Happy New Year, Writers! -♥️- Cambridge Writers’ Workshop

HappyNewYear2016-CWW

Happy New Year 2016 from the directors, staff, and board of the Cambridge Writers’ Workshop!  We hope you’re all as excited for 2016 as we are!  We’re planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we’re looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2016!

The Cambridge Writers’ Workshop had a wonderful year in 2015.  Over the last twelve months, we’ve had a chance to hold retreats and readings across America and the world, meet exciting writers, yoga practicioneers, and artists, and have found new ways to inspire our own writing.  Our year began with the Brooklyn Yoga, Aromatherapy, & Writing Workshop. We restored our minds with invigorating yoga, learned about Essential Oils, and inspired out writing. In February, we joined the 2015 Association of Writers and Writing Programs Conference in Minneapolis, Minnesota. At AWP 2015, we got a chance to promote CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, advertise our new literary internships, and discuss our Summer Writing Retreats in Granada, Spain and Paris, France, as well as our Spring Writing Retreat in Newport, Rhode Island. We also hosted our second AWP event at Boneshaker Books. At our Books & Bones event, there were featured readings from authors such as  Alex CarriganJonah KruvantDena Rash GuzmanLeah UmanskyAnca SzilagyiMicah Dean HicksMichele NereimBianca StoneJessica PiazzaJess BurnquistSheila McMullin, and Brenda Peynado.

After AWP 2015, we were off to our first annual Spring Writing Retreat in Newport, Rhode Island. We were joined by award-winning and internationally-renowned authors such as Kathleen Spivack and Stephen Aubrey, in addition to CWW directors Rita Banerjee and Diana Norma Szokolyai, and CWW yoga instructor Elissa Lewis. The event was a chance for writers to spend a long weekend in historic Newport and near the beach, participating in writing workshops (such as Aubrey’s workshops on theater and Spivack’s workshops on developing manuscripts) and craft of writing seminars, yoga classes, and cultural tours of the historic Newport village. We liveblogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.

During the summer we hosted our Summer in Granada and Summer in Paris Writing Retreats. In Paris, we explored the city and all of its historical, literary, and romantic charm. The retreat included craft of writing seminars and creative writing workshops, literary tours of Paris, daily yoga and meditation classes, and one-on-one manuscript consultations. We were also joined by Guggenheim Fellowship recipient and New York Times bestselling author David Shields, who taught workshops about collage, appropriation, and collaboration. CWW directors Rita Banerjee and Diana Norma Szokolyai taught workshops on stakes and building character, and also led workshops for participants to share their work and use the Liz Lerman method for critiquing writing. We live blogged our Paris retreat on our website, so feel free to check it out and see our workshops, as well as our excursions to Shakespeare and CompanyVersailles and Au Chat Noir. We were really happy to experience this with all of our participants, who traveled from all over the U.S, as well as England and Australia, to come write and explore Paris with us.

In Granada, wrote in the city’s winding streets, absorbed its Moorish history, and were inspired by its evocative landscapes. The retreat included craft of writing seminars and writing workshops and yoga classes. We were joined by Guggenheim Fellowship recipient and Pushcart Prize winner Peter Orner, who led a workshop on Spanish literature. Diana Norma Szokolyai led workshops on voice and stakes, while Rita Banerjee led a workshop on narrative development. We also live blogged this trip, so you can see all the exciting things we did on this trip, such as seeing Poeta in Nueva York and shopping for fans.

We hosted a Brooklyn Bookend Reading at Muchmore’s during The Brooklyn Book Festival. Some of the writers had emerged onto the literary scene with a bang, while others had recently published their first or second books, and had received prestigious awards in the past. The event was moderated by Diana Norma Szokolyai and included writers Rita Banerjee, Jonah Kruvant, Brandon Lewis, Elizabeth Devlin, Lisa Marie Basile, Jessica Reidy, Gregory Crosby, Matty Marks, and Emily Smith.

In November, we also hosted our annual Pre-Thanksgiving Writing & Yoga Cleanse. The two day event kicked off with yoga lessons from Elissa Lewis, followed by creative writing workshops and craft seminars from Jessica Reidy. Our Pre-Thanksgiving Writing & Yoga Cleanse was an opportunity for the participants to cleanse themselves mentally, spiritually, and creatively before the bustling holiday season.

In 2015, we continued our work on CREDO Anthology of Manifestos & Sourcebook for Creative Writing. The collection will feature personal writer manifestos, essays on writing advice, and writing exercises to help spur creativity. Our staff has greatly enjoyed critiquing and conversing with writers on this publication, and more information about publication will be announced in the upcoming year.

In 2015, we welcomed our second round of interns to the Cambridge Writers’ Workshop, and these interns include the wonderful Emily Smith, Casey Lynch, and Alyssa Goldstein, all of whom have helped the CWW greatly this year. They’ve helped manage our social media and written up posts about our events, shown their talent for graphic design and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year.  We’re excited to have Emily, Casey, and Alyssa, on our team, and we can’t wait to show you what they’ve helped us plan for 2016!

This was also a good year for our individual staff members getting published. CWW co-director Rita Banerjee had her poetry published in Quail Bell MagazineRiot Grrrl Magazine, and The Monarch Review. Her interview with CWW visiting professor and Guggenheim Fellowship recipient David Shields was published in Electric Literature. CWW co-director Diana Norma Szokolyai reported for VIDA: Women in Literary Arts on”The Defensive Male Writer.”  CWW Executive Board Member Jessica Reidy‘s “Why the Pyres are Unlit” was released in Drunken Boat’s Romani Folio and her poetry was nominated by The Poetry Blog for “Best of the Net.” Managing Intern Alex Carrigan had his work published in Strike! and Quail Bell Magazine and Managing Intern Emily Smith became a Contributing Blogger for Ploughshares.

While 2015 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Los Angeles from March 30-April 2, 2016, and will be announcing our AWP Reading in downtown Los Angeles shortly!

