Editors Rita Banerjee, Diana Norma Szokolyai, and Corrine Previte are delighted to share that their new speculative literature anthology Disobedient Futures has been acquired by University Press of Kentucky! Banerjee, Szokolyai, and Previte are delighted to be working with Editor Abby Freeland and her team including Alice Fugate Brown at University Press of Kentucky. Here’s a bit more about Disobedient Futures:
Rita Banerjee, Diana Norma Szokolyai, and Corrine Previte’s, ed’s, DISOBEDIENT FUTURES, a speculative literature anthology that imagines what the future cultures of America and the world might look like through a diverse, inclusive, and multi-genre lens, and includes fiction, poetry, nonfiction, hybrid work, art, and photography that explore utopian, dystopian, and alternative realities, futuristic places, and parallel histories to Abby Freeland at University Press of Kentucky (world).
Featured Authors:
George Abraham | Thommy Ahneesan | Kazim Ali | Kenzie Allen | Paul Daniel Ash | Madeleine Barnes | Rita Banerjee | Zeina Hashem Beck | Alyssa Beckitt | Oliver Baez Bendorf | Emma Bolden | Frances Cannon | Alex Carrigan | Marianne Chan | Kholoud Charaf | Marlena Chertock | Kristina Marie Darling | JJJJJerome Ellis | Ayokunle Falomo | Carlos Andrés Gómez | Dipika Guha | Robin Hemley | Candace Jensen | Shanta Lee | Shirley Jones-Luke | Ilya Kaminsky | Liz Kellebrew | Raphaël Amahl Khouri | Samuel Kọ́láwọlé | Oksana Marafioti | Adam McOmber | Sebastian Merrill | Rajiv Mohabir | Neha Mulay | Ukamaka Olisakwe | Matthew Olzmann | January Gill O’Neil | Josiah Patterson | Diana Norma Szokolyai | Corrine Previte | Ruben Quesada | Thaddeus Rutkowski | Nneka Samuel | Jason Schneiderman | Kyle Scott | Dayton Shafer | David Shields | Erin Stalcup | Margo Taft Stever | Bianca Stone | Anca L. Szilágyi | Brian Teare | Ella Voss | David Heska Wanbli Weiden | Cecilia Woloch
The Cambridge Writers’ Workshop Budapest and Prague Writing Retreat will be held from July 19 to July 27, 2024 in the historic city center of Budapest, Hungary and Prague, Czech Republic. Come explore the rich Danube River culture in Eastern Europe, as we enjoy learning about the stories and lore, poetry, unique music, local food specialties and historic sites of the beautiful jewel box cities of Budapest and Prague.
The retreat features writing and publishing workshops, craft seminars, and generative writing sessions for poets, fiction writers, and creative nonfiction writers. The faculty includes poets and prose writers Rita Banerjee and Diana Norma Szokolyai. The cost of the retreat is $4,800, which includes tuition, lodging, daily breakfast, and special meals. Transportation is not included.
Using only the online application system, submit 5 to 10 pages of poetry, fiction, creative nonfiction, or hybrid work, and a brief cover letter (including a bio and contact information for two references) with a $10 application fee by June 1. Early applications strongly encouraged as seats are limited on the retreat. Multilingual poetry and prose submissions, including self-translations, are welcome. Partial Scholarships for BIPOC writers, LGBTQ+ writers, writers who are students, and writers who are parents are available. To apply for a scholarship, submit a general retreat application, as well as a cover letter, including a statement on how the scholarship will assist you in meeting your writing goals, by May 15. There is no application fee for scholarships. Registration is first come, first served; space is limited. Visit the website for an application form and more information.
Faculty:
Diana Norma Szokolyai is a writer, teacher, and co-founder/Executive Artistic Director of Cambridge Writers’ Workshop. She is co-editor of CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing and author of the poetry chapbooks Parallel Sparrows, and Roses in the Snow. Her writing is published in Critical Romani Studies, The Poetry Miscellany, The Boston Globe, Up the Staircase Quarterly, and MER VOX Quarterly. Her poetry has been anthologized in Other Countries: Contemporary Poets Rewiring History and Teachers as Writers, as well as translated into German for the anthology of Romani poets from around the world Die Morgendämmerung der Worte, Moderner Poesie–Atlas der Roma und Sinti. She was awarded a 2021 Center for Arts and Social Justice Fellowship at Vermont College of Fine Arts for her work translating Romani poets into English. Other honors include honorable mention for Best Poetry Book in the 2014 Paris Book Festival and finalist for Hunger Mountain’s 2020 May Day Mountain Chapbook series. Together with Dennis Shafer, she founded ChagallPAC, an interdisciplinary arts organization that hosts performances, readings, and workshops, with a gallery space on Artists’ Row in Salem, MA. A first generation American of Hungarian Romani heritage, she holds an M.A. in French Literature & Cultural Studies from UConn, an Ed.M. in Arts in Education from Harvard, and an M.F.A. in Writing from Vermont College of Fine Arts.
Rita Banerjee is an Assistant Professor of Creative Writing and Director of the MFA Program for Writers at Warren Wilson College. She is editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press) and the author of the poetry collection Echo in Four Beats (Finishing Line Press), which was nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry. Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press), and the poetry chapbook Cracklers at Night (Finishing Line Press). Her work has appeared on-air on Vermont Public Radio, Goddard College Community Radio’s Bon Mot, the Ruth Stone Foundation Podcast, and KBOO Radio’s APA Compass, and in print in the Academy of American Poets, Poets & Writers, Hunger Mountain, PANK, Nat. Brut., Isele Magazine, South Asian Avant-Garde, Los Angeles Review of Books, Electric Literature, VIDA: Women in Literary Arts, Objet d’Art, and elsewhere. She is the co-writer and co-director ofBurning Down the Louvre (2024), a documentary film about race, intimacy, and tribalism in the United States and in France. She received a 2021-2022 Creation Grant from the Vermont Arts Council for her new memoir and manifesto on female cool, and one of the opening chapters of this new memoir, “Birth of Cool” was a Notable Essay in the 2020 Best American Essays, and another chapter from her new memoir, “The Female Gaze,” was a Notable Essay in the 2023 Best American Essays.
