Rita Banerjee’s essay, “Emotion and Suspense: The Essence of Rasa Theory,” now available in Poets & Writers Magazine

Rita Banerjee‘s essay, “Emotion and Suspense: The Essence of Rasa Theory” now appears in the January/February 2017 Inspiration Issue of Poets & Writers Magazine.  An excerpt from the article follows below:

“Rasa theory centers on taste. Not taste in the sense of sophistication or composure or discernment. Not taste in the sense of good or bad. But taste in its most primal, animalistic, emotive, and provocative form.

Rasa is what happens to you, spectator, reader, part-time lover, when you watch or read a work of art with intensity. Rasa is the flavor of the art experience. It is the feeling produced in the viewer when a work of art is at its most potent and devastating form. Rasa is the immediate, unfettered emotional reaction produced in the spectator when a work of art has left her breathless or yearning for more. Rasa means to savor, to bring a work of art within the body, to let words linger on the tongue. Rasa is a shot to the heart, it’s a festering wound, it’s the mind at unrest, and it is nobody’s captive. It can be dangerous. It can be pleasurable. A visceral form of taste, rasa tends to resist cultivation and containment. Rasa is what happens to you when you find yourself spellbound and alone, and completely enraptured by a work of art for just a moment. It’s where the emotional, narrative, and lyrical landscape of a work washes over, prickles, or consumes you. It’s the moment where you loose yourself and loosen, and find in your body the first stirrings of emotion…”

To read the full article, please check your local bookstores for the current issue of Poets & Writers Magazine or visit Poets & Writers here.

Rita Banerjee’s “Chicago Ode” – A Mass Poetry: Poem of the Moment

masspoetry-poemofthemomentMany thanks to Mass Poetry for featuring CWW Creative Director Rita Banerjee’s poem, “Chicago Ode,” in their Poem of the Moment section.  Mass Poetry supports poets and poetry in Massachusetts.  Mass Poetry helps to broaden the audience of poetry readers, brings poetry to readers of all ages and transform people’s lives through inspiring verse.  A selection of the poem is included below, and you can read the poem on Mass Poetry here.

Chicago Ode

You came quiet on
cat feet with
disregard
for minor names

Like architecture,
you remained
aortal and stung—

Colors dropped
off grids and arcs
bending like yellow,
red and unglued blue

You moved like
a river under
Boul Mich elevated
trains

undulated space,
kept sails and lovers
lit on harbor.

like bodies lit
on grass, you stood
unlike bronze

unlike concrete, too
contained in no
form, no limb
that would move

like fever
your eyes grew
catlike, calling to
strange bodies,

locking lakes in land,
you asked time to
sneeze, hiccup, to not
speak at all—

asked to linger no
longer or to
stay longer like

cracklers at night,
the firework’s parched
breath & Ferris wheel
lights that held

like ships & whistles
a cradle
without thread.

* Read the poem on Mass Poetry here.

Rita Banerjee’s novella, “A Night with Kali,” in Approaching Footsteps now available for pre-order from Spider Road Press

Pageflex Persona [document: PRS0000038_00068]Rita Banerjee’s novella, A Night with Kali, will be published in Approaching Footsteps, an anthology of four compelling novellas by talented women which will keep you guessing. In the anthology, best-selling novelist Donna Hill spins a gripping tale of desperation and danger. Author Jennifer Leeper puts a unique spin on noir fiction. Writer and scholar Rita Banerjee blends a story of two unlikely allies trapped in a monsoon with a tale of murder and magic. Debut writer Megan Steusloff tells the story of an interracial couple and the deadly price that must be paid for freedom. Reader’s Bonus: Highlights from Spider Road Press’ recent flash fiction contests. Spider Road Press donates 5% of the proceeds from its titles to charities which address the issues of sexual assault, supporting American veterans, empowering youth and fighting hunger at home and abroad. Pre-order Approaching Footsteps from Spider Road Press here!

In Rita Banerjee’s novella, A Night with Kali, two people from different classes, a taxi driver called Tamal-da and his well-to-do passenger meet under unusual circumstances. Stuck together in a flood in the middle of a monsoon hitting Kolkata, Tamal entertains his bored, out-of-town passenger by telling her the story of his life. As he explains how he ended up hustling the mean streets of Kolkata, how he abandoned his rural village, and why he left his family of fishers behind, Tamal spins a tale that is both mundane and fantastic. Built on the tradition of Bengali ghost stories, Tamal’s coming-of-age tale depends as much on the supernatural as on the possibility or impossibility of human connection.

