CWW Instructor Jessica Reidy nominated for Best of the Net

Cambridge Writers’ Workshop Instructor, Jessica Reidy, recently had her poem “Transfiguration of the Black Madonna: Gypsy Goddess, Gypsy Saint” nominated by The Infoxicated Corner of The The Poetry Blog for “Best of the Net.”  Check out the other nominees here!

Transfiguration of the Black Madonna (excerpted from Zenith)

Gypsy Goddess; Gypsy Saint
Black Madonna, full of snakes, let your crescent down. Wield the sickle, rush the milk, and salt the serpents’ mouths. Golden bangles, black milk snakes—these adorn your arms. Blue sky cloth cut for (you) Sarah, Sarah Black, Madonna Shadow, cut for goddess saint of wanderers, cut predestined, cut of chaos, cut the star palm bowls. Slip the feathers under scales and reform the body whole. You were a slave who sailed the chasm, sailed the sea and sun. Persecution sprang a river from the monster: milk, and spit, and blood. In the monster lived a woman and the woman’s soul—you wore her face and wore her tresses spun from black snake gold—golden teeth and golden brow, golden tail and root. The milk snakes split their nests and fled and now your mouth is ruined. There is no birth, there is no death, there’s only mutant growth, and milk snakes dyeing Sarah’s skin with heaps and heaps of gold. There is no sickle there is no moon, there is no blood or salt. There’s only Sarah sailing through the dream in which she’s caught.

Jessica will be teaching alongside Diana Norma Szkoloyai (writing faculty) and Elissa Lewis (yoga faculty) at our upcoming Thanksgiving Cleanse Writing & Yoga Retreat at Sacred Sounds in Greenwich Village, NYC. The retreat runs from 2-4 on Saturday November 21st and 2-4 on Sunday November 22nd, and is packed with both writing and craft classes and yoga classes. Registration is currently $30 per day in advance or $35 on the day of the workshop. The workshops will be different each day, and we’d love to have you with us for the whole weekend!

Jessica ReidyJessica Reidy attended Florida State University for her MFA in Fiction and earned her B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, The Missouri Review, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter.  You can learn more at www.jessicareidy.com.

Welcome the new Cambridge Writers’ Workshop Interns!

The Cambridge Writers’ Workshop is proud to announce our new interns for Fall/Winter 2015!  Here are some of the talented writers, students, and graphic designers who will be joining our team:

Alyssa3Alyssa Goldstein Ekstrom
 is from Queens, New York and is one of the newest editing and communication interns for the Cambridge Writers’ Workshop. Currently a freelance court reporter, she has in the past written for The Wave of Long Island, a weekly newspaperShe has her bachelor’s degree in Media Studies from CUNY Queens College and enjoys writing poetry as well as fiction.

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Casey Lynch is an Editing and Communications intern for the Cambridge Writers’ Workshop.  She hails from Needham, MA and is currently a sophomore at the University of Pennsylvania.  She studies English, Creative Writing, and Urban Education, and hopes to write and teach in the future.

 
 

Emily Teitsworth is from Rochester, New York, and is currently a junior at Susquehanna University. She is working on a dual Bachelors degree in Creative Writing and Publishing/Editing, with a minor in Public Relations. She has previously interned for AdmitSee.com, Writer’s and Books, and the publishing program coordinator at her school. She has been on the staff of Sanctuary magazine for a year and a half, and will be editor-in-chief during her senior year. She has had poetry published in Stone Canoe and keeps a blog about her time abroad in Scotland this fall. She is also in the process of putting together a book of poetry, as well as a fantasy novel.

Podcast Live for Shakespeare & Co. Reading feat. David Shields and Charles Recoursé

During our 2015 Summer in Paris Writing Retreat, the Cambridge Writers’ Workshop organized a reading at the famous Shakespeare and Company bookstore.  The reading featured acclaimed essayist, writer, and Cambridge Writers’ Workshop instructor David Shields, who read from his new book I Think You’re Totally Wrong with Charles Recoursé, who is an editor for Au Diable Vauvert and Shields’s French translator.  Following an introduction by CWW Creative Director Rita Banerjee, the two read select passages from I Think You’re Totally Wrong with Recourse’ reenacting the part of Caleb Powell, Shields’s co-author.  The reading was followed by a Q&A and a book signing outside the store.

A full podcast of the reading is now available on the Shakespeare & Co. SoundCloud.  And additional photos from the event can also be found on the Shakespeare and Co. Website.

– Alex Carrigan

New Fiction from Paris Retreat Participant G. Evelyn Lampart published in Poetica Magazine and in Rozlyn!

