Application Deadlines for Cambridge Writers’ Workshop Writing Retreats in New Orleans, Paris, and Granada Approaching!

The Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from April 13-16, 2018. Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers and literary agent Rita BanerjeeDiana Norma Szokolyai, and Natalie Kimber. There will one-on-one consultations with our literary agent, and workshop genres include nonfiction, fiction, and poetry. If you’d like to join us in New Orleans, please apply online at cww.submittable.com by March 20, 2018.

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place from July 25-30, 2018.  Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.  Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris!   The faculty includes award-winning writers Kathleen Spivack, Kristina Marie DarlingRita Banerjee, and Diana Norma Szokolyai.  Genres include poetry, fiction, and nonfiction. If you’d like to join us in Paris, France, please apply online at cww.submittable.com by June 1, 2018.

The Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 1-6, 2018 in Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  Faculty includes Tim Horvath (fiction), Rita Banerjee (poetry, fiction), and Diana Norma Szokolyai (poetry, nonfiction).  If you’d like to join us in Granada, please apply online at cww.submittable.com by June 15, 2018.

To learn more about our upcoming writing retreats, visit the Cambridge Writers’ Workshop table (T403) at the AWP Bookfair in Tampa, FL from March 7-10, 2018!

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Applications Open for Cambridge Writers’ Workshop Summer in Paris Writing Retreat (July 25-30, 2018)

CWW-2018ParisRetreat

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 25-30, 2018 in Paris, France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.

There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.

Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris! Tuition is $3250, which includes lodging in central Paris, daily creative writing workshops and writing seminars, manuscript consultations, daily breakfast, and a walking tour of “literary” Paris.

Faculty includes internationally renowned author and writing coach Kathleen Spivack (fiction, poetry, nonfiction), Kristina Marie Darling (Poetry, Publishing), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, nonfiction, fiction).

If you’d like to join us in Paris, please apply online by June 15, 2018, and include $10 application screening fee and a 5-10 page writing sample of poetry or prose.  Please also include the following in your cover letter:

1. Full Legal Name
2. Contact & Address
3. Age & Nationality
4. Prior creative writing experience and publications
5. Creative writing goals for the retreat
6. Short one paragraph biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

(Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability). More information available at cww.nyc

apply

Deadline: June 15, 2018

Featured Faculty:

qpi9e9Kathleen Spivack is the author of ten books, prose and poetry (Knopf, Doubleday, Graywolf, etc).  Her most recent novel Unspeakable Things (Knopf) centers on European refugees in New York City, struggling to survive during the last years of the Second World War. Kathleen’s previous book was With Robert Lowell and His Circle: Plath, Sexton, Bishop, Rich, Kunitz and others (University Press of New England). Kathleen arrived in Boston in 1959 on a scholarship to study with Robert Lowell. Lowell introduced her to the poets of that time, who took her under their wing. This memoir centers on how these poets approached their work.

Other books include: A History of Yearning, Winner of the Sows Ear International Poetry Prize 2010, the London Book Festival Poetry Prize, and others; Moments of Past Happiness (Earthwinds/Grolier Editions); The Beds We Lie In (Scarecrow), nominated for a Pulitzer Prize; The Honeymoon (Graywolf); Swimmer in the Spreading Dawn (Applewood); The Jane Poems (Doubleday); and Flying Inland (Doubleday). She has also published in magazines and anthologies, including The New Yorker, Ploughshares, The Atlantic Monthly, The Paris Review, The Chicago Review, Poetry, Massachusetts Review, Solas Awards, and many others. Her work has also been translated into French.  Her work has been featured at festivals in France and in the United States. She performs in theatres, often with music. Kathleen is a recipient of the Allen Ginsberg Poetry Award and a Discovery Winner among many others. She has also received grants from the Fulbright Commission, National Endowment for the Arts and various organizations. Her residencies include Yaddo, MacDowell, the American Academy in Rome, Ragdale, Karolyi Foundation, etc.

Since 1990, Kathleen has been a visiting professor of American Literature/Creative Writing (one semester annually) throughout the French University System. In the U.S. she directs an advanced writing program and has been named by the National Writers’ Union as “best writing coach”. Her students have published widely and won major prizes. You will too! For more information on Kathleen Spivack, please visit her website at  www.kathleenspivack.org. You can also follow her on Facebook.

Kristina Marie Darling is the author of thirty books, including Look to Your Left: The Poetics of Spectacle (University of Akron Press, 2020); Je Suis L’Autre: Essays & Interrogations (C&R Press, 2017), which was named one of the “Best Books of 2017” by The Brooklyn Rail; and DARK HORSE: Poems (C&R Press, 2018). Her work has been recognized with three residencies at Yaddo, where she has held both the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; a Fundación Valparaíso fellowship; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; three residencies at the American Academy in Rome; two grants from the Whiting Foundation; a Morris Fellowship in the Arts; and the Dan Liberthson Prize from the Academy of American Poets, among many other awards and honors. Her poems appear in The Harvard Review, Poetry International, New American Writing, Nimrod, Passages North, The Mid-American Review, and on the Academy of American Poets’ website, Poets.org. She has published essays in The Kenyon Review, Agni, Ploughshares, The Gettysburg Review, Gulf Coast, The Iowa Review, and numerous other magazines. Kristina currently serves as Editor-in-Chief of Tupelo Press and Tupelo Quarterly, an opinion columnist at The Los Angeles Review of Books, and a contributing writer at Publishers Weekly.

