Happy Halloween, Writers!

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Happy Halloween, Writers & Fiends!  To kick off the the Day of the Dead, we here at the Cambridge Writers’ Workshop are getting our quills ready for NaNoWriMo 2015!  November is National Novel Writing Month (NaNoWriMo), and our CWW staff is up for an exciting writing challenge! We have the entire month of November to write draft, sketch, and complete the first versions of our novels.  The goal is to get to over 50,000 words by November 30.  We at the Cambridge Writers’ Workshop are working on our novel projects a little bit everday.  For food for thought and writing inspiration, we’re turning into @NaNoWriMo, @NaNoWordSprints, and all the amazing writers participating in #NaNoWriMo on Twitter!  During the month of November 2015, we’re going to be working on book-length manuscripts.  Writers are invited to work on novels, short story collections, nonfiction and poetry manuscripts, essays, and plays during the month of November!

If you’d like to join us for NaNoWriMo, please sign up on the NaNoWriMo website and join us on the Cambridge Writers’ Workshop NING Membership Network!  You can post a short summary of your book project on our CWW Membership site, check out our weekly prompts, and cheer each other on as we write our book-length manuscripts during the month of November!

xo, The Cambridge Writers’ Workshop

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CWW Instructor Jessica Reidy nominated for Best of the Net

Cambridge Writers’ Workshop Instructor, Jessica Reidy, recently had her poem “Transfiguration of the Black Madonna: Gypsy Goddess, Gypsy Saint” nominated by The Infoxicated Corner of The The Poetry Blog for “Best of the Net.”  Check out the other nominees here!

Transfiguration of the Black Madonna (excerpted from Zenith)

Gypsy Goddess; Gypsy Saint
Black Madonna, full of snakes, let your crescent down. Wield the sickle, rush the milk, and salt the serpents’ mouths. Golden bangles, black milk snakes—these adorn your arms. Blue sky cloth cut for (you) Sarah, Sarah Black, Madonna Shadow, cut for goddess saint of wanderers, cut predestined, cut of chaos, cut the star palm bowls. Slip the feathers under scales and reform the body whole. You were a slave who sailed the chasm, sailed the sea and sun. Persecution sprang a river from the monster: milk, and spit, and blood. In the monster lived a woman and the woman’s soul—you wore her face and wore her tresses spun from black snake gold—golden teeth and golden brow, golden tail and root. The milk snakes split their nests and fled and now your mouth is ruined. There is no birth, there is no death, there’s only mutant growth, and milk snakes dyeing Sarah’s skin with heaps and heaps of gold. There is no sickle there is no moon, there is no blood or salt. There’s only Sarah sailing through the dream in which she’s caught.

Jessica will be teaching alongside Diana Norma Szkoloyai (writing faculty) and Elissa Lewis (yoga faculty) at our upcoming Thanksgiving Cleanse Writing & Yoga Retreat at Sacred Sounds in Greenwich Village, NYC. The retreat runs from 2-4 on Saturday November 21st and 2-4 on Sunday November 22nd, and is packed with both writing and craft classes and yoga classes. Registration is currently $30 per day in advance or $35 on the day of the workshop. The workshops will be different each day, and we’d love to have you with us for the whole weekend!

Jessica ReidyJessica Reidy attended Florida State University for her MFA in Fiction and earned her B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, The Missouri Review, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter.  You can learn more at www.jessicareidy.com.

My Elizabeths: A Biographer and Her Subjects (November 17, 2015 | 4:15 PM)

In a talk that touches on issues of craft, narrative, and inspiration, the biographer Megan Marshall (’77, RI ’07) will discuss her work on past and current subjects, including Elizabeth Bishop, Elizabeth Hawthorne, and Elizabeth Peabody. She is the recipient of many awards, such as the Francis Parkman Prize, the Mark Lynton History Prize, the Massachusetts Book Award, and a Pulitzer Prize in Biography.