New York Premiere of Dipika Guha’s Play – Mechanics of Love – at the Paradise Factory (September 8 – 24, 2016)

DipikaGuha-MechanicsofLoveThe Cambridge Writers’ Workshop is proud to announce the New York premiere of Mechanics of Love, a new play by the talented playwright Dipika Guha, a CWW affiliate and dear friend.  Mechanics of Love, which is produced by To-By-Four Productions, a female-driven theatre and film production company dedicated to making work by women, for everyone, and directed by Elena Araoz, will play at the Paradise Factory in New York City from September 8 – 24, 2016.

In the play, a man who forgets everything falls in love with a ballerina who forgets nothing. That is, until she falls in love with him. And his wife. And the mechanic. This rapidly moving, madcap comedy explores how we love, who we choose, and the cost of making sense of it all.  On Mechanics of Love, Mina Morita writes:

“Written with a finely tuned and absurd lilt, wry poetry, and unnerving humor, her plays break open character stereotypes piece by piece to reveal the shared and vulnerable underbelly of our humanity. She creates worlds that exist beyond the traditional psychological realism of most American theatre, and employs the poetry of unexpected pairings and motives to capture a more truthful human experience.  Love is that intangible force that has assured the growth of humankind and our survival, driven the creation of entire industries, and caused artists to go mad trying to capture its essence. In Mechanics of Love, Guha unveils ‘a mythical European city, pressed up against a communist state’ that has recently fallen. The citizens are suddenly awakened to the possibility of being anyone, or falling in love with anyone… and everyone! It is a moment when cultural norms are being rewritten.”

Dipika Guha’s Mechanics of Love had its world premiere at the Crowded Fire Theater in San Francisco, CA in February 2016.  The cast of this mad-cap love dramedy includes actors Victoria Frings, Anastasia Olowin, Eric Miler, and Sathya Sridharan.  Performances will be held at the Paradise Factory (64 E 4th St, New York, New York 10003) and will take place on Wednesday and Thursday at 7:30pm and Friday and Saturday at 8pm with matinees on Saturday, September 17 & 24 and Sunday, September 11 & 18 at 2pm, and an opening night performance on Monday, September 12 at 7:30pm. Tickets are available online at www.tobyforproductions.com or by calling 1-800-838-3006.

DipikaGuhaDipika Guha was born in Calcutta and raised in India, Russia and the United Kingdom. She is the inaugural recipient of the Shakespeare’s Sister Playwriting Fellowship with The Lark Playwrights Development Center, A Room of Her Own and Hedgebrook. Her plays include I ENTER the VALLEY (Upcoming; Theatreworks New Play Festival, Finalist Ruby Prize ’15); THE ART of GAMAN (KILROY LIST 2016, Upcoming: Berkeley Rep Ground Floor), MECHANICS of LOVE (Crowded Fire Theatre) and UNRELIABLE(developed at the Rattlestick Playwrights Theatre). She is currently under commission from South Coast Rep, Oregon Shakespeare Festival and Playwrights Horizons Theatre School.

Her work has been developed at Rattlestick Playwrights Theatre, The Atlantic Theatre Company, the Drama League, Cutting Ball Theatre, Playwrights Horizons, New Georges, Roundabout Underground, Shotgun Players, Red Bull Theatre, Leviathan Theatre, Naked Angels, The Cherry Lane Theatre, One Coast Collaboration, The Sam French OOB Festival, The 24 Hour Plays on Broadway and the Tobacco Factory (UK) amongst others. She’s been awarded residencies at the Hermitage Artist Residency, Djerassi Resident Artists Program, SPACE at Ryder Farm, McCarter Theatre’s Sallie B.Goodman Residency, Ucross Artists Residency and the Rasmuson Foundation in Sitka, Alaska. She’s an alumnus of Ars Nova Playgroup, the Dramatists Guild Fellows Program, Soho Rep W/D Lab, the Women’s Project Lab & the Ma-Yi Writer’s Lab.

Dipika received her BA in English Literature from University College London, was a Frank Knox Fellow at Harvard University and received her MFA in Playwriting at the Yale School of Drama under Paula Vogel. She is currently a Visiting Artist at the Schell Center for International Human Rights at Yale Law School and a Resident Playwright at The Playwrights Foundation in San Francisco. Despite a long run in the United States she still drinks tea. 