In Budapest, we will stay at:
Hotel Moments Budapest Andrássy út 8 H-1061 Budapest, Hungary Phone: +36 1 611 700
Accessibility accommodations include public transportation near the venues and elevator access. If you have accommodation requests, please contact Cambridge Writers’ Workshop manager Corrine Previte at info@cambridgewritersworkshop.org for additional accessibility details.
Visit Submittable for further information. All genres welcome. Please email info@cambridgewritersworkshop.org or call 617-401-8950 for more information.
If you’d like to join us in Budapest and Prague, please apply online by June 1, 2024, and include a $10 application screening fee and a 5-10 page writing sample of poetry, prose, drama, illustrated, or hybrid work. Please also include the following in your cover letter:
1. Full Legal Name 2. Contact Info (Telephone & Address) 3. Age & Nationality (Participants should be 18+) 4. Prior creative writing experience and/ publications (not necessary) 5. Creative writing goals for the retreat 6. Short one paragraph biography 7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant) 8. What would you bring to a writing workshop community? (communication skills, patience, listening skills, etc.)
Due to limited seats, early applications are encouraged!
The Cambridge Writers’ Workshop is delighted to announce that we will be offering Writing Coaching and Editorial Servicesfor our writing students starting in early 2023! Authors who are in the development stage of their manuscript drafting or have a book manuscript ready and are looking for advice regarding book proposals, manuscript submissions, and seeking out literary agents are welcome to apply. Writers who are working in all genres including poetry, fiction, nonfiction, play or screenwriting, hybrid, and illustrated work are welcome to apply.
Here are the types of services offered by our faculty.
Writing Coaching
Manuscript Review
Publishing and Submission Advice
Developing Query Letters for Literary Agents
Developing Book Proposals
Line Editing of Manuscripts
One-on-One Consultations
Small-Group Writing Workshops
Manuscript Development Advice
One-on-One Craft Advice
Please note that most faculty charge between $125 – $150 / hour for editorial services and writing coaching.
In applying for the writing coaching services, be sure to note what kinds of services you are interested in, the scope of your project.
To apply for Writing Coaching and Editorial Services, please complete the following steps:
Include a writing sample of 5-10 pages of prose, poetry, or hybrid work with your application
In the cover letter, please note:
which faculty you would prefer to work with (please select from our 2023 Faculty List below)
a brief on-paragraph synopsis of your project and the scope of your project
please note any genres that you are working in or developing further
what kind of editorial services you are seeking and
a brief one-paragraph biography of yourself as a writer and creator
With your application, please include two professional references (with phone, email address, and mailing address included). If possible, please include two contact references who can speak to your experience as a writer.
Our 2023 Faculty Include:
Rita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing. She is the author of the poetry collection Echo in Four Beats , which was named one of Book Riot’s“Must-Read Poetic Voices of Split This Rock 2018”, the novella “A Night with Kali” in Approaching Footsteps, and the poetry chapbook Cracklers at Night. She is the co-writer and co-director of Burning Down the Louvre (2023), a documentary film about race, intimacy, and tribalism in the United States and in France. She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants among other awards. Her writing appears in the Academy of American Poets, Poets & Writers,PANK, Tupelo Quarterly, Nat. Brut., Vermont Public Radio, Hunger Mountain, Kweli Journal, The Scofield, The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of Books, Electric Literature, VIDA: Women in Literary Arts, Queen Mob’s Tea House, Objet d’Art, and elsewhere. She is currently working on a novel, a book on South Asian literary modernisms, and a memoir and manifesto on female cool. Her writing is represented by agent Jamie Chambliss of Folio Literary Management.
Franky Frances Cannonis a writer, editor, educator, and artist. She recently served as the Managing Director of the Sundog Poetry Center in Vermont. She has taught at the Vermont College of Fine Arts, Champlain College, the Vermont Commons School, the University of Iowa, and as a visiting lecturer at Middlebury College and the University of Vermont. She has an MFA in creative writing from Iowa and a BA in poetry and printmaking from the University of Vermont. Her published books include: Walter Benjamin: Reimagined, MIT Press, The Highs and Lows of Shapeshift Ma and Big-Little Frank, Gold Wake Press, Tropicalia, Vagabond Press, Predator/Play, Ethel Press, Uranian Fruit, Honeybee Press, Sagittaria, Bottlecap Press, and Image Burn, a self-published art book. She has worked for The Iowa Review, McSweeney’s Quarterly, The Believer, and The Lucky Peach. Her writing has been published in The New York Times,Poetry Northwest, The Iowa Review, The Green Mountain Review, Vice, Lithub, The Moscow Times, The Examined Life Journal, Gastronomica, Electric Lit, Edible magazine, Mount Island, Fourth Genre, and Vol. 1 Brooklyn.
