting and powerful new essay, “The One Tip That Changed My Life” for Ideiya Magazine.  In the essay, Flores tackles the taboos associated with writing nonfiction, trauma, illness, and its aftermath.  In the essay, Flores writes:

Write as if your parents were dead.” In retrospect, there was something ominous and sinister about this piece of writing advice. At the time, it seemed harmless. So I took the tip when I was in college.

While in university, I wrote two one-act plays that touched on themes such as virginity and physical and verbal abuse in relationships. My parents watched the play, and they applauded along with the audience. The writing tip worked.

On the ride back home, when all the hype was over, they made sure to say they were proud of me, but that they disapproved of certain elements in my works. “Relationships are meant to be healthy,” Mama said. Papa gave his usual silent nod.

But what’s done is done. I have already written it and I didn’t need to ask for their approval…”  

Read the full essay on Ideiya here.

Nannie Flores is a playwright and nonfiction writer based in the Philippines.  Her essays and articles have appeared in EntrepreneurCosmo.ph, ABS-CBN News, Ideiya, Spot.ph, and Philippine Daily Inquirer.  You can follow her on her blog, The Fancy Delight.

New York Premiere of Dipika Guha’s Play – Mechanics of Love – at the Paradise Factory (September 8 – 24, 2016)

DipikaGuha-MechanicsofLoveThe Cambridge Writers’ Workshop is proud to announce the New York premiere of Mechanics of Love, a new play by the talented playwright Dipika Guha, a CWW affiliate and dear friend.  Mechanics of Love, which is produced by To-By-Four Productions, a female-driven theatre and film production company dedicated to making work by women, for everyone, and directed by Elena Araoz, will play at the Paradise Factory in New York City from September 8 – 24, 2016.

In the play, a man who forgets everything falls in love with a ballerina who forgets nothing. That is, until she falls in love with him. And his wife. And the mechanic. This rapidly moving, madcap comedy explores how we love, who we choose, and the cost of making sense of it all.  On Mechanics of Love, Mina Morita writes:

“Written with a finely tuned and absurd lilt, wry poetry, and unnerving humor, her plays break open character stereotypes piece by piece to reveal the shared and vulnerable underbelly of our humanity. She creates worlds that exist beyond the traditional psychological realism of most American theatre, and employs the poetry of unexpected pairings and motives to capture a more truthful human experience.  Love is that intangible force that has assured the growth of humankind and our survival, driven the creation of entire industries, and caused artists to go mad trying to capture its essence. In Mechanics of Love, Guha unveils ‘a mythical European city, pressed up against a communist state’ that has recently fallen. The citizens are suddenly awakened to the possibility of being anyone, or falling in love with anyone… and everyone! It is a moment when cultural norms are being rewritten.”

Dipika Guha’s Mechanics of Love had its world premiere at the Crowded Fire Theater in San Francisco, CA in February 2016.  The cast of this mad-cap love dramedy includes actors Victoria Frings, Anastasia Olowin, Eric Miler, and Sathya Sridharan.  Performances will be held at the Paradise Factory (64 E 4th St, New York, New York 10003) and will take place on Wednesday and Thursday at 7:30pm and Friday and Saturday at 8pm with matinees on Saturday, September 17 & 24 and Sunday, September 11 & 18 at 2pm, and an opening night performance on Monday, September 12 at 7:30pm. Tickets are available online at www.tobyforproductions.com or by calling 1-800-838-3006.

DipikaGuhaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Fellowship with The Lark Playwrights Development Center, A Room of Her Own and Hedgebrook. Her plays include I ENTER the VALLEY (Upcoming; Theatreworks New Play Festival, Finalist Ruby Prize ’15); THE ART of GAMAN (KILROY LIST 2016, Upcoming: Berkeley Rep Ground Floor), MECHANICS of LOVE (Crowded Fire Theatre) and UNRELIABLE(developed at the Rattlestick Playwrights Theatre). She is currently under commission from South Coast Rep, Oregon Shakespeare Festival and Playwrights Horizons Theatre School.