Poetica

The Cambridge Writers’ Workshop is proud to announce that one of our 2015 Summer in Paris Writing Retreat participants has had her work published in two new anthologies!  G. Evelyn Lampart recently had two short stories published in Poetica Magazine.  Her stories, “In Jerusalem” and “Be Careful,” are part of the Summer 2015 print edition of Poetica Magazine, a contemporary Jewish literature publication.

rozlyn-cover

 

 

G. Evelyn Lampart also has one of her short stories, “Next Year,” published in Rozlyn: Short Fiction by Women WritersThe Summer 2015 print edition of Poetica is currently sold out but Rozlyn: Short Fiction by Women Writers can be found here.

New Book by Paris Retreat Writer Jonathan De Young

any-day-is-fathers-day book coverAbout Any Day is Father’s Day, Stephen Bloom writes, “A fun, encouraging read, infused with authenticity and humility.  Adventures that will make you smile and, if you’re a dad, knowingly nod your head in cheerful (or sometimes embarrassing) recognition.  Honest tales of real fathering from a guy who obviously loves and appreciates his kids, even in the trying moments.”

Jonathan De Young is the author of Any Day is Father’s DayYou Too Can Write Poetry (on iTunes), Writing Made Simple, and iGrammar.  He is working on a novel set in Paris, inspired by his time at the Cambridge Writers’ Workshop.

Day 2 in Paris: Building Character and Practicing Yoga

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Day 2 of our summer Paris retreat began with our usual congregation on our hotel patio. Today, CWW directors Rita Banerjee and Diana Norma Szokolyai led a workshop on character development. Szokolyai shared a few tips for making believable and memorable characters, even sharing a few writing exercises from authors like Rachel Basch, Cai Emmons, and Edie Meidav. Banerjee discussed the differences between dynamic and flat characters, and even talked about how both can be useful for a story. IMG_1267

 

The class also shared some of their favorite dynamic characters, ranging from novels like Invisible Man to shows like The Sopranos. The lecture ended with participants by writing short prompts based on the exercises, using their own characters or people they noticed walking around the Rue Daguerre.

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Some of our students also went to Elissa Lewis’ yoga classes today. Hosted at a nearby yoga studio, Lewis led two 45 minute sessions, using a variety of yoga styles and practices, including the use of aromatherapy.

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It was a quiet day today, but most of our participants are taking it easy. Tomorrow, some of our participants will be heading to Versailles to see the palace and the events there, so be sure to check back to see how that goes.

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Report From The Field: The Defensive Male Writer | VIDA: Women in Literary Arts

Our Executive Artistic Director, Diana Norma Szokoyai, has a new Op Ed in VIDA called “The Defensive Male Writer.”

DNS's avatarDIANA NORMA SZOKOLYAI

Screen Shot 2015-06-30 at 12.39.39 AM
I’d like to thank the editors at VIDA: Women in the Literary Arts for publishing my Op-Ed “The Defensive Male Writer.”

You can read it here:

Report From The Field: The Defensive Male Writer | VIDA: Women in Literary Arts.

And here are a couple of excerpts:

Being a female and a writer has its interesting twists (I purposely am not saying “woman writer” or “female writer” because we rarely make the distinction “man writer” or “male writer”).  Women need to have their voices heard, but they don’t need their voices to be ghettoized into a special bookstore category of “women’s writing.”  This suggests that men’s writing is the default and that women’s writing is some sort of sub-category, or—worse—something that happens far off on the exotic island where women write, certainly not on the main continent of male writing.

Yes, the body of a beautiful woman of color…

View original post 22 more words

Cambridge Writers’ Workshop teams up with Shakespeare & Company, Paris (July 23, 2015)

The Cambridge Writers’ Workshop is proud to announce that we will be hosting Guggenheim Fellowship and two time NEA fellowship recipient David Shields for a reading at Shakespeare and Company Bookstore in Paris. The reading will take place as part of our Summer in Paris Writing Retreat on Thursday July 23, 2015 from 7 p.m. – 8 p.m.  Rita Banerjee will introduce and moderate the event, which will feature David Shields and his French translator, Charles Recoursé, performing the dialogue of Shields and Caleb Powell from I Think You’re Totally Wrong: A Quarrel.  The performance will be followed by a discussion of collage and the literary essay by Shields and Recoursé, followed by a Q&A portion, which will be lead by Diana Norma Szokoloyai.

David Shields is the internationally bestselling author of twenty books, including Reality Hunger (named one of the best books of 2010 by more than thirty publications), The Thing About Life Is That One Day You’ll Be Dead (New York Times bestseller), and Black Planet (finalist for the National Book Critics Circle Award). Forthcoming are War Is Beautiful (powerHouse, November 2015), Flip-Side (powerHouse, March 2016) and Other People (Knopf, 2017). The recipient of Guggenheim and NEA fellowships, Shields has published essays and stories in the New York Times Magazine, Harper’s, Esquire, Yale Review, Village Voice, Salon, Slate, McSweeney’s, and Believer. His work has been translated into twenty languages.