Kristina Marie Darlingis the author of thirty-nine books, which include Stylistic Innovation, Conscious Experience, and the Self in Modernist Women’s Poetry, available from Rowman & Littlefield Publishing Group; Daylight Has Already Come: Selected Poems 2014 – 2020, which was published by Black Lawrence Press; Silence in Contemporary Poetry, which will be published in hardcover by Clemson University Press in the United States and Liverpool University Press in the United Kingdom; Silent Refusal: Essays on Contemporary Feminist Writing, newly available from Black Ocean; Angel of the North, which is forthcoming from Salmon Poetry; and X Marks the Dress: A Registry (co-written with Carol Guess), which was just launched by Persea Books in the United States. Penguin Random House Canada has also published a Canadian edition. An expert consultant with the U.S. Fulbright Commission, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; eight residencies at the American Academy in Rome, where she has also served as an ambassador for recruitment; grants from the Elizabeth George Foundation and Harvard University’s Kittredge Fund; a Fundación Valparaíso fellowship to live and work in Spain; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; two grants from the Whiting Foundation; a Faber Residency in the Arts, Sciences, and Humanities, which she received on two separate occasions; an artist-in-residence position with the Andorran Ministry of Culture; an artist-in-residence position at the Florence School of Fine Arts; an appointment at Scuola Internazionale de Grafica in Venice; and the Dan Liberthson Prize from the Academy of American Poets, which she received on three separate occasions; among many other awards and honors. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly and teaches at the American University of Rome. Born and raised in the American Midwest, she currently divides her time between the United States, Rome, and the Amalfi Coast.
Tim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award for Outstanding Work of Fiction, and Circulation (sunnyoutside). His fiction has appeared in Conjunctions, AGNI, Harvard Review, and many other journals, and his book reviews appear in Georgia Review, The Brooklyn Rail, and American Book Review. His novel-in-progress focuses on the lives of contemporary classical composers and musicians. He has taught Creative Writing in the Granada, Spain, program for the Cambridge Writers’ Workshop, and in the BFA and MFA programs at New England College, including the Institute of Art and Design.
Corrine Previte is currently working as a 4th Grade Teacher in Lynn, Massachusetts. Previously, Corrine graduated from Gordon College in 2017 with a B.S. in Elementary Education and a B.A. in English, where she took courses in creative playwriting, literary journal, British and Irish Literature. During her time at Gordon, she not only was captain of the track team but she was also the News Editor for the college’s newspaper: The Tartan and a member of the Sigma Tau Delta English Honors Society. She has recently completed her master’s at Gordon where she studied to be a reading specialist and English as a Second Language Teacher. She also took courses in writing for publication, developing and advanced writers. Corrine Previte is an avid writer and has been since the age of 6. She has a love for children’s books and travel writing. Her favorite authors that inspire her include Patricia Polacco, Jane Brett and Elizabeth Gilbert. Previte has worked with Cambridge Writer’s Workshop since 2019. She has enjoyed the hands-on experience with editors and publishers. During this time, Previte’s children’s book manuscript is under review.
Natalya Sukhonos is bilingual in Russian and English and also speaks Spanish, French, and Portuguese. She has a PhD in Comparative Literature from Harvard University. Natalya is Assistant Professor at the College of Interdisciplinary Studies at Zayed University. Natalya’s poems are published by the American Journal of Poetry; Haight Ashbury Literary Journal; Saint Ann’s Review; Driftwood Press; Literary Mama; Middle Gray Magazine; Really System; Empty Sink Publishing and other journals. Her first book “Parachute” was published by Aldrich Press of Kelsay Books. “A Stranger Home” was published by Moon Pie Press in 2020. You can find out more about her work on natalyasukhonos.com.
Diana Norma Szokolyai is a writer, teacher and co-founder/Executive Artistic Director of Cambridge Writers’ Workshop. She is co-editor of CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing and author of the poetry chapbooks Parallel Sparrows, and Roses in the Snow. Her poetry and essays appear in publications like Critical Romani Studies, The Poetry Miscellany, The Boston Globe, Up the Staircase Quarterly and MER VOX Quarterly. Her poetry has been anthologized in Other Countries: Contemporary Poets Rewiring History, Stone to Stone: Writing by Romani Women, and Teachers as Writers, as well as translated into German for the anthology of Romani poets from around the world Die Morgendämmerung der Worte, Moderner Poesie–Atlas der Roma und Sinti. She was awarded a 2021 Center for Arts and Social Justice Fellowship at Vermont College of Fine Arts She was award as 2021 Center for Arts and Social Justice Fellowship at Vermont College of Fine Arts for her work translating Romani poets into English. Other honors include honorable mention for Best Poetry Book in the 2014 Paris Book Festival and finalist for Hunger Mountain’s 2020 May Day Mountain Chapbook series. Together with Dennis Shafer, she founded ChagallPAC, an interdisciplinary arts organization that hosts performances, readings, and workshops, with a gallery space on Artists’ Row in Salem, MA. A first generation American of Hungarian Romani heritage, she holds an M.A. in French Literature & Cultural Studies from UConn, an Ed.M in Arts in Education from Harvard, and an M.F.A. in Writing from Vermont College of Fine Arts.
The Cambridge Writers’ Workshop is delighted to announce that partial scholarships based on need and merit for the Paris Writing Retreat (July 19-25, 2023) are now available. Students can apply for scholarships of $250-$500, and further financial assistance may be available for students in need. Scholarships for BIPOC, LGBTQ+, writers who are students, writers who are parents, writers who are educators, and Cambridge Writers’ Workshop Alumnx are available.
To apply for a scholarship for our 2023 Paris Writing Retreat (July 19-25, 2023), please complete this two-step process:
Submit a Scholarship Application and include a 1-2 page over letter that indicates which scholarship you are applying for, your reasons for applying, and how this scholarship will help you with your writing goals.
While there is no application fee, all scholarship applications are due by May 15, 2023. And early scholarship applications are encouraged.
Scholarship Categories
If you identify with one of the following identities and have a financial need, we offer partial scholarships. When you apply, please state which scholarship category you are applying to from the list below:
BIPOC
LGBTQ+
Student
Parent (of a child 0-22)
Educator
Cambridge Writers’ Workshop Alumnx
If you have any questions, please email info@cambridgewritersworkshop.org.