The lecture will be held at the Radcliffe Institute for Advanced Study, Harvard University in the Sheerr Room of Fay House (10 Garden Street, Cambridge, MA 02138).

This event is free and open to the public.

For more information, visit http://www.radcliffe.harvard.edu/event/2015-megan-marshall-lecture.

Welcome the new Cambridge Writers’ Workshop Interns!

The Cambridge Writers’ Workshop is proud to announce our new interns for Fall/Winter 2015!  Here are some of the talented writers, students, and graphic designers who will be joining our team:

Alyssa3Alyssa Goldstein Ekstrom
 is from Queens, New York and is one of the newest editing and communication interns for the Cambridge Writers’ Workshop. Currently a freelance court reporter, she has in the past written for The Wave of Long Island, a weekly newspaperShe has her bachelor’s degree in Media Studies from CUNY Queens College and enjoys writing poetry as well as fiction.

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Casey Lynch is an Editing and Communications intern for the Cambridge Writers’ Workshop.  She hails from Needham, MA and is currently a sophomore at the University of Pennsylvania.  She studies English, Creative Writing, and Urban Education, and hopes to write and teach in the future.

 
 

Emily Teitsworth is from Rochester, New York, and is currently a junior at Susquehanna University. She is working on a dual Bachelors degree in Creative Writing and Publishing/Editing, with a minor in Public Relations. She has previously interned for AdmitSee.com, Writer’s and Books, and the publishing program coordinator at her school. She has been on the staff of Sanctuary magazine for a year and a half, and will be editor-in-chief during her senior year. She has had poetry published in Stone Canoe and keeps a blog about her time abroad in Scotland this fall. She is also in the process of putting together a book of poetry, as well as a fantasy novel.

Podcast Live for Shakespeare & Co. Reading feat. David Shields and Charles Recoursé

During our 2015 Summer in Paris Writing Retreat, the Cambridge Writers’ Workshop organized a reading at the famous Shakespeare and Company bookstore.  The reading featured acclaimed essayist, writer, and Cambridge Writers’ Workshop instructor David Shields, who read from his new book I Think You’re Totally Wrong with Charles Recoursé, who is an editor for Au Diable Vauvert and Shields’s French translator.  Following an introduction by CWW Creative Director Rita Banerjee, the two read select passages from I Think You’re Totally Wrong with Recourse’ reenacting the part of Caleb Powell, Shields’s co-author.  The reading was followed by a Q&A and a book signing outside the store.

A full podcast of the reading is now available on the Shakespeare & Co. SoundCloud.  And additional photos from the event can also be found on the Shakespeare and Co. Website.

– Alex Carrigan

Baba’s Ghost : A Review of Alex Mahgoub’s Baba – A New York Fringe Festival Play


In this one-person show, Baba, performer and writer Alex Mahgoub takes the audience through the story of his father’s murder when Mahgoub was only ten years old. Through piecing together the splinters of this violent event, he recognizes how his perceptions of masculinity, power, and his own identity were shaped in response. In his artist statement, Mahgoub writes that he was “haunted” by this story before he wrote it, that he still finds himself sobbing on stage with genuine emotion even after performing the well-received show so many times at various theatres and festivals. Baba was voted favorite solo show and favorite performance of the Capital Fringe Festival in Washington DC by DC Metro in July 2015, and all of his performances in the New York Fringe Festival from August 15-29th were entirely sold-out. The dramatic delivery of Mahgoub’s loss of his Baba changes his life and perception of the human experience from an early age, and births the ghost which Mahgoub must still learn from throughout his teen and adult years. Watching Mahgoub’s performance does not, however, feel like an exorcism but rather like witnessing someone learning to live with that ghost.