Announcing New Cambridge Writers’ Workshop Faculty

The Cambridge Writers’ Workshop is delighted to announce that Heidi Pitlor and Laura van den Berg will be joining us as full faculty on our upcoming retreats and workshops, and that Lily Hoang and Frederick-Douglass Knowles II will be our newly appointed Summer 2016 Teaching Fellows.  More about our new faculty and teaching fellows and their talented work in fiction, editing, publishing, nonfiction, poetry, and performance can be found below:

49zoqdckHeidi Pitlor received her B.A. from McGill University in Montreal and her M.F.A. in Creative Writing from Emerson College. She eventually became an editor and later a senior editor at Houghton Mifflin (now Houghton Mifflin Harcourt). She has been the series editor of The Best American Short Stories since 2007. Her writing has appeared in such publications as Ploughshares, The Huffington Post, and Labor Day: True Birth Stories by Today’s Best Women Writers.

LauraCandidPhotoLaura van den Berg was raised in Florida and earned her M.F.A. at Emerson College. Her first novel, Find Me, published by FSG last yearwas selected as a “Best Book of 2015” by NPR, Time Out New York, and BuzzFeed, among others. Find Me was longlisted for the 2016 International Dylan Thomas Prize. She is also the author of two collections of stories, What the World Will Look Like When All the Water Leaves Us (Dzanc Books, 2009) and The Isle of Youth (FSG, 2013). What the World was a Barnes & Noble “Discover Great New Writers” selection and shortlisted for the Frank O’Connor International Short Story Award. The Isle of Youth was named a “Best Book of 2013” by over a dozen outlets, including NPR, The Boston Globe, and O, The Oprah Magazine; a finalist for the Frank O’Connor Award; and received The Rosenthal Family Foundation Award from the American Academy of Arts & Letters and the 2015 Bard Fiction Prize. Laura lives in Brooklyn with her husband and dog, and she is currently at work on a new story collection and a new novel, both forthcoming from FSG. Beginning in the fall of 2016, she will be a Briggs-Copeland Lecturer in Fiction at Harvard.

lily

Lily Hoang is the author of five books, including A Bestiary (winner of the inaugural Cleveland State University Poetry Center’s Nonfiction Contest) and Changing (recipient of a PEN Open Books Award). With Joshua Marie Wilkinson, she edited the anthology The Force of What’s Possible: Writers on Accessibility and the Avant-Garde. She is Director of the MFA program at New Mexico State University. She serves as Prose Editor at Puerto del Sol and Editor for Jaded Ibis Press.

Frederick-Douglass Knowles IIFDK is a poet, educator and activist involved in community education and the performing arts. He has competed on two National Poetry Slam Teams and served as the 2011 Connecticut Slam Team coach. His works have been featured in Poems on the Road to Peace: A Collective Tribute to Dr. King Volume 2Peabody Museum of Natural History by Yale University Press, The East Haddam Stage Company of Connecticut, The 13th Annual Acacia Group Conference at California State University, Folio –a Southern Connecticut State University literary magazine, Lefoko –a Botswana, Southern Africa Hip-Hop magazine and Fingernails Across the Chalkboard: Poetry and Prose on HIV/AIDS from the Black Diaspora by Third World Press. Frederick-Douglass is currently an Assistant Professor of English at Three Rivers Community College where he infuses English Composition with social injustice.

Please give a warm welcome to our new CWW Faculty!  We’re excited to have such wonderful writers join our team!

~ Cambridge Writers’ Workshop

Soundtrack for Jade Sylvan’s “Spider Cult: The Musical” now available on Bandcamp!

SpiderCultSoundtrackCongratulations to CWW Instructor and talented playwright, Jade Sylvan, for a raucous performance of their play, Spider Cult: The Musical, at the American Repertory Theatre in Harvard Square in Cambridge, MA this past weekend!  The play was produced by Jane Doe, choreographed and directed by Fem Bones, and featured dance performances by the Slaughterhouse Sweethearts.  Catherine Cappozi (a.k.a. AxeMunkee) played electric guitar and composed the soundtrack for Spider Cult.  We’re proud to announce that the original soundtrack for Spider Cult: The Musical is now available on Bandcamp for those who couldn’t make it out to Cambridge, MA to see the play this weekend.  And a big hurrah for Jade Sylvan and the wonderful cast and crew of Spider Cult who brought down the house at the Oberon Theatre on Sunday!