Cambridge Writers’ Workshop Institute of International Education Benefit Readig July 24, 2020 8:00pm—9:00pm EDT on Facebook Live
ChagallPAC’s Fourth Friday Literary Salon Series & the Cambridge Writers Workshop present a livestream reading event to benefit International Students in the US via the Institute of International Education (IIE)on July 24, 2020 at 8:00-9:00 p.m. In light of recent pressures against allowing international students to stay in the United States during COVID-19, we would like to emphasize our support of international connection and study. Many of our own writing retreats are held abroad, and since we have come to understand firsthand the importance of international exchange, we hope to show solidarity with international students during this time by directing resources and attention to IIE.
“IIE’s mission is to help people and organizations leverage the power of international education to thrive in today’s interconnected world.”
“We believe that when education transcends borders, it opens minds, enabling people to go beyond building connections to solving problems together. Our vision is a peaceful, equitable world enriched by the international exchange of ideas and greater understanding between people and cultures.”
IIE focuses on work that “advances scholarship, builds economies, and promotes access to opportunity.” They run over 200 programs for international students with more than 29,000 participants.
If you would like to join us in supporting IIE’s work, you can learn more about making a direct donationhere.
Learn more about the authors who will be joining us and participating in our reading:
Stephen Aubrey is a Brooklyn-based writer and theater-maker. His fiction and essays have appeared in CRAFT Literary, Electric Literature, Publishing Genius, and The Brooklyn Review. As a co-founder and co-artistic director of The Assembly Theater Company, his plays have been produced at The New Ohio Theater, The Living Theater, The Ontological-Hysteric Theater, The Flea Theater, The Collapsable Hole, and Edinburgh Fringe Festival where his original play, We Can’t Reach You, Hartford, was nominated for the prestigious Fringe First Award. He is an instructor of English at Brooklyn College.
Nandini Bhattacharyawas born and raised in India and has called the United States her second continent for the last thirty years. Wherever she has lived, she has generally turned to books for answers to life’s big and small questions. Her short stories have been published in Meat for Tea: The Valley Review, Storyscape Journal, Raising Mothers, The Bacon Review, The Bangalore Review, OyeDrum, and Ozone Park Journal. She has attended the Bread Loaf Writers’ Workshop and held residencies at the Vermont Studio Center, VONA, and Craigardan Writers Residency (forthcoming). She was first runner-up for the Los Angeles Review Flash Fiction contest (2017-2018), a finalist for the Fourth River Folio Contest for Prose Prize (2018), long-listed for the Disquiet International Literary Prize (2019 and 2020), and a finalist for the Reynolds-Price International Women’s Literary Award (2019). Love’s Garden is her first novel. She is currently working on a second novel about love, racism, xenophobia and other mysteries, titled Homeland Blues. She lives outside Houston with her family and two marmalade cats.
Elizabeth Devlinis a visual artist, poet, singer, and multi-instrumentalist. She is the curator of numerous art, music and literary events including the series: The Highwaymen NYC, Prose By Any Other, and Token Folk Acoustic. As the Founding Director of Bessie’s, a private artist studio and salon, Devlin hosts art, community, literary and acoustic music events in Brooklyn. Devlin has toured nationally and internationally for over a decade. An Autoharpist and singer-songwriter with avant-garde-folk sensibilities, she defies traditional song structures, weaving small worlds where magic and fantasies collide. Devlin’s third full-length album, Orchid Mantis, released in 2017, received 4.5/5 from Impose Magazine and is the follow-up to the previously released albums: For Whom the Angels Named, in 2011, Ladybug EP in 2011 and All Are Relative, in 2009. In 2020, Devlin will release her second EP, Conscientious Objector. Post-COVID, Devlin will continue to tour and will release her fourth full-length album, My Father’s Country.
Heather Thomas Loepp is pursuing an MFA in creative writing; meddling with her favorites: poetry, hybrid and the lyric essay. She has worked previously as a journalist, writing profiles on local artists, events, and the music scene—writing songs long before poetry in bands since childhood. Her poetry explores Native American mixed-blood identity, the camaraderie that can be found in poverty, and intergenerational trauma with humor & tenderness. She is working on publishing her first book of poems, entitled If I Were an Unhooked Rabbit. Heather spends her free time cooking elaborate meals for no one in her tiny house in the woods, where the fear of being mauled by a neighborhood cougar is a daily concern. Please send help or dinner guests.
Diana Norma Szokolyai is the Executive Artistic Director of Cambridge Writers’ Workshop and co-founder of Chagall Performance Art Collaborative. Her books are CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, Parallel Sparrows, and Roses in the Snow. Her poetry manuscript, Milk & Water, was a finalist for Hunger Mountain’s 2020 May Day Mountain chapbook series. Her poetry was also shortlisted for the 2018 Bridport Prize and received honorable mention in the 87th Annual Writer’s Digest Competition. Her work has been published in MER VOX Quarterly, VIDA, Quail Bell Magazine, The Boston Globe, Luna Luna Magazine, and has been anthologized in Other Countries: Contemporary Poets Rewiring History, Teachers As Writers, and Die Morgendämmerung der Worte Moderner Poesie-Atlas der Roma und Sinti. Her poetry–music collaborations have hit the Creative Commons Hot 100 list and been featured on WFMU radio.
Join us for the Cambridge Writers’ Workshop’s Virtual Summer Writing Retreat each Saturday from July 11 – August 1, 2020. Our featured faculty includes David Shields, Tim Horvath, Rita Banerjee, and Diana Norma Szokolyai. All of our classes will be held online, and students are encouraged to register for each class by 11 am EDT on the Friday before each class meeting.
How to Register:
Students can sign-up individually for each class for $100 per class, or join a course series for $200 or $300 per class unit. To register for class, please send in a short 1-5 page writing sample, 2 professional references, and a cover letter conveying your interest and a short bio of who you are as an author and where you are with you creative writing. This information will help our writing faculty get to know you as a writer and your writing goals. Writers of all genres (poetry, fiction, nonfiction, screenwriting, and film) are welcome to participate in our virtual summer writing retreat.
