New York Premiere of Dipika Guha’s Play – Mechanics of Love – at the Paradise Factory (September 8 – 24, 2016)

DipikaGuha-MechanicsofLoveThe Cambridge Writers’ Workshop is proud to announce the New York premiere of Mechanics of Love, a new play by the talented playwright Dipika Guha, a CWW affiliate and dear friend.  Mechanics of Love, which is produced by To-By-Four Productions, a female-driven theatre and film production company dedicated to making work by women, for everyone, and directed by Elena Araoz, will play at the Paradise Factory in New York City from September 8 – 24, 2016.

In the play, a man who forgets everything falls in love with a ballerina who forgets nothing. That is, until she falls in love with him. And his wife. And the mechanic. This rapidly moving, madcap comedy explores how we love, who we choose, and the cost of making sense of it all.  On Mechanics of Love, Mina Morita writes:

“Written with a finely tuned and absurd lilt, wry poetry, and unnerving humor, her plays break open character stereotypes piece by piece to reveal the shared and vulnerable underbelly of our humanity. She creates worlds that exist beyond the traditional psychological realism of most American theatre, and employs the poetry of unexpected pairings and motives to capture a more truthful human experience.  Love is that intangible force that has assured the growth of humankind and our survival, driven the creation of entire industries, and caused artists to go mad trying to capture its essence. In Mechanics of Love, Guha unveils ‘a mythical European city, pressed up against a communist state’ that has recently fallen. The citizens are suddenly awakened to the possibility of being anyone, or falling in love with anyone… and everyone! It is a moment when cultural norms are being rewritten.”

Dipika Guha’s Mechanics of Love had its world premiere at the Crowded Fire Theater in San Francisco, CA in February 2016.  The cast of this mad-cap love dramedy includes actors Victoria Frings, Anastasia Olowin, Eric Miler, and Sathya Sridharan.  Performances will be held at the Paradise Factory (64 E 4th St, New York, New York 10003) and will take place on Wednesday and Thursday at 7:30pm and Friday and Saturday at 8pm with matinees on Saturday, September 17 & 24 and Sunday, September 11 & 18 at 2pm, and an opening night performance on Monday, September 12 at 7:30pm. Tickets are available online at www.tobyforproductions.com or by calling 1-800-838-3006.

DipikaGuhaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Fellowship with The Lark Playwrights Development Center, A Room of Her Own and Hedgebrook. Her plays include I ENTER the VALLEY (Upcoming; Theatreworks New Play Festival, Finalist Ruby Prize ’15); THE ART of GAMAN (KILROY LIST 2016, Upcoming: Berkeley Rep Ground Floor), MECHANICS of LOVE (Crowded Fire Theatre) and UNRELIABLE(developed at the Rattlestick Playwrights Theatre). She is currently under commission from South Coast Rep, Oregon Shakespeare Festival and Playwrights Horizons Theatre School.

Her work has been developed at Rattlestick Playwrights Theatre, The Atlantic Theatre Company, the Drama League, Cutting Ball Theatre, Playwrights Horizons, New Georges, Roundabout Underground, Shotgun Players, Red Bull Theatre, Leviathan Theatre, Naked Angels, The Cherry Lane Theatre, One Coast Collaboration, The Sam French OOB Festival, The 24 Hour Plays on Broadway and the Tobacco Factory (UK) amongst others. She’s been awarded residencies at the Hermitage Artist Residency, Djerassi Resident Artists Program, SPACE at Ryder Farm, McCarter Theatre’s Sallie B.Goodman Residency, Ucross Artists Residency and the Rasmuson Foundation in Sitka, Alaska. She’s an alumnus of Ars Nova Playgroup, the Dramatists Guild Fellows Program, Soho Rep W/D Lab, the Women’s Project Lab & the Ma-Yi Writer’s Lab.

Dipika received her BA in English Literature from University College London, was a Frank Knox Fellow at Harvard University and received her MFA in Playwriting at the Yale School of Drama under Paula Vogel. She is currently a Visiting Artist at the Schell Center for International Human Rights at Yale Law School and a Resident Playwright at The Playwrights Foundation in San Francisco. Despite a long run in the United States she still drinks tea. 