Mahgoub’s Baba (Arabic for father), takes the role of his primary teacher. From early childhood, Baba is larger than life–a superhero. He’s the Egyptian James Dean on a motorcycle, the immigrant who came here with nothing and built himself an empire, redolent of the Cool Water cologne scent of masculinity. He’s the leather jacket and gold medallion pinnacle of manliness, and teaches his son the reality  of money, hard work, and success. Because his father died in an act of bravado that perhaps could have been avoided, he sees his father undone by the same pride that made him appear so invincible. Mahgoub begins to question the authenticity of his father’s machismo and begins to define himself against it. He was going to be the nice guy. At the same time, both the pressure and inspiration of his father’s expectations for his son, what is is to be a man, linger.

This specter of masculine power hits home the complicated father-son dynamics that many children experience: striving to live up to a father’s expectations, viewing his father’s word as the ‘last word,’ and wondering how a ‘traditional man’ would act. That image of unquestionable masculine authority is eventually shattered when a child learns that the father figure is fallible. And still, Baba’s ghost follows his son throughout his decision-making and  the winding path of his career. Mahgoub wonders what his Baba would think of the man he’s become, and at the same time ruminates on the loss of ever knowing. It is a loss conjured in such a way that the audience feels and can connect with, knowing it’s a loss we will one day go through, if we haven’t already.

The play weaves between the stated and understated, casting the most difficult topics to the realm of memory and flashback while the easier, more quotidian details of life are expressed primarily through expository monologue, suggesting that while there is an acute awareness and acceptance of the darkest parts of his reality, he is still processing the trauma at the root of his being. Rather than addressing his concerns about what his macho father would think of his sexuality through exposition, he takes the audience through a vivid flashback to winning a sterling silver necklace for being the top saleschild in his school’s fundraiser, and coming home wearing it with pride. His father demands that he takes it off because, “Necklaces are for faggots,” and Mahgoub casts the necklace in a river, desperate to be rid of the epithet. This memory arises later in his twenties, after his first kiss with a charming man he meets at a party, and while he does not ask himself what his father would think of his bisexuality, the audience feels his concern. In this way, the harshest aspects of his life are not intellectualized–they are presented in raw fragments of memory, resurfacing as he’s triggered in the present. The performance is in many ways a trauma narrative, fluctuating between accepting and looking away from overwhelming events and experiences through text and subtext, exposition and flashback, the bare nerves of suffering and the cloak of humor.

The balance between levity and darkness is particularly striking: alternating between the starker memories of loss and fear, and then cartoonish caricatures of his sister, mother, father, and other people in his life. And while the audience did not always laugh when the script perhaps expected us to, we had the authentic experience of watching a person reconcile tragedy through humor when he is the only one who can laugh, even through the observer’s thoughtful silence, because to go on, he must laugh. And not coincidentally, the jokes that made the audience laugh loudly preceded the most scarring recollections. But this is how we live with ghosts– the ghosts of expectation, of loss, and of a past that can only be evoked through art. By the end of the show, the audience feels that Mahgoub has struck an ever-shifting reconciliation between his father and the overbearing question of what it is for him, Alex Mahgoub, to be a man. “My father lived his life with his chest out, ready for the fight. I live my life with my heart open, ready to be the nice guy.”

Keep an eye out for his upcoming book #SelfieGeneration. Find out more at http://www.babatheshow.com and http://www.alexmahgoub.com/

– Jessica Reidy & Viktor Pachas

Brooklyn Book Festival Recap: Reading at Muchmore’s!

Quite the literary delight occurred at Muchmore’s in Brooklyn on Sunday night. As part of the Brooklyn Book Festival, which is the largest free book event in New York City catered to both established and emerging writers, the Cambridge Writers’ Workshop held a Brooklyn Bookend Reading. The reading was moderated by CWW Executive Artistic Director Diana Norma Szokolyai, who shared some of her own work, and included readings from CWW Executive Creative Director Rita Banerjee, CWW Executive Board Members Jonah Kruvant and Jessica Reidy, Brandon Lewis, Elizabeth Devlin, Matty Marks, and CWW Managing Editorial & Communications Intern Emily Smith.