To join our Virtual Summer Writing Retreat, you will need access to broadband internet and a working video-camera and microphone on your computer. All classes will be taught on either Google Hangouts or Zoom. Invitations to class URLS will be sent out to all registered users before our classes begin, and instructors may share reading materials for class with registered students via Dropbox or Google Drive. All classes are first-come first-serve for registration, and in case a class fills to capacity, we will refund you in full.
More information regarding our faculty, scheduling, and how to register for classes follows below. Sign up now for each class individually or as a package at cww.submittable.com!
Class Schedule:
Featured Courses:
About David Shields:
David Shields is the internationally bestselling author of twenty-two books, including Reality Hunger (recently named one of the 100 most important books of the last decade by LitHub), The Thing About Life Is That One Day You’ll Be Dead (New York Times bestseller), Black Planet (finalist for the National Book Critics Circle Award), and Other People: Takes & Mistakes (NYTBR Editors’ Choice). Nobody Hates Trump More Than Trump: An Intervention was published in 2018, The Trouble With Men: Reflections on Sex, Love, Marriage, Porn, and Power appeared in 2019. James Franco’s adaptation of I Think You’re Totally Wrong: A Quarrel, which Shields co-wrote and co-stars in, was released in 2017 (available now on Amazon, iTunes/Apple TV, Vudu, Vimeo, Kanopy, and Google Play); Shields wrote, produced, and directed Lynch: A History, a 2019 documentary film about Marshawn Lynch’s use of silence, echo, and mimicry as key tools of resistance (rave reviews in the New Yorker, the Nation, and dozens of other publications; film festival awards all over the world; available now on all of the same platforms listed above). A recipient of Guggenheim and NEA fellowships and a senior contributing editor of Conjunctions, Shields has published fiction and nonfiction in the New York Times Magazine, Harper’s, Esquire, Yale Review, Salon, Slate, Tin House, A Public Space, McSweeney’s, Believer, Huffington Post, Los Angeles Review of Books, and Best American Essays. His books have been translated into two dozen languages.
Join us from 1-3 pm EDT on Saturday July 11, 18, and 25 for David Shields’s Summer Writing Retreat series “Six Prison Breaks (Beyond Traditional Narrative),or How to make your work reflect what it feels like to be alive now rather than what it felt like to be alive in 1920.”
In this class we’ll investigate the following topics through a combination of brief videotaped lecture, live lecture, handouts, and class discussion, exploring the myriad ways in which you might deploy similar strategies in your own work.
Brevity and Journal. We’ll read and discuss flash nonfiction, mini-essays, prose-poems, poeticized journals, thematized diaries. All these forms are a way to try to lean in to the velocity and interconnectedness of contemporary existence without, in any way, sacrificing depth, rigor, complexity, nuance, sophistication.
Collage, Remix, Appropriation. In our second class, we’ll build off our first class and think about how to take these fragments, these crystallized moments, and build them into an entire book. We’ll also explore how these fragments might be yours, but they might also—when transformed—come from the culture at large.
Film, and Collaboration. The fractal elements need not be written. They might still image or cinematic montage. And they might arise from your collaboration with someone else. The point of all these gestures is to free yourself up from seeing a book or essay or story or novel as a dutifully linear operation. Maybe it could be a liberatingly open-ended text.
About Diana Norma Szokolyai:
Diana Norma Szokolyaiis a writer and yoga teacher. Her books are CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing,Parallel Sparrows, and Roses in the Snow. Her poetry manuscript Milk & Water, was a finalist for Hunger Mountain’s 2020 May Day Mountain chapbook series. Her poetry was also shortlisted for the 2018 Bridport Prize and received honorable mention in the 87th Annual Writer’s Digest Competition. Her work has been published in MER VOX Quarterly, VIDA, Quail Bell Magazine, The Boston Globe, Luna Luna Magazineand has been anthologized in Other Countries: Contemporary Poets Rewiring History, Teachers As Writers, and Die Morgendämmerung der Worte Moderner Poesie- Atlas der Roma und Sinti.Her poetry – music collaborations have hit the Creative Commons Hot 100 list and been featured on WFMU-FM. She is co-founder and Artistic Director ofChagall Performance Art Collaborative and the Cambridge Writers’ Workshop. She first learned yoga and meditation at the age of fourteen and continued to practice and learn a variety of styles of yoga over the next 24 years, until deciding to pursue her yoga teacher certification to deepen her practice. Diana Norma Szokolyai specializes in Hatha flow, Yin and meditation. Her teaching style focuses on supporting students to set intentions, find proper alignment, and engage not only with the physical, but also the philosophical and spiritual aspects of yoga. She teaches at Green Tea Yoga in Salem, MA.
10 a.m.- 10:45 a.m. Chakra Flow YogaIn Sanskrit, “chakra” means wheel or disk, and in yoga, we refer to seven chakras, or spiritual energy centers in the body. When the chakras are in balance, we feel vibrant, joyful, and serene. Chakra flow will incorporate a hatha flow, focusing on alignment and energizing asanas, as well as a calming yin flow. All Levels Welcome!
-break to refresh and change –
11:00 a.m.- 12 noon Craft of Writing Seminar: ALL GENRES (poetry, fiction, creative nonfiction)
After having practiced yoga for the first hour, in the second hour, we will discuss how the root chakra relates to our writing practice and rituals. The root chakra governs our feelings of security, and on the flip side, fear. We will discuss how these feelings influence our writing rituals and share practical information and best practices. We will also discuss how the root chakra can be used as a metaphor to dig deeper into the roots of our narratives. Looking at character backstories, etymology, and history, we will discover what is under the earth of our narratives and what grounds our storytelling craft. This second part will be part lecture, part discussion forum, and will also include writing exercises.