“Narrative as Provocation” by Rita Banerjee featured on The Poetry Foundation

poetry_foundationThe Poetry Foundation has featured Rita Banerjee’s article, “Narrative as Provocation” on their Harriet: A Poetry Blog today.  The Poetry Foundation writes:

Poet Douglas Piccinnini’s Story Book: A Novella (The Cultural Society, 2015) “suspends and electrifies narration mid-creation,” writes Rita Banerjee in a review of the work at LA Review of Books. “Piccinnini’s training as a poet illuminates his work, the structure of his prose echoing the long-lines of Ammons and Walt Whitman,” she writes.  More:

“These rolling lines are less biting than Ginsberg’s, but through a Stein–like interplay of sense and nonsense, his diction evokes vulnerability and makes evident the emotional, psychological, and cultural stakes involved. In this space of confusion, syntax and grammar break down as the speaker attempts to reformulate his own expression and empower his own disabled tongue. As language learns to articulate itself, ready-made forms of cultural capital — such as the privilege of being an American or speaking in the neo-colonizing tongue of English — are challenged by the speaker’s very inability to give them significance or import. In this Chapter 1 and in others, the parameters of the speaker’s life, of his identity, and of his sexuality are called into question by the birth and death of language.”

Read more about the The Poetry Foundation’s post on “Narrative as Provocation” here.

“Narrative as Provocation” by Rita Banerjee – Los Angeles Review of Books

LARB

In this week’s edition of the Los Angeles Review of Books, Rita Banerjee reviews Douglas Piccinnini’s Story Book: A Novella.  She writes:

DOUGLAS PICCINNINI’S Story Book: A Novella suspends and electrifies narration mid-creation. Story Book explores narratives of self-imposed amnesia, bloody encounters at home and on the road, Oedipal rage, suburban cocoons and the anxiety of marriage, male sexuality and therapy sessions gone awry, Catholic school and homosociality, confrontations with love, death, and surveillance, and of course, the purported cure-all of worst-case scenario guides. The “novella” is composed of a series of short stories which all begin with the title, “Chapter 1.” Each Chapter 1, laced with metatextuality, develops its own existential confusions before arriving at a moment of implosion or interruption.

Story Book is thus about a modern man, a modern artist, and a modern thinker disabled by language. The ghosts of Gertrude Stein, A. R. Ammons, and Samuel Beckett haunt Piccinnini’s prose as each chapter performs its role as self-confrontation or self-interview. Piccinnini’s power as a writer emerges when his disabled speaker learns how to articulate himself, and how to use the very language that hinders his understanding of himself, in order to climb out of existential dilemmas and tailspins…

Another Story-Book“Chapter 1” begins with the simple provocation: “What did I love?” In this chapter, the speaker sits alone at his computer trying to decipher the meaning of his relationships with women and his odd infatuation with words. He ponders the difficulty of writing an address, a story in which the perspectives of the “you” and “I” combine and trade places. He considers how easily days of productivity disappear as the writer attempts to get a sense of urgency on paper. He writes, “I feel the quotation of an afternoon, emptied — empty before me,” and then reveals:

This is the third time I’ve lived with a woman.

I’ve been in love before. I’ve been loved. I’ve also wanted to have sex with the same person over and over again but that is not love, I think.

Sex can be love. But love and sex are different, obviously. Is it obvious? Sometimes you’ll want to have sex with someone you don’t know and never want to know. You’ll find yourself destroying a complete stranger in some compromising position. It would seem to be some biological failure, love and how we live.

This is the first time I’ve been married. I love my wife. I read recently, “Love is a condition of understanding.” I’m quoting from memory. It sounds like something you might read anywhere.

A nagging sense of quotation, of living a life built on quotation marks haunts the novella. The speakers of his stories are troubled by the thought that their very human existence and their desires for creative expression have already been written and have found a home in someone else’s prose. The fear of living a life already recorded and already performed by literary archetypes creates a start-and-stop motion in Piccinnini’s prose.

Read the rest of the review on the Los Angeles Review of Books.

RitaBanerjeeRita Banerjee received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington.  Her writing has appeared in Electric Literature, VIDA: Women in Literary Arts, Queen Mob’s Tea House, Riot Grrrl Magazine, Poets for Living Waters, The Fiction Project, Objet d’Art, and on KBOO Radio’s APA Compass in Portland, Oregon. Her first collection of poems, Cracklers at Night, received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, is forthcoming from Spider Road Press in October 2016. Creative Director of the Cambridge Writers’ Workshop, she is currently working on a novel and a book of lyric essays.