Join us April 21-24, 2016 for our second annual Spring in Newport, Rhode Island Writing Retreat. Our Newport retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects. In the past, faculty has included internationally renowned author and writing coach Kathleen SpivackStephen Aubrey, Diana Norma Szokolyai, Rita Banerjee, and Elissa Lewis.

The Cambridge Writers’ Workshop Summer in Narbonne & Barcelona Writing Retreat will take place July 18-26, 2016. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.  There will also be time to explore the city of Barcelona, Spain and the beaches of Narbonne, France.  Our past France retreats have included David Shields, Diana Norma Szokolyai, Rita Banerjee, Jessica Reidy, and Elissa Lewis as faculty members.

And from July 28-August 5, 2016, join the Cambridge Writers’ Workshop on our summer writing retreat to the cultural oasis of Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work with world-renowned authors on your manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  In our past Granada retreat, faculty has included Peter Orner, Rita Banerjee, Diana Norma Szokolyai, and Elissa Lewis.

We hope you are all as excited for our 2016 events as we are.  Information on our upcoming 2016 retreats and readings will be going live in January 2016!  If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org.  You can also follow us on FacebookTumblr, and Twitter for more information and updates on any of these events. We look forward to making 2016 a year full of creativity, writing, and renewal, so join us as we make 2016 rock!

— Emily Smith & Alex Carrigan, CWW Managing Interns

Newport Writing & Yoga Retreat 2015 – April 5, 2015

While some of the participants enjoyed a session of Energizing Yoga with Elissa, Norma slaved away in the kitchen making French toast for the Farewell Brunch. Rita made red pepper scrambled eggs. Mimosas and fresh fruit made the Farewell Brunch a delicious one.

During the meal, the faculty and writers sat around the table and discussed writing goals for the future. We even vowed to stay in touch and have been hosting mini workshops each week on the Cambridge Writer’s Workshop NING member network (learn more about that here).

We were sad to see everyone leave, but can’t wait to see them at our upcoming retreats in Paris and Granada!

– Emily Smith

Newport Writing & Yoga Retreat – April 4, 2015

After Energizing Yoga with Elissa, Stephen introduced “Theater of the Impossible.”  In Stephen’s “Theater of the Impossible” workshop, we talked about the most satisfying components of watching a play: seeing the impossible unfold before us or watch as it is staged. Instead of thinking of a script as a blueprint, Stephen encouraged us to consider the script “recipe” a challenge and to think outside of it.

After Stephen’s class, Kathleen reviewed the manuscript revisions during a second session of “Reviewing Your Manuscript for Publication” and read from her own book: With Robert Lowell and His CircleYou can watch Kathleen read here:

The writers took a much deserved break after Kathleen’s class and explored historic Newport during the afternoon.  Workshops resumed with Stephen’s “Against Aristotle: New Structures for New Stories.” We discussed the traditional Aristotelian story structure. Then we began breaking the rules with new ways of storytelling through interpolation (like Charles Mee’s Iphigenia 2.0), tessellation (like Carson Kreitzer’s Flesh and the Desertand the looped stack narrative (like Jason Grote’s 1001).

Norma finished out the day of workshops with a second session of “Your Voice: Bringing your Page to Performance.” We shared our work salon style in the living room. Both Claire Ince’s performance piece and Saundra Norton’s can be heard below.

At the end of the night, we made an impromptu group performance in response to “Too Many Cooks”—a crazy parody of sitcom opening credits.

– Emily Smith

Newport Writing & Yoga Retreat – April 3, 2015

We started Day 2 bright and early with Energizing Yoga taught by Elissa Lewis. Our belief is that yoga can clear and prepare the mind for writing during the day. Elissa rounded out yoga with aromatherapy using a citrus-scented essential oil.

The first set of workshops began with Rita Banerjee‘s “Literary Taboo.” Each participant drew two pieces of paper from a bowl with a word like “crocodile” or “femme fatale” on each. Each sheet also included a list of taboo words, which each writer was forbidden to use in writing about the words they had selected. For example, a writer who drew “spaceship” wasn’t allowed to use the words “portal,” “fly,” “aliens,” or “planetary.”

In Stephen Aubrey‘s “Weirding the World” workshop, we learned that the script isn’t a flat work of literature or a description in poetry of another world but rather another world passing before us in time and space. While language is part of this world, the rest of it is space. And before we populate space, we must create it.  During the afternoon, some writers stayed at the house to work on their pieces. Others explored Newport’s beaches and enjoyed the warm spring weather.

Executive Art Director Diana Norma Szokolyai taught us to own our voices during “Your Voice: Bringing your Page to Performance” in the evening. We watched performance poets like Anne Waldman (Uh-Oh Plutonium!) and Saul Williams (List of Demands) and then practiced using unusual instruments to add depth to our own work. Participant Claire Ince took to the thumb piano and Saundra Norton used a music box to add mystery to her poem (see Day 3 post for their work).

The final workshop for the day, “Developing Your Manuscript for Publication,” was led by Kathleen Spivack. The participants were asked to read their work out loud. After carefully reviewing each participant’s manuscript and giving individual feedback, Kathleen assigned a revised draft due from everyone for the next day.  After a hard day’s work, the whole group went out to dinner at the Brick Alley Pub in historic downtown Newport!

– Emily Smith

Cambridge Writers’ Workshop Newport, RI Writing Retreat feat. in Coldfront Magazine

rhode-islandThe Cambridge Writers’ Workshop’s retreat to Newport, RI has been featured in Coldfront Magazine. The website featured details of our retreat, along with information to help interested parties register for the event.

If you’re interested in the event, you can read more details about the retreat here. You can also register for the event here. You can also check out our Facebook event post for the event. Registration for the event has been extended to March 15th and now includes tuition and a few meals.

Register by March 15 for our Newport, RI Writing & Yoga Retreat (April 2-5, 2015)

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Join us April 2-5, 2015

Our Newport retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects. Famous for its seafood and coastline, we chose this location for its inspiring beauty and history. During free sessions in the afternoon, take a mansion tour of gilded-era Newport, visit the Newport Museum, listen to some Newport jazz classics, or just relax beside the ocean watching the sailboats and let the stunning location influence your writing.