10 a.m. – 10:45 a.m. Chakra Flow Yoga In Sanskrit, “chakra” means wheel or disk, and in yoga, we refer to seven chakras, or spiritual energy centers in the body. When the chakras are in balance, we feel vibrant, joyful, and serene. Chakra flow will incorporate a hatha flow, focusing on alignment and energizing asanas, as well as a calming yin flow. All Levels Welcome!
-break to refresh and change –
11:00 a.m.- 12 noon Craft of Writing Seminar: ALL GENRES (poetry, fiction, creative nonfiction) After having practiced yoga for the first hour, in the second hour, we will discuss how the heart chakra governs our feelings of compassion, empathy, gratitude, but also on the flip side, jealousy and envy. We will talk about how these vulnerable feelings enter into our poems, narratives and stories through the speaker or characters. We will also discuss the question: “What is at the heart of a poem or narrative?” Sometimes, it takes a little opening up, or peeling back of our first draft to get to the heart moments of our writing. We will discuss revision strategies that can help us think more deeply about this sort of question.
Come play Surrealist and OULIPO Literary Games with Diana Norma Szokolyai and Writers from the CWW Virtual Summer Retreat. After playing some fun and generative literary games, participants will be invited to read (5 min max) from any piece written during the games or over the course of the CWW Virtual Summer Writing Workshop. It is optional to read– feel free to just come for the literary games!
About Rita Banerjee:
Rita Banerjee is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts, and Creative Executive Director of the Cambridge Writers’ Workshop. She’s the author of several books including CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, 2018), the poetry collection Echo in Four Beats (FLP, 2018), which was nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, the novella “A Night with Kali” in Approaching Footsteps (SPR, 2016), and the poetry chapbook Cracklers at Night (FLP, 2010). She is the co-writer of Burning Down the Louvre (2021), a documentary film about race, intimacy, and tribalism in the United States and in France. Her work also appears in PANK, Nat. Brut., Poets & Writers, Academy of American Poets, Vermont Public Radio, and elsewhere.
Plato argues that human behavior flows from three main sources: desire, emotion, and knowledge. And before staging Kalidasa’s The Recognition of Śākuntalā, the director challenges his actress-lover: “As though in a painting, the entire audience has had their emotion colored through your melody. So now—what shall we perform to sustain the mood?” In this class, we will explore how creating vivid emotional worlds between characters and within storylines can build suspense, sustain drama, and lure the reader deeper in. Whether you’re currently working on a short story, novel, screenplay, theatrical play, lyrical essay, memoir, or narrative poem this class will help you craft a unique emotional landscape
Tim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award for Outstanding Work of Fiction, and Circulation (sunnyoutside). His fiction has appeared in Conjunctions, AGNI, Harvard Review, and many other journals, and his book reviews appear in Georgia Review, The Brooklyn Rail, and American Book Review. His novel-in-progress focuses on the lives of contemporary classical composers and musicians. He has taught Creative Writing in the Granada, Spain, program for the Cambridge Writers’ Workshop, and in the BFA and MFA programs at New England College, including the Institute of Art and Design.
Join us from 3:30-5:30 pm EDT on Saturday July 11, 18, 25 and August 1 for Tim Horvath’s Summer Writing Retreat series:
We rely on our senses all the time, as humans to navigate the world, and as writers to draw readers into our characters’ lives and worlds. But what happens to writing in a time of social distancing, when we find ourselves in isolation, wary of touch, breathing into masks, longing for restaurants, and watching history unfold on screens? I’d suggest that it’s all the more important that we reconnect with our senses, both for our well-being and our creativity. In this class, we’ll aim to do so.
In Part One, we’ll explore the senses of sight and sound, looking at how writers use imagery and the sounds and rhythms of language to make scenes, stories, narrative essays, and poems come alive. We’ll read authors whose writing is so vivid we feel as though we can enter it, and writers whose voice is so powerful that it feels like music.
In Part Two, we’ll explore the senses of touch, smell, and taste, again delving into how they can enhance writing across genres. Again, we’ll read authors whose writing makes you feel the rush of a rodeo ride, or who transport you through scent and food into entire realms of association and memory.In each case, we’ll use these as springboards for our own writing, whether you’re starting from scratch or working on an ongoing project. It isn’t necessary to take both of these, as they will stand alone, although they will also fit together well.
It is a given that writers must learn to read closely, with attention to nuance and craft, to unravel the methods by which other writers have managed to tell stories effectively and adapt them for their own purposes. In this class, we’ll focus on contemporary writers in Spanish.
In Part One, we’ll look at some canonical writers from the last century such as Borges, Valenzuela, Puig, Uhart, and Cortázar, and explore how social and political conditions shaped the so-called “Latin American Boom.” Apart from an appreciation of their work on the page, what can we take away from their work? We’ll do some exercises that take the playful spirit of these writers and welcome it into our own writing.
In Part Two, we’ll look at how today’s Spanish language writers are both continuing and radically transforming that tradition today. In particular, we’ll examine writers such as Ariana Harwicz, Andrés Neuman, Cristina Rivera Garza, and Samanta Schweblin, each of whom bends narrative and language, and thus our understanding of reality itself. We’ll also explore the fraught, infinitely rich topic of translation, discussing its complexities and even comparing a passage or two in English and Spanish. What language choices did the translator have to make? What was lost and gained? As we look at translation, we’ll pose the further question of what we can learn from it as we seek to “translate” any event, image, idea, or experience into language. In this case, too, we will do some exercises that use these writers and concepts as points of departure. It isn’t necessary to take both of these, as they will stand alone, although they will also fit together well.