Shakespeare and Company became the “literary culture in bohemian Paris” after it was opened by George Whitman in 1951. The English-language bookstore was frequented by many Beat Generation poets like Allen Ginsberg and William S. Burroughs, as well as other writers like Anaïs Nin and Henry Miller. The bookstore regularly hosts poetry readings and houses young writers.

To apply for the Summer in Paris Writing Retreat (July 22-30, 2015), visit cww.submittable.com and send an application by May 25, 2015.

Summer in Paris Writing Retreat Courses Announced!

Apply Now!

Apply Now!

Brevity (with David Shields)
Lecture. Exegesis. In-class writing/critique.
A sustained argument for the excitement and urgency of literary brevity in a hyper-digital, post-religious age; a rally for compression, concision, and velocity; and a meditation on the brevity of human existence. We are mortal beings. There is no god. We live in a digital culture. Art is related to the body and to the culture. Art should reflect these things. Brevity rules.

Collage (with David Shields)
Lecture. Exegesis. In-class writing/critique.
The novel is dead; long live the anti-novel, built from scraps./I’m not interested in collage as the refuge of the compositionally disabled. I’m interested in collage as an evolution beyond narrative./A great painting comes together, just barely. /It may be that nowadays in order to move us, abstract pictures need if not humor then at least some admission of their own absurdity-expressed in genuine awkwardness or in an authentic disorder./These fragments I have shored against my ruins./Collage is the primary art form of the twenty-first century.

Collaboration (with David Shields)
Lecture. Exegesis. In-class writing/critique.
A class on kinds of collaboration: collaboration with yourself, with your own material, with other texts, with other people, and the world in general. I’ll talk for a while about the kinds of collaboration I’ve done and ask people in the class to bring in an idea for how they might collaborate on their next project.

Workshop on the Evocative Object (with Diana Norma Szokolyai and Rita Banerjee)
Enjoy searching for and discovering evocative objects in your surroundings, and tell their stories through lyrical descriptions that will thrill the reader.

Literary Taboo: Playing With the Five Senses (with Rita Banerjee)
Learn to play a literary game that will keep you on your wordsmithing toes. You will have to think of new ways to write about subjects, while avoiding clichés!

Anaïs Nin & the Art of Journaling (with Jessica Reidy)
The great novelist Anaïs Nin kept a journal throughout most of her life and filled volume upon volume with a rich record of her personal, professional, and creative life (most of which was lived in Paris). She wrote far more volumes of her journals than novels, and after encouragement from other friends and writers she published excerpts of her journals. And while Nin feared that her journal consumed her, she also knew that it was the channel and source of her creativity. Creativity teacher and filmmaker Julia Cameron insists that, no matter the type of artist you are, daily journaling is an essential part of the artistic process. In this class, we will read and discuss some of the inspiring advice from Nin and Cameron, and try out a few different journaling techniques, invention exercises, and the practice of self-awareness and setting achievable goals. We will also practice using the journal as a ‘safe space’ for new writing projects, and a scrapbook or canvas for different ways of approaching a piece of writing (collage, drawing, etc).

Paris2015Schedule

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 22-30, 2015 in France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.

There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in the heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel where we will stay is full of charm and our Moroccan themed classroom will offer a wonderful oasis to practice the writing life.

Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris, daily yoga and meditation classes, and manuscript consultations. Optional add-ons include excursions to neighboring cities such as Versailles. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris! Tuition is $2950, which includes lodging in central Paris, daily creative writing workshops and writing seminars, manuscript consultations, daily breakfast, daily yoga and meditation classes, and a walking tour of literary Paris.

Faculty includes David Shields (nonfiction, book-length essay), Diana Norma Szokoloyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), Jessica Reidy(fiction, poetry), and Elissa Lewis (yoga, meditation).

If you’d like to join us in Paris, please apply online at cww.submittable.comby May 25, 2015, and include $5 application screening fee and a 5-page writing sample.  (Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability).

applyDeadline: May 25, 2015

Featured Faculty:

jUSEu2sSo4RfT2C6eSXb6-plQPuQlknv-LggVh9tpUsDavid Shields is the internationally bestselling author of twenty books, including Reality Hunger (named one of the best books of 2010 by more than thirty publications), The Thing About Life Is That One Day You’ll Be Dead (New York Times bestseller), and Black Planet (finalist for the National Book Critics Circle Award). Forthcoming are War Is Beautiful (powerHouse, November 2015), Flip-Side (powerHouse, March 2016) and Other People (Knopf, 2017). The recipient of Guggenheim and NEA fellowships, Shields has published essays and stories in the New York Times Magazine, Harper’s, Esquire, Yale Review, Village Voice, Salon, Slate, McSweeney’s, and Believer. His work has been translated into twenty languages.