Queen Mob’s Tea House feats. Rita Banerjee’s new poetry & fiction – “Birds on Blue” & “Darling Marie”

“Is it not sweet to think that, if only you have patience,
all that has ever been will come back to you?” —Isak Dinesen

The current issue of Queen Mob’s Tea House features Rita Banerjee’s jazzy atomic-age poem, “Birds on Blue.”

“This corner of Valencia seemed gray and abandoned but in the middle of all this nothingness, Marie could imagine that door, in another time, opening up into a dimly lit cigar-centered room, covered by umbrella lamps and French boudoir wallpaper.  The windows next to the entrance would be opaque and flickering…There was gunpowder and the unknown behind it, and in her hand, she held the black-lacquered fan and its secrets…”

The new issue of Queen Mob’s Tea House also features Rita Banerjee’s neo-noir story, “Darling Marie.”

RitaBanerjee3Rita Banerjee received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington.  Her writing has been published or is forthcoming in theLos Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Riot Grrrl Magazine, Objet d’Art, and on KBOO Radio’s APA Compass in Portland, Oregon.  Her first collection of poems, Cracklers at Night (Finishing Line Press) received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali (Spider Road Press), is forthcoming in 2016.  Creative Director of the Cambridge Writers’ Workshop, she is currently working on a novel, a book on translation and modernisms, and a book of lyric essays.

Sabor y Cultura: Cambridge Writers’ Workshop AWP 2016 Reading – April 1, 4-7 pm

CWW-AWP2016Reading

The Cambridge Writers’ Workshop is coming to Los Angeles for the AWP Conference (March 30 – April 2, 2016)!  Last year’s AWP was a success with our bookfair table and reading at Boneshaker Books.  This year, you’ll be able to find us at Table 1157 and find information regarding our upcoming Spring in Newport, Rhode Island (April 22-25, 2016) Summer in Narbonne & Barcelona (July 18-26, 2016), and Summer in Granada, Spain (July  28-August 5, 2016) Writing Retreats.

We’ll also be hosting our AWP Reading at Sabor y Cultura (located at 5625 Hollywood BlvdLos Angeles, CA 90028) on Friday, April 1, 2016 from 4-7 pm.  Featured Readers include Rita BanerjeeJess BurnquistJulialicia CaseAriana KellyGwen E. KirbyKatie KnollEllaraine LockieOndrej PazdirekHeather Aimee O’NeillBrenda Peynado, Esther Pfaff, Jessica PiazzaJonathan ShapiroEmily Skaja, and Emily Smith.

Featured AWP Writers:

RitaBanerjeeRita Banerjee received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington.  Her writing has been published or is forthcoming in the Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, Poets for Living Waters, The Monarch Review, The Fiction Project, Quail Bell Magazine, Jaggery, Catamaran, The Crab Creek Review, The Dudley Review, Objet d’Art, Amethyst Arsenic, Vox Populi, Dr. Hurley’s Snake-Oil Cure, Chrysanthemum, and on KBOO Radio’s APA Compass in Portland, Oregon.  Her first collection of poems, Cracklers at Night, was published by Finishing Line Press and received First Honorable Mention for Best Poetry Book of 2011-2012 at the Los Angeles Book Festival, and her novella, A Night with Kali, is forthcoming from Spider Road Press in 2016.  Creative Director of the Cambridge Writers’ Workshop, she is currently working on a novel and a book of lyric essays.

jess-burnquistJess Burnquist was raised in Tempe, Arizona. She received her MFA in Creative Writing from Arizona State University. Her work has appeared in Salon, GOOD MagazineThe Washington PostTime.comNPR.orgJezebelPersona, Education Week, Good Housekeeping and various online and print journals. She is a recipient of the Joan Frazier Memorial Award for the Arts at ASU. Jess currently teaches high school in San Tan Valley, and has been honored with a Sylvan Silver Apple Award. She resides in the greater Phoenix metropolitan area with her husband, son, daughter and three-legged dog, Skipper.