Today, is Juneteenth which marks the end of slavery in the United States. However we realize that systemic racism and inequality continue in the United States. We, at the Cambridge Writers’ Workshop, reject racism, prejudice and violence in all forms. We are heartbroken at the murders of George Floyd, Breonna Taylor, Ahmaud Arbery, and so many other Black Americans who have lost their lives unjustly. This country is built on racist systems like slavery, disenfranchisement, redlining, and mass incarceration. We are living in a moment when systemic racism is coming to a head with the eruption of police brutality. Right now, we take a stand and say Black Lives Matter.
As an arts organization centered around creative writing, we want to also say Black imagination matters and Black voices matter. The Cambridge Writers’ Workshop community would not be complete without the richness that our Black writers and writing retreat participants have brought. To meet this moment, we want to announce a reading we have coming up in support of Black Visions Collective and Black Lives Matter.
The CWW’s Reading for Black Visions Collective is in support of the Black Lives Matter movement. Our featured authors for our June 26 reading are Devynity Wray, Rita Banerjee, Alex Marzano-Lesnevich , Frederick-Douglass Knowles II, Maggie Downs, Tim Horvath, and Diana Norma Szokolyai. The writers featured in our reading were part of the Cambridge Writers’ Workshop Summer in Granada Writing Retreat. Granada is known as a multicultural city, where Roma, Catholics, Jews, and Muslims have all been a part of creating a culture in conversation. It is also the city of Frederico García Lorca, who was a queer poet and part of the anti-facist movement in Spain. He was assassinated by fascist dictator Franco’s firing squads for his antifascist beliefs. As a literary organization, we, the Cambridge Writers’ Workshop, are a community of writers who stand unwaveringly against fascism globally and in support of ending systemic racism in the United States. #BlackLivesMatter
“Since 2017, Black Visions Collective, has been putting into practice the lessons learned from organizations before us in order to shape a political home for Black people across Minnesota. We aim to center our work in healing and transformative justice principles, intentionally develop our organizations core “DNA” to ensure sustainability, and develop Minnesota’s emerging Black leadership to lead powerful campaigns. By building movements from the ground up with an integrated model, we are creating the conditions for long term success and transformation.
Black Visions Collective envisions a world in which ALL Black Lives Matter. We use the guidance and brilliance of our ancestors as well as the teachings of our own experiences to pursue our commitment to dismantling systems of oppression and violence. We are determined in our pursuit of dignity and equity for all.”
The CWW’s Reading for Black Visions Collective is in support of the Black Lives Matter movement. The readers featured this evening were part of the Cambridge Writers’ Workshop Summer in Granada Writing Retreat. Granada is known as a multicultural city, where Roma, Catholics, Jews, and Muslims have all been a part of creating a culture in conversation. It is also the city of Frederico García Lorca, who was a queer poet and part of the anti-facist movement in Spain. He was assassinated by fascist dictator Franco’s firing squads for his antifascist beliefs. As a literary organization, we, the Cambridge Writers’ Workshop, are a community of writers who stand unwaveringly against fascism globally and in support of ending systemic racism in the United States. #BlackLivesMatter
“Since 2017, Black Visions Collective, has been putting into practice the lessons learned from organizations before us in order to shape a political home for Black people across Minnesota. We aim to center our work in healing and transformative justice principles, intentionally develop our organizations core “DNA” to ensure sustainability, and develop Minnesota’s emerging Black leadership to lead powerful campaigns. By building movements from the ground up with an integrated model, we are creating the conditions for long term success and transformation.
Black Visions Collective envisions a world in which ALL Black Lives Matter. We use the guidance and brilliance of our ancestors as well as the teachings of our own experiences to pursue our commitment to dismantling systems of oppression and violence. We are determined in our pursuit of dignity and equity for all.”
Devynity Wray is a writer and visual artist from Queens, New York. Her work investigates the condition of Black people in America, her heritage and the legacy of her ancestors in contemporary form. Wray is a Hunter College graduate, a Nuyorican slam team poet and a Cambridge Writer’s Workshop alumna.
Rita Banerjee is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts, and Creative Executive Director of the Cambridge Writers’ Workshop. She’s the author of several books including CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, 2018), the poetry collection Echo in Four Beats (FLP, 2018), which was nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, the novella “A Night with Kali” in Approaching Footsteps (SPR, 2016), and the poetry chapbook Cracklers at Night (FLP, 2010). She is the co-writer of Burning Down the Louvre (2021), a documentary film about race, intimacy, and tribalism in the United States and in France. Her work also appears in PANK, Nat. Brut., Poets & Writers, Academy of American Poets, Vermont Public Radio, and elsewhere.
Alex Marzano-Lesnevich is the author of THE FACT OF A BODY: A Murder and a Memoir, which received a Lambda Literary Award, the Chautauqua Prize, prizes in France and Canada, and was translated into nine languages. The recipient of fellowships from The National Endowment for the Arts, MacDowell, Yaddo, and the Bread Loaf Writers Conference, as well as a Rona Jaffe Award, Marzano-Lesnevich has written for The New York Times, The Boston Globe, Oxford American, Harper’s, and many other publications. They live in Portland, Maine, and are an assistant professor at Bowdoin College. They are at work on a book about gender, from which an excerpt will appear in Best American Essays 2020.
Frederick-Douglass Knowles II is an Educator and Activist fervent in achieving community augmentation through literary arts. He is the inaugural Poet Laureate for the City of Hartford. His works have been selected as a finalist for the New England Association of Teachers of English (NEATE) Poet of the Year Award, as well as a nominee for a Pushcart Prize. He is a recipient of the Nutmeg Poetry Award, and the 2020 Connecticut of The Arts Fellow in Artist Excellence for Poetry/ Creative Non-Fiction. Frederick-Douglass is the author of BlackRoseCity, andan Associate Professor of English at Three Rivers Community College in Norwich, CT.