Diana Norma Szkoloyai is author of the poetry books Roses in the Snow and Parallel Sparrows(Finishing Line Press). Her writing and hybrid art have appeared in Lyre Lyre, Dr. Hurley’s Snake Oil Cure, The Fiction Project, Teachers as Writers, Polarity, The Boston Globe, The Dudley Review, Up the Staircase, Area Zinc Art Magazine, Belltower & the Beach, andHuman Rights News. Founding Literary Arts Director of Chagall Performance Art Collaborative and co-director of the Cambridge Writer’s Workshop, she holds an Ed.M from Harvard and an M.A. in French Literature from the University of Connecticut.

rb1-e1425855638846Rita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, andChrysanthemumamong other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured onHER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

Jessica Reidy earned her MFA in Fiction at Florida State University and a B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, Arsenic Lobster, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter. You can learn more at www.jessicareidy.com.

ElissaLewisElissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her website for informative yoga sequences and information.

Apply to CWW Summer in Paris Writing Retreat by Deadline May 5, 2015!

CWW-Paris2015The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 22-30, 2015 in France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.

There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in the heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel where we will stay is full of charm and our Moroccan themed classroom will offer a wonderful oasis to practice the writing life.

Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris, daily yoga and meditation classes, and manuscript consultations. Optional add-ons include excursions to neighboring cities such as Versailles. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris! Tuition is $2950, which includes lodging in central Paris, daily creative writing workshops and writing seminars, manuscript consultations, daily breakfast, daily yoga and meditation classes, and a walking tour of literary Paris.

Faculty includes internationally renowned author and writing coach Kathleen Spivack (fiction, poetry, nonfiction), David Shields (fiction, book-length essay), Diana Norma Szokoloyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), Jessica Reidy (fiction, poetry), and Elissa Lewis (yoga, meditation).

If you’d like to join us in Paris, please apply online at cww.submittable.com by May 5, 2015, and include $5 application screening fee and a 5-page writing sample.  (Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability).

applyDeadline: May 5, 2015

Featured Faculty:

jUSEu2sSo4RfT2C6eSXb6-plQPuQlknv-LggVh9tpUsDavid Shields is the internationally bestselling author of twenty books, including Reality Hunger (named one of the best books of 2010 by more than thirty publications), The Thing About Life Is That One Day You’ll Be Dead (New York Times bestseller), and Black Planet (finalist for the National Book Critics Circle Award). Forthcoming are War Is Beautiful (powerHouse, November 2015), Flip-Side (powerHouse, March 2016) and Other People (Knopf, 2017). The recipient of Guggenheim and NEA fellowships, Shields has published essays and stories in the New York Times Magazine, Harper’s, Esquire, Yale Review, Village Voice, Salon, Slate, McSweeney’s, and Believer. His work has been translated into twenty languages.

qpi9e9Kathleen Spivack is the author of A History of Yearning, winner of the Sows Ear International Poetry Prize 2010, first runner up in the New England Book Festival, and winner of the London Book Festival; Moments of Past Happiness (Earthwinds/Grolier Editions 2007); The Beds We Lie In (Scarecrow 1986), nominated for a Pulitzer Prize; The Honeymoon (Graywolf 1986); Swimmer in the Spreading Dawn (Applewood 1981); The Jane Poems (Doubleday 1973); Flying Inland (Doubleday 1971); Robert Lowell and His Circle (2011) and a novel, Unspeakable Things. She is a recipient of the Allen Ginsberg Poetry Award 2010, the 2010 Erica Mumford Award, and the 2010 Paumanok Award. Published in numerous magazines and anthologies, some of her work has been translated into French. Other publications include The New Yorker, Ploughshares, The Atlantic Monthly, Poetry, Massachusetts Review, Virginia Quarterly, The Southern Review, Harvard Review, The Paris Review, The Kenyon Review, Agni, New Letters, and others. Her work is featured in numerous anthologies. She has also won several International Solas Prizes for “Best Essays.”

Diana Norma Szkoloyai is author of the poetry books Roses in the Snow and Parallel Sparrows (Finishing Line Press). Her writing and hybrid art have appeared in Lyre Lyre, Dr. Hurley’s Snake Oil Cure, The Fiction Project, Teachers as Writers, Polarity, The Boston Globe, The Dudley Review, Up the Staircase, Area Zinc Art Magazine, Belltower & the Beach, and Human Rights News. Founding Literary Arts Director of Chagall Performance Art Collaborative and co-director of the Cambridge Writer’s Workshop, she holds an Ed.M from Harvard and an M.A. in French Literature from the University of Connecticut.

rb1-e1425855638846Rita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, and Chrysanthemum among other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured on HER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

Jessica Reidy earned her MFA in Fiction at Florida State University and a B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, Arsenic Lobster, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter. You can learn more at www.jessicareidy.com.

ElissaLewisElissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her website for informative yoga sequences and information.