Bazodee – a film by Claire Ince (CWW Alumna) reviewed by Anna-Celestrya Carr

Bazodee: a state of dizziness or confusion often used with regards to love or infatuation. In other words, caught up in a magical moment. I experienced this last week when I attended the international premier of Bazodee at the Playstation Theater, in the heart of Time’s Square.

Bazodee is a film combining the styles of a Bollywood musical, the American rom-com and the cultural aspects of the Caribbean. Dubbed “Trini-wood” by members of the cast.  The story is of Anita Panchouri (Natalie Perera), the dutiful Indian daughter of a deep-in-debt businessman (Kabir Bedi), who is about to marry a family friend and wealthy Londoner (Staz Nair) when a chance encounter with a local singer, Lee de Leon (Soca music star Machel Montano in his film debut) sets things askew. After failing to become internationally known as a musician in London, Lee returns home to Trinidad disheartened.  In search of a muse, Lee agrees to perform at the engagement party for both families. Unable to deny their mutual attraction, and with the excitement of Carnival approaching, Anita must now choose between the answer to her family’s financial prayers and the possibility of real love.

Bazodee stars legendary soca and calypso artist Machel Montano, along with internationally acclaimed actor Kabir Bedi, Staz Nair, Natalie Perera, and scene stealers Valmike Rampersad, Cindy F. Daniel and Chris Paul Smith.

Representing the Cambridge Writers’ Workshop (CWW), I stood in line next to Roger Paperno, the director of the music video “I Forget,” one of the original songs written for the film. The line attending the premiere extended to Broadway and down the block. The pre-show reception continued past 7:30pm while people filled the theatre. In attendance were television, print and online media from several South Asian countries as well as from Europe and the US that covered the red carpet as Machel Montano and other main actors arrived.

Susanne Bohnet, CEO of Serafini Pictures and Producer of Bazodee, opened the night with “We at Serafini Pictures, we are here to bring you relevant stories from a view point which has nothing in common with the white supremacy of Hollywood. We believe to honor who we are and to celebrate who we are. Our films will feature in the leading rolls Africans, African Americans, Asians, West Indians, Latinos, the LGBT community and everybody who we feel deserves a strong voice and an authentic viewpoint. Bazodee is a passion project of many; it’s a film we’re very proud of.”

Directed by Todd Kessler, former show runner and a co-creator of Blue’s Clues. The cinematography captured the atmosphere of Carnival and the striking beauty of Trinidad and its people. The film boasts a full cast of people of color. Every actor in Bazodee is authentic, and their actual background is close, if not identical, to the background of the character they are playing. Most of the actors in the film are Trinidadian, which I found refreshing as compared with the standard Hollywood whitewashed rom-coms.

The film was a labor of love that was in development for 10 years. It was written by Claire Ince, who is an alumna of the 2015 Cambridge Writers’ Workshop Spring in Newport, RI Writing Retreat, where she workshopped the script.  All of us at the CWW are so proud of her and happy to see such a worthwhile project come to fruition.  I, myself am an alumna of the 2016 CWW Spring in Newport Writing Retreat, so it was a unique experience to be able to attend the event as a fellow CWW Newport alumna.

The film is a universal love story, one could say a bit cliché, but set against the backdrop of Carnival on the vivid, colorful islands of Trinidad and Tobago, it becomes fresh.  The film’s themes include unity and honesty triumphing in the face of adversity. The story has potential to be a serious drama exploring the struggle of an inter-racial/cultural relationship and the sacrifice Anita experiences for the sake of her family. However, Bazodee has a lightheartedness throughout.

Watching the film, I realized that as an Indigenous woman, I’ve never been in a theater that had an audience almost completely of people of color. It was incredible to witness the audience react to and connect with a film that was made predominantly for them. Sitting in the theater, there was a dialogue between the screen and the people. I believe there is a real sense of freedom when people are able to see themselves represented in media. The small moments of female friendships had the women in the audience cheering. Scenes that were written for the audience were a riot. One man yelled out “informer!” at a confrontational point of the movie.

The on-screen chemistry between Montano and Perera was believable and they looked good together. The most impressive performance was from UK-based Trini actor Valmike Rampersad. His creepy, uptight, lurking, always suspicious character Nikhil provided the gravity and suspense to the film. He was as charming off screen as he was villainous onscreen.

