Cambridge Writers’ Workshop Interviewed about France Yoga & Writing Retreat in Quail Bell Magazine

9520443_orig Jessica Reidy, Puschart Nominee, proud VIDA Member, novelist, and yoga practitioner, interviews Rita Banerjee, Diana Norma Szokolyai, and Elissa Joi Lewis for her new piece on the Cambridge Writers’ Workshop Summer Yoga & Writing Retreat at the Château de Verderonne in Picardy, France in Quail Bell Magazine.  In the article, Jessica Reidy discusses how daily yoga, craft of writing seminars, and workshops go hand in hand to spark creativity, encourage relaxation, and produce good writing habits.  She writes:

That’s when I heard about the Cambridge Writers’ Workshop (CWW), founded by writers Diana Norma Szokolyai and Rita Banerjee, and their Summer Yoga & Writing Retreat at the Château de Verderonne, France. I thought, A retreat—what a magnificent idea. Someone would say, “Jess, do yoga now. Here’s a pillow.” And “Jess, write now. I’ll take care of lunch.” I’d pay for that. A few months later, there I was.Retreats are immersions: they deepen and intensify your practice and afford the time, space, and experience to figure out how to transmute those teaching as rituals in your daily life. And Château de Verderonne feels like a sumptuous two week ritual. Yoga in the gardens or, weather not permitting, in our private salon, is led twice a day, before breakfast and dinner, by the wonderfully gifted Elissa Joi Lewis, who also teaches art classes.

And it was in the Château de Verderonne workshop that I got good advice on how to rein that puppy in. Outside of yoga class, there are allotted times for free-writing, workshops, and craft talks, all of which made me realize how much I needed a non-judgmental writing community. An MFA is a lot of great things, but most MFA workshops don’t necessarily give you room to make (many) mistakes. That’s what your community of writers is for—they are the friends you can trust (inside and outside an MFA) to look at your messy, fragile baby bird novel, as ugly and wet as it is, and not to smash it into the ground. Instead, they’ll give you advice to help it grow up into some more presentable stage of bird. And whether I was in yoga class or workshop at the retreat, I had room to experiment and could trust gentle yet wise guidance. Yoga asks the practitioner to sacrifice her ego, just as the writer must surrender her ego in order to allow herself the space to draft and try out those imperfect ideas. (Or lay those imperfect eggs? I don’t want to stretch this metaphor too much.)

With the combination of drifting around the Château with blissfully few responsibilities and the structure of the retreat, I was impressively productive even though I went on all the optional excursions to Paris, Chantilly, Picardy, and Versailles. I outlined the entire novel, wrote new scenes, and revised old ones, and came away with a real plan. I even shared some of the work I had written at Spoken Word Paris, an indie literary performance gathering, mostly comprised of expat writers.  – Jessica Reidy (Full Interview at Quail Bell Magazine)

Please Note:  Although Cambridge Writers’ Workshop Summer Yoga & Writing Retreat at the Château de Verderonne, France has passed its initial deadline, admissions are rolling until filled, and there are still a few spaces.  Apply A.S.A.P.  Rolling admissions will be accepted until June 15, 2014.

 

CREDO Anthology – Call for Submissions Deadline Approaching

Updated CREDO-FINALThe Cambridge Writers’ Workshop invites writers of all stripes (Poets! Fictioneers! Memoirists! Journalists!  Essayists!  Dramatists!  Genre-benders!) to submit to CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing.  Writers are invited to submit their personal aesthetic philosophies and manifestos for the anthology, writing exercises and prompts that have helped to kick-start their imagination, and short essays on the art of writing, reading, and being creative.

Please Note: Due to the number of late applications and queries from MFA students and affiliates, the deadline for our CREDO Anthology has been extended to June 15, 2014.

Extended Deadline: June 15, 2014 * Submit to: cww.submittable.com

Sign up for Château de Verderonne Summer 2014 Yoga & Writing Retreat by June 15!

updated verderonne_template2The Cambridge Writers’ Workshop Third Annual Yoga & Writing Retreat will be held from August 7 -20, 2014 at the Château de Verderonne in Picardy, France, located approximately 50 miles north of Paris. The conference features workshops in poetry, fiction, and creative nonfiction, as well as craft of writing seminars, art classes, free time to write, and daily yoga and meditation classes.  Writers of all genres and levels are welcome.  Yoga practitioners of all levels are also welcomed (we have experience adapting the yoga sequences to meet the level of beginner-advanced participants).  Participants are encouraged, but not required, to bring their own long-term projects to work on.  Whether writers are beginners or advanced, CWW workshops have a history of success in generating new writing.  Optional excursions to Paris and Chantilly are also available to participants.  The faculty includes Rita Banerjee, Diana Norma Szokolyai, Elissa Lewis, and Jessica Reidy.  Rolling applications will be accepted until June 15, 2014 at cww.submittable.com

