James Franco’s Adaptation of David Shields’s I Think You’re Totally Wrong: A Quarrel Premieres May 3, 2015 at Vancouver’s DOXA Festival

ithinkyouretotallywrongI Think You’re Totally Wrong: A Quarrel
featuring David Shields, Caleb Powell, and James Franco
Director: James Franco | USA | 2015 | 87 minutes | DOXA – May 3, 2015
Genre: Documentary, Literary, Satire & Subversion | World Premiere

Author David Shields (guest curator from DOXA 2012 and Cambridge Writers’ Workshop’s Summer in Paris Writing Retreat Instructor) returns with a cinematic adaptation of his new book from director James Franco. What could possibly go wrong, you may ask? Well, almost from the start, just about everything. Shields and his collaborator and fellow-combatant, Caleb Powell, decide to up the ante by spending four days together in a cabin in the Cascades. The men barely make it down the driveway before an argument breaks out. On the drive to the cabin, things degenerate even further, as they variously debate the idea of life versus art. Powell, a father of three girls and a stay-at-home dad, has chosen to devote himself to family, while Shields, author of five new books in the coming year alone, is the champion of the arts.

On the first day of shooting, an actual fight breaks out over what and who can be talked about in the course of the film. Namely, whether Powell will or won’t be willing to invite his friend, a former stripper, to participate in the film. The director gets dragged into the mix. As the three men, and their respective egos, circle and jab at each other, you wait for someone to get punched in the face. The gladiatorial aspects of the film are only a beginning, as the weekend continues, something altogether more surprising happens — genuine and real communication. More than a deconstruction of the buddy film, I Think You’re Totally Wrong assails the divisions between reality and fiction, documentary and life, with subversive glee. -DW

james-francoJames Franco is an actor, director, screenwriter, producer, teacher and author. He began his career on Freaks And Geeks and received a Golden Globe Award for his performance in the biographical film James Dean. Notable film credits include Oz The Great and Powerful, Spring Breakers, “Harry Osborn” in the Spider-Man trilogy, Milk and 127 Hours for which he received Academy Award, SAG and Golden Globe nominations for Best Actor. He has directed, wrote and produced several features and has been published several times in magazines and through his own books. He is currently teaching college courses at UCLA, USC and Cal Arts and acting classes at Studio 4 and will make his Broadway debut in Of Mice & Men this spring.

Extended Deadline – Apply to the CWW Summer Writing Retreat in Granada, Andalucía, Spain by May 1!

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Join the Cambridge Writers’ Workshop on our summer writing & yoga retreat to Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Indulge in delicious Andalucían cuisine and traditional Arab baths. Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects.

The retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors like Peter Orner (fiction, nonfiction),Rita Banerjee (poetry, fiction), Diana Norma Szkoloyai (poetry, nonfiction), Jessica Reidy (fiction, poetry) and Elissa Lewis (yoga, meditation) to hone their craft and expand their writing skills, while working on new or existing projects.

Our Andalucían writing retreat will take place from August 3-10, 2015, and the cost of the workshop is $2950, which includes lodging, craft of writing seminars and writing workshops, yoga classes, room cleaning, and breakfast. Optional add-ons include reiki healing and aromatherapy sessions.

If you’d like to join us in Granada, please apply online at cww.submittable.comby May 1, 2015, and include a $5 application screening fee and a 5-page writing sample. (Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability).

applyDeadline: May 1, 2015

Featured Faculty:

Peter OrnerPeter Orner Chicago born Peter Orner’s fiction and non-fiction has appeared in the New York Times, the Atlantic Monthly, Granta, The Paris Review, McSweeney’s, The Southern Review, The Forward, The San Francisco Chronicle, andPloughshares. Stories have been anthologized in Best American Stories and twice won a Pushcart Prize. Orner was awarded a Guggenheim Fellowship (2006), as well as the two-year Lannan Foundation Literary Fellowship (2007-2008). A film version of one of Orner’s stories, “The Raft” with a screenplay by Orner and the film’s director, Rob Jones, is currently in production and stars Ed Asner.  Esther Stories (Houghton Mifflin/​ Mariner, 2001) was awarded the Rome Prize from the American Academy of Arts and Letters, the Goldberg Prize for Jewish Fiction, and was a Finalist for the Pen Hemingway Award and the New York Public Library’s Young Lions Award. Esther Stories was a 2001 New York Times Notable Book.