The warm, yet eclectic atmosphere of Muchmore’s was the perfect venue for friends, family members, fellow writers, and those who simply love all things literature to enjoy a night of fantastic talent.

Being a part of the audience at this event was a great treat, since we had the opportunity to hear from seasoned and published authors, many of whom have won distinguished literary awards. It was also wonderful to be in the midst of those new to the literary scene, since they are among some of the most fresh and invigorating voices of today.

While obviously entertaining, the reading also served a greater purpose – that is, it benefited the writing community at large by offering a creative outlet for writers of all different genres to share their works. While this was the Cambridge Writers’ Workshop’s first time at the Brooklyn Book Festival, it will not be the last.

You can read more about the featured writers below.

Diana Norma Szokolyai is writer/interdisciplinary artist/educator and Executive Artistic Director of Cambridge Writers’ Workshop who has had her works published in Quail Bell, International Who’s Who in Poetry 2012, Lyre Lyre among others. She shared a story inspired by her two-week visit this past summer to Hungary where, like she has done for the past decade, she interviewed her grandmother.

Rita Banerjee, co-director of the Cambridge Writers’ Workshop, is a writer who holds a PhD in Comparative Literature from Harvard University and whose writing has been published in Poets for Living Waters and Riot Grrrl Magazine to name a few. She shared a personal nonfiction piece she had been working on.

Jonah Kruvant is one of Cambridge Writers’ Workshop’s NYC area program organizers. Jonah read from his novel The Last Book Ever Written and has been published in Digital Americana.

Brandon Lewis, who was this year’s winner of the Sundog Lit Poetry Contest and a finalist for The Brittingham Prize and the Crab Orchard Review Series, recited his poetry. Brandon’s writing has appeared or will soon appear in The Missouri Review, The Massachusetts Review, Salamander, Drunken Boat, American Poetry Review, and Spork.

Jessica Reidy is a staff writer for Quail Bell Magazine, a teacher of creative writing and yoga, and managing editor of VIDA: Women in the Literary Arts. She is in the process of writing her first novel and read some of her own works of fiction. Jessica’s pieces have appeared in Narrative Magazine, The Los Angeles Review and other journals.

Elizabeth Devlin, music composer for her singer-songwriter act entitled ELIZABETH DEVLIN, is an illustrator and graphic creator at DEVLIN DESIGN AND ILLUSTRATION. She is also a bass player and singer. During the reading, she recited a few poems of her own.

Matty Marks is a musician, writer, and sports enthusiast. He read aloud excerpts from his debut novel Dunks, a book that follows its main character, Duncan, through a series of various adventures.

Emily Smith is the Managing Editing & Communications Intern for the Cambridge Writers’ Workshop who also writes for publications such as Opposing Views and Highbrow Magazine. Her poetry has been published in Walleyed Press, Essence Poetry, and Ayris. She shared a fictional short story.

New York’s Exciting New Voices – A Brooklyn Book Festival Bookend Reading (Muchmore’s, September 20)

BrooklynBookFestival2015Poster

The Brooklyn Book Festival in collaboration with the Cambridge Writers’ Workshop is proud to announce New York’s Exciting New Voices, a Brooklyn Book Festival Bookend Reading at Muchmore’s (located at 2 Havemeyer Street, Brooklyn, NY) on Sunday September 20 from 7 – 9 pm.

The event will be moderated by Diana Norma Szokolyai and features writers Rita Banerjee, Jonah Kruvant, Brandon Lewis, Elizabeth Devlin, Lisa Marie Basile, Jessica Reidy, Gregory Crosby, Matty Marks, and Emily Smith.  Enjoy a drink and a bite to eat in the heart of Williamsburg as you hear from some of New York’s most exciting, new voices, many of whom are faculty members for the Cambridge Writers’ Workshop.  The Brooklyn Book Festival is the largest free book event in New York City and presents established as well as emerging writers each year.  The Bookend Events kick off the week’s festivities each year with literary themed events at clubs, bookstores, parks, etc.