Tuition includes:

  • Shared room lodging
  • Daily creative writing workshops 
  • Craft seminars
  • One-on-one manuscript consultations
  • Toasts
  • An orientation dinner
  • A farewell brunch 
  • Yoga and meditation classes

During the retreat, writers and yoga practitioners will learn craft techniques alongside award-winning and internationally-renowned authors such as Kathleen Spivack (fiction, poetry, nonfiction), Stephen Aubrey (playwriting, screenwriting), Rita Banerjee (poetry, fiction), & Diana Norma Szokolyai (poetry, nonfiction).  Yoga and meditation will be lead by Elissa Lewis

Included in the $650 tuition are all daily creative writing workshops, craft of writing seminars, one-on-one manuscript consultation, orientation dinner, toasts, and farewell brunch, plus daily yoga and meditation classes.  Shared room lodging is included. Please send us an email to inquire about partial attendance ($375 or $475 with shared lodging). Please inquire about optional add-ons include aromatherapy, massage, and reiki healing. There are limited seats for this workshop so apply early! There are limited seats, so apply early!  The extended deadline for admittance for our retreat is March 15, 2015.  Apply at cww.submittable.com.

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Faculty includes internationally renowned author and writing coach Kathleen Spivack (fiction, poetry, nonfiction), Stephen Aubrey (playwriting, screenwriting), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), and Elissa Lewis (yoga, meditation).

If you’d like to join us in Newport, please apply online at cww.submittable.com by March 15, 2015 and include $5 application screening fee along with a 5-page writing sample. (Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability).

applyExtended Deadline: March 15, 2015

Featured Faculty:

Stephen Aubrey is a Brooklyn-based writer, editor, dramaturg, lecturer, storyteller and recovering medievalist. His writing has appeared in Publishing Genius, CommonwealThe Brooklyn Review, Forté, Pomp & Circumstance, and The Outlet.  He is also a co-founder and the resident dramaturg and playwright of The Assembly Theater Company. His plays have been produced at The Ontological-Hysteric Theater, The Flea Theater, The Collapsable Hole, The Brick Theater, Symphony Space, the Abingdon Theater Complex, UNDER St Marks, The Philly Fringe and the Edinburgh Fringe Festival where his original play, We Can’t Reach You, Hartford, was nominated for a 2006 Fringe First Award.

Kathleen Spivack is the author of A History of Yearning, winner of the Sows Ear International Poetry Prize 2010, first runner up in the New England Book Festival, and winner of the London Book Festival; Moments of Past Happiness (Earthwinds/Grolier Editions 2007); The Beds We Lie In (Scarecrow 1986), nominated for a Pulitzer Prize; The Honeymoon (Graywolf 1986); Swimmer in the Spreading Dawn (Applewood 1981); The Jane Poems (Doubleday 1973); Flying Inland (Doubleday 1971); Robert Lowell and His Circle (2011) and a novel, Unspeakable Things. She is a recipient of the Allen Ginsberg Poetry Award 2010, the 2010 Erica Mumford Award, and the 2010 Paumanok Award. Published in numerous magazines and anthologies, some of her work has been translated into French. Other publications include The New Yorker, Ploughshares, The Atlantic Monthly, Poetry, Massachusetts Review, Virginia Quarterly, The Southern Review, Harvard Review, The Paris Review, The Kenyon Review, Agni, New Letters, and others. Her work is featured in numerous anthologies. She has also won several International Solas Prizes for “Best Essays.”

Diana Norma Szkoloyai is author of the poetry books Roses in the Snow and Parallel Sparrows (Finishing Line Press). Her writing and hybrid art have appeared in Lyre Lyre, Dr. Hurley’s Snake Oil Cure, The Fiction Project, Teachers as Writers, Polarity, The Boston Globe, The Dudley Review, Up the Staircase, Area Zinc Art Magazine, Belltower & the Beach, and Human Rights News. Founding Literary Arts Director of Chagall Performance Art Collaborative and co-director of the Cambridge Writer’s Workshop, she holds an Ed.M from Harvard and an M.A. in French Literature from the University of Connecticut.

Rita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, and Chrysanthemum among other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured on HER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

Elissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her website for informative yoga sequences and information.

Suggested Accommodations:

We encourage people to stay at the Architect’s Inn, as they are affiliated with Inn Bliss and will make your stay as comfortable as possible.  They are offering a special discount for people on our retreat.  Contact Nick Maione for details at (401)845-2547 and mention that you are with the Cambridge Writers’ Workshop.  Discounts will depend on the particular room and number of nights you are staying between April 2-5, 2015.

(Detailed list with descriptions and locations available here.)

Bed & Breakfast:

Newport Blues Inn, average nightly price from $109-$269
Marshall Slocum Inn, average nightly price from $137-$175
Ivy Lodge, average nightly price from $139-$209
La Farge Perry House, average nightly price from $149-$269
Hydrangea House Inn, average nightly price from $150-$233
Sarah Kendall Houseaverage nightly price from $150-$295
Beech Tree Inn & Cottage, average nightly price from $155-$202
Almondy Inn, average nightly price from $175-$290
Cliffside Inn, average nightly price from $175-$365
Samuel Durfee House, average nightly price from $186-$233
Frances Malbone House, average nightly prices from $207-$395

Mid-Range Hotel:

The Attwater, average nightly price from $119-$409
Newport Harbor Hotel & Marina, average nightly price from $155-$185
Mill Street Inn, average nightly prices from $168-$228
Hyatt Regency Newport, average nightly prices from $229-$379

Budget Hotel:

Mainstay Hotel & Conference Center, average nightly prices from $64-$82
Carriage House Inn, average nightly prices from $99
Courtyard Marriott Newport Middletown, average nightly prices from $99
AirBnb Rentals, prices vary