Antonia Alexandra Klimenko feat. at SpokenWord Paris, Smithsonian’s Journal of Contemporary Dada Writing, & at the MoMA

AntoniaPoet & good friend of the Cambridge Writers’ Workshop, Antonia Alexandra Klimenko, was recently featured reader at SpokenWord Paris.  SpokenWord Paris is an Open mic run by David Barnes & Alberto Rigettini, and meets every Monday 8.30pm-12pm at Au Chat Noir, 76 rue Jean-Pierre Timbaud, Paris 75011, France.  The Cambridge Writers’ Workshop was excited to be featured at SpokenWord Paris this past summer during our 2013 Château de Verderonne Yoga & Writing RetreatAntonia’s poem excerpt from “Art isn”t Dead –It’s Stiil Dying” will be archived in the Smithsonian’s Maintenant 8: Journal of Contemporary Dada Writing and Art, which will also will also be archived at New York’s Museum of Modern Art.  Maintenant 8: Journal of Contemporary Dada Writing and Art (ed. Peter Carlaftes and Kat Georges) is a stunning collection of poetry and art, and Antonia is both honored and delighted to find herself in the company of Allen Ginsberg, William S. Burroughs, Jerome Rothenberg, Steve Dalachinsky and others such as Jan Michael Alejandro, Fork Burke, Phillip Meersman, and Joel Allegretti.

Bach’s Inventions + Poetry feat. Diana Norma Szokolyai, Tara Skurtu, Nicole Terez Dutton, Dennis Shafer, & Kathleen Spivack

Bach-GoesPopChagallPAC presents:
BACH’S INVENTIONS + POETRY
Saturday May 3, 2014 * 8pm *  $5/10

OUTPOST 186
186.5 Hampshire Street
Inman Square, Cambridge, MA
[ Central Square T-Stop ]

Join us for a night of poetry and beautiful musical interludes from Bach’s Inventions.  The interplay between baroque music and poetic voices will set you soaring.  Featured poets include CWW Executive Artistic Director Diana Norma Szokolyai, CWW Board Member Kathleen Spivack, and former CWW Board Member Tara Skurtu along with poet Nicole Terez Dutton.  Featured musicians include Brian Abbot on guitar, Jon Amon on sax, Tim Pence on guitar, Dennis Shafer on sax, Alec Watson on piano, and Jobey Wilson on tuba.  This event is featured in The Boston Globe and Tara Skurtu’s poetry is featured on WBUR.

 

Literary Taboo Workshop with Rita Banerjee at the Munich Readery – April 27, 2014

tabooLiterary Taboo Creative Writing Workshop
Sunday, April 27 * 14:00-16:00
The Munich Readery, Augustenstraße 104, 80798 München

Come join Rita Banerjee and the Munich Readery for an afternoon of literary games, riddles and creative writing!  Get ready to play Literary Taboo. During the game, you may be asked to describe a person, idea, object, or phenomenon without using certain taboo words. You are welcomed to create poems, short stories, theatrical sketches, first-person narratives, and riddles about the topics you encounter during the game, and everyone is invited to become a true literary detective! So join us for an afternoon filled with creative writing, sensorial riddles, and literary taboos!  Workshop fee: €20.  To register, send an email to store@themunichreadery.com

New Release: Spooky Action at a Distance by Gregory Crosby, CWW Board Member

GregoryCrosby

Congratulations to our very own Executive Board member, Gregory Crosby, for his haunting and beautiful new poetry collection, Spooky Action at a Distance.  Gregory Crosby’s poems have appeared in Court Green, Epiphany, Copper Nickel, Leveler, Ping Pong & Rattle, among others. He is co-curator of the long- running EARSHOT reading series and is co-editor, with Jillian Brall, of the online poetry journal Lyre Lyre.  He has served as a host and panelist for several Cambridge Writers’ Workshop events, including 2012 & 2013 Brooklyn Lit Crawl, the 2012 Mass Poetry Festival, and  our live radio shows.