RBRita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, and Chrysanthemumamong other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured onHER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

DianaNormaDiana Norma Szkoloyai is author of the poetry books Roses in the Snow and Parallel Sparrows(Finishing Line Press). Her writing and hybrid art have appeared in Lyre Lyre, Dr. Hurley’s Snake Oil Cure, The Fiction Project, Teachers as Writers, Polarity, The Boston Globe, The Dudley Review, Up the Staircase, Area Zinc Art Magazine, Belltower & the Beach, and Human Rights News. Founding Literary Arts Director of Chagall Performance Art Collaborative and co-director of the Cambridge Writer’s Workshop, she holds an Ed.M from Harvard and an M.A. in French Literature from the University of Connecticut.

25ugmblJessica Reidy earned her MFA in Fiction at Florida State University and a B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, Arsenic Lobster, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter. You can learn more at www.jessicareidy.com.

ElissaLewisElissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her websitefor informative yoga sequences and information.

 

 

Newport Writing & Yoga Retreat 2015 – April 5, 2015

While some of the participants enjoyed a session of Energizing Yoga with Elissa, Norma slaved away in the kitchen making French toast for the Farewell Brunch. Rita made red pepper scrambled eggs. Mimosas and fresh fruit made the Farewell Brunch a delicious one.

During the meal, the faculty and writers sat around the table and discussed writing goals for the future. We even vowed to stay in touch and have been hosting mini workshops each week on the Cambridge Writer’s Workshop NING member network (learn more about that here).

We were sad to see everyone leave, but can’t wait to see them at our upcoming retreats in Paris and Granada!

– Emily Smith

Newport Writing & Yoga Retreat – April 4, 2015

After Energizing Yoga with Elissa, Stephen introduced “Theater of the Impossible.”  In Stephen’s “Theater of the Impossible” workshop, we talked about the most satisfying components of watching a play: seeing the impossible unfold before us or watch as it is staged. Instead of thinking of a script as a blueprint, Stephen encouraged us to consider the script “recipe” a challenge and to think outside of it.

After Stephen’s class, Kathleen reviewed the manuscript revisions during a second session of “Reviewing Your Manuscript for Publication” and read from her own book: With Robert Lowell and His CircleYou can watch Kathleen read here:

The writers took a much deserved break after Kathleen’s class and explored historic Newport during the afternoon.  Workshops resumed with Stephen’s “Against Aristotle: New Structures for New Stories.” We discussed the traditional Aristotelian story structure. Then we began breaking the rules with new ways of storytelling through interpolation (like Charles Mee’s Iphigenia 2.0), tessellation (like Carson Kreitzer’s Flesh and the Desertand the looped stack narrative (like Jason Grote’s 1001).

Norma finished out the day of workshops with a second session of “Your Voice: Bringing your Page to Performance.” We shared our work salon style in the living room. Both Claire Ince’s performance piece and Saundra Norton’s can be heard below.

At the end of the night, we made an impromptu group performance in response to “Too Many Cooks”—a crazy parody of sitcom opening credits.

– Emily Smith

Newport Writing & Yoga Retreat – April 3, 2015

We started Day 2 bright and early with Energizing Yoga taught by Elissa Lewis. Our belief is that yoga can clear and prepare the mind for writing during the day. Elissa rounded out yoga with aromatherapy using a citrus-scented essential oil.