Soca is the heartbeat of the film. The music felt like another character throughout the story. Most of the musical numbers were taken from Montano’s discography reinterpreted and remixed for film. Passionate and beautiful. The film is a good introduction to soca music.

The most obvious flaw in the film was with the editing. There were some continuity issues, and there were points that could have been brought up earlier in the film that would have made the ending more authentic. However, that didn’t stop the film from being entertaining and becoming a valued part of Trinidad’s filmography.  The premiere ended with an after party and special live performance by Machel Montano and Friends.

Bazodee opens in movie theaters across the United States on August 5, 2016.

Anna-Celestrya Carr, CWW Media (Audio/Visual) Development Intern

Bazodee – A New Film by Claire Ince – A CWW Spring in Newport Alumna – Premieres Nationwide August 5, 2016!


The Cambridge Writers’ Workshop is proud to announce that Claire Ince, a talented writer, playwright, and alumna of our 2015 Spring in Newport, RI Writing Retreat, has written a new film called Bazodee.  Bazodee, which is directed by Todd Kessler, will open in movie theaters across the United States on August 5, 2016.

Bazodee, set on the island of Trinidadfollows the story of Anita Panchouri (Natalie Perera), the dutiful Indian daughter of a deep in debt businessman (Kabir Bedi) is about to marry a wealthy Londoner (Staz Nair) when a chance encounter with a local singer, Lee de Leon (Soca music star Machel Montano in his film debut) sets things askew. In search of a muse, de Leon agrees to perform at the engagement party for both families. Unable to deny their mutual attraction, and with the excitement of Carnival approaching, Anita must now choose between the answer to her family’s financial prayers and the possibility of real love.

newprofileClaire Ince is the writer-producer of the movie musical Bazodee. An MFA graduate of New York University’s Dramatic Writing Program, Tisch School of the Arts, Claire previously produced the reality adventure show Run’bout for AT&T/Cingular Wireless Caribbean and the children’s TV pilot The Baobab Tree (a selection of the Chicago International Children’s Film Festival.) Claire won best screenplay for Bazodee (formerly known as Scandalous!) at the Bahamas International Film Festival’s Film Residency Program in 2008.  She is also an alumna of the Cambridge Writers’ Workshop Spring 2015 in Newport, RI Writing Retreat.

“HOME/SICK” – a play by CWW Instructor Stephen Aubrey & the Assembly debuts in Los Angeles tonight!

Cambridge Writers’ Workshop instructor & playwright, Stephen Aubrey, has written and produced a play with The Assembly Theatre called “HOME/SICK.”  “HOME/SICK will debut tonight in Los Angeles, and will run from June 9 – July 3, 2016 at the Odyssey Theatre.  In the New York Times, Catherine Rampell has praised “HOME/SICK,” a play about the Weather Underground, for its “cutting-edge young theater collective… By the end we have witnessed a sort of sociological big bang, when this tight, angry ball of political energy suddenly bursts and disbands irreparably.”

“HOME/SICK” is the story of a handful of political activists and leaders from the 1960s student movement who seized control of Students for a Democratic Society in protest to the Vietnam War and the government’s repression of those seeking equality domestically. In doing so, these activists reshaped the society in the name of overthrowing the United States government. Believing violence to be the only means to transform American politics and society, these passionate idealists accelerated a movement to a revolutionary fervor, but left a country behind.  Tickets for the play are available now at the Odyessey Theatre in Los Angeles.

Praise for “HOME/SICK”:

“An intelligent and dynamic package…The ensemble’s connection with one another is the truest homage they could offer to the memory of the collective they have clearly, though reservedly, come to admire.”  – Jason Fitzgerald, Backstage

“Impressively researched and clear-eyed, home/sick shows us the Underground’s internal contradictions, and we see Bolshevik passion lapsing into self-delusion and then flaring up again, until we are unsure what to admire and what to deplore.”  – Helen Shaw, Time Out New York

“This is a group of brilliant artists who will, without question, make their mark in the world of theater for a long time to come.”  – Hillary Bettis, OffOffOnline