Cambridge Writers’ Workshop 2015 Retreats featured in Poets & Writers Magazine

IMG_0036Writers such as David Shields, Kathleen Spivack, Peter Orner, Rita Banerjee, Diana Norma Szokolyai, Stephen Aubrey, Jessica Reidy, and yoga instructor Elissa Lewis are featured in the March/April 2015 Writers Retreats Issue of Poets & Writers Magazine for their instruction in fiction, nonfiction, poetry, playwriting, screenwriting, and yoga the CWW Newport, RI Writing & Yoga Retreat (April 2-5, 2015), CWW Summer Writing Retreat in Paris (July 22-30, 2015), and CWW Summer Writing Retreat in Granada, Andalucía, Spain (August 3-10, 2015).  In this special issue of Poets & Writers, the “Conferences & Residencies” section features the Cambridge Writers’ Workshop 2015 Spring and Summer Creative Writing Retreats in New England, France, and Spain.   Here’s some more information on each retreat:

CWW Newport, RI Writing & Yoga Retreat (April 2-5, 2015)

NewportThe 2015 Cambridge Writers’ Workshop Writing & Yoga Retreat will be held from April 2 to April 5 in Newport, Rhode Island. The retreat offers workshops in poetry, fiction, and creative nonfiction, as well as craft seminars, manuscript consultations, time to write, daily yoga and meditation classes, and local excursions. The faculty includes poets and prose writers Rita Banerjee, Kathleen Spivack, and Diana Norma Szokolyai; and prose writer Stephen Aubrey. The cost of the retreat is $650, which includes tuition and some meals. Shared room lodging is also included. Using the online submission system, submit five pages of poetry, fiction, or creative nonfiction with a $5 application fee by March 15, 2015. Apply at cww.submittable.com

CWW Summer Writing Retreat in Paris (July 22-30, 2015)

ParisThe 2015 Cambridge Writers’ Workshop Summer in Paris Writing Retreat will be held from July 22 to July 30 at the Hôtel Denfert-Montparnasse in Paris. The retreat offers workshops in poetry, fiction, and creative nonfiction, as well as craft seminars, one-on-one manuscript consultations, time to write, daily yoga and meditation classes, and local excursions. The faculty includes poets and prose writers Rita Banerjee, Kathleen Spivack, Jessica Reidy, and Diana Norma Szokolyai; and fiction and nonfiction writer David Shields. The cost of the retreat is $2,950, which includes tuition, lodging, and some meals. Using the online submission system, submit five pages of poetry, fiction, or creative nonfiction with a $5 application fee by May 5, 2015.  Apply at cww.submittable.com

CWW Summer Writing Retreat in Granada, Andalucía, Spain (August 3-10, 2015)

alhambra-granada-spain-900x1440The 2015 Cambridge Writers’ Workshop Summer in Andalucía Writing Retreat will be held from August 3 to August 10 at the Hotel Gar-Anat in Granada, Spain. The retreat offers workshops in poetry, fiction, and creative nonfiction, as well as craft seminars, time to write, daily yoga and meditation classes, and local excursions. The faculty includes poets and prose writers Peter Orner, Rita Banerjee, Diana Norma Szokolyai, and Jessica Reidy. The cost of the retreat is $2,950, which includes tuition, lodging, and some meals. Using the online submission system, submit five pages of poetry, fiction, or creative nonfiction with a $5 application fee by April 20, 2015.  Apply at cww.submittable.com

CWW Writing & Yoga Retreat in Newport, Rhode Island (April 2-5, 2015) Class List

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Join the Cambridge Writers’ Workshop in Newport, Rhode Island for the opportunity to take these exciting classes taught by award-winning authors and editors. The 4-day retreat will allow participants to hone their craft and writing skills in fiction, poetry, non-fiction, screenwriting and playwriting.

Registration for the retreat ends on March 15, so apply while seats are still available.

Workshop on the Evocative Object
(with Diana Norma Szokolyai and Rita Banerjee)
Enjoy searching for and discovering evocative objects in your surroundings, and tell their stories through lyrical descriptions that will thrill the reader.

Literary Taboo (with Rita Banerjee)
Learn to play a literary game that will keep you on your wordsmithing toes. You will have to think of new ways to write about subjects, while avoiding clichés!

Your Voice: Bringing your Page to Performance (with Diana Norma Szokolyai)
Whether preparing for a literary reading or recording your poetry with musicians, it is important to develop your own voice because it is the vehicle for your words. In these sessions, you will connect with your inner voice to bring it outward, learning how to better create a bond between you and your audience.

Developing Your Manuscript for Publication (with Kathleen Spivack)
All genres, all levels welcome
Please choose only one project to work with, and bring all necessary materials. Plan to dedicate yourself fully to your writing project during the retreat. This course will look at beginnings, transitions, and choices of endings. We’ll discuss the many publication options, but if your manuscript isn’t ready for that yet, don’t worry. My goal is to help each of you shape your manuscript to the best of your ability. The classes offer encouragement, support and yes, the gentlest of pushes. We’ll work with the positive energy of the group to support you in your writing goals.

Weirding the World (with Stephen Aubrey)
“My mind affects my reality.” -Farad’n Corrino (in Frank Herbert’s Dune)
The script is not a flat work of literature, not a description in poetry of another world, but is in itself another world passing before you in time and space. Language is only one part of this world. The rest is space. And before we populate this space, we must create it.

Theater of the Impossible (with Stephen Aubrey)
From “Exit, pursued by a bear” to today, part of the joy of live performance has been in watching the difficult, the unlikely and the unstageable become staged. Instead of thinking of a play or script as a blueprint for a realist performance, this class encourages you to think of it as a challenge for potential collaborators. A problem to be solved instead of a recipe to be followed. In this class, we will explore the tension between imagination and execution in order to answer one of the central questions of playwriting: how do we create spectacle and what’s the purpose in doing so anyway?

Against Aristotle: New Structures for New Stories (with Stephen Aubrey)
For over two millennia, Aristotelian structure has dominated the Western sense of story. Protasis, epitasis, and catastrophe. Over and over. The same structures breeding the same stories. In this class, we’ll first look at what makes Aristotle’s ideas so seductive before investigating alternative ways of imagining and telling story. From collage/assembly to circular structure to devising, we’ll study new forms of a very old practice.