The first set of workshops began with Rita Banerjee‘s “Literary Taboo.” Each participant drew two pieces of paper from a bowl with a word like “crocodile” or “femme fatale” on each. Each sheet also included a list of taboo words, which each writer was forbidden to use in writing about the words they had selected. For example, a writer who drew “spaceship” wasn’t allowed to use the words “portal,” “fly,” “aliens,” or “planetary.”

In Stephen Aubrey‘s “Weirding the World” workshop, we learned that the script isn’t a flat work of literature or a description in poetry of another world but rather another world passing before us in time and space. While language is part of this world, the rest of it is space. And before we populate space, we must create it.  During the afternoon, some writers stayed at the house to work on their pieces. Others explored Newport’s beaches and enjoyed the warm spring weather.

Executive Art Director Diana Norma Szokolyai taught us to own our voices during “Your Voice: Bringing your Page to Performance” in the evening. We watched performance poets like Anne Waldman (Uh-Oh Plutonium!) and Saul Williams (List of Demands) and then practiced using unusual instruments to add depth to our own work. Participant Claire Ince took to the thumb piano and Saundra Norton used a music box to add mystery to her poem (see Day 3 post for their work).

The final workshop for the day, “Developing Your Manuscript for Publication,” was led by Kathleen Spivack. The participants were asked to read their work out loud. After carefully reviewing each participant’s manuscript and giving individual feedback, Kathleen assigned a revised draft due from everyone for the next day.  After a hard day’s work, the whole group went out to dinner at the Brick Alley Pub in historic downtown Newport!

– Emily Smith

Newport Writing & Yoga Retreat – April 2, 2015

After arriving at the Newport, Rhode Island retreat location—a Cape Cod style home nestled into a quiet neighborhood near the beach—we kicked off the retreat with a champagne toast and the Welcome Dinner. Our delicious dinner was catered by Pasta Beach and made by a chef from Bologna, Italy. We had food for days!

After dinner, CWW Executive Creative Director Rita Banerjee and Executive Artistic Director Norma Szokolyai broke the ice with the Evocative Object workshop. Each participant was asked to randomly pick an object out of a bag, then attempt to write a description of it. Trying to guess each person’s object inspired future writing and a lot of laughter! To our surprise, many of the objects (like a mini topiary) were wedding favors.

Following the workshop, we broke for the night and got some sleep in preparation for the exciting workshops held on Day 2.

– Emily Smith

Cambridge Writers’ Workshop’s AWP 2015 Exquisite Corpse #3

ExquisiteCorpseThe Cambridge Writers’ Workshop is busy at the Association of Writers’ and Writers Programs Conference in Minneapolis this week, but while we’re not promoting our upcoming retreats or our CREDO anthology, we’re encouraging visitors to contribute to our exquisite corpse poem. Every day, we’ll post a new poem to the website. You can read Thursday’s poem here and Friday’s poem here.

Saturday’s CWW AWP “Corps Exquis”

I am a man weighed down by burden
of the unphysical sort, buckets of oil spelunking
on their own minus the centrifuge of dystopian
orgasms.

The spine is linked with marshmallows
melted over the sweet potato pie of ravaded
America.

…swallowing dust, digging dirt,
her white dress soiled, soul tainted…

eyes like tangerines, a Parliament
between her teeth, “Kill me,” she
screams into the asphalt.

My eyes are dried into raisins.

Cambridge Writers’ Workshop’s AWP 2015 Exquisite Corpse #2

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The Cambridge Writers’ Workshop is busy at the Association of Writers’ and Writers Programs Conference in Minneapolis this week, but while we’re not promoting our upcoming retreats or our CREDO anthology, we’re encouraging visitors to contribute to our exquisite corpse poem. Every day, we’ll post a new poem to the website. You can read Thursday’s poem here.