Featured Readers:

DianaNormaDiana Norma Szokolyai is a writer/interdisciplinary artist/educator and Executive Artistic Director of Cambridge Writers’ Workshop. She frequently records her poetry with musicians and has collaborated with several composers, such as Jason Haye (UK), Sebastian Wesman (Argentina), Peter James (UK), Julie Case (US), Jeremie Jones (Canada), Claudio Gabriele (Italy) and David Krebs (US). Her poetry-music collaboration with Flux Without Pause led to their collaboration “Space Mothlight” hitting the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her writing on literary communities was the subject of a monthly feature on HER KIND by VIDA: Women in the Literary Arts and an interview on the same topic was featured in Quail Bell Magazine in May 2014. Author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­‐‑up Best Poetry Book at the 2009 DIY Book Festival), she has also been published in Quail BellInternational Who’s Who in Poetry 2012, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, Polarity, The Fiction Project, Up the Staircase Quarterly and elsewhere. Her writing has been anthologized in Always Wondering, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring HistoryThe Cambridge Community Poem, and Teachers as Writers. She co-­curates a poetry-music series, performs in CHAGALL PAC, and is an interdisciplinary performance artist with the Brooklyn Soundpainting Ensemble. She lives in Brooklyn, NY and holds an Ed.M degree in Arts in Education from Harvard, as well as an M.A. in French literature from UConn.

Rita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, and Chrysanthemum among other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured on HER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

Jonah Kruvant is one of the Cambridge Writers’ Workshop’s  NYC area program organizers and is also a teacher, performer, writer, and student of the world.  He used to live in Costa Rica, where he wrote a popular blog, “From Gaijin to Gringo: Living Abroad in Costa Rica.”  His writing has been published in Digital Americana, and you can read about his adventures in Latin America here: http://costaricagringo.blogspot.com/

rsz_1465414_10100821398727357_2616335509024332720_nLisa Marie Basile is the author of APOCRYPHAL, along with two chapbooks, Andalucia (Poetry Society of NY) and War/lock (Hyacinth Girl Press, February, 2015). She is the editor-in-chief of Luna Luna Magazine and her poetry and other work can be seen in PANK, the Tin House blog, Coldfront, The Nervous Breakdown, The Huffington Post, Best American Poetry, PEN American Center, Dusie, and the Ampersand Review, among others. She’s been profiled in The New York Daily News, Amy Poehler’s Smart Girls, Poets & Artists Magazine, Relapse Magazine and others. Lisa Marie Basile was the visiting poet at Westfield High School and New York University, and she was a visiting writer at Boston’s Emerson College. Her work was selected by Pulitzer Prize winner Robert Olen Butler for inclusion in the Best Small Fiction 2015 anthology and was nominated for inclusion in the Best American Experimental Writing 2015 anthology. She holds an MFA from The New School and works as an editor and writer.

BrandonLewisBrandon Lewis lives and teaches in NYC. He received an MFA in poetry at George Mason, and his writing has appeared or is forthcoming in such places as The Missouri Review, The Massachusetts Review, Salamander, Drunken Boat, American Poetry Review, and Spork. This year he won the Sundog Lit Poetry Contest and was recently a finalist for The Brittingham Prize and the Crab Orchard Review Series.

Elizabeth Devlin is a modern day renaissance woman.  If she is not composing music for the solo, autoharp wielding, singer-songwriter act, ELIZABETH DEVLIN, she can be found crafting Illustrations/Graphics at DEVLIN DESIGN AND ILLUSTRATION, playing electric bass and singing as front woman for Brooklyn based rock band, VALVED VOICE, or curating a fresh new line-up for the THE HIGHWAYMEN NYC, a Brooklyn based, monthly, poetry reading series that meets on the full moon.