Her work has been developed at Rattlestick Playwrights Theatre, The Atlantic Theatre Company, the Drama League, Cutting Ball Theatre, Playwrights Horizons, New Georges, Roundabout Underground, Shotgun Players, Red Bull Theatre, Leviathan Theatre, Naked Angels, The Cherry Lane Theatre, One Coast Collaboration, The Sam French OOB Festival, The 24 Hour Plays on Broadway and the Tobacco Factory (UK) amongst others. She’s been awarded residencies at the Hermitage Artist Residency, Djerassi Resident Artists Program, SPACE at Ryder Farm, McCarter Theatre’s Sallie B.Goodman Residency, Ucross Artists Residency and the Rasmuson Foundation in Sitka, Alaska. She’s an alumnus of Ars Nova Playgroup, the Dramatists Guild Fellows Program, Soho Rep W/D Lab, the Women’s Project Lab & the Ma-Yi Writer’s Lab.

Dipika received her BA in English Literature from University College London, was a Frank Knox Fellow at Harvard University and received her MFA in Playwriting at the Yale School of Drama under Paula Vogel. She is currently a Visiting Artist at the Schell Center for International Human Rights at Yale Law School and a Resident Playwright at The Playwrights Foundation in San Francisco. Despite a long run in the United States she still drinks tea. 

Bazodee – A New Film by Claire Ince – A CWW Spring in Newport Alumna – Premieres Nationwide August 5, 2016!


The Cambridge Writers’ Workshop is proud to announce that Claire Ince, a talented writer, playwright, and alumna of our 2015 Spring in Newport, RI Writing Retreat, has written a new film called Bazodee.  Bazodee, which is directed by Todd Kessler, will open in movie theaters across the United States on August 5, 2016.

Bazodee, set on the island of Trinidadfollows the story of Anita Panchouri (Natalie Perera), the dutiful Indian daughter of a deep in debt businessman (Kabir Bedi) is about to marry a wealthy Londoner (Staz Nair) when a chance encounter with a local singer, Lee de Leon (Soca music star Machel Montano in his film debut) sets things askew. In search of a muse, de Leon agrees to perform at the engagement party for both families. Unable to deny their mutual attraction, and with the excitement of Carnival approaching, Anita must now choose between the answer to her family’s financial prayers and the possibility of real love.

newprofileClaire Ince is the writer-producer of the movie musical Bazodee. An MFA graduate of New York University’s Dramatic Writing Program, Tisch School of the Arts, Claire previously produced the reality adventure show Run’bout for AT&T/Cingular Wireless Caribbean and the children’s TV pilot The Baobab Tree (a selection of the Chicago International Children’s Film Festival.) Claire won best screenplay for Bazodee (formerly known as Scandalous!) at the Bahamas International Film Festival’s Film Residency Program in 2008.  She is also an alumna of the Cambridge Writers’ Workshop Spring 2015 in Newport, RI Writing Retreat.

CWW Instructor Jade Sylvan’s “Spider Cult: The Musical” debuts at the Oberon Theatre in Cambridge, MA on June 24!

SPIDEROBERON

Spider Cult: The Musical, an original apocalyptic lesbian, fringe, sci-fi horror, burlesque musical, will have its debut at the American Repertory Theatre in Harvard Square in Cambridge, MA on June 24th, with an additional showing on June 26th. Written and produced by CWW instructor and playwright Jade Sylvan, Spider Cult is a spin-off from a previous burlesque show called Revenge of the Robot Battle Nuns by the Boston burlesque group Slaughterhouse Sweethearts. It follows Scout, a temptress from Battle Nuns who led the heroes astray into her web of lust, and shows how she became such an evil villainess. This story stars some of Boston’s most known burlesque performers, including Fem Bones, Jane Doe, and Bella Gunz.