Friday’s CWW AWP “Corps Exquis”

There are three ways to skin a cat, and
I don’t recommend the second.
Keep up with the first one, otherwise
it might get messy.
Do not touch the glimmering insides as they
pierce the skin like the bone of the teeth.
Teething and sheathing
with a man’s last breath.
A luscious, delicious, Flower Monkey dances
with a radiant sense of self.
The sense is challenged,
barred by fun house mirrors.
The third way involves
pliers.
Don’t doubt your horses.
Shatter it for the jar. The big one.
I am hungover.

Cambridge Writers’ Workshop’s AWP 2015 Exquisite Corpse #1

An exquisite corpse drawing by Man Ray, Yves Tanguy, Joan Miro, and Max Morise

An exquisite corpse drawing by Man Ray, Yves Tanguy, Joan Miro, and Max Morise

The Cambridge Writers’ Workshop is busy at the Association of Writers’ and Writers Programs Conference in Minneapolis this week, but while we’re not promoting our upcoming retreats or our CREDO anthology, we’re encouraging visitors to contribute to our exquisite corpse poem. Every day, we’ll post a new poem to the website.

Thursday’s CWW AWP “Corps Exquis”

What I found conventional about unconventionality
was the rust-rimmed rebar bones
And the color the water turned in winter
When the leaves fell in and rotted: turquoise-grey
Like the magnet on the fridge,
the morning I got the news.
Winds, rain, crashing charge.
Arms Akimbo, she flies.

Cambridge Writers’ Workshop is coming to AWP 2015 in Minneapolis, Minnesota!

The Cambridge Writers’ Workshop will be tabling at the Association of Writers and Writing Program (AWP)’s 2015 conference in Minneapolis, MN this April from April 9 to April 11. We’ve got some exciting plans for the event, so anyone who is in Minneapolis for the event should come see us. Last year’s event was a great success for us, allowing us to promote our CREDO anthology and advertise our Château de Verderonne retreat, and we hope we can have an even better experience this year.

We’ll be tabling at Table 954 near the AWP Event Stage. There, you will be able to find information regarding our upcoming yoga and writing retreats and other opportunities. You’ll be able to find info regarding our upcoming retreats in Paris and Granada. We’ll also have updates on our CREDO anthology and information for those who want to become members of the CWW or who want to apply for internships. Some of the people who will be sitting at our table will also be selling copies of their books and will be doing author signings, including CWW member Jonah Kruvant and CWW intern Alex Carrigan.

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We’ll also be hosting an offsite reading event during the conference. “Books and Bones:  A Cambridge Writers’ Workshop Reading” is a poetry and fiction reading at Boneshaker Books on Saturday, April 11 from 3-5 pm. We’ve got twelve readers who will come and share some of their best work with our captive audience. Below are our profiles on each of the readers:

IMG_7596Anca L. Szilágyi is a Brooklynite living in Seattle. The longer she lives in Seattle, the stronger her Brooklyn accent seems to get. Her writing has appeared in GastronomicaFairy Tale Review, Cicada, and the Ploughshares blog, among other publications.

mbgmdrbvox_qe83kocogslibryphqly9vlj7nuf1f1uA writer, teacher, and student of the world, Jonah Kruvant received his Bachelor’s degree from Skidmore College, his Master’s degree in Teaching from Fordham University, and his MFA degree from Goddard College. After living abroad in four different countries, Jonah settled in New York.

 

Current ThumbnailMicah Dean Hicks is a Calvino Prize-winning author of fabulist fiction. His work has appeared in places like Witness, New Letters, Indiana Review, New Orleans Review, and Baltimore Review. His story collection, Electricity and Other Dreams, was recently published by New American Press and received a starred review from Publishers Weekly. He attends the creative writing PhD program at Florida State University, where he studies fiction and folklore.

mm93kgAlex Carrigan has been an editorial and PR intern for the Cambridge Writers’ Workshop since May 2014. He holds a B.S. in Mass Communications: Print/Online Journalism and a minor in World Cinema from Virginia Commonwealth University. When he is not working for Cambridge, he is also the Staff Film Reviewer and a regular contributor for Quail Bell Magazine. He has had work published in Poictesme Literary JournalAmendment Literary Journal, and Realms Magazine. He currently lives in Virginia and is looking for a career in publishing and art criticism.