Jessica Reidy earned her MFA in Fiction at Florida State University and a B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, Arsenic Lobster, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter. You can learn more at www.jessicareidy.com.

Gregory Crosby‘s poems have appeared in Court Green, Epiphany, Copper Nickel, Leveler, Ping Pong & Rattle, among others. He is co-curator of the long- running EARSHOT reading series and is co-editor, with Jillian Brall, of the online poetry journal Lyre Lyre.  He has served as a host and panelist for several Cambridge Writers’ Workshop events, including 2012 & 2013 Brooklyn Lit Crawl, the 2012 Mass Poetry Festival, and  our live radio shows.

Matty Marks is a 30 yr old musician, writer and sports enthusiast.  Creating art has been a lifelong endeavor that is a constant source of fun and pride.  Dunks is his first and only novel.  It combines many elements of his own life to create a rated R young adult novel that today’s teenagers can relay relate to.  However, it’s also a fun book for anyone of any age who can relate to the wild side of life, resulting from pushing boundaries to find yourself.

eb8tc9Emily Smith is an Editing and Communications Intern for the Cambridge Writers’ Workshop. Originally from Sarasota, Florida, she currently attends school at the New Hampshire Institute of Art where she studies Creative Writing and Art History. She writes for Opposing Views, Highbrow Magazine and a number of health websites run by Deep Dive Media. Her poetry has been published in Walleyed Press, Essence Poetry, and Ayris.

An Evening w. Rebecca Skloot at the Radcliffe Institute for Advanced Study (Cambridge, MA, September 29, 2015)

The Radcliffe Institute for Advanced Study at Harvard University presents a lecture and discussion about Rebecca Skloot’s new award-winning book The Immortal Life of Henrietta Lacks and her path to writing it. Part detective story, part scientific odyssey, and part family saga, the story’s multilayered approach raises questions about race, class, and bioethics in America. At this event, Skloot will speak about the book and her path to writing it. She is currently working on her next book, which will be about humans, animals, science, and ethics.

The event will be held on September 29 and begin at 5 p.m. The presentation will be at Knafel Center (10 Garden Street, Cambridge, MA).  The event is free and open to the public. To register, click here.

Skloot holds a BS in biological sciences and an MFA in creative nonfiction, degrees that she helped pay for by working in emergency rooms, neurology labs, veterinary medicine, animal morgues, and martini bars. She specializes in narrative science writing and has explored a wide range of topics, including goldfish surgery, tissue ownership rights, race and medicine, food politics, and packs of wild dogs in Manhattan. She has worked as a correspondent for WNYC’s Radiolab and PBS’s NovaScienceNOW. She is a visiting scholar at the Radcliffe Institute in September 2015 and will meet with students, faculty, and researchers to broaden the impact of the work she has done and make progress on her next projects.

Paula A. Johnson, professor of medicine at Harvard Medical School and the executive director of the Connors Center for Women’s Health and Gender Biology, will provide introductory remarks and moderate a panel discussion, following the lecture, about the intersection of biomedical science, research ethics, poverty, and race.

The Monarch Review features Rita Banerjee’s poems “Please Listen and Do Not Return” and “Storyteller”

MonarchReviewThe current issue of The Monarch Review, Seattle’s literary and arts magazine, features two new poems by Rita Banerjee, “Please Listen and Do Not Return” and “Storyteller.”  The poems are inspired by Nick Carraway, Tom Joad, and Gloria Rich, respectively.

RBRita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University.  She holds an MFA in Creative Writing and her work has been featured in VIDA: Women in Literary Arts, Riot Grrrl Magazine, Poets for Living Waters, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, Chrysanthemum, and on KBOO Radio’s APA Compass in Portland, Oregon. Her first collection of poems, Cracklers at Night, received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. She is Executive Creative Director of the Cambridge Writers’ Workshop.