Cambridge Writers’ Workshop Recommends: Winter 2015 – Books to Keep You Warm

EveningSnowatKanbara
Hello everyone!  Happy Valentine’s Day!  We hope you’re all enjoying 2015 and staying warm through all that snowy weather!  To celebrate February and the snowy tidings of 2015, our CWW staff has written about their favorite reads to keep you warm through this winter season!  Some of these works that have inspired our own writing and changed how we think and see the world, and other works have just stayed with us, entertained, or made us stop, stare, or smile for a little while.  Special thanks to Stephen Aubrey, Rita Banerjee, Alex Carrigan, Gregory Crosby, Katy MillerDavid Shields, Emily Smith, Christine Stoddard, Diana Norma Szokolyai, and Megan Tilley for sending in their favorite winter lit picks & recommendations! – Alex Carrigan (Curator)

CWW Winter 2015 Lit Picks:

pillowman theThe Pillowman by Martin McDonagh
(Recommended by Stephen Aubrey)

In an unnamed totalitarian nation, a Kafka-esque fiction writer called Katurian is detained and questioned by two policemen after a string of gruesome infanticides resembling dark fairytales Katurian has written. As Katurian seems unconcerned about the ramifications of his art, the police officers—playing a twisted game of “good cop/bad cop”—inform Katurian that his intellectually-disabled brother Michael, who is currently being tortured in an adjoining room, has been coerced into confessing to the crimes. What follows is a harrowing meditation on our responsibility to our art and our family, one without easy answers or reassurances. Small and contained (it’s a four-person cast in two small rooms) yet with very high stakes, it’s one of the most tightly-written and surprising of contemporary plays. It’s also funnier than any play centered around murdered children has any right to be, that’s Irish theatre for you.

91gug5d5wlL._SL1500_A Field Guide to Getting Lost by Rebecca Solnit
(Recommended by Stephen Aubrey)

Rebecca Solnit is one of the most interesting nonfiction writers around today. As both a writer and an activist, she’s made a career exploring issues related to the environment and its impact on politics, our sense of place, art, and society. In A Field Guide to Getting Lost, perhaps her finest work and certainly the best introduction to her formidable intellect, Solnit explores her own past in a series of linked essays as she explores questions of identity and the importance of the unknown. In a wonderful instance where form imitates function, the essays don’t necessarily build to a cohesive argument so much as they meander from Solnit’s Russian Jewish ancestors to her own youthful dabbling in punk rock and experimental film to a love affair she once had with a desert recluse. Each is tinged with a painterly lyricism that makes the settings Solnit writes about as vivid as the people who occupy them. Come with no expectations; simply agree to follow Solnit wherever she leads you and you will find this a perfect book to get lost in.

whereeuropebegins_300_411Where Europe Begins by Yoko Tawada
(Recommended by Rita Banerjee)

Yoko Tawada is a force of nature.  She has mastered the art of defamiliarizing the familiar whether it be language, gender, the facets of the body, or the interplay between imagination and reality.  She is a master of writing fiction, memoir, and gorgeous lyrical essays in both Japanese and German (for which she’s won the Akutagawa Prize and Goethe Medal, respectively), and she’s given some impressive speeches in English quoting Japanese, German, and even Italian idioms and literary texts at free will.  (I had a chance to see her recently at Munich’s 2014 Shamrock festival and was floored by her performance and also later when she spoke to me in Japanese!)  Where Europe Begins explores the strangeness and uncertainty one encounters when looking at things just a little too closely.  In these short stories and musings, one’s body, one’s relationships and feelings towards others, one’s language, and even one’s existence become irrevocably uncanny and peculiar.

Akashic’s Noir Series
(Recommended by Rita Banerjee)

SFNoir2BostonNoir

 

 

 

 

 

 

 

A few years ago, I picked up my first Akashic Noir Series book in the famed City Lights Books in San Francisco while I was working on my dissertation at Berkeley.  I selected San Francisco Noir 2: The Classics because for every flower in someone’s hair, San Francisco was also pretty cold and gritty, and the ghosts of Dashiell Hammet, Jack London, and Mark Twain seemed to hang around downtown, just lurking in the air.  And this volume did not disappoint.  Frank Norris’s chilling, uncomfortable view of Chinatown still haunted in “The Third Circle,” and you could see why Hitchcock was so mesmerized by the city by the bay.  Flitting back to Cambridge for work, Boston Noir also provided a delightful read.  Don Lee’s “The Oriental Hair Poets” seemed especially à propos in the atmosphere of Cambridge.  The story centers around two female Asian poets who compete with one another for men and literary accolades, attempting to sabotage each other’s poetic careers and prestige, until something goes horribly wrong…

TreadwindsTreadwinds by Walter K. Lew
(Recommended by Rita Banerjee)

During my MFA days, Walter K. Lew’s Treadwinds was a poetry collection that I returned to again and again.  Like Theresa Hak Kyung Cha’s novel Dictée, Lew’s Treadwinds was unique and powerful for its unusual collage-like form and ability to breakdown and rethink linguistic barriers.  Lew presents poems written in English alongside phrases and texts written in Japanese, Korean, and Chinese in order to demonstrate the narratives of colonial occupation, immigration, and cultural assimilation felt by Koreans and Korean-Americans in the 20th century.  He juxtaposes images from film, photography, news stories, and idioms from folk songs, jazz, and old family anecdotes and tales of trauma to convey the complexity and multifaceted voice of the Korean in the modern era.  In the namesake poem, “Treadwinds” language and grammar itself breakdown as Lew explores what it means to return, hungry and dwindled, to home and “the sounds of spring.”

moon-mountain-banerjeeMoon Mountain
by Bibhutibhushan Bandopadhyay

(Recommended by Rita Banerjee)

Moon Mountain or Cāndēr Pāhaṛ  (চাঁদের পাহড়), is a famous Bengali novella by the much-loved Bengali novelist, Bibhutibhushan Bandopahdyay (author of the renowned novel Pather Pāncālī, which was later made famous on the silver screen by Satyajit Ray).  Set between 1909-1910, Moon Mountain focuses on the story of Shankar Roy Chowdhury, a young Bengali man, who goes to Africa and winds up working for the Uganda Railway.  Hungry for adventure, Shankar meets a strange cast of imperialists and prospectors from Britain, Portugal, Holland, and elsewhere as they try to exploit the riches of Africa and its people.  One prospector, the Portuguese Diego Alvarez, a Kurtz-like figure, tells Shankar about his trials and misfortunes hunting for diamonds in the caves of the Moon Mountain, a legendary place deep in the jungles of Richtersveldt, which is haunted and guarded by a spirit called bunyip.  Shankar then has to decide whether or not he will follow Alvarez and his thirst for adventure with open eyes or with eyes wide shut.

tolstoy-family_happinessFamily Happiness by Leo Tolstoy
(Recommended by Rita Banerjee)

There’s really nothing like setting the mood for Valentine’s Day in the middle of a snowy winter than reading some dark, deeply existential Russian Literature.  Leo Tolstoy is a master of examining the minutae of social relationships and the unpredictably psychology of human behavior.  In “Family Happiness,” he takes a hard look at romance and bourgeois obsession of finding the perfect romantic partner and creating the façade of the perfect family.  The story follows Masha, a young seventeen-year-old girl, and Sergey, her much older would-be paramour as they engage in a courtship which leads to “romance” and a very unexpected ending.

PoeticScientifica Poetic Scientifica by Leah Noble Davidson
(Recommended by Rita Banerjee)

Leah Noble Davidson’s poetry collection, Poetic Scientifica, is a beautiful experiment.  The collection follows the breakdown of a romantic relationship as it simultaneously explores memories of past sexual violence, individual agency, and female empowerment.  In doing so, Poetic Scientifica explores the roles of double-identities, mirror images, Norma Jeane & Marilyn Monroe, beauty, and its lovelorn echo.  Perhaps, the charm and play of Davidson’s work can be best described by the hidden poem in her collection which introduces all others: “Oh careful readiness, oh cinders in the jaw / you: fountains of birdsong and / velvet ropes, aspiring Marilyns / maybe I covet you / the way you would have me, do so / Climbing into our story / we build your image together / a person to love, an echo / of the anecdotes strangers tell each other / I can not hate you for being the bathtub / I drain my culture into / for shining myself into / so many lights.”

JulesVerne-VoyageExtraodinaire Voyages Extradonaires by Jules Verne
(Recommended by Rita Banerjee)

When I was studying at the Sorbonne, I would always carry a Poche paperback of a Jules Verne classic with me and would devour it as I made my way through the undergrounds of Paris each morning.  Some of my favorite reads were Voyage au centre de la Terre, Vingt milles lieues sous le mer, De la Terre à la Lune, and Paris au XXe siècle.  While the stories were familiar from childhood, there was just something about cracking a secret code or cipher with Axel and Lindenbrock in French.  The scope and worldview of Verne’s novels, which are set in Baltimore, Hamburg, Paris, China, and India, was also impressive as was his mastery of the scientific romance genre.  Characters in his novels always seemed to be at the brink of discovery, whether in realizing the potential or limitations of science and technology or in understanding the potential and limitations of their own humanity.  The future could materialize crystal clear in a Verne novel, full of possibilities and full of failures.  And now as I am writing my own futuristic novel, it’s wonderful to go back to the pillars of modern day science fiction with writers like Jules Verne and H.G. Wells, and try to find answers to those big and scary questions like, “what is science?” “what is fiction?” and “what might tomorrow bring?”

schomburg-themansuitThe Man Suit by Zachary Schomburg
(Recommended by Rita Banerjee)

The Man Suit is a memorable, must-read collection of poems by Zachary Schomburg.  The poems in The Man Suit dance a fine line between melancholy, dark humor, and unnerving absurdity.  Images of forests, monsters, stars, death, white and black telephones, music bands, and theatre pepper the collection.  And stories of late barons, experiments gone awry, John Wilkes Booth and Abraham Lincoln, and a singular tale of a lost love and a girl named Marlene appear, disappear, and remix like constellations across the page.  Read in another way, Schomburg’s collection takes a hard look at the values of Americana and the changing shape of the American social and political landscape in the waning years of the Bush presidency.  In “Last President of a Dark Country,” the speaker of the poem, states “Trying being the last president of a dark country.  It is lonely as hell here.  You should come. / …if you are careful, you can find the railing.  It will lead you to a dimly-lit hole that you can climb down into.  You’ll find me there, most likely.  I’ll be working on my last presidential address.  It will be a list of everything that haunts me.  No matter how much you ask me to read it, I probably won’t.”

Haunted511a1mqxnhl-_ss500_ by Chuck Palahniuk
(Recommended by Alex Carrigan)

This short fiction anthology by Chuck Palahniuk was every bit as morbid, disgusting, and shocking as I hoped it would be, with tons of awesome stories involved. The novel’s frame story is a bunch of writers going on a writing retreat where they spend three months locked in an old theater with all the amenities provided by the benefactor and his assistant. They all individually get the idea to write a tale about how they were held captive and tortured, each going about destroying their new home and forcing themselves into acts of mutilation, cannibalism, and murder. The stories in the book are all written by a character in the story and cover a variety of subjects from angry feminists to reflexology to masturbation accidents. This book really gripped me because all the stories are so unique and weird. It’s also very postmodern in design, something I’m always a fan of and want to attempt in the future.

{D89C61A6-9DA2-409A-9A9E-ADFD027A9D27}Img100Riotous Assembly by Tom Sharpe
(Recommended by Alex Carrigan)

This was a book I had to grow up to read. It’s a book my father loved a lot and told me about when I was younger. The story, detailing the incompetence of the racist police force in an Apartheid South Africa town, is a screwball satire showing how a crime of passion was turned into a full-blown political scandal due to how just darn stupid everyone is. It’s satirical, funny, and full of political commentary. It’s also a book with a really creative writing style and humorous voice that Sharpe uses when describing events. It will have you looking at elephant guns differently, so you should check it out.

wernerherzog_guidefortheperplexedWerner Herzog: A Guide for the Perplexed
by Paul Cronin

(Recommended by Gregory Crosby)

It’s a huge series of conversations with Herzog about his film and career, but it’s also the only self-help book any artist will ever need, whether they make films, write, paint or engage in any creative endeavor that requires courage, persistence, and endurance. Herzog is also dryly funny in only the way a German can be.

 

the_dream_songspicThe Dream Songs by John Berryman
(Recommended by Gregory Crosby)

If you’re suffering from heartache and pain and want to know how to sing the blues, you should avail yourself of John Berryman’s The Dream Songs. It sounds like hyperbole, but this was a book that more or less saved my life when I was at my lowest point.

 

 

81XbzO1loHLEverything I Never Told You by Celeste Ng
(Recommended by Katy Miller)

Opening with the ominous sentence “Lydia is dead,” Everything I Never Told You unspools the deep, psychological layers of the Lee family as they deal with loss and tragedy. For the first half of the novel, Ng tells the reader only sparse details about Lydia herself—the oldest child of Chinese-American James Lee and his white wife Marilyn—and focuses instead of the dreams and disappointments of her parents. Set mainly in the 1970s midwest only just after the Supreme Court overturned the interracial marriage ban in 1967, Everything I Never Told You beautifully captures the quiet desperation of crushing familial expectations coupled with heartbreaking loneliness. Ng deftly writes the inner life of the five family members and how difference affects each one, expertly weaving their voices into the suspenseful narrative.

41FP9H01AjLThe Thing Around Your Neck
by Chimamanda Ngozi Adichie

(Recommended by Katy Miller)

The characters in this 13-story collection are just as vivid as those in Adichie’s marvelous novels. The majority of these narratives are written from a female perspective, and Adichie fully explores their struggles to settle into American lives, their complex relationships, and their diverse motivations in beautiful detail. A thoughtful writer, she delights in revealing uncomfortable observations, such as in the inner monologue of a Nigerian waitress in Connecticut in the titular short story: “He told you he had been to Ghana and Uganda and Tanzania, loved the poetry of Okot p’Bitek and the novels of Amos Tutuola and had read a lot about sub-Saharan African countries, their histories, their complexities. You wanted to feel disdain, to show it as you brought his order, because white people who liked Africa too much and those who liked Africa too little were the same—condescending.”

51A1wj3p3eL._SY344_BO1,204,203,200_The Book of Embraces by Eduardo Galeano
(Recommended by David Shields)

Galeano marries himself to the larger warp-and-woof by allowing different voices and different degrees of magnitude of information to play against one another. A mix of memoir, anecdote, polemic, parable, fantasy, and Galeano’s surreal drawings, the book might at first glance be dismissed as mere miscellany. But upon more careful inspection, it reveals itself to be virtually a geometric proof on the themes of love, terror, and imagination. This is perhaps best exemplified by this mini-chapter: “Tracey Hill was a child in a Connecticut town who amused herself as befitted a child of her age, like any other tender little angel of God in the state of Connecticut or anywhere else on this planet. One day, together with her little school companions, Tracey started throwing lighted matches into an anthill. They all enjoyed this healthy childish diversion. Tracey, however, saw something which the others didn’t see or pretended not to, but which paralyzed her and remained forever engraved in her memory: faced with the dangerous fire, the ants split up into pairs and two by two, side by side, pressed close together, they waited for death.”

A1ShzwjgyDL._SL1500_Remembrance of Things Past by Marcel Proust
(Recommended by David Shields)

This is the book that I think of as mattering the most to me ever, but I read it more than thirty years ago and find that I have trouble re-reading it now. Seems sad—do I still love it, did I ever love it? I know I did. Has my aesthetic changed that much? If so, why? Does one resist that alteration? I think not. The book still completely changed me, still defines me in some strange way. Proust for me is the C.K. Scott-Moncrieff translation in paperback, its covers stained with suntan oil since I read all seven volumes in a single summer (supposedly traveling around the South of France but really pretty much just reading Proust). I came to realize that he will do anything and go anywhere to extend his research, to elaborate his argument about art and life. But his commitment is never to the narrative per se, it’s to the narrative as a vector on the grid of his argument. That thrilled me and continues to thrill me—his understanding of his book as a series of interlaced architectural/thematic spaces.

41Mm2ZM0NvL._SY344_BO1,204,203,200_For Love & Money by Jonathan Raban
(Recommended by David Shields)

For twenty-plus years I’ve been showing drafts of my books to Jonathan, who within days of receiving the manuscript will call and not only insist that it can be so much better but show me how. For Love & Money, which he calls “only half a good book,” is one of my favorite books ever written—a brutal, ruthless coming-of-age-of-the-author disguised as a miscellany of essays and reviews. Jonathan comes out of what is to me a distinctly British tradition of showing respect for the conversation by questioning your assertion rather than blandly agreeing with it. He’s exhaustive and disputatious, never settling for received wisdom or quasi-insight. More than anyone in my life, he encouraged me to think off-axis about “nonfiction.”

rent-girl-michelle-teaRent Girl by Michelle Tea
(Recommended by Emily Smith)

Rent Girl is a gritty and blunt graphic novel/memoir that focuses on Michelle Tea’s history as a prostitute in the early 90s.Throughout the novel, Tea is unapologetically honest about her many shocking exploits: appeasing her clients — one a self-proclaimed warlock — to a terrible case of crabs, Tea never shies away from reality.

margaret_atwood_the_handmaids_taleThe Handmaid’s Tale by Margaret Atwood
(Recommended by Emily Smith)

The Handmaid’s Tale by Margaret Atwood follows the story of Offred, a handmaid living under a totalitarian Christian regime responsible for usurping the United States. The novel explores how women gain agency, especially under a government that enforces trope-like roles: wives, handmaids (surrogate mothers) and Jezebels (prostitutes).

 

51SvR6tvD2LGather Together in My Name by Maya Angelou
(Recommended by Christine Stoddard)

This year we lost one of the greats. Her stunning life inspired not only poetry but prose. Gather Together in My Name is an autobiographical account of Angelou’s early years as a single mother shortly after World War II in a deeply segregated America. A story of hope and redemption, it’s the perfect read to inspire you to seriously reflect on your own flaws and make meaningful and sincere New Year’s Resolutions.

 

948009Intimacy by Jean-Paul Sartre
(Recommended by Christine Stoddard)

This collection of four short stories and a novella is complex and unnerving. All of the stories deal with intimacy or, more aptly, the lack thereof. They deal with sex, perversion, sensuality, and ugly truths. My personal favorite is the first story “Intimacy,” for which the collection is named, because of its stream of consciousness, changing narrators, and obsession with hypocrisy in love. Intimacy is a great winter read because it will chill you to the bone, not for its otherworldliness but for its raw portrayal of reality.

Unknown-4The Theory of Everything (dir. James Marsh)
(Recommended by Diana Norma Szokolyai)

Would I be wearing my heart on my sleeve if I admitted to crying upon just seeing the trailer to this film?  After watching the film in its entirety, I saw that this was not just a historical tearjerker, but a deeply moving and realistic account of the life and love between Stephen and Jane Hawking.  Of the movie, Stephen Hawking has said that it was “broadly true” (Variety.com) and that, at times, he felt as though Eddie Redmayne was himself.  Indeed, the actor has done such a marvelous job that he is nominated for a 2015 Oscar for best actor in a leading role—we shall see at the end of February if he gets this well deserved award.  After watching this film, you will feel closer to the emotional world of cosmologist Stephen Hawking, one of the greatest minds of our time.  The hope, heartbreaking honesty, and intensity of Stephen and Jane’s story will rekindle your faith in the true potential of the human spirit.

safe_amy_king_0I Want to Make You Safe by Amy King
(Recommended by Diana Norma Szokolyai)

Amy King’s poems examine the delicate boldly.  The visual imagery is unforgettable and leaves the reader with impressions to ponder long afterwards.  Consider these lines and you’ll understand: “I can’t imagine the heart anymore/now that it presses my ribs apart,/a balloon of such gravity I ache for stars in a jar,/wasps whose love reminds be of fireflies tonight.”  King is the 2015 recipient of the prestigious Women’s National Book Association Award.  John Ashbery described her poems in I  Want to Make You Safe as bringing “abstractions to brilliant, jagged life, emerging rather than out of the busyness of living.”  The book was also one of the Boston Globe’s Best Poetry Books of 2011.  Read it!

Unknown-5Someone Else’s Vows by Bianca Stone
(Recommended by Diana Norma Szokolyai)

I first heard Bianca Stone read at the Couplet reading series in Manhattan, organized by Leah Umansky.  Her poems seemed so ripe, containing an urgency.  In reading Someone Else’s Wedding Vows, you’ll enter a world of vulnerability and fireworks, where the past and present converge in a magnificent display of words. Here is an excerpt from her poem “The Future is Here”: “Man burns at a certain degree/ but I always burned a little slower./ When I went into school/ I left a trail of blackened footprints/ to my classroom of spelling words,/ never starred. At the end of the earth/ we’ll be locked in our own spelling mistakes,”.  Read this book.  It will make you question the world around you in beautiful ways.

Unknown-6Prelude to a Bruise by Saeed Jones
(Recommended by Diana Norma Szokolyai)

I recently heard Saeed Jones read at The Difficult to Name Reading Series run by Ryan Sartor.   I was immediately hooked.  His voice was electrifying, his delivery so precise and rich.  I bought the book from him immediately after the reading and devoured it.  Jones started his reading saying that his poems were the cross section of where race, sexuality and America meet.  Reading his work, you can certainly see him examining that triad so effectively.  Take his title poem:  “In Birmingham, said the burly man—/Boy, be/a bootblack./Your back, blue-back./Your body,      burning./I like my black boys broke, or broken./I like to break my black boys in.”   He is a 2013 Puscart Prize Winner and is now up for a National Book Critics Circle Award.  Reading this book will change you—it is that important.

11529868The Orphan Master’s Son by Adam Johnson
(Recommended by Megan Tilley)

This 2013 Pulitzer Prize winner by Adam Johnson follows a citizen of North Korea through his rise and fall in North Korean society. The author read first hand accounts of defectors from the Hermit Kingdom and also travelled to North Korea to better acquaint himself with the unique political and social situation in the country. This is not a light read, but is a great choice for those interested in North Korea and in first hand accounts from the country. Meticulously researched and beautifully crafted, this is a novel that will change the way you look at North Korea.

51EvRAIqG0LThe Poisoner’s Handbook by Deborah Bloom
(Recommended by Megan Tilley)

Written by Pulitzer Prize-winning journalist Deborah Bloom, The Poisoner’s Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York is a fascinating look into the beginnings of forensic medicine. Organized into sections by poison, the book details not only crime cases involving that poison, but also the politics surrounding forensic medicine and the advances in medical science made by the tireless advocates of this new branch of crime investigation. A great book for anyone interested in true-crime, medicinal history, or Prohibition, it’s an easy and fascinating read.

Register by February 20 for CWW Writing & Yoga Retreat in Newport, RI (April 2-5, 2015)

Newport2015-RetreatJoin us April 2-5, 2015 for our first annual springtime Writing & Yoga Retreat in beautiful and gilded Newport, Rhode Island.  Our Newport retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects.  Tuition includes shared lodging, classes, and some meals.  Faculty includes internationally renowned author and writing coach Kathleen Spivack (fiction, poetry, nonfiction), Stephen Aubrey (playwriting,  screenwriting), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), and Elissa Lewis (yoga, meditation).  Registration closes on February 20, 2015, so sign up on cww.submittable.com while seats are available.