CasePhoto2Julialicia Case’s
fiction and creative nonfiction have appeared in Crazyhorse, Willow Springs, Witness, Water-Stone Review, The Pinch, Quarterly West, Confrontation, and other journals. She has received a Fulbright Fellowship to Germany, a University of New Orleans Writing Award for Study Abroad, and a Tennessee Williams Scholarship to the Sewanee Writers’ Conference. She graduated from the master’s program in creative writing at the University of California, Davis, and is currently studying in the PhD program in fiction at the University of Cincinnati.

img_0283Ariana Kelly earned a B.A. in Literature from Yale University and an M.F.A. in poetry from the University of Washington. In September of 2015 Bloomsbury published her first book Phone Booth, a cultural history of phone booths and communication, as part of their Object Lessons series. She has essays, poems and reviews out or forthcoming from The Atlantic, Salon, LA Review of Books, The Awl, The Toast, The Bellingham Review, Salt Hill, and Poetry Northwest, among many other journals. She is currently working on a couple of books, one a collection of essays dealing with health, place and subjectivity, and another about running. Additionally, she is working on a series of erasure poems based on the Wallpaper travel guides published by Phaidon.


KirbyGwen E. Kirby
is a native San Diegian. She left her sunny home state to get her BA at Carleton College in Northfield, Minnesota. She holds an MFA from Johns Hopkins University and is currently pursuing her PhD in creative writing at the University of Cincinnati. Her stories appear in Southwest ReviewNinth Letter, and Midwestern Gothic and have been finalists for the Zoetrope: All StoryIndiana Review, and Narrative fiction competitions. She is a staff member at the Sewanee Writers’ and Sewanee Young Writers’ Conferences.

katie_knollKatie Knoll received a BA from Florida State University and is currently a MA student of fiction at the University of Cincinnati. Her work has appeared or is forthcoming in Narrative, Nimrod, Rattle, Baltimore Review, and Exit 7, among others. Her poetry and prose have been featured as one of Narrative’s 2013 Top 5 Stories of the Year and awarded the George M. Harper Prize for fiction and the Jean Chimsky Poetry Prize.

ellaraine-lockie

Ellaraine Lockie is a widely published and awarded author of poetry, nonfiction books and essays.  Her chapbook, Where the  Meadowlark Sings, won the 2014 Encircle Publication’s Chapbook Contest. Her newest collection, Love Me Tender in Midlife, has been released as an internal chapbook, in IDES from Silver Birch Press.  Other recent work has received the Women’s National Book Association’s Poetry Prize, Best Individual Collection from Purple Patch magazine in England for Stroking David’s Leg, the San Gabriel Poetry Festival Chapbook Contest win for Red for the Funeral and The Aurorean’s Chapbook Spring Pick for Wild as in Familiar. Ellaraine teaches poetry workshops and serves as Poetry Editor for the lifestyles magazine, Lilipoh. She is currently judging the Tom Howard/Margaret Reid Poetry Contests for Winning Writers.

OdeshotOndrej Pazdirek grew up in Prague, Czech Republic and moved to the U.S. at the age of 17. He holds a B.A. degree in English from Florida State University and is currently in his last semester as an M.A. in Poetry at the University of Cincinnati. He is the recipient of the John McKay Shaw Academy of American Poets Award for 2013. He spent the last summer back in Prague as a Taft Graduate Summer Fellow, completing his first book-length manuscript, which is currently undergoing revisions. Ondrej also translates from Czech into English and his translations of Kamil Bouška have recently been published in B O D Y. His own poems have appeared in Bayou Magazine, Radar Poetry and Euphony, among others.


heatherheadshotHeather Aimee O’Neill
teaches creative writing at CUNY Hunter College and the Sackett Street Writers’ Workshop. Her most recent collection of poetry, Obliterations, is co-authored with Jessica Piazza and forthcoming by Red Hen Press. A Lambda Literary Poetry Fellow, her poetry chapbook, Memory Future, won the University of Southern California’s Gold Line Press Award, chosen by judge Carol Muske-Dukes, Poet Laureate of California. Her work has been shortlisted for the Pirate’s Alley Faulkner-Wisdom Award and has appeared in numerous literary journals. She is a freelance writer for publications such as Time Out New York, Parents Magazine and Salon.com. She lives in Brooklyn, NY, with her partner and two sons.

peynadoBrenda Peynado’s
stories have been selected for the O. Henry Prize Stories 2015 and received prizes from the Chicago Tribune’s Nelson Algren Award, Writers at Work, and the Glimmer Train Fiction Open Contest. Her work appears or is forthcoming in The Threepenny Review, Epoch, Shenandoah, Mid-American Review, Black Warrior Review, Pleiades, Colorado Review, Cimarron Review, and others. She received her MFA from Florida State University and is currently a PhD student at the University of Cincinnati.