Maggie Downs is an award-winning writer and essayist based in Palm Springs, California. Her work has appeared in The New York Times, The Washington Post, Los Angeles Times, Palm Springs Life, and McSweeney’s, among publications, and has been anthologized in The Lonely Planet Travel Anthology: True Stories from the World’s Best Writers and Best Women’s Travel Writing. She is also the co-host of the radio show and podcast Open Book, with New York Times bestselling writer Tod Goldberg, and holds an MFA in creative nonfiction from the University of California, Riverside-Palm Desert. Braver Than You Think: Around the World on the Trip of My (Mother’s) Lifetime, is her first book. Find out more at maggiedowns.com.
Tim Horvath is the author of Understories (Bellevue Literary Press), which won the New Hampshire Literary Award for Outstanding Work of Fiction, and Circulation (sunnyoutside). His fiction has appeared in Conjunctions, AGNI, Harvard Review, and many other journals, and his book reviews appear in Georgia Review, The Brooklyn Rail, and American Book Review. His novel-in-progress focuses on the lives of contemporary classical composers and musicians. He has taught Creative Writing in the Granada, Spain, program for the Cambridge Writers’ Workshop, and in the BFA and MFA programs at New England College, including the Institute of Art and Design.
As part of ChagallPAC’s Fourth Fridays Literary Salon Series, the Cambridge Writers’ Workshop presents a COVID-19 Benefit Reading on May 22nd at 8:00 p.m. to 9:00 p.m. EDT. We are excited to have this event featured and broadcast on Creative Northshore Facebook Live Channel.
The Cambridge Writers’ Workshop COVID-19 Benefit Reading will support the Boston Resiliency Fund, which raises money for providing food to Boston’s children, families and seniors, providing technology to Boston Public Schools for remote learning, and to provide support to first responders, front-line workers, and healthcare workers so they can effectively do their job and promote public health.
During our reading, we will be raising awareness for the cause and ask our audience members to make donations via the link that we have provided below. We are looking forward to supporting this cause and being able to give back to our community. We encourage our audience members to donate to the Boston Resiliency Fund with the link below. Please tune in to our Facebook Live event!
Rita Banerjeeis the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts, and Creative Executive Director of the Cambridge Writers’ Workshop. She’s the author of several books including CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, 2018), the poetry collection Echo in Four Beats (FLP, 2018), which was nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, the novella “A Night with Kali” in Approaching Footsteps (SPR, 2016), and the poetry chapbook Cracklers at Night (FLP, 2010). She is the co-writer of Burning Down the Louvre (2021), a documentary film about race, intimacy, and tribalism in the United States and in France. Her work also appears in PANK, Nat. Brut., Poets & Writers, Academy of American Poets, Vermont Public Radio, and elsewhere.
Madeleine Barnesis a poet, visual artist, and doctoral fellow at The Graduate Center, CUNY. Her debut poetry collection, You Do Not Have To Be Good, was Trio House Press’ open reading selection, and will be published in July 2020. She is the author of three chapbooks, most recently Women’s Work, forthcoming from Tolsun Books in 2021. She serves as Poetry Editor at Cordella Magazine, a publication that showcases the work of women and non-binary writers and artists. She’s the recipient of two Academy of American Poets poetry prizes, the Princeton Poetry Prize, the Gertrude Gordon Journalism Prize, and the Three Rivers Review Poetry Prize. She teaches at Brooklyn College. Visit her at madeleinebarnes.com
Ariel Franciscois the author of A Sinking Ship is Still a Ship (Burrow Press, 2020), All My Heroes Are Broke (C&R Press, 2017) which was named one of the 8 Best Latino Books of 2017 by Rigoberto Gonzalez, and Before Snowfall, After Rain (Glass Poetry Press, 2016). Born in the Bronx to Dominican and Guatemalan parents, he was raised in Miami and completed his MFA at Florida International University. He now lives in Brooklyn and is completing a masters in literary translation. He was named one of the Five Florida Writers to Watch in 2019 by The Miami New Times. You can contact him at Ariel.Francisco.305@gmail.com for publication solicitations, manuscript consultations, translations, and reading opportunities.
GM Palmer lives with his family on a poodle farm in North Florida. His poems, stories, and reviews have appeared in The Hopkins Review, Literary Matters, Tahoma Literary Review, and elsewhere. Links to his work can be found on Twitter @gm_palmer.
The Cambridge Writers’ Workshop team wanted to take a moment to recognize the unprecedented challenges we are facing together globally. If you are struggling with loss, grief, or just stress right now, we want you to know that you are not alone. During this pandemic, we have been trying to act responsibly with regards to our programming.
We cancelled our Spring in New Orleans Writing Retreat (March 19-22, 2020) because of the threat COVID-19 posed in New Orleans. Over the last 8 years, since we began our retreat programming in 2012, we have never had to cancel a writing retreat, but we felt this was necessary for the health and safety of everyone. We are continually assessing the COVID-19 situation as it unfolds, and at this time, we are making the decision to also cancel our Summer in Paris Writing Retreat (July 16-21, 2020). We feel that it is the most responsible course of action at this time.
With that said, we are looking towards the future and how we can adapt to the current situation. Keep a look out for an online series of writing workshops that will launch over the summer. Cambridge Writers’ Workshop faculty will be giving writing workshops that will combine asynchronous and synchronous learning via lectures, seminars, and creative writing workshops over video conference.
We are also currently reading through submissions for our Disobedient Futures anthology, and will be announcing our list of accepted authors by the end of Summer 2020.
We will also be hosting readings on the fourth Fridays of each month over the summer, starting with our COVID-19 Benefit Reading on May 22, 2020 at 8 p.m EDT. Our May 22 Reading will support COVID-19 response efforts. Stay tuned for more details.
Cambridge Writers' Workshop 