Headshot.McCarrenPark,WillamsburgDiana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble.  Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).  Diana Norma Szokolyai is represented by Nat Kimber (The Rights Factory).

ritabanerjeeRita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing  (C&R Press, March 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, February 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is an Associate Scholar of Comparative Literature at Harvard and teaches at Ludwig Maximilian University of Munich in Germany.  She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

FAQ:

What Happens After I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit  to hold your seat within 3-5 days of acceptance.  Please note that the deposit is non-refundable. The remainder of tuition will be due by June 15, 2018.  Our standard and preferred method of payment is PayPal invoice, which does have a service fee. You can also mail us a check to:

Cambridge Writers’ Workshop, Inc.
PO Box 380482
Cambridge, MA 02238 USA

What is included in tuition?

  • lodging in central Paris
  • daily breakfast
  • creative writing workshops
  • craft of writing seminars
  • manuscript consultation
  • a literary walking tour Paris
  • a celebratory meet-&-greet dinner with faculty


Where will the program be held?

The program will be held at Hôtel Denfert-Montparnasse, 70 rue Daguerre, 75014 Paris, France.

What if the deadline has passed?  Can I still apply?

Sometimes, we do have seats open after our deadlines have passed.  Please apply or just email us directly at directors[at]cambridgewritersworkshop.org to check whether there is still availability.

CWW Alumni Elizabeth Carter Wellington Publishes Circus Girl: A Novel

girlThe Cambridge Writers’ Workshop is proud to announce that alumni Elizabeth Carter Wellington has recently published Circus Girl: A Novel.

The novel takes place in 1971 and seventeen-year-old Sarah Cunningham is consumed by wanderlust. When her passion for capturing interesting subjects through her camera lens leads Sarah to a grassy lot one day, she becomes immediately mesmerized by the fascinating circus life that surrounds her. Eager to fit in and in need of a passport into a world beyond her reach, Sarah escapes her scripted suburban life, makes the circus her family, and loses her virginity to West, a handsome performer with a gift for handling wild animals. In this coming-of-age story, a restless teenager embarks on a journey of self-discovery during the 1970s after she runs away with the circus and discovers that life under a tent is as unpredictable as she is.

The book is available now in bookstores and online through Amazon.com and BarnesandNoble.com

headshot_bethwellingtonElizabeth C. Wellington has had a long career as a Spanish professor and college textbook editor in New England. She received her Ph.D. in Hispanic Language and Literatures from Boston University and holds a Master of Arts degree with a specialization in Latin American Studies from The Johns Hopkins University School of Advanced International Studies (SAIS). Before entering the field of university teaching, she worked for the United Nations Food and Agriculture Organization (FAO) in Rome. Her college language teaching experience is extensive and includes full-time positions at Wellesley, Babson, Simmons and Boston University.

CWW Poetry Faculty Rita Banerjee discusses Amrita Pritam, Publishing, and Sexual Politics for VIDA: Women in Literary Arts Exclusive

AP2Rita Banerjee’s article, “Amrita Pritam: Sexual Politics and Publishing in mid-20th Century India” is now live as a VIDA Exclusive on VIDA: Women in Literary Arts.  In the article, Banerjee translates Pritam’s poem, “Night” from Hindi into English, and writes:

Writing from a minority perspective as an American, it’s often hard to find creative and intellectual predecessors who are writing from your culture of origin but who aren’t necessarily writing in English or just trying to be celebrities in the global Anglophone literary marketplace.  For South Asian writers, for women in the literary arts, and for writers who are looking to challenge the patriarchal hegemony of Anglo-American literature, Amrita Pritam is a must-know writer.  In the 1940s, she came to prominence as a political and feminist writer in India, first in Punjabi literature, then in Hindi and Urdu translation, and finally internationally.  By the 1950s, like Simone de Beauvoir and Bretty Friedan in the West, Pritam was challenging patriarchal values at home, redefining gender roles and narratives assigned to women, and openly challenging heteronormative sexual politics.  In doing so, she ushered in a new wave of feminist literature in mid-20th century India even as she faced criticism for her work from her male counterparts and from within the Punjabi, Hindi, Urdu, and South Asian publishing industries at large.

That was our tryst, yours and mine.
We slept on a bed of stones,
and our eyes, lips and finger tips,
became the words of your body and mine,
they then a made translation of this first book.

The Rig Veda was compiled much later.

– Amrita Pritam, “First Book”

In Pritam’s poetry, one is not born, but rather becomes a woman.  Her unflinching gaze at sex, her exploration of emotional and psychological nakedness, and a sense of self-irony and self-knowledge underwrite several of her poems.  In her poem, “First Book,” quoted above, Pritam explores how the very act of physical, sexual love, unbound by the mores of society, collapses the distances between the sacred and the profane.  And in her poem, “Amrita Pritam,” the poet takes a hard look at the mythos of her own public identity and the narratives of victimization ascribed to it.  She writes: “Pain: / I inhaled it, / quietly like a cigarette. // Song: / I flicked off / like ash / from the cigarette.” (Singh 29).

Read the full article on VIDA: Women in Literary Arts.