10888391_10106225841395751_4542817941090068017_nMichele Nereim received her MFA from Florida State University. Her essay about the insanity of Florida football appeared on NPR, and, this past year year, she moved to Houston where she is working on her novel and her CRW Ph.D. at the University of Houston. Florida is her weird, colorful muse.

 

B (1)Bianca Stone is a poet and visual artist. She is the co-founder and editor of Monk Books, as well as the author of  Someone Else’s Wedding Vows (Tin House/Octopus Books 2014), and Antigonick (New Directions 2012, a collaboration with Anne Carson. She lives in Brooklyn.

jungleJessica Piazza is the author of two full-length poetry collections from Red Hen Press: Interrobang–winner of the AROHO 2011 To the Lighthouse Poetry Prize and the 2013 Balcones Poetry Prize – and Obliterations (with Heather Aimee O’Neill, forthcoming), as well as the chapbook This is not a sky (Black Lawrence Press.) She holds a Ph.D. in English Literature and Creative Writing from the University of Southern California and is currently a contributing editor for The Offending Adam and a screener for the National Poetry Series. She is the co-founder of Bat City Review in Austin, TX and Gold Line Press in Los Angeles, and she teaches for the Writing Program at USC and the online MFA program at the University of Arkansas at Monticello. In 2015 she started the “Poetry Has Value” project, hoping to spark conversations about poetry and worth. Learn more at www.poetryhasvalue.com.

burnquistJess Burnquist was raised in Tempe, Arizona. She received her MFA in Creative Writing/Poetry from Arizona State University. Her work has appeared in The Washington PostTime.comPersonaClackamas Literary Review, and various online journals.(See more at http://www.jessburnquist.com) She is a recipient of the Joan Frazier Memorial Award for the Arts at ASU. Jess currently teaches high school in San Tan Valley and has been honored with a Sylvan Silver Apple Award. She resides in the greater Phoenix metropolitan area with her husband, son, and daughter.

IMG_4254Dena Rash Guzman is the author of Life Cycle—Poems (Dog On A Chain Press, 2013.) Her work can be found online and in print at The Rumpus, The Nervous Breakdown, Ink Node, Gertrude and others, as well as in anthologies from the United States to the People’s Republic of China. She is a disability rights advocate and a beekeeper. She resides in Oregon.

standing pic by edward brydonLeah Umansky is a poet, collagist and teacher in New York City. She is the author of the Mad Men inspired chapbook, Don Dreams and I Dream and the full-length collection Domestic Uncertainties.  Her poems have appeared or are forthcoming in such places as Forklift, Ohio, POETRY, and Coconut Poetry. She is also the curator of the Couplet reading series and her Game of Thrones inspired poems have recently been translated into Norwegian by Beijing Trondheim.

 

SMSheila McMullin is Assistant Editor for VIDA: Women in Literary Arts where she writes the column “Spotlight On!” celebrating literary magazines that publish a diverse representation of writers. She is Managing Editor and Poetry Editor for ROAR Magazine, as well as Communications and Outreach Coordinator for District Lit. She works as an after-school creative writing and college prep instructor and volunteers at her local animal rescue.  She holds her M.F.A. from George Mason University. Follow her on Twitter @smcmulli.

 

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Brenda Peynado has work appearing in The Threepenny Review, Mid-American Review, Black Warrior Review, Pleiades, Cimarron Review, Colorado Review, 3rd Place in Glimmer Train‘s Fiction Open Contest, and others. She received her MFA from Florida State University and her BA from Wellesley College. Last year, she was on a Fulbright Grant to the Dominican Republic, writing a novel. This year she is a PhD student at the University of Cincinnati.

We hope you come visit us at the book fair and come to our reading. It will be a week of literature, poetry, performance, and culture, so we hope to see you there.