The lines often whisper back to me while I’m at work or riding the subway home, literally haunting me. The collection begins with the line: “I was full, I was desperate.” Automatically, the reader is set up to want more, to crave words like sugar. The speaker in the first poem almost seems bodiless–the observations are omniscient: “I watched my brain cells expire,/wondering who would brush my hair/while I slept”.

Playing with sound would be an understatement; Gregory builds sonic landscapes the size of oceans. In his poem A Fathom: “I become clear when I slip through fingers/& linger in tears. I see you have a conch/held at one ear. I suppose you want mystery,/a mermaid, murmuring, The sea, the sea!” Rhyme has gone in and out of fashion in the poetry world; right now, rhyme isn’t exactly popular, but Gregory crafts it coolly, seamlessly into the lines.

What I truly adore about this collection is careful use of technology and pop culture; all too often, poets have a heavy hand in trying to appear relevant, cool, or ironic. Infusing modern technology into verse is essential to poetry, if we are ever to write a true line. We live in a world dictated by pop culture, media, and technological advances–how can we ignore it? Poetry is not an archaic art, it is merely a tool for us to understand the environment around us, and Gregory does this with tact and intelligence. – Joanna C. Valente

New Release: The Dismal Science by Peter Mountford

DismalSciencePeter Mountford’s second novel, The Dismal Science (Tin House, 2014), was recently reviewed by The New York Times.  We are proud to have had Peter read with us in Seattle in our A Night at the Victrola Reading.  Since graduating from the University of Washington’s MFA program in 2006, Peter’s short fiction and essays have appeared in The Atlantic, Best New American Voices 2008, Conjunctions, Salon, Granta, ZYZZYVA, and Boston Review, where he won second place in the 2007 contest judged by George Saunders. He’s currently a writer-in-residence at the Richard Hugo House and at Seattle Arts and Lectures.

The plot follows D’Orsi as he quits the bank in a “kamikaze’s strategy” over a seemingly small argument with a colleague, about funding for Bolivia if the leftist Evo Morales wins the presidency. D’Orsi is being asked to cut off aid, putting politics above the bank’s mission. Because of his daughter, her activist colleagues, boredom and grief, “exhausted by the bank’s bloated ineptitude and inefficiency,” D’Orsi gives the story to his best friend, a reporter for The Washington Post. Its publication causes a spectacular and very public blowup, unfurling D’Orsi’s career and life. “It had an appealingly straightforward quality: He resented the bank and despised himself for participating in its work, so he torpedoed himself into the bank.” – Martha McPhee, The New York Times

New Release: Don Dreams and I Dream by Leah Umansky

DonDreamsInspired by the hit-series Mad Men, Leah Umansky, has created a wonderful selection of poems which explore themes of love, lust, betrayal, and ambiguity in her second poetry collection, Don Dreams and I Dream.  Leah debuted some of the poems from Don Dreams and I Dream at the Cambridge Writers’ Workshop A Night at the Victrola Reading in Seattle!  Leah Umansky contributing writer to Tin House,  Luna Luna Magazine, BOMB Magazine’s BOMBLOG , and The Rumpus, and curator of The Couplet Reading series in New York.

Don Dreams and I Dream is compulsively readable, but it is far from a light collection of poems. Most hold the weight of women’s struggles for recognition as human beings over much of the past century. The poems are at once political and confessional, feisty and giddy, aggressive and playfully submissive. The poems are nothing if not sexy, and sensuality is key to their power—just as it is, in large part, the key to Don’s. -Amy Silbergeld

New Release: Life Cycle by Dena Rash Guzman

dena-rash-guzmanWe’re proud to announce a new poetry collection, Life Cycle (Dog Chain Press, 2014), by author Dena Rash Guzman, a Portland poet, who read with us at our A Night at the Victrola Reading in Seattle!  Dena Rash Guzman is an American author, poet, editor, born in Las Vegas, Nevada 3/8/72. Founding Editor literary journal Unshod Quills. Poetry Editor, The Nervous Breakdown. Founder of Old Heavy Press; first print title for release in 2013, a chapbook about David Bowie by Seattle author Jenny Hayes. Poetry Editor and Managing Director at HAL Publishing, Shanghai’s independent English language literary journal and small press. Former co-producer for Unchaste Readers, Portland’s only live reading series focusing solely on the work of female writers.

Dena is not only a great poet, a bold feminist and a great editor, but she’s also a greatly  genuine and good-hearted woman.  Her work is comical, sensual, hearty and nourishing (and that’s not just because there’s a poem about Warhol’s Campbell Soup). – Leah Umansky