Spider Cult will run for four shows on June 24th (at 6:30 pm and 10 pm) and June 26th (at 5:30 pm and 8 pm) at the Oberon Theatre.  For more information on the show and how to purchase tickets, please visit check out more information here.  The musical was successfully funded via Kickstarter.  And here’s an NSFW preview of the show below:

CWW Interview with Jade Sylvan Our Newport, RI Writing Instructor & Author of Spider Cult: The Musical

LowRes-DSC_0440-Edit-2Last week, our Spring in Newport, Rhode Island Writing & Yoga Retreat took place from April 22-24. Highlights of the retreat included featured faculty member Jade Sylvan’s class, Writing Yourself Naked. Sylvan, author of  acclaimed memoir, Kissing Oscar Wilde (2013) and writer/producer of the upcoming Spider Cult: The Musical (2016) took the time to sit down with Cambridge Writers’ Workshop’s Alyssa Goldstein Ekstrom for an interview. Read below the interview people and check out our Spring in Newport, Rhode Island recap! And don’t forget, you have until May 30 to register for our Summer Writing Retreats in Barcelona & South of France (July 18-26, 2016) and Granada, Spain (July 28- August 5, 2016)!

Alyssa Goldstein Ekstrom: You just taught a class on our Newport retreat called Writing Yourself Naked. What was your experience in Newport like and did you have a favorite part of the retreat?

Jade Sylvan: Honestly, my favorite part was getting to know the writers and what they were working on. It’s great to get out of my own echo-chamber and learn with people from all over with different backgrounds who I’d never meet otherwise.

AGE: You’re an award-winning poet, author, screenwriter, producer, and performance artist. What do you think it is that drives you to keep on creating?

JS: Habit. What else would I do with my feelings?

AGE: The Boston Globe called you a “risqué queer icon.” Do you feel being labeled an icon, and more importantly, a queer icon, puts more pressure on you when it comes to creating new work or does it perhaps aid you in your creative process or does it have no bearing on what you do at all?

JS:  I think it’s funny more than anything. Whenever people write about me it always feels like they miss the point, but I guess it’s good to be written about. I like attention but I’m an introvert. Writer’s curse.

KissingOscar-Book2AGE: You wrote a memoir titled Kissing Oscar Wilde. Was writing a memoir more than challenging than you expected it to be and what surprised you most about writing it?

JS: It was very hard to write something personal and honest and what surprised me most about it was how it changed and in some cases deepened my relationships with the other people in the book. I learned a lot about communication from that experience.

AGE: What advice would you give to someone who is thinking about writing a memoir?

JS: Just write what happened.

spidersamAGE: Congratulations on Spider Cult: The Musical which will be held at the Oberon in Cambridge, MA June 24 & 26! It its description it says it is  “the apocalyptic lesbian sci-fi horror burlesque musical of the century.” What inspired you to write this script?

JS: People always say to “write what you know.” Well, I know about religion and lesbian orgies and pseudo-science and boobs.

AGE: Finally, aside from Spider Cult: The Musical, do you have any other upcoming projects you can tell us about?

JS: I’m working on a supernatural erotic thriller and a short YA story, but I can say no more!

jadesylvanJade Sylvan (they/them/their), called a “risqué queer icon” by The Boston Globe, is an award-winning author, poet, screenwriter, producer, and performing artist heavily rooted in the literary and performance community of Cambridge and Somerville, Massachusetts. Jade’s most recent book, Kissing Oscar Wilde (Write Bloody, 2013), a novelized memoir about the author’s experience as a touring poet in Paris (sponsored by a travel grant from The Foundation of Contemporary Arts), was a finalist for the New England Book Award and the Bisexual Book Award.  Other work has appeared in The Washington PostBuzzfeedThe Toast, Mudfish, Lady Churchill’s Rosebud Wristlet, and many other publications.  Jade has toured extensively, performing their work to audiences across the United States, Canada, and Europe.  They are currently overseeing the production of their first full-length stage play, Spider Cult: The Musical, opening June 24th, 2016 at Oberon Theater in Harvard Square.