esther4Esther Pfaff is a Munich based fiction-writer focusing on contemporary stories on personal development and family psychology.   Her current projects involve a short story collection and a novel. In daily life, she divides her time between her job as an IP lawyer and her home-based writing studio. Esther is a member of the Cambridge Writers Workshop since 2015 and was a student at a Master Class by Julia Cho, Hedgebrook (Seattle) December 5 to 14, 2015.


jesspiazzaJessica Piazza
is the author of the award-winning poetry collection Interrobang (Red Hen Press) and the chapbook This is not a sky (Black Lawrence Press). Her third collection, Obliterations (co-written with Heather Aimee O’Neill), is forthcoming from Red Hen Press. Jessica curates the Poetry Has Value blog, where she and others explore the intersection of poetry, money and worth. Born and raised in Brooklyn, New York, she holds a Ph.D. in English Literature and Creative Writing from the University of Southern California, where she teaches Writing & Rhetoric. She co-founded Bat City Review in Austin, TX, Gold Line Press in Los Angeles, CA and is currently the poetry editor for the Southern Pacific Review. Learn more at www.poetryhasvalue.com, or follow her on Twitter @JessWins.


Jonathan ShapiroJonathan Shapiro
received MFAs from Sarah Lawrence College and the University of Washington where he was a Klepser fellow. His poems have appeared in Crab Creek Review, Sow’s Ear, Cranky, Erg, The Laurel Review, The Seattle Review, and more. Jonathan’s manuscript was a finalist in the John Ciardi Poetry Prize for first books.

emily_skaja-1Emily Skaja grew up next to a cemetery in northern Illinois. She holds degrees in Creative Writing from Millikin University (BA), Temple University (MA),
and Purdue University (MFA). During her MFA, she was the Poetry Co-Editor of Sycamore Review. Emily’s poems have been published by or are forthcoming from Best New Poets 2015, Blackbird, Black Warrior Review, Devil’s Lake, Gulf Coast, Indiana Review, The Journal, jubilat, Linebreak, Mid-American Review, Ninth Letter, PANK, The Pinch, Pleiades, Poets.org, Southern Indiana Review, and Vinyl. Emily was the winner of the 2015 Gulf Coast Poetry Prize for her poem “My History As.” Her poems have been shortlisted for the Indiana Review Poetry Prize, the BoothPoetry Prize, the Sonora Review Poetry Prize, and the Black Warrior Review Poetry Contest, for which her work was selected as the runner-up. In 2015, Emily was the winner of The Russell Prize for emerging poets, an Academy of American Poets College Prize, and an AWP Intro Award. In the summer of 2015, Emily taught classes in poetry at the Martha’s Vineyard Institute for Creative Writing. Currently, she lives in Ohio, where she is a PhD student in Creative Writing with an emphasis in Poetry at the University of Cincinnati.

eb8tc9Emily Smith
is a Managing Editing and Communications Intern for the Cambridge Writers’ Workshop. Originally from Sarasota, Florida, she currently attends school at the New Hampshire Institute of Art where she studies Creative Writing and Art History. She writes for The Ploughshares Blog, Opposing Views, Highbrow Magazine. Her poetry has been published in Walleyed Press, Essence Poetry, and Ayris.

**  How to get to Sabor y Cultura:

If you are driving to the event from the Los Angeles Convention Center, you can access Sabor y Cultura by taking US-101 N to N Wilton Place. From there, take exit 8A from US-101 N. Then continue onto N Wilton Place and drive to Hollywood Boulevard. Or, you can take Georgia St to W Olympic Boulevard. Then follow W Olympic Blvd, S Alvarado St and US-101 N to Hollywood Blvd.

If you are planning on taking public transportation, you can access Sabor Y Cultura by walking approximately four minutes from the convention center to the PicoStation where you will take the Metro Blue Line (801) two stops to 7th Street / Metro CenterStation. From the 7th Street / Metro Center Station, walk approximately one minute to the Metro Red Line (802). Take the Metro Red Line (802) heading towards North Hollywood Station ten stops to the Hollywood/Western Station. From there, it is a four minute walk via Hollywood Boulevard to Sabor Y Cultura.