CWW Recommends: Reading for Resistance – Winter 2017

hannaharendt-onrevolutionIn this volatile political and moral climate, reading can serve as a refuge. However, as I continue to amplify my acts as the agent of change I know myself to be, I’m using my reading as both weapon and armor—a constantly expanding and empowering force. That being said, please take this list of recommendations for post-Inauguration reading not as comprehensive but as communal—to add onto continuously over the next four years. One of the best catalysts for vigilance, after all,  is awareness. We at the Cambridge Writers’ Workshop invite you to challenge your boundaries, listen to the myriad voices around you—and share with us. We’d love to learn more about what you’re reading to nourish and charge your own acts of resistance. In the meantime, many thanks to Emily Smith, Alexander Carrigan, Diana Norma Szokolyai, Anna-Celestrya CarrRita Banerjee and Shannon Sawyer for sharing their suggested reads for the resistance.

AM Ringwalt, Curator

The Grass Dancer by Susan Powersusanpowergrassdancerbig
(Recommended by Emily Smith)

Susan Power honors the the Dakota Sioux in this novel of magic and dreams through a retelling of tribal stories, which are often haunted by the dead. Power is an enrolled member of the Standing Rock Tribe and a descendant of Sioux Chief Two Bears. While Power is a highly regarded writer, she also has a background in law; using her degree, she founded the American Indian Center in Chicago, which offers relief and education services to one of America’s largest Native American populations.

 

plague-of-dovesThe Plague of Doves by Louise Erdrich
(Recommended by Emily Smith)
Although Louise Erdrich’s novel was published in 2009, its central narrative is fit for contemporary news. The story opens on an act of racism in mid-century North Dakota: after a white family is found murdered, a group of men hang three American Indian men and one boy. The real villain goes unpunished.
The novel is a Pulitzer-Prize finalist that unfolds a century later from the perspective of multiple family members a la The Sound and the Fury. By the close of the novel, it’s clear that suppressing injustice has resounding consequences, even generations later.

38447The Handmaid’s Tale
by Margaret Atwood

(Recommended by Alex Carrigan)

Margaret Atwood’s dystopian novel from 1985 is still relevant today, as women are policed for their bodies and their autonomies, usually being mistreated under the guise of “religious freedom” or underlying misogyny in various social and political institutions. The novel follows Offred, a woman who has had her name, her family, and her body taken by a totalitarian theocracy that only values her for her fertility. The book is equal parts speculative fiction and horror, one that can terrify both women and men with its protagonist’s incredible voice and its raw look at a world that seems imaginary but rings close to home. With an upcoming miniseries adaptation airing on Hulu in April, more people are sure to discover The Handmaid’s Tale and see how its depiction of religious extremism, misogyny, women’s health rights, and bodily autonomy compare and contrast to our new government.

cover_bad_feministBad Feminist by Roxane Gay

(Recommended by Alexander Carrigan)

Bad Feminist is a collection of essays by black feminist author and teacher Roxane Gay. In it, she discusses issues of race, politics, sexuality, literature, media, and Scrabble tournaments, all while keeping her clever voice and personality. This was a book that made me laugh, tear up, and pay attention to various sections of society that I don’t often read about. It speaks to those who are often disenfranchised, and does so in a way that makes it easy to read and enjoyable at the same time.

The Boston Review and Black Ocean Press
(Recommended by AM Ringwalt)

Screen Shot 2017-01-22 at 8.28.29 PM.pngIt’s crucial to support literary presses, particularly these two Boston-based ones, in anticipation of Donald Trump’s inauguration. Both the Boston Review and Black Ocean Press are committed to “our shared commitment to the rights and values essential to a democracy” (see Greater Boston Writers Resist, which took place on January 15, 2017 at the Boston Public Library).

It’s worth noting, too, that in his poignant farewell address, Barack Obama warned against numbing ourselves to the “battle of ideas” essential to politics —and a creative life—in “selective sorting of the facts,” the sectarianism inherent in having news sources catered to one particular political viewpoint versus another (take Fox versus PBS, for example), the rise of social media catering to each member’s biases and the tendency of popular news sources to operate on omission. Obama said, “. . . increasingly we become so secure in our bubbles that we start accepting only information, whether it’s true or not, that fits our opinions, instead of basing our opinions on the evidence that is out there.”

So, as a challenge to both myself and everyone reading this, consider these two literary presses in conjunction with media and art that challenges your ethos. If you’re anything like me, you’ll likely appreciate presses like the Boston Review and Black Ocean even more after immersing yourself in other perspectives.

In the wake of the election, the Boston Review continued the call for defending independent nonprofit publishing. In recent publications, the journal asserted that “poetry is a counterattack” and began curating literary works representative of “Global Dystopias.” On December 15, 2016 the Boston Review published an article by Vivian Gornick entitled “Feeling Paranoid,” a piece not dissimilar from Obama’s farewell address. Gornick writes, “the struggle of any society—but especially one that calls itself a democracy—is to honor the existence of those not like ourselves.” The Boston Review shares texts like Race Capitalism Justice and Poems for Political Disaster, a collection of “both new poems and selections from the Boston Review archive that record, refract, subvert, or otherwise respond to political trauma, catastrophe, or terror—both here at home and abroad.” The Harvard Book Store and Boston Review will host an evening of readings from Poems for Political Disaster at the Cambridge Public Library on January 30, 2017; I invite you to join me there.

Screen Shot 2017-01-22 at 8.29.46 PM.png

Black Ocean Press boasts a catalog of innovative poetry, featuring works by Elisa Gabbert and Tomasz Salamun, among many other crucial voices. The press recently opened a brick-and-mortar space in Somerville, Massachusetts. Janaka Stucky, poet and founder of Black Ocean, describes the space aptly in a December issue of the Boston Globe, as a “‘third space’ — a space neither the home space nor the work space. ‘In the discourses of dissent,’ Stucky says, ‘the third space is where the oppressed plot their liberation.’” In 2016, Black Ocean supported resistance camps at Standing Rock by having all of its proceeds on “Black Friday” be sent onto Standing Rock in protest of the Dakota Access Pipeline. With books—and an overall ethos—as artfully constructed as they are dissenting, Black Ocean Press proves to be a necessary ally in anticipation of the Inauguration. Stucky will join me for CWW Presents on February 3, 2017, too, where he will share his poetry alongside musician Audrey Harrer and Fawn,  my folk duo. 

51totttrsjl-_sy346_We Should All Be Feminists by Chimamanda Ngozi Adichie
(Recommended by Diana Norma Szokolyai)

We Should All Be Feminists by Chimamanda Ngozi Adichie explores what “feminism” means today. This eloquent book-length essay examines not only outright discrimination, but the subtle ways that inequality is made manifest through our institutionalized behaviors. The author balances philosophical pondering with humor and offers a nuanced explanation of the gender divide. Using her own experiences in both the U.S. and in her native Nigeria, Chimamanda Ngozi Adichie shows how sexism is harmful not only for women, but for men as well. This is a good read for these times when leaders are normalizing sexism. It is a rally cry to continue the fight for what our feminist predecessors have fought for in the previous century.
411zkErhn2L.jpgThe Man in the High Castle by Philip K. Dick
(Recommended by Diana Norma Szokolyai)

The Man in the High Castle by Philip K. Dick is a novel & T.V. series based on the book that creates a time-shifting alternate history, exploring what might have happened if FDR was assassinated in 1936 and the Nazis won WWII. Twenty years into the future, the Nazis and the Japanese Empire have taken over the U.S., and instead of the free spirit of the 1960s, we see the grim atmosphere of a fascist state. The Resistance is alive and carries on subversive activities, having some cells on both of the occupied halves of the country, as well as in the Neutral Zone, which is geographically in the Midwest. The characters are artfully complex, and their moralities are tested against the backdrop of this harsh world. We hear familiar songs and see cultural icons appropriated by those in power, and these similarities are just as eerie as the differences from the actual historical reality. Moreover, this world takes a look at how we Americans became Nazis, whether through passive acceptance, by conscious choice or by force.

51wNIH14zyL._SX324_BO1,204,203,200_.jpgNews From Nowhere
by William Morris
(Recommended by Anna Celestrya Carr)

William Morris’ novel is a combination of science fiction and utopian socialism. The narrator Guest awakens in a future society based on common ownership and democratic control of the means of production. In this society, there is no private property, no big cities, no authority, no monetary system, no divorce, no courts, no prisons, and no class systems. In the story, Morris’ belief is that all work should be creative and pleasurable defeating the most common criticism of socialism of the supposed lack of incentive to work in a communistic society. It is easy to find novels based on dystopian societies,News From Nowhere is not a perfectly written work but with too few utopian stories to choose it is an interesting read that focuses on beauty.

411pTaHocLL._SX260_.jpgIt’s Not Easy Being Green: And Other Things to Consider
by Jim Henson
(Recommended by Anna Celestrya Carr)

Sometimes we all need a reason to smile. It’s Not Easy Being Green is a delightful collection of quotes from and inspired by Jim Henson. Funny, sweet and uplifting it is a fantastic way to take a break from all the chaos.

“I believe that we can use television and film to be an influence for good; that we can help to shape thoughts of children and adults in a positive way. As it turned out, I am very proud of some of the work we’ve done, and I think we can do many more good things.” – Jim

51XfilV9rJL._SY346_.jpgQueer: A Graphic History
by Meg-John Barker and Julia Scheele

(Recommended by Shannon Sawyer)

Happy New Year 2017! -♥️- Cambridge Writers’ Workshop

happynewyear2017-cwwHappy New Year 2017 from the directors, staff, and board of the Cambridge Writers’ Workshop!  We hope you’re all as excited for 2017 as we are!  We’re planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we’re looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2017!

The Cambridge Writers’ Workshop had a wonderful year in 2016.  Over the last twelve months, we’ve had a chance to hold retreats and readings across America and the world, meet exciting writers and artists, and have found new ways to inspire our own writing.  Our year began with  the 2016 Association of Writers and Writing Programs Conference in Los Angeles, California. At AWP 2016, we got a chance to promote CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, advertise our new literary internships, and discuss our Summer Writing Retreats in Granada, Spain, Barcelona, Spain, and Narbonne, France, as well as our Spring Writing Retreat in Newport, Rhode Island. We also hosted our third AWP event at Sabor y Cultura. At our event, there were featured readings from authors such as Rita BanerjeeJess BurnquistJulialicia CaseAriana KellyGwen E. KirbyKatie KnollEllaraine LockieOndrej PazdirekHeather Aimee O’NeillBrenda Peynado, Esther Pfaff, Jessica PiazzaJonathan ShapiroEmily Skaja, and Emily Smith.

After AWP 2016, we were off to our second annual Spring Writing Retreat in Newport, Rhode Island. We were joined by award-winning and internationally-renowned authors such as Jade SylvanDiana Norma Szokolyai, and CWW yoga instructor Elissa Lewis. The event was a chance for writers to spend a long weekend in historic Newport and near the beach, participating in writing workshops (such as Sylvan’s workshops on “writing yourself naked”) and craft of writing seminars, yoga classes, and cultural tours of the historic Newport village. We live blogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.

During the summer we hosted our Summer in Granada and Summer in Barcelona and Narbonne Writing Retreats. In Barcelona and Narbonne, we explored the cities and all of their historical, literary, and romantic charm. The retreat included craft of writing seminars and creative writing workshops, literary tours of the cities, and one-on-one manuscript consultations. We were also joined by writer and professor Bret Anthony Johnston and literary editor Heidi Pitlor. CWW directors Rita Banerjee and Diana Norma Szokolyai taught workshops on spacial poetics and world building, and also led workshops for participants to share their work and use the Liz Lerman method for critiquing writing. We live blogged our retreat on our website, so be sure to check out the sights and classes from our trip. We were really happy to experience this with all of our participants, who traveled from all over to come write and explore these cities with us.

In Granada, wrote in the city’s winding streets, absorbed its Moorish history, and were inspired by its evocative landscapes. The retreat included craft of writing seminars and writing workshops and yoga classes. We were joined by novelist Alexander Chee and poet and activist Frederick-Douglas Knowles II, who taught classes on historical fiction and hip-hop and poetry, respectively. Rita Banerjee led workshops on narrative stakes and emotion and suspense. We also live blogged this trip, so you can see all the exciting things we did on this trip.

We also hosted creative writing workshops and craft of writing seminars at The Cambridge Center for Adult Education throughout the fall. In addition to Rita Banerjee and Diana Norma Szokolyai, we were joined by Jade Sylvan and Cambridge writer Laura van den Berg for creative writing workshops and craft of writing seminars every other weekend in Cambridge, MA. This is something we hope to repeat this year, and we hope we can bring in new faculty and participants as well.

We hosted a Brooklyn Bookend Reading at Molasses Books during The Brooklyn Book Festival. Some of the writers had emerged onto the literary scene with a bang, while others had recently published their first or second books, and had received prestigious awards in the past. The event featured Stephen AubreyRita BanerjeeMadeleine BarnesEllaraine LockieBen PeaseAnne Malin Ringwalt, Kate McMahon, Emily SmithBianca Stone, and Diana Norma Szokolyai, along with a beautiful interludes of music from accomplished songwriters Erica Buettner and Elizabeth Devlin.

We also hosted a literary crawl event during Lit Crawl NYC 2016. Our Literary Vaudeville event featured performances and readings from Rita Banerjee, Diana Norma Szokolyai, Megan Fernandes, Claire Ince, Emily Smith, Christina M. Rau, and Frederick-Douglass Knowles II.

In 2016, we welcomed our second round of interns to the Cambridge Writers’ Workshop, and these interns include the wonderful AM Ringwalt, Anna-Celestrya Carr, Erynn Porter, and Shannon Sawyer, all of whom have helped the CWW greatly this year. They’ve helped manage our social media and written up posts about our events, shown their talent for graphic design, grant writing, audio/visual media development and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year.  We’re excited to have, on our team, and we can’t wait to show you what they’ve helped us plan for 2016!

* * *

While 2016 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Washington DC from February 8-February 10, 2017, and will be announcing our AWP Reading in downtown Los Angeles shortly!

neworleans2017posterwcThe Cambridge Writers’ Workshop Spring in New Orleans Writing Retreat will take place from March 23-26, 2017, and will coincide with the Tennessee Williams Literary Festival.  Known for its Spanish and French architecture, live jazz, cajun food, and street festivals, New Orleans offers an inspirational and one-of-a-kind environment for creative writers. During the retreat, we will be staying in the lovely Algiers Point neighborhood, just a short ferry ride away from the Historic French Quarter.  Our retreat features multi-genre workshops, as well as craft seminars and time to write.  The faculty includes award-winning writers Dipika Guha, Emily Nemens, Rita Banerjee, and Diana Norma Szokolyai. Genres include playwriting, nonfiction, fiction, and poetry.

portland2017posterThe Cambridge Writers’ Workshop Spring in Portland Writing Retreat will take place from April 22-24, 2017.  While you’re in the home of writers Cheryl Strayed and Ursula K. Le Guin, feel free to go bicycling and explore the terrain, hike, or relax at local cafes for people watching—no matter how you choose to spend your time, this city is full inspiration. We will be staying in the Alberta Arts District during the retreat, an area that is sure to inspire our participants and help them create.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Adam Reid Sexton, Kerry Cohen, Rita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

granada2017posterAnd the Cambridge Writers’ Workshop Summer in Granada Writing Retreat will take place from August 2-6, 2017.  Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes.  Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.  During the retreat, we will be staying at the Hotel Guadalupe, just a short walk from the Alhambra.  The retreat offers multi-genre workshops, as well as craft seminars and time to write. The faculty includes award-winning writers Tim Horvath, Alexandria Marzano-LesnevichRita Banerjee, and Diana Norma Szokolyai. Genres include fiction, nonfiction, and poetry.

We hope you are all as excited for our 2017 events as we are. If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org.  You can also follow us on FacebookTumblr, and Twitter for more information and updates on any of these events. We look forward to making 2017 a year full of creativity, writing, and renewal, so join us as we make 2017 rock!

— Alex Carrigan, CWW Managing Intern

Announcing Our New Media Arts Intern: Shannon Sawyer

The Cambridge Writers’ Workshop is delighted to announce our new Media Arts Intern, Shannon Sawyer!

shannonpicShannon O. Sawyer is a graduate from the New Hampshire Institute of Art and holds a BFA in Creative Writing. She served as an editor of Ayris Magazine from 2015 to 2016 and works as a scriptwriter for the audio drama podcast Jim Robbie and the Wanderers. Her work has been published in Cartoons Underground, The Fem, and Quail Bell Magazine. In her spare time she enjoys drawing, watching cartoons, and screaming at heteronormative books in her local book stores.

Please give a warm welcome to Shannon Sawyer!  We’re excited to work with her this year!

– Cambridge